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Relocating Sound Uzaktan: Sesi Yeniden Remote: Relocating Sound

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Relocating Sound Uzaktan: Sesi Yeniden Remote: Relocating Sound UZAKTAN: SESİ YENİDEN KONUMLANDIRMAK REMOTE: RELOCATING SOUND UZAKTAN: SESİ YENİDEN REMOTE: RELOCATING SOUND KONUMLANDIRMAK Remote: Relocating Sound project is developed to trace new mental maps through sound-art. In a period in which geographical positioning is losing its Uzaktan: Sesi Yeniden Konumlandırmak işitsel-sanat yoluyla yeni zihinsel haritaların importance, the project aims to question how the production which focuses on izini sürmek amacıyla gerçekleşen bir projedir. Coğrafi konumlandırmaların etkisini sound-art in Turkey, Germany, Bulgaria, and Greece positions itself. kaybetmekte olduğu bir dönemde ses üzerine odaklanan üretimin Türkiye, Almanya, Bulgaristan ve Yunanistan’da nasıl konumlandığını sorgulamaktadır. Remote: Relocating Sound project creates platforms of discussion on various subjects related to the current focus points of contemporary sound-art milieu. The Uzaktan: Sesi Yeniden Konumlandırmak projesi, güncel işitsel sanat alanında öne çıkan expressive potentials of sound-art performances, sonification of scientific data, konuları tartışma platformları yaratmayı amaçlamaktadır. Bu doğrultuda, projede yer interpretation of remote information are some of the topics of presentations, alan sunum, atölye ve performanslarda, işitsel-sanat performanslarının ifade olanakları, workshops, and performances. bilimsel verilerin sese dönüştürülmesi, uzak bilgilerin yorumlanması gibi konular ele alınmaktadır. The project will take place between October 31 and November 15, 2013, at Goethe-Institut Ankara and Bilkent University, as a parallel event to ATMM 31 Ekim-15 Kasım 2013 tarihlerinde Goethe-Institut Ankara ve Bilkent Üniversitesi’nde – Audio Technologies for Music and Media organized by the Department of gerçekleşen bu proje, Bilkent Ünivesitesi İletişim ve Tasarım Bölümü’nün ev sahipliğini Communication and Design, Bilkent University. The project involves installations, yaptığı ATMM (Audio Technologies for Music and Media – Müzik ve Medya için Ses performances, presentations and workshops. Teknolojileri) konferansına paralel bir etkinlik olarak düzenleniyor. Remote: Relocating Sound, curated by Basak Senova, is a joint project of ArtUP!, Küratörlüğünü Başak Şenova’nın yaptığı Uzaktan: Sesi Yeniden Konumlandırmak ArtUP!, NOMAD and Bilkent University. NOMAD ve Bilkent Üniversitesi’nin ortak projesidir. Projeye Marcus Schmickler (Almanya), HR-Stamenov (Bulgaristan), 1000names (Bulgaristan), Medea Electronique (Yunanistan) Participants in the project are Marcus Schmickler (Germany), HR-Stamenov ve NOMAD (Türkiye) katılmaktadır. (Bulgaria), 1000names (Bulgaria), Medea Electronique (Greece) and NOMAD (Turkey). 2 Remote: Relocating Sound 3 Uzaktan: Sesi Yeniden Konumlandırmak Beyond Reasoning [Aklın Ötesinde], Attali‘nin Noise Beyond Reasoning is a four channel audio visual SERGİ / EXHIBITION [Gürültü] adlı yapıtından esinlenmiş, dört kanallı bir installation piece inspired by Attalis work Noise. Noise görsel işitsel enstalasyon çalışmasıdır. Gürültü, bir is a resonance that interferes with the audition of a MEDEA ELECTRONIQUE mesajın yayılması esnasında mesajın duyulmasına message in the process of emission. It is any disruption engel olan bir rezonanstır. Her tür sosyal sürecin, her of any social process, any source of pain. Noise BEYOND REASONING [AKLIN ÖTESİNDE] tür acı kaynağının bozulması anlamına gelir. Gürültü necessarily produces resistance in the mind, creating zihinde ister istemez direnç meydana getirerek, “beden/ a “critical distance” via a “body/mind rupture.” zihin yarılması” aracılığıyla “kritik mesafe” yaratır. In Medea Electronique’s Beyond Reasoning, noise Medea Electronique‘in Beyond Reasoning adlı represents the inability to express any emotion of çalışmasında gürültü, direnç duygularını ifade edememeyi resistance. The reaction of the four characters (who stand temsil ediyor. Kameranın önünde savunmasız bir defenseless in front of the camera) to the soundtrack şekilde duran dört karakterin arka planda çalan represent their failure to react against the establishment. müziğe verdikleri tepki, onların kurulu düzene tepki In large the project is inspired by the recent economic gösteremeyişlerini temsil ediyor. Genel olarak proje crisis and the subsequent crisis in moral and values… hem son ekonomik krizden hem de akabinde ahlak ve değer alanında yaşanan krizden esinlenmiştir... YER / VENUE: GOETHE-INSTITUT ANKARA KÜRATÖR / CURATOR: BAŞAK ŞENOVA 31.10.2013 - 15.11.2013 SERGİ SAATLERİ / OPENING HOURS: Hafta içi her gün / Week days: 12:00 - 17:00 4 Remote: Relocating Sound 5 Uzaktan: Sesi Yeniden Konumlandırmak disiplinlerle işbirliği gerektiren eserler yaratıyor. Aynı computer. His interest in more conventional forms of PERFORMANS / PERFORMANCE zamanda bilfiil doğaçlamalar yapan sanatçı, diğer music is reflected in his activity with the Pluramon project müzisyenlerle beraber farklı düzenlemelerle çalışıyor; in which he collaborated and toured with Julee Cruise. MARCUS SCHMICKLER mevcut bağlamdaysa esasen bilgisayar kullanıyor. He has won many prizes and runs his own production Julee Cruise ile beraber çalışıp çeşitli konserler facility Piethopraxis Tonstudio in Cologne, Germany. particle/matter-wave/energy verdiği Pluramon projesi de daha geleneksel müzik biçimlerine duyduğu ilgiyi yansıtmaktadır. Pek çok http://piethopraxis.org ödül kazanmış olan sanatçı, Köln‘de kendi prodüksiyon Schmickler performansı sese dönüştürme sürecine For his performance, Schmickler shows compositions stüdyosu Piethopraxis Tonstudio‘yu işletiyor. dayalı kompozisyonlar sunuyor: Bonn Patternization based on sonification: Bonn Patternization is based [Bonn Kalıplara Dönüştürme İşlemi] “30 cisimden oluşan on astrophysical data that asks the question: “What galaksi kümeleri, yerçekimi aracılığıyla birbirlerini does it sound like when galaxy clusters of 30 objects http://piethopraxis.org etkiledikleri zaman ne tür bir ses çıkar?” sorusunu soran reciprocally influence each other by means of astrofizik verilerine dayanıyor. Almanya‘daki Argelander gravitation?”. Using data gathered by researchers at Astronomi Enstitüsü‘nde çalışan araştırmacıların Germany’s Argelander Institute of Astronomy, Schmickler topladığı verileri kullanan Schmickler, önce iki, will collide first two, then three simulated galaxies. ardından üç simüle edilmiş galaksiyi çarpıştıracak. Another composition is based on sonifications of Bir diğer kompozisyon da çağdaş matematik contemporary mathematics. Is it possible to perceive kullanılarak elde edilen seslere dayanmaktadır. changes in a society through changes in its music? Is Bir toplumdaki değişimleri o toplumun müziğinde it possible to understand contemporary music through görülen değişimler aracılığıyla algılamak mümkün its implicit relationships with money? And how better müdür? Çağdaş müziği, parayla olan örtük ilişkileri could we describe the disciplines of music and economics aracılığıyla anlamak mümkün müdür? Müzik ve iktisat than through mathematics, their common foundation? disiplinlerini, ikisinin de ortak temeli olan matematikten başka hangi yollarla daha iyi tanımlayabiliriz? Marcus Schmickler is a classically trained composer and electronic musician, a versatile artist of many faces. Marcus Schmickler klasik müzik eğitimi almış bir besteci His compositions contribute to the tradition of German olmasının yanı sıra elektronik müzikle de uğraşan academic electronic and electroacoustic music, and çok yönlü bir sanatçıdır. Yaptığı besteler, bir yandan at the same time relate to the latest trends in today‘s Alman akademik elektronik ve elektroakustik müzik electronic avant-garde. His instrumental works have geleneğine katkıda bulurken, diğer yandan günümüzün been performed by renowned ensembles and musicians. elektronik avantgard müziğindeki en son trendlerle de His interest in the epistemic aspects of sound generates ilişki kurmaktadır. Bestelediği enstrümental eserler ünlü works that frequently involve extra-musical research topluluklar ve müzisyenlerce icra edilmiştir. Schmickler, and collaboration with other domains. He is also an 19:00 sesin epistemik yönlerine duyduğu ilgi sayesinde, çoğu active improviser, working in different configurations YER / VENUE: GOETHE-INSTITUT ANKARA zaman müzik dışı alanlarda ilave araştırmalar ve diğer with other instrumentalists, in this context mainly using 31.10.2013 6 Remote: Relocating Sound 7 Uzaktan: Sesi Yeniden Konumlandırmak Endüstri Ürünleri Tasarımı Bölümü’nde ders veriyor. committee of ctrl_alt_del sound-art project. Muratoğlu SUNUM / PRESENTATION www.erhanmuratoglu.com currently teaches in the Department of Industrial Design in Middle East Technical University, Ankara. ODTÜ elektronik mühendisliği bölümünde lisans eğitimi www.erhanmuratoglu.com NOMAD alan Emre Erkal, daha sonra Türkiye ve ABD’deki çeşitli eğitim kurumlarında bilgisayar destekli grafik tasarım Emre Erkal received a bachelor’s degree in electronics ERHAN MURATOĞLU - EMRE ERKAL - BAŞAK ŞENOVA ve bilişsel bilim alanlarında lisansüstü çalışmalar engineering from Middle East Technical University yaptı. Yüksek lisansını Harvard Üniversitesi, Graduate (METU), after which he studied computer graphics NOMAD 2002 yılında kurulan bağımsız bir oluşumdur. NOMAD was founded in 2002 as an independent School of Design bölümünde tamamladı ve MIT medya and cognitive science at postgraduate level at various 2006 yılında dernek olarak kurumsallaşmıştır. Amacı formation and registered as an association in 2006. laboratuarında çeşitli araştırma projelerine katıldı. İTÜ institutions in Turkey and the USA.
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