Selected Works of Miguel De Unamuno, Volume 2: the Private World 1St Edition Pdf
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Aristokratische Schriftstellerinnen Österreichs Und Deutschlands: Ein “Sonderweg” Der Frauenemanzipation Im 19
ABSTRACT Title of Document: ARISTOKRATISCHE SCHRIFTSTELLERINNEN ÖSTERREICHS UND DEUTSCHLANDS: EIN “SONDERWEG” DER FRAUENEMANZIPATION IM 19. JAHRHUNDERT? Susanne Nicole Van Leuven, Doctor of Philosophy, 2013 Directed By: Professor Elke P. Frederiksen, Department of Germanic Studies This study focuses on a variety of texts by Austrian and German aristocratic women writers who are known for their high social status within their historical and political contexts. They are much less known, however, for their writings. My categories of investigation include social class and gender, with particular emphasis on emancipatory aspects of the life and works of these aristocratic women, as portrayed in a variety of literary and non-literary texts. Selected writings, such as Das poetische Tagebuch by Empress Elisabeth of Austria (1835-1898), Die Waffen nieder! by Baroness Bertha von Suttner (1843-1914) and Tropenkoller by Countess Frieda von Bülow (1847-1909) reveal that, despite groundbreaking achievements, these women were not affiliated with – or even interested in – the organized bourgeois women’s movement. They simply led by example, widening the range of their personal space (quite literally as the geographic zone and allegorically as their own creation and development of ‘self’) beyond the limits of “proper” femininity. The methodological paradigms of Cultural Studies and Gender Studies form the basis of my analyses of these women’s texts; additionally I am including theories of Postcolonial Studies in order to investigate the concepts of ‘space’, -
Ethnicity, Lyricism, and John Berryman's Dream Songs
Imaginary Jews and True Confessions: Ethnicity, Lyricism, and John Berryman’s Dream Songs ANDREW GROSS . Jews, who have changed much in the course of history, are certainly no race, [but] the anti‐Semites in a way are a race, because they always use the same slogans, display the same attitudes, indeed almost look alike. —Max Horkheimer1 John Berryman’s “The Imaginary Jew,” published in the Kenyon Review of 1945, is in some ways a rather programmatic account of one man’s conversion from parlor anti‐ Semitism to a feeling of solidarity with Jews. The climax occurs when a bigot accuses the narrator of being Jewish in order to discredit him in an argument over Roosevelt’s foreign policy prior to the American entry into World War II. The accusation completely unnerves the narrator in ways he does not immediately understand, and he is shocked to see that it discredits him in the eyes of the crowd, which has assembled at Union Square to hear impromptu debates. Later, after leaving the scene of his embarrassment, he decides to lay claim to this mistaken, or imaginary, identity, and comes to the following conclusion about the nature of prejudice: “My persecutors were right: I was a Jew. The imaginary Jew I was was as real as the imaginary Jew hunted down, on other nights and days, in a real Jew. Every murderer strikes the mirror, the lash of the torturer falls on the mirror and cuts the real image, and the real and the imaginary blood flow down together.”2 The story garnered some attention when it appeared in 1945. -
"I Am Not Certain I Will / Keep This Word" Victoria Parker Rhode Island College, Vparker [email protected]
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2016 "I Am Not Certain I Will / Keep This Word" Victoria Parker Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Other Feminist, Gender, and Sexuality Studies Commons, Poetry Commons, and the Women's Studies Commons Recommended Citation Parker, Victoria, ""I Am Not Certain I Will / Keep This Word"" (2016). Honors Projects Overview. 121. https://digitalcommons.ric.edu/honors_projects/121 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. “I AM NOT CERTAIN I WILL / KEEP THIS WORD”: LOUISE GLÜCK’S REVISIONIST MYTHMAKING By Victoria Parker An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors In The Department of English Faculty of Arts and Sciences Rhode Island College 2016 Parker 2 “I AM NOT CERTAIN I WILL / KEEP THIS WORD”: LOUISE GLÜCK’S REVISIONIST MYTHMAKING An Undergraduate Honors Project Presented By Victoria Parker To Department of English Approved: ___________________________________ _______________ Project Advisor Date ___________________________________ _______________ Honors Committee Chair Date ___________________________________ _______________ Department Chair Date Parker 3 TABLE OF CONTENTS -
Charles Wright, Hailed As One of the Leading American Poets of His Generation, Has Been Named the Winner of Yale’S 2013 Bollingen Prize for American Poetry
CONTACT: Dorie Baker 203-432-8553 [email protected] For Immediate Release: January 22, 2013 2013 Bollingen poetry prize goes to Charles Wright New Haven, Conn.—Charles Wright, hailed as one of the leading American poets of his generation, has been named the winner of Yale’s 2013 Bollingen Prize for American Poetry. The Bollingen Prize in American Poetry is among the most prestigious prizes given to American writers. Established by Paul Mellon in 1949, it is awarded biennially by the Yale University Library to an American poet for the best book published during the previous two years or for lifetime achievement in poetry. The prize includes a cash award of $150,000. “A poet of remarkable scope and ambition, Wright’s lyrics are like verbal scroll paintings, considering a vast landscape but exploring every aspect in exquisite detail, a stylistic combination that properly figures both the significance and insignificance of the human,” noted the three-member judging committee. “In poems that render the poignancy of moving time, the constancy of the landscape, and the mystery of the invisible, Wright binds the secular and the sacred in language charged with urgency and grace.” The judges awarded Wright the Bollingen Prize for his 2012 book, “Bye-and-Bye: Selected Late Poems,” describing it as “an extended meditation in which we sense ‘splinters of the divine’ in the phenomena and cyclic changes of the natural world, and in the elusive reaches of memory, myth, and history. “At the same time,” they noted, “this volume succeeds in capturing the Morandi-like quality that Wright describes as ‘the metaphysics of the quotidian’.” While stationed in Italy during four years of service in the U.S. -
The Self in the Song: Identity and Authority in Contemporary
The Self in the Song: Identity and Authority in Contemporary American Poetry by David William Lucas A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2014 Doctoral Committee: Professor Linda K. Gregerson, Chair Professor Yopie Prins Associate Professor Gillian Cahill White Professor John A. Whittier-Ferguson for my teachers ii Acknowledgments My debts are legion. I owe so much to so many that I can articulate only a partial index of my gratitude here: To Jonathan Farmer and At Length, in which an adapted and excerpted version of “The Nothing That I Am: Mark Strand” first appeared, as “On Mark Strand, The Monument.” To Steven Capuozzo, Amy Dawson, and the Literature Department staff of the Cleveland Public Library for their assistance with my research. To the Department of English Language and Literature and the Rackham Graduate School at the University of Michigan for the financial and logistical support that allowed me to begin and finish this project. To the Stanley G. and Dorothy K. Harris Fund for a summer grant that allowed me to continue my work without interruption. To the Poetry & Poetics Workshop at the University of Michigan, and in particular to Julia Hansen, for their assistance in a workshop of the introduction to this study. To my teachers at the University of Michigan, and especially to Larry Goldstein and Marjorie Levinson, whose interest in this project, support of it, and suggestions for it have proven invaluable. To June Howard, A. Van Jordan, Benjamin Paloff, and Doug Trevor. -
Penguin Classics
PENGUIN CLASSICS A Complete Annotated Listing www.penguinclassics.com PUBLISHER’S NOTE For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world, providing readers with a library of the best works from around the world, throughout history, and across genres and disciplines. We focus on bringing together the best of the past and the future, using cutting-edge design and production as well as embracing the digital age to create unforgettable editions of treasured literature. Penguin Classics is timeless and trend-setting. Whether you love our signature black- spine series, our Penguin Classics Deluxe Editions, or our eBooks, we bring the writer to the reader in every format available. With this catalog—which provides complete, annotated descriptions of all books currently in our Classics series, as well as those in the Pelican Shakespeare series—we celebrate our entire list and the illustrious history behind it and continue to uphold our established standards of excellence with exciting new releases. From acclaimed new translations of Herodotus and the I Ching to the existential horrors of contemporary master Thomas Ligotti, from a trove of rediscovered fairytales translated for the first time in The Turnip Princess to the ethically ambiguous military exploits of Jean Lartéguy’s The Centurions, there are classics here to educate, provoke, entertain, and enlighten readers of all interests and inclinations. We hope this catalog will inspire you to pick up that book you’ve always been meaning to read, or one you may not have heard of before. To receive more information about Penguin Classics or to sign up for a newsletter, please visit our Classics Web site at www.penguinclassics.com. -
The Knight and the Troubadour Dag Hammarskjöld and Ezra Pound the Knight and the Troubadour | Dag Hammarskjöld and Ezra Pound Marie-Noëlle Little
The Knight and the Troubadour Dag Hammarskjöld and Ezra Pound The Knight and the Troubadour | Troubadour the and Knight The Fifty years ago, on 18 September 1961, Dag Hammarskjöld died in the plane crash near Ndola in Northern Rhodesia (today’s Zambia). The Dag Hammarskjöld Foundation commemorates the event in many different ways, one of which is the publication of this remarkable story of a poet and a diplomat that will interest and intrigue many readers. Little Marie-Noëlle Pound Ezra and Hammarskjöld Dag The Knight and the Troubadour, which reveals a previously unexplored facet of Hammarskjöld’s life and documents the extent of Ezra Pound’s influence among Swedish poets and writers, marks a breakthrough in literary history and even re-writes history to some extent. For Dag Hammarskjöld, the diplomat, there were no boundaries between poetry and politics, and, with tragic consequences, the same was true for Ezra Pound, the poet. isbn: 978-91-85214-60-0 Marie-Noëlle Little Marie-Noëlle Little is a Professor of French at Utica College, Utica, N.Y. This publication has been produced by the Dag Hammarskjöld Foundation. It is also available online at www.dhf.uu.se Designed by Mattias Lasson. Printed by X-O Graf Tryckeri AB, Uppsala 2011. Distributed by the Dag Hammarskjöld Foundation Övre Slottsgatan 2, SE-753 10 Uppsala, Sweden Phone: +46-18-410 10 00, Fax: +46-18-122072 Web: www.dhf.uu.se isbn: 978-91-85214-60-0 Th e Knight and the Troubadour Dag Hammarskjöld and Ezra Pound Marie-Noëlle Little In Memoriam Bengt Nirje (1924-2006) Contents Foreword ........................................................................................................5 Preface .......................................................................................................... -
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Projective Citizenship— The Reimagining of the Citizen in Post-War American Poetry Lytton Jackson Smith Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 i © 2012 Lytton Jackson Smith All rights reserved ii ABSTRACT Projective Citizenship— The Reimagining of the Citizen in Post-War American Poetry Lytton Jackson Smith This dissertation examines the work of four poets writing in a projective or “open field” tradition in post-war America: Charles Olson, Amiri Baraka/LeRoi Jones, Susan Howe, and Myung Mi Kim. It considers the way these poets engage, via innovations in poetic form, with conceptions of the citizen and meanings of citizenship at different historical moments in the United States. Drawing on recent developments in citizenship theory which have focussed on what Engin Isin calls “acts of citizenship,” “Projective Citizenship—The Reimagining of the Citizen in Post-War American Poetry” suggests that poetry might offer a means for imagining alternative notions of the citizen, conceiving of citizens as active agents rather than passive subjects. iii i Contents Acknowledgments ii Preface iii Introduction: Creative Acts of Poetry: The Bollingen Prize, the Citizen-Poet, and Projective Citizenship 1 Exiling the Transformative Poet The Bollingen Prize: Ezra Pound’s Tenuous Citizenship Creative Acts: Poets and the Claim to Citizenship Reimagining the Citizen Projective Verse—Projective Citizenship “To Try To Get Down One Citizen -
Approyed: ~ ~·Iifi·R~
, • FLORIDA STA TE UNIVERSITY A STUDY OF THE BOLLINGhN PRIZ! IN POSTIIY By '·lEf< NE IIIUS • I A Paper Submitted to the Graduate Council of Florida Stat. Uniyeratty 1n part1al fulflllcent of the r.qu1re~.nt. for ~h. degrde of Muter of Arts. Approyed: ~~ Direct~·iifi·r~ aper Nona ••aor • Augu.t, 1958 • " TABLE or CON TEITS Pal. INTRODUCTION • • • • • • • • • • • • • • • • • • 1 Ch .. pter I. THE [STABLISHlIEST AIIll DEV&LOPMENT OF THE nOLLIRGEII PRIZS IN POETRY • • • • 3 II. BOLLINGEft PRIZE BlCIPIEIITS • • • • • • • 14 III. BOLLINOEII PRIZE WINNING BOO~S • • • • • 36 IV. BOLLINGEN PRIZE WINNING POETS • • • • • 50 V. SUMMARY • • • • • • • • • • • • • • • • 62 BlBLIOORAPHY • • • • • • • • • • • • • • • • • • 65 • • INTRODUCTION A reputable litorary award ie an invaluable aid io book ••lection. for auch an award a1gn1!1 •• approval by experte. Thi. recognition i •••pecially .ignificant I n a field such as poetry, whero ""Dy of the publica tions are 1saued by Yanity presael, receive little pub licity, and few If any review.. For the librarian who ha. not had speCiAl training in thi. p. rtlcular are. and de .. not han time to read widely enougb to develop ....- tery in all areAa, literary prise. render a •• lstance in .electing works which will best .erve the noode of a par ticular library. The award .elected for this paper was tho 80111n&on Prise in Poetry, one of the major literary award. and on. of the few to be offered by a univereity. Tho purpoeo of this study is to preslnt a briof history of tho aWArd it .olf and to give. critical eVAluation of tho work. of the recipient •• The procedure followed wae firat to a ecure inforaa tion concerning the history of tho Boll1n&en Pris. -
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William McGuire Papers A Finding Aid to the Collection in the Library of Congress Prepared by Michael McElderry with the assistance of Thomas Bigley and Sherralyn McCoy Manuscript Division, Library of Congress Washington, D.C. 2006 Contact information: http://hdl.loc.gov/loc.mss/mss.contact Finding aid encoded by Library of Congress Manuscript Division, 2010 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms010195 Collection Summary Title: William McGuire Papers Span Dates: 1868-1998 Bulk Dates: (bulk 1967-1997) ID No.: MSS82545 Creator: McGuire, William, 1917- Extent: 30,300 items; 87 containers; 34.6 linear feet Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Author and editor. Correspondence, memoranda, subject files, drafts, production and publication material, reports, project proposals, editorial and research material, minutes of meetings, notes, promotional material, printed matter, and miscellaneous papers relating to McGuire's career as an editor and author. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Adler, Gerhard, 1904- --Correspondence. Bailey, Herbert Smith--Correspondence. Barrett, John D., 1903-1981--Correspondence. Burnham, John C. (John Chynoweth), 1929- Cairns, Huntington, 1904-1985--Correspondence. Campbell, Joseph, 1904-1987--Correspondence. Campbell, Joseph, 1904-1987. Coleridge, Samuel Taylor, 1772-1834. Eissler, K. R. (Kurt Robert), 1908-1999--Correspondence. Freud, Anna, 1895-1982--Correspondence. Freud, Ernst L., 1892-1970--Correspondence. Freud, Sigmund, 1856-1939. Gillmor, Vaun--Correspondence. -
American Literature
mathematics HEALTH ENGINEERING DESIGN MEDIA management GEOGRAPHY EDUCA E MUSIC C PHYSICS law O ART L agriculture O BIOTECHNOLOGY G Y LANGU CHEMISTRY TION history AGE M E C H A N I C S psychology American Literature Subject: AMERICAN LITERATURE Credits: 4 SYLLABUS Contexts of American Literature The Puritan Context, The Consolidation and Dispersal of the Puritan Utopia, The Puritans as Literary Artists, Some “Other” Contexts of American Literature, Form the Colonial to the Federal: The Contexts of the American Enlightenment American Fiction Background, Reading the Text, Characterization, Narrative technique and Structure, Critical Perspective, Background to Adventures of Huckleberry Finn, Huckleberry Finn and its Narrative, Themes and Characterization in Huckleberry Finn, Language in Huckleberry Finn, Humour and Other Issues in Huckleberry Finn American Prose Revolutionary Prose in America, American prose in the Period of National Consolidation, The „Other‟ Side of American Romanticism, American Prose Around the Civil War, American Prose in the Post-Civil War Period, American Poetry Background, The Text 1: Walt Whitman, The Text 2: Emily Dickinson, Structure and Style, Critical Perspective, Robert Frost, Wallace Stevens, William Carlos Williams Ezra Pound, Adrienne Rich American Short Story The American Short Story, Hemingway: A Clean, Well- Lighted Place, William Faulkner: The Bear, Comparisons and Contrasts Suggested Readings: 1. English and American Literature: John Cotton Dana 2. The Catcher in the Rye by J.D. Salinger 3. American Literature : Willam E Cain CONTENTS Chapter1 : American Literature Chapter 2 : Adventures of Huckleberry Finn Chapter 3 : Moby-Dick Chapter 4 : Walt Whitman Chapter 5 : Emily Dickinson Chapter 6 : Robert Frost Chapter 7 : Wallace Stevens Chapter 8 : William Carlos Williams Chapter 9 : Ezra Pound Chapter 10 : Adrienne Rich Chapter 11 : A Clean, Well-Lighted Place Chapter - 1 American Literature American literature is the written or literature produced in the area of the United States and its preceding colonies. -
(°L Ottawa, Canada, 1964*
10u UNIVERSITY D'OTTAWA - ECOLE DES GRADUES A PRESENTATION AND EVALUATION OF KARL SHAPIRO'S THEORIES OF CRITICISM by Ralph Donald Sturm Thesis submitted to the Faculty of Arts of the University of Ottawa through the Department of English in partial fulfillment of the re quirements for the degree of Doctor of Philosophy, 0EU6/fi/ f I &* V (°l / Ottawa, Canada, 1964* UNIVERSITY OF OTTAWA -- SCHOOL OF GRADUATE STUDIES UMI Number: DC53512 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform DC53512 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 UNIVERSITE D'OTTAWA - ECOLE DES GRADUES ACKNOWLEDGEMENT This thesis was prepared under the direction of Professor Paul Marcotte, Ph.D., Associate Professor of the Department of English Literature, Gratitude is here expressed for his interest and help. Gratitude is also expressed to Mr, Karl Shapiro for his kindness in grant ing the author of this thesis an interview. UNIVERSITY OF OTTAWA - SCHOOL OF GRADUATE STUDIES UNIVERSITE D'OTTAWA ~ ECOLE DES GRADUES CURRICULUM STUDIORUM NAME: Ralph Donald Sturm BORN: January 23, 1927, Maryville, Missouri, U.S.A.