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Aristokratische Schriftstellerinnen Österreichs Und Deutschlands: Ein “Sonderweg” Der Frauenemanzipation Im 19
ABSTRACT Title of Document: ARISTOKRATISCHE SCHRIFTSTELLERINNEN ÖSTERREICHS UND DEUTSCHLANDS: EIN “SONDERWEG” DER FRAUENEMANZIPATION IM 19. JAHRHUNDERT? Susanne Nicole Van Leuven, Doctor of Philosophy, 2013 Directed By: Professor Elke P. Frederiksen, Department of Germanic Studies This study focuses on a variety of texts by Austrian and German aristocratic women writers who are known for their high social status within their historical and political contexts. They are much less known, however, for their writings. My categories of investigation include social class and gender, with particular emphasis on emancipatory aspects of the life and works of these aristocratic women, as portrayed in a variety of literary and non-literary texts. Selected writings, such as Das poetische Tagebuch by Empress Elisabeth of Austria (1835-1898), Die Waffen nieder! by Baroness Bertha von Suttner (1843-1914) and Tropenkoller by Countess Frieda von Bülow (1847-1909) reveal that, despite groundbreaking achievements, these women were not affiliated with – or even interested in – the organized bourgeois women’s movement. They simply led by example, widening the range of their personal space (quite literally as the geographic zone and allegorically as their own creation and development of ‘self’) beyond the limits of “proper” femininity. The methodological paradigms of Cultural Studies and Gender Studies form the basis of my analyses of these women’s texts; additionally I am including theories of Postcolonial Studies in order to investigate the concepts of ‘space’, -
Ethnicity, Lyricism, and John Berryman's Dream Songs
Imaginary Jews and True Confessions: Ethnicity, Lyricism, and John Berryman’s Dream Songs ANDREW GROSS . Jews, who have changed much in the course of history, are certainly no race, [but] the anti‐Semites in a way are a race, because they always use the same slogans, display the same attitudes, indeed almost look alike. —Max Horkheimer1 John Berryman’s “The Imaginary Jew,” published in the Kenyon Review of 1945, is in some ways a rather programmatic account of one man’s conversion from parlor anti‐ Semitism to a feeling of solidarity with Jews. The climax occurs when a bigot accuses the narrator of being Jewish in order to discredit him in an argument over Roosevelt’s foreign policy prior to the American entry into World War II. The accusation completely unnerves the narrator in ways he does not immediately understand, and he is shocked to see that it discredits him in the eyes of the crowd, which has assembled at Union Square to hear impromptu debates. Later, after leaving the scene of his embarrassment, he decides to lay claim to this mistaken, or imaginary, identity, and comes to the following conclusion about the nature of prejudice: “My persecutors were right: I was a Jew. The imaginary Jew I was was as real as the imaginary Jew hunted down, on other nights and days, in a real Jew. Every murderer strikes the mirror, the lash of the torturer falls on the mirror and cuts the real image, and the real and the imaginary blood flow down together.”2 The story garnered some attention when it appeared in 1945. -
"I Am Not Certain I Will / Keep This Word" Victoria Parker Rhode Island College, Vparker [email protected]
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2016 "I Am Not Certain I Will / Keep This Word" Victoria Parker Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Other Feminist, Gender, and Sexuality Studies Commons, Poetry Commons, and the Women's Studies Commons Recommended Citation Parker, Victoria, ""I Am Not Certain I Will / Keep This Word"" (2016). Honors Projects Overview. 121. https://digitalcommons.ric.edu/honors_projects/121 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. “I AM NOT CERTAIN I WILL / KEEP THIS WORD”: LOUISE GLÜCK’S REVISIONIST MYTHMAKING By Victoria Parker An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors In The Department of English Faculty of Arts and Sciences Rhode Island College 2016 Parker 2 “I AM NOT CERTAIN I WILL / KEEP THIS WORD”: LOUISE GLÜCK’S REVISIONIST MYTHMAKING An Undergraduate Honors Project Presented By Victoria Parker To Department of English Approved: ___________________________________ _______________ Project Advisor Date ___________________________________ _______________ Honors Committee Chair Date ___________________________________ _______________ Department Chair Date Parker 3 TABLE OF CONTENTS -
Nancy Wilson Ross
Nancy Wilson Ross: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Ross, Nancy Wilson, 1901-1986 Title: Nancy Wilson Ross Papers Dates: 1913-1986 Extent: 261.5 document boxes, 12 flat boxes, 18 card boxes, 7 galley folders (138 linear feet) Abstract: The papers of this American writer encompass her entire literary career and include manuscript drafts, extensive correspondence, and subject files reflecting her interest in Eastern cultures. Call Number: Manuscript Collection MS-03616 Language: English Access Open for research Administrative Information Acquisition Purchase, 1972 (R5717) Provenance Ross's first shipment of materials to the Ransom Center accompanied her husband Stanley Young's papers, and consisted of Ross's literary output to 1975, including manuscripts, publications, and research materials. The second, posthumous shipment contained manuscripts created since 1974, and all her correspondence, personal, and financial files, as well as files concerning the estate of Stanley Young. Processed by Rufus Lund, 1992-93; completed by Joan Sibley, 1994 Processing note: Materials from the 1975 and 1986 shipments are grouped following Ross's original order, with the exception of pre-1970, special, and current correspondence which were interfiled during processing. An index of selected correspondents follows at the end of this inventory. Repository: Harry Ransom Center, The University of Texas at Austin Ross, Nancy Wilson, 1901-1986 Manuscript Collection MS-03616 2 Ross, Nancy Wilson, 1901-1986 Manuscript Collection MS-03616 Biographical Sketch Nancy Wilson was born in Olympia, Washington, on November 22, 1901. She graduated from the University of Oregon in 1924, and married Charles W. -
The Story of the Three Women Who Created ARAS
ARAS Connections Issue 4, 2020 Figure 1 The view from Eranos: the mountains over Lago Maggiore. (Photographer: Catherine Ritsema. © Eranos Foundation, Ascona. All rights reserved) The Story of the Three Women Who Created ARAS Ami Ronnberg (ARAS, Curator of Special Projects) The images in this paper are strictly for educational use and are protected by United States copyright laws. 1 Unauthorized use will result in criminal and civil penalties. ARAS Connections Issue 4, 2020 ARAS, The Archive for Research in Archetypal Symbolism has a long history, reaching back to the early 1930s in Switzerland. Many known and unknown contributors have been part of making ARAS what it is today, a national organization with centers in New York City, San Francisco, Los Angeles, Chicago, as well as ARAS Online, serving visitors from many other countries. But it all began with three remarkable women who dedicated their lives to exploring the transformations of the psyche – and creating an actual place to do this, each in her own way. Figure 2 Olga Fröbe-Kapteyn at Eranos in the 1930s-1940s. (Photographer Margarethe Fellerer. © Eranos Foundation, Ascona. All rights reserved) The time is the beginning of the 20th century when we first meet Olga-Froebe- Kapteyn, the first woman of the ARAS lineage. Olga (I hope she and the other women would allow me to use their first names) – Olga was born in 1881 in London. Her parents were Dutch. Her father Albert Kapteyn was an inventor, a photographer and The images in this paper are strictly for educational use and are protected by United States copyright laws. -
Bollingen Series, –
Bollingen Series, – Bollingen Series, named for the small village in Switzerland where Carl Gustav Jung had a private retreat, was originated by the phi- lanthropist Paul Mellon and his first wife, Mary Conover Mellon, in . Both Mellons were analysands of Jung in Switzerland in the s and had been welcomed into his personal circle, which included the eclectic group of scholars who had recently inaugu- rated the prestigious conferences known as the Eranos Lectures, held annually in Ascona, Switzerland. In the couple established Bollingen Foundation as a source of fellowships and subventions related to humanistic scholarship and institutions, but its grounding mission came to be the Bollin- gen book series. The original inspiration for the series had been Mary Mellon’s wish to publish a comprehensive English-language translation of the works of Jung. In Paul Mellon’s words,“The idea of the Collected Works of Jung might be considered the central core, the binding factor, not only of the Foundation’s general direction but also of the intellectual temper of Bollingen Series as a whole.” In his famous Bollingen Tower, Jung pursued studies in the reli- gions and cultures of the world (both ancient and modern), sym- bolism, mysticism, the occult (especially alchemy), and, of course, psychology. The breadth of Jung’s interests allowed the Bollingen editors to attract scholars, artists, and poets from among the brightest lights in midcentury Europe and America, whether or not their work was “Jungian” in orientation. In the end, the series was remarkably eclectic and wide-ranging, with fewer than half of its titles written by Jung or his followers. -
Decolonizing the Colonial Mind: a Personal Journey of Intercultural
Decolonizing the Colonial Mind: A Personal Journey of Intercultural Understanding, Empathy, and Mutual Respect by Gregory W.A. Saar A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements of the degree of MASTER OF ARTS Department of Religion & Culture University of Manitoba Winnipeg Copyright © 2020 by Gregory W.A. Saar Saar 1 Dedication To my wife, Joyce, whose confidence in me, encouragement, and support, have always been important in everything I choose to do. To my Granddaughter, Rebekah, who, while in her first year at the University of Manitoba, uttered the words: “Grandpa, why don’t you take a class too?” To my other grandchildren Kaleb, Quintin, Alexis, and Clark, for the many ways in which they enhance my life. I hope I can play some small part in ensuring the five of you have the bright and fulfilling future you all deserve. I am confident that each one of you is capable of realising your dreams. In Memory of our daughter, Heather, who met the difficulties she faced with fortitude, courage, and determination, all the while retaining her sense of humour; an inspiration to all who were privileged to know her. Saar 2 Acknowledgements I want to express my appreciation to those without whose mentorship and assistance this theses would still be confined to the recesses of my mind. I begin with my appreciation of Dr. Renate Eigenbrod, (1944-2014) who, as Department Head of Native Studies at the University of Manitoba, took the time to interview me. -
The Philadelphia Jung Seminar Syllabus 2021-2022
The Philadelphia Jung Seminar Syllabus 2021-2022 PAJA supports diversity, pledges equity, and fosters inclusivity. We strive for personal and cultural sensitivity in all our endeavors. We encourage students of any race, color, gender, sexual orientation, or gender identity and national or ethnic origin to participate in our programs. Due to the COVID-19 pandemic the 2021-2022 academic year will be presented by video conference. Analysts in in training join the Philadelphia Jung seminar for the Saturday presentation from 9:00AM to 4:00PM. Fall Semester 2021 JUNG IN CONTEXT (Part One) Friday, September 10, 2021 Introduction to Jung in Context Mark Winborn, PhD, NCPsyA This seminar will introduce the history of Analytical Psychology and the development of Jung’s major theoretical constructs. Particular attention will be placed on the development of Jung’s theoretical system within the framework of his ongoing debate (from afar) with Freud over the nature of the psyche. We will also address the impact their split on the broader psychoanalytic world. Finally, we outline, compare, and contrast the major schools of Analytical Psychology: the classical model, the Jungian developmental model (Michael Fordham), Archetypal Psychology (James Hillman), and the work of Wolfgang Giegerich. Seminar Objectives: 1. Develop an understanding of the history of Analytical Psychology and its relationship with Freudian psychoanalysis. 2. Develop familiarity with the major constructs of Jung’s Analytical Psychology. 3. Develop an understanding of the different schools within Analytical Psychology. Required Readings: Eisold, K. (2002). Jung, Jungians, and Psychoanalysis. Psychoanal. Psychol, 19(3):501-524 Jung, C.G. Analytical Psychology: Notes of the Seminar Given in 1925, Princeton, NJ: Princeton University Press, 1989. -
Charles Wright, Hailed As One of the Leading American Poets of His Generation, Has Been Named the Winner of Yale’S 2013 Bollingen Prize for American Poetry
CONTACT: Dorie Baker 203-432-8553 [email protected] For Immediate Release: January 22, 2013 2013 Bollingen poetry prize goes to Charles Wright New Haven, Conn.—Charles Wright, hailed as one of the leading American poets of his generation, has been named the winner of Yale’s 2013 Bollingen Prize for American Poetry. The Bollingen Prize in American Poetry is among the most prestigious prizes given to American writers. Established by Paul Mellon in 1949, it is awarded biennially by the Yale University Library to an American poet for the best book published during the previous two years or for lifetime achievement in poetry. The prize includes a cash award of $150,000. “A poet of remarkable scope and ambition, Wright’s lyrics are like verbal scroll paintings, considering a vast landscape but exploring every aspect in exquisite detail, a stylistic combination that properly figures both the significance and insignificance of the human,” noted the three-member judging committee. “In poems that render the poignancy of moving time, the constancy of the landscape, and the mystery of the invisible, Wright binds the secular and the sacred in language charged with urgency and grace.” The judges awarded Wright the Bollingen Prize for his 2012 book, “Bye-and-Bye: Selected Late Poems,” describing it as “an extended meditation in which we sense ‘splinters of the divine’ in the phenomena and cyclic changes of the natural world, and in the elusive reaches of memory, myth, and history. “At the same time,” they noted, “this volume succeeds in capturing the Morandi-like quality that Wright describes as ‘the metaphysics of the quotidian’.” While stationed in Italy during four years of service in the U.S. -
Alpha Author 0108
Marion C. Hoppin Library of Jungian Psychology: Book List by Author Author Title Abbott, Elisabeth Fifteen Joys of Marriage, The Abell, Walter Collective Dream in Art, The Abella, Alex Killing of the Saints, The Abrahamsen, David Mind of the Accused Abrams, M. H., General Ed. Norton Anthology of English Literature: Vol. 1 Abrams, M. H., General Ed. Norton Anthology of English Literature: Vol. 2 Ackroyd, Peter T. S. Eliot: A Life Adams, Henry Mont-Saint-Michel and Chartres Adams, James Luther Paul Tillich's Philosophy of Culture, Science, and Religion Adler, Gerhard Living Symbol, The Adler, Gerhard Remembering and Forgetting Adler, Gerhard et al. Dynamic Aspects of the Psyche: Selections from Past Springs Adler, Gerhard, Ed. Current Trends in Analytical Psychology Adler, Gerhard, Ed. Success and Failure in Analysis Aeschylus Agamemnon Aeschylus Choephoroe, The Aeschylus Eumenides, The Aeschylus Persians, The Aeschylus Seven Against Thebes Aiken, Henry D. Age of Ideology Alain; Richard Peaver, Trans. Gods, The Albert, David Z. Quantum Mechanics and Experience Albright, William Foxwell From the Stone Age to Christianity Alexander, J. J. G. Decorated Letter, The Alexander, J. J. G. Italian Renaissance Illuminations Aller, Catherine Challenge of Pierre Teilhard de Chardin, The Allport, Gordon W. Individual and His Religion Allport, Gordon W. Person in Psychology, The Alpert, Richard Be Here Now, Be Now Here Alvarez, A. Savage God, The American Heritage Publishing Sense of History, A American Medical Association Essential Guide to Depression American Psychiatric Association Diagnostic and Statistical Manual: Vol. 3 Anderson, William Green Man Andrews, Valerie et al, Ed. Facing Apocalypse Angyal, Andras Neurosis and Treatment: A Holistic Theory Anonymous Apocrypha, The Anonymous Illustrated Gospels Anonymous Missing Books of the Bible: Vol. -
The Self in the Song: Identity and Authority in Contemporary
The Self in the Song: Identity and Authority in Contemporary American Poetry by David William Lucas A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2014 Doctoral Committee: Professor Linda K. Gregerson, Chair Professor Yopie Prins Associate Professor Gillian Cahill White Professor John A. Whittier-Ferguson for my teachers ii Acknowledgments My debts are legion. I owe so much to so many that I can articulate only a partial index of my gratitude here: To Jonathan Farmer and At Length, in which an adapted and excerpted version of “The Nothing That I Am: Mark Strand” first appeared, as “On Mark Strand, The Monument.” To Steven Capuozzo, Amy Dawson, and the Literature Department staff of the Cleveland Public Library for their assistance with my research. To the Department of English Language and Literature and the Rackham Graduate School at the University of Michigan for the financial and logistical support that allowed me to begin and finish this project. To the Stanley G. and Dorothy K. Harris Fund for a summer grant that allowed me to continue my work without interruption. To the Poetry & Poetics Workshop at the University of Michigan, and in particular to Julia Hansen, for their assistance in a workshop of the introduction to this study. To my teachers at the University of Michigan, and especially to Larry Goldstein and Marjorie Levinson, whose interest in this project, support of it, and suggestions for it have proven invaluable. To June Howard, A. Van Jordan, Benjamin Paloff, and Doug Trevor. -
Selected Works of Miguel De Unamuno, Volume 2: the Private World 1St Edition Pdf
FREE SELECTED WORKS OF MIGUEL DE UNAMUNO, VOLUME 2: THE PRIVATE WORLD 1ST EDITION PDF Miguel de Unamuno | 9781400886630 | | | | | : Spanish & Portuguese: Books If you have changed your email address then contact us and we will update your details. Would you like to proceed to the App store to download the Waterstones App? Selected Works of Miguel de Unamuno have recently updated our Privacy Policy. The site uses cookies to offer you a better experience. By continuing to browse the site you accept our Cookie Policy, you can change your settings at any time. Volume 2: The Private World 1st edition to basket. Add to Basket. View basket Checkout. The Rising of Haunted Ireland. Ficciones Paperback. Not registered? Remember me? Forgotten password Please enter your email address below and we'll send you a link to reset your password. Not you? Reset password. Download Now Dismiss. Simply reserve online and pay at the counter when you collect. Available in shop from just two hours, subject to availability. Your order is now being processed and we have sent a confirmation email to you at. This item can be requested from the shops shown below. If this item isn't available to be reserved nearby, add the item to your basket instead and select 'Deliver to my local shop' at the checkout, to be able to collect it from there at a later date. Preferred contact method Email Text message. When will my order be ready to collect? Following the Volume 2: The Private World 1st edition email, you will be contacted by the shop to confirm that your item is available for collection.