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GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start. -
9. Gundolf's Romanticism
https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0. -
The Tales of the Grimm Brothers in Colombia: Introduction, Dissemination, and Reception
Wayne State University Wayne State University Dissertations 1-1-2012 The alest of the grimm brothers in colombia: introduction, dissemination, and reception Alexandra Michaelis-Vultorius Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the German Literature Commons, and the Modern Languages Commons Recommended Citation Michaelis-Vultorius, Alexandra, "The alet s of the grimm brothers in colombia: introduction, dissemination, and reception" (2012). Wayne State University Dissertations. Paper 386. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE TALES OF THE GRIMM BROTHERS IN COLOMBIA: INTRODUCTION, DISSEMINATION, AND RECEPTION by ALEXANDRA MICHAELIS-VULTORIUS DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: MODERN LANGUAGES (German Studies) Approved by: __________________________________ Advisor Date __________________________________ __________________________________ __________________________________ __________________________________ © COPYRIGHT BY ALEXANDRA MICHAELIS-VULTORIUS 2011 All Rights Reserved DEDICATION To my parents, Lucio and Clemencia, for your unconditional love and support, for instilling in me the joy of learning, and for believing in happy endings. ii ACKNOWLEDGEMENTS This journey with the Brothers Grimm was made possible through the valuable help, expertise, and kindness of a great number of people. First and foremost I want to thank my advisor and mentor, Professor Don Haase. You have been a wonderful teacher and a great inspiration for me over the past years. I am deeply grateful for your insight, guidance, dedication, and infinite patience throughout the writing of this dissertation. -
Wilhelm Müller's Lyrical Song-Cycles
Wilhelm Müller’s Lyrical Song-Cycles From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Wilhelm Müller’s Lyrical Song-Cycles Interpretations and Texts alan p. cottrell UNC Studies in the Germanic Languages and Literatures Number 66 Copyright © 1970 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Cottrell, Alan P.Wilhelm Müller’s Lyrical Song-Cy- cles: Interpretations and Texts. Chapel Hill: University of North Caroli- na Press, 1970. doi: https://doi.org/10.5149/9781469657240_Cottrell Library of Congress Cataloging-in-Publication Data Names: Cottrell, Alan P. Title: Wilhelm Müller’s lyrical song-cycles : Interpretations and texts / by Alan P. Cottrell. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 66. Description: Chapel Hill : University of North Carolina Press, [1970] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 73635053 | isbn 978-1-4696-5723-3 (pbk: alk. paper) | isbn978-1-4696-5724-0 (ebook) Subjects: Müller, Wilhelm, 1794-1827 — Criticism and interpretation. -
Weitere Literarische Texte Im Kontext Des Lichtenstein
Weitere literarische Texte im Kontext des Lichtenstein Gustav Schwab, Schloß Lichtenstein (1816) In einem tiefen grünen Thal „Auf meiner Burg, Herr Herzog, ja! Steigt auf ein Fels, als wie ein Strahl, Ist Erde fern, doch Himmel nah; Drauf schaut das Schlößlein Lichtenstein Wer schaut hinauf und wohnt nicht gern Vergnüglich in die Welt hinein. Im Himmelreich von Mond und Stern?“ 5 In dieser abgeschiednen Au 45 Da hebt der Herzog seinen Blick Da baut‘ es eine Ritterfrau, Und sieht nicht wieder aufs Land zurück; Sie war der Welt und Menschen satt, Von Nacht zu Nacht wird er nicht satt, Auf den Bergen sucht sie eine Stadt. Bis er es wohl verstanden hat. Den Fels umklammert des Schlosses Grund, Und als nach manchem schweren Jahr 10 Zu jeder Seite gähnt ein Schlund, 50 Er wieder Herr vom Lande war, Die Treppen müssen, die Wände von Stein, Da hat er alles wohl bestellt Die Böden ausgegossen sein. Und hieß ein Freund von Gott und Welt. So kann es trotzen Wetter und Sturm, Wie hat er erworben solche Gunst? Die Frau wohnt sicher auf ihrem Turm. Wo hat er erlernet solche Kunst? 15 Sie schauet tief ins Thal hinab, 55 In des Himmels Buch, auf Lichtenstein, Auf die Dörfer und Felder, wie ins Grab. Da hat er’s gelesen im Sternenschein. * „Die blaue Luft, der Sonnenschein,“ Das Schloß zerfiel, es ward daraus Spricht sie, „der Wälder Klang ist mein, Ein leichtgezimmert Försterhaus; Eine Feindin bin ich aller Welt, Doch schonet sein der Winde Stoß, 20 Zu Gottes Freundin doch bestellt.“ 60 Meint, es sei noch das alte Schloß. -
Peasant Life in Old German Epics; Meier Helmbrecht and Der Arme
nf Jlnrt^a Ctbrartpfi RECORDS OF CIVILIZATION SOURCES AND STUDIES Edited tinder the auspices of the DEPAKTMENT OF HISTOEY COLUMBIA UNIVERSITY General Editor Austin P. Evans, Ph.D. Professor of History Associate Editors Frederick Barry, Ph.D. John Dickinson, Ph.D. Associate Professor of the History of Professor of Cottstitutionat Law, Unu Science versity of Pennsylvania Advisory Board Franklin H. Giddings, LL.D. Dana Carleton Munro, L.H.D. and Dodge Professor Medieval History, Professor Emeritus _ of Sociology of the History of Civilisation in Residence Princeton University Carlton J. H. Hayes, Litt.D. David Muzzey, Ph.D. Professor of History Professor of History F. J. Foakes Jackson, D.D. James T. Shotwell, LL.D. Charles A. Briggs Graduate Professor Professor of History; Director of the Di- of Christian Institutions in Union Theo- vision of Economics and History, Carnegie logical Seminary Endowment for International Peace A. V. Williams Jackson, LL.D. Lynn Thorndike, Ph.D. Professor of Indo-Iranian Languages Professor of History Charles Knapp, Litt.D. William L. Westermann, Ph.D. Professor of Greek and Latin Professor of Ancient History Howard Lee McBain, LL.D. Frederick J. E. Woodbridge, LL.D. Ruggles Professor of Constitutional Johnsonian Professor of Philosophy Law and Dean of the Graduate Facul- ties Volume XIII PEASANT LIFE IN OLD GERMAN EPICS From •Drutschc Utcraturcicschichic," hy Alfred Birsr, by prrmlsxioii of C. //. Brch'schc Verhuisbucliliandhinij. Hartmann von Aue From a miniature of the VVeirigartner Liecierhaiidschrift. PEASANT LIFE IN OLD GERMAN EPICS MEIER HELMBRECHT AND DER ARME HEINRICH TRANSLATED FROM THE MIDDLE HIGH GERMAN OF THE THIRTEENTH CENTURY BY CLAIR HAYDEN BELL ASSOCIATE PROFESSOR OF GERMAN, UNIVERSITY OF CALIFORNIA NEW YORK COLUMBIA UNIVERSITY PRESS 19 3 I :B4 33p Copyright 1931 COLUMBIA UNIVERSITY PRESS Published October, 1931 Printed in the United States of America The Torch Press, Cedar Rapids, Iowa PREFACE Medieval writings which depict the life of humble folk are rare. -
LA ESTELA DE FERNANDO MARISTANY Y MANUEL DE MONTOLIU EN LA TRADUCCIÓN DE TRES POETAS ALEMANES (NOVALIS, RILKE Y HÖLDERLIN) DURANTE EL SIGLO XX Nuria Gasó Gómez
LA ESTELA DE FERNANDO MARISTANY Y MANUEL DE MONTOLIU EN LA TRADUCCIÓN DE TRES POETAS ALEMANES (NOVALIS, RILKE Y HÖLDERLIN) DURANTE EL SIGLO XX Nuria Gasó Gómez Universitat Pompeu Fabra 2018 Recibido: 14 septiembre 2018 Aceptado: 10 noviembre 2018 Introducción Los autores Novalis, Rainer Maria Rilke y Friedrich Hölderlin gozaron de una interesante recepción en España durante el primer tercio del siglo XX. Quienes desvelaron su obra en el territorio español fueron Fernando Maristany y Manuel de Montoliu, escritores, traductores y bibliófilos que, desde la Editorial Cervantes, propiciaron las primeras lecturas en lengua española de diversos autores extranjeros. La llegada de muchos de aquellos autores tuvo gran repercusión, pues muchos de ellos eran poco o nada conocidos en los tiempos en que se fundó dicho sello editorial. Fue en su sede donde se publicaron las primeras antologías de mejores poetas europeos de los siglos XIX y XX. En 1919, Fernando Maristany asume la labor de realizar una antología Las cien mejores poesías líricas de la lengua alemana. Para la selección poética, se inspira en la edición Die hundert besten Gedichte de la editorial británica Gowans & Grey,(1) donde figuran también los tres autores de los que aquí se tratará. Con la finalidad de seguir difundiendo la obra autores poco conocidos o no traducidos en lengua española, la editorial Cervantes toma la determinación de publicar, entre 1921 y 1923, antologías exentas de algunos autores presentados anteriormente en las antologías generales. Rilke, que figura en la antología lírica alemana de Maristany, fue la excepción, al no contar con volumen exento en la colección. -
Musikstunde Mit Katharina Eickhoff Dienstag, 7
__________________________________________________________________________ Musikstunde mit Katharina Eickhoff Dienstag, 7. Dezember 2010 Schwabenstreiche – Ausfahrten in romantischer Seelenlandschaft mit Kerner, Uhland, Mörike und den Freunden Teil II: Im Gartenhaus Indikativ „Hier kotzte Goethe“. Das schon ziemlich abgeblätterte Schildchen hängt da, als könne es kein Wässerchen trüben, unter einem der Fenster am alten Gebäude gegenüber der Tübinger Stiftskirche. Mit der Tatsache, dass man hier auf jedem zweiten Meter irgendeine geistesgeschichtliche Gedenktafel anbringen könnte, geht man in Tübingen schon lange ironisch um. Dass den Olympier hier vor Ort tatsächlich mal ein Unwohlsein befiel, ist unwahrscheinlich, denn Goethe hat ja seine wilde Studentenzeit nicht in Tübingen verbracht, er war bloß auf der Durchreise mal ein paar Tage hier und fand die Stadt abscheulich. Also hat er womöglich doch...? – Na, egal. Justinus Kerner jedenfalls hat genau dort gewohnt, wo das fatale Täfelchen heute hängt, im sogenannten „Martinianum“, dem ältesten Studentenwohnheim Tübingens. Im 17. Jahrhundert hat die Stiftung dieses große neue Haus bekommen, das dann noch zu Kerners Zeiten „Der Neue Bau“ genannt wurde, und im Neuen Bau wohnen – und vor allem: feiern – bis heute Studenten. 2 „Wer pöbelt, anmacht oder schnorrt, fliegt raus“, steht drinnen auf einer gelben Tür, die eindeutig in eine Art Fetenraum führt, und überhaupt fühlt man sich, sobald man sich durchs quietschende Tor in die Einganshalle zwängt, ganz schnell wieder wie zwanzig: Es riecht atemberaubend nach kaltem Rauch und verschüttetem Bier, dazu Fahrräder, Graffiti und kreischbunt mit Veranstaltungsplakaten gepflasterte Wände, Aufrufe zur Anti-Castor-Demo, Annoncen für freie Zimmer und Yoga-Kurse, Einladungen zum Konzert des Ernst-Bloch-Chors Tübingen, der tapfer gegen die seltsamerweise immer noch vorhandenen schlagenden Studentenverbindungen ansingt – und mittendrin, ein bisschen blass und angenagt, der Grabstein des Stiftungsgründers Martin Plantsch aus dem 16. -
5. Adding Stones to the Edifice: Patterns of German Biography1
https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0. -
10. Some Remarks on the New Edition of the Works of Wilhelm Müller1
https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0. -
Literary Museum Badenweiler Chekhov Salon Author's Portraits
english Literary museum Badenweiler Chekhov Salon Author’s portraits and contexts Introduction Publisher and Author of the Texts: Heinz Setzer, Director of the Museum The “Chekhov Salon”, Badenweiler’s Literature Museum, originally opened in 1998 in the Kurhaus, moved to former Translators (listed in alphabetical order and with their corresponding Badenweiler town hall, located in the historical town cen- initials): tre, in 2015. The exhibition was completely refurbished, the Alain Cormont: A. C. Prof. Dr. Helmut Haas: H. H. collection expanded. The museum is accessible from Anton- Elisabeth Hartmann: E. H. Tschechow-Platz (Chekhov Square). In view of the numerous Annika Mysore: A. M. literary links between Badenweiler and the rest of the world, Prof. Dr. Dorothea Scholl: D. S. especially with Russia, France and the USA, it was consid- Prof. Dr. Olga A. Sergeyeva: O. A. S. Anna Gräfin von Sponeck: A. v. S. ered essential to provide information about the exhibition in Valeriya Vasilyeva: V. V. each of the respective languages. New brochures with texts Dr. Jana Wenzel: J. W. in German, Russian, English and French were published in Editors: Barbara Hahn-Setzer, Sabine Hochbruck, Prof. Dr. Wolfgang December 2019, with information on 28 authors on dis- Hochbruck, Dr. Regine Nohejl, Heinz Setzer as well as the translators play in the museum, detailing their literary significance, and Special thanks to Prof. Dr. Helmut Haas, Sabine Hochbruck, Prof. Dr. their connection with Badenweiler. The authors are listed in Wolfgang Hochbruck and Andreas Pahl for many night sessions for corrections and layout-arrangements. alphabetical order. Articles about the Anton Chekhov and Nominal Fee per booklet: 3.00 € Stephen Crane memorials are listed separately. -
The Theatre of the Self: Poetic Identity in the Plays of Helene Cixous and Marina Tsvetaeva
Dobson, Julia (1996) The theatre of the self: poetic identity in the plays of Helene Cixous and Marina Tsvetaeva. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11092/1/339652.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] THE THEATRE OF THE SELF: POETIC IDENTITY IN THE PLAYS OF HELENE CIXOUS AND MARINA TSVETAEVA by Julia Dobson, MA Thesis submitted to the University of Nottingham For the degree of Doctor of Philosophy, October, 1996 ýý-ýTINGHqý 2ýpfRS)TY t-ßß Acknowledgements I would like to thank Professor Diana Knight and Dr Wendy Rosslyn for their encouragement and patience throughout the evolution of this thesis.