The Disputes Between Appion and Clement in the Pseudo-Clementine Homilies: a Narrative and Rhetorical Approach to the Structure of Hom
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Notes Introductory to the Study of The
I B. H. Til NOTES INTRODUCTORY TO THE STUDY OF THE CLEMENTINE RECOGNITIONS NOTES INTRODUCTORY TO THE STUDY OF THE CLEMENTLNE RECOGNITIONS A COURSE OF LECTURES BY FENTON JOHN ANTHONY HORT D.D. SOMETIME HULSEAN PROFESSOR AND LADY MARGARET S READER IN DIVINITY IN THE UNIVERSITY OF CAMBRIDGE HLon&on MACMILLAN AND CO., LIMITED NEW YORK: THE MACMILLAN COMPANY 1901 All rights reserved PRINTED BY J. AND C. F. CLAY AT THE UNIVERSITY PRESS NOTE. book contains the notes made by Dr Hort THISfor a course of Lectures which he delivered in Cambridge as Hulsean Professor in the October Term, 1884. They were written out almost in full, and are printed substantially as they stand. It is clear from the Preface, which was found in the same box with the Lecture Notes, that Dr Hort had intended to publish them. They form a natural supplement to the volume of Lectures on Judaistic Christianity printed in 1894. The subject was one which clearly had a strong attraction for him as one of the earliest attempts to grapple seriously with some of the most indestruct ible problems of life and thought, from a point of view substantially, however imperfectly, Christian. His copies both of the Recognitions and of the Homilies bear the marks of careful and repeated study, the fruits of which are only indirectly repre sented in these Notes. Among other things he had compiled a full Index Verborum for the Recog nitions/ which it has not seemed worth while to vi NOTE print in this volume, but which will gladly be put at the service of any editor of the text of the Recognitions. -
Julius Firmicus Maternus: De Errore Profanarum Religionum
RICE UNIVERSITY JULIUS FIRMICUS MATERNUS: DE ERRORE PROFANARUM RELIGIONUM. INTRODUCTION, TRANSLATION AND COMMENTARY by Richard E. Oster, Jr. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Thesis Director's Signature: Houston, Texas May 1971 ABSTRACT JULIUS FIRMICUS MATERNUS: DE ERRORE PROFANARUM RELIGIONUM. INTRODUCTION, TRANSLATION AND COMMENTARY BY Richard E. Oster, Jr. B.A. Texas Technological College M.A. Rice University Julius Firmicus Maternus, author of De Errore Profanarum Religiomm. and Mathesis, is an important but oftentimes over¬ looked writer from the middle of the fourth century. He is known to us only from the two works which he left behind, the former being a Christian polemic against pagan religion and the latter, a work he wrote while still a pagan, being on the subject of astrology. It is his Christian work which is the topic of this thesis. The middle of the fourth century when Firmicus wrote his work, A.D. 346-350, was a time of religious change and struggle in the Roman Empire. Within Christianity there were still troubles over the issues which precipitated the Council of Nicea. Outside of the church, paganism, though on the defensive, was still strong. Legislation had been passed against the pagan cults but it was not being enforced. So, about A.D. 348, a Roman Senator, Julius Firmicus Maternus, wrote a letter Concerning the Error of Profane 1 2 Religions to the Emperors Constans and Constantius. The first section of this work, chapters 1-17, presents the various gods of antiquity. Firmicus ridicules these by de¬ picting the crimes and immorality of the gods, by showing that the pagan gods were nothing more than personified elements or processes of nature. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
New Perspectives on Early Christian and Late Antique Apocryphal Texts and Traditions
Wissenschaftliche Untersuchungen zum Neuen Testament Herausgeber / Editor Jörg Frey (Zürich) Mitherausgeber / Associate Editors Markus Bockmuehl (Oxford) · James A. Kelhoffer (Uppsala) Hans-Josef Klauck (Chicago, IL) · Tobias Nicklas (Regensburg) J. Ross Wagner (Durham, NC) 349 Rediscovering the Apocryphal Continent: New Perspectives on Early Christian and Late Antique Apocryphal Texts and Traditions Edited by Pierluigi Piovanelli and Tony Burke With the collaboration of Timothy Pettipiece Mohr Siebeck Pierluigi Piovanelli, born 1961; 1987 MA; 1992 PhD; Professor of Second Temple Judaism and Early Christianity at the University of Ottawa (Ontario, Canada). Tony Burke, born 1968; 1995 MA; 2001 PhD; Associate Professor of Early Christianity at York University (Toronto, Ontario, Canada). ISBN 978-3-16-151994-9 / eISBN 978-3-16-157495-5 unveränderte eBook-Ausgabe 2019 ISSN 0512-1604 (Wissenschaftliche Untersuchungen zum NeuenT estament) Die Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data is available on the Internet at http://dnb.dnb.de. © 2015 by Mohr Siebeck, Tübingen, Germany. www.mohr.de This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher’s written permission. This applies particularly to reproduc- tions, translations, microfilms and storage and processing in electronic systems. The book was typeset by Martin Fischer inT übingen using Minion Pro typeface, printed by Gulde-Druck in Tübingen on non-aging paper and bound by Buchbinderei Spinner in Otters- weier. Printed in Germany. This volume is dedicated to the memories of Pierre Geoltrain (1929–2004) and François Bovon (1938–2013), without whom nothing of this would have been possible. -
ATHENA Booksares in Thishades Series Artemis Hera Athena Poseidon Demeter Zeus
GODS & GODDESSES LOH-HAGAN OF THE ANCIENT WORLD Drama, passion, murder, and treachery—the ancient world of GODS & GODDESSES had it all. Gods could be fair and just or jealous and cruel. Temples were built in their honor and sacrifices were made to ensure they would bestow good fortune on mortals. Explore the whole series and get a glimpse into this thrilling ancient world! ATHENA BooksAres in thisHades Series Artemis Hera Athena Poseidon Demeter Zeus 45thHigh Parallel interest topics with Press accessible reading Features levels Considerate vocabulary Engaging content and fascinating facts Clear text and formatting Compelling photos AthenaVIRGINIA LOH-HAGAN www.cherrylakepublishing.com Page intentionally blank GODS & GODDESSES OF THE ANCIENT WORLD Athenaby Virginia Loh-Hagan Gods and goddesses were the main characters of myths. Myths are traditional stories from ancient cultures. Storytellers answered questions about the world by creating exciting explanations. People thought myths were true. Myths explained the unexplainable. They helped people make sense of human behavior and nature. Today, we use science to explain the world. But people still love myths. Myths may not be literally true. But they have meaning. They tell us something about our history and culture. Published in the United States of America by Cherry Lake Publishing Ann Arbor, Michigan www.cherrylakepublishing.com Content Adviser: Matthew Wellenbach, Catholic Memorial School, West Roxbury, MA Reading Adviser: Marla Conn MS, Ed., Literacy specialist, Read-Ability, Inc. -
Dangerous Marriage Beds in Aeneid 6
Dangerous Marriage Beds in Aeneid 6 Entering the Underworld along with Aeneas and the Sibyl in book 6 of the Aeneid, we see an assembly of dangerous entities flanking the approach to the palace of Dis. Here, too, are the beds of the avenging Curae (6. 274) and the iron chambers of the Eumenides (6.280). Both of the words used (cubile for the Curae and thalamus, appropriately Greek, for the Eumenides) are commonly associated with the marriage bed, and these references introduce a marriage motif that recurs in the Underworld and is taken up strongly by Juno, goddess of marriage, as she sets in motion the second half of the poem in book 7. The motif then has a final echo in the fatal baldric of Pallas and its scene of a wedding chamber befouled with blood (10.497-499), which spurs Aeneas to the final act of the poem. This motif is both structurally and thematically important to our readings of the Aeneid, but seems to have escaped much scholarly notice. The relationship of Dido and Aeneas, of course, has attracted much attention, and readers have also noted that both the character and (promised) marriage of Lavinia are, despite their centrality to the plot, notable in the lack of narrative focus received. Smolenaars (2004) addresses the scene of Venus soliciting arms from Vulcan, in which we have both a golden thalamus (8.372) and a cubile (8.412) in the explicit context of marriage, but he is more concerned with Venus’ morals than the relevance of the marriage imagery to the rest of the work. -
Shaping Christian Identity: the False Scripture Argument in Early Christian Literature Kevin M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Shaping Christian Identity: The False Scripture Argument in Early Christian Literature Kevin M. (Kevin Michael) Vaccarella Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES SHAPING CHRISTIAN IDENTITY: THE FALSE SCRIPTURE ARGUMENT IN EARLY CHRISTIAN LITERATURE By Kevin M. Vaccarella A Dissertation submitted to the Department of Religion in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded Summer semester, 2007 Copyright © 2007 Kevin M. Vaccarella All Rights Reserved The members of the committee approve the dissertation by Kevin M. Vaccarella defended on June 7, 2007. ___________________________ Nicole Kelley Professor Directing Dissertation ___________________________ John Marincola Outside Committee Member ___________________________ David Levenson Committee Member Approved: ______________________________________ John Corrigan, Chair, Department of Religion ________________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and confirmed the above named committee members. ii For Jenness iii ACKNOWLEGMENTS My dissertation began with an exploration of texts and a setting with which I was not very familiar. My eventual proficiency with the subject matter was due to a combination of my growing interest in the material and the patient guidance of my dissertation director, Nicole Kelley. It was she who first suggested I investigate the Pseudo-Clementine Homilies. Dr. Kelley’s enthusiastic direction through the Pseudo-Clementines has always been coupled with the freedom to explore comparisons with other writings – a freedom that eventually led me to the Didascalia Apostolorum and Ptolemy's Letter to Flora. -
Discerning Witnesses: First and Second Century Textual Studies in Christian Authority
DISCERNING WITNESSES: FIRST AND SECOND CENTURY TEXTUAL STUDIES IN CHRISTIAN AUTHORITY BY JACOB JOSEPH PRAHLOW A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Religion May 2014 Winston-Salem, North Carolina Approved By: Bill J. Leonard, Ph.D., Advisor Mary F. Foskett, Ph.D., Chair Stephen B. Boyd, Ph.D. ACKNOWLEDGEMENTS There are a number of people whom I would like to thank for their assistance in crafting this thesis. Foremost, I offer my sincere gratitude to Dr. Bill Leonard for his continuous support, longsuffering patience, clarifying questions, and immense knowledge. Without his guidance, the completion of this project would not have been possible. Second, I would also like to offer profound thanks to the other members of my thesis committee, Dr. Mary Foskett and Dr. Stephen Boyd, for their encouragement, insightful comments, and hard questions. Third, I need to thank my wife Hayley for her enduring encouragement, many uninterrupted study hours, and the willingness to listen as I worked through concepts aloud. Many thanks also go out to Dr. Lisa Driver, Dr. Gilbert Meilaender, Dr. Ronald Rittgers, Dr. Michael Baumen, Mr. Kevin Bywater, Mr. Timothy Smith, Dr. James Powell, and Dr. Jarrod Whitaker, as well as colleagues Mr. Daniel McCluskey and Mr. Ben Cabe, for their influence on my thinking about the history of Christianity and insights into the method behind this project. Additionally, I would like to thank those who have helped me review and edit parts of this thesis, Jody Byrkett and Laura Ehlen. -
Pallas Rpitsbitdt Icarus to Submitted Preprint Foundation
Physical Properties of (2) Pallas✩ Benoˆıt Carrya,b, Christophe Dumasa, Mikko Kaasalainenc, J´erˆome Berthierd, William J. Merlinee, St´ephane Erardb, Al Conradf, Jack D. Drummondg, Daniel Hestrofferd, Marcello Fulchignonib, Thierry Fuscoh aESO, Alonso de C´ordova 3107, Vitacura, Casilla 19001, Santiago de Chile, Chile bLESIA, Observatoire de Paris, CNRS, 5 place Jules Janssen, 92190 Meudon Cedex, France cP.O. Box 68 (Gustaf H¨allstr¨omin katu 2b), FI-00014 University of Helsinki, Finland dIMCCE, Observatoire de Paris, CNRS, 77 av. Denfert Rochereau, 75014 Paris, France eSouthwest Research Institute, 1050 Walnut St. # 300, Boulder, CO 80302, U.S.A. fW. M. Keck Observatory, Hawaii, U.S.A. gStarfire Optical Range, Directed Energy Directorate, Air Force Research Laboratory, Kirtland AFB, New Mexico 87117-577, U.S.A. hONERA, BP 72, 92322 Chˆatillon Cedex, France Abstract Ground-based high angular-resolution images of asteroid (2) Pallas at near-infrared wavelengths have been used to determine its physical properties (shape, dimensions, spatial orientation and albedo distribution). We acquired and analyzed adaptive-optics (AO) J/H/K-band observations from Keck II and the Very Large Telescope taken during four Pallas oppositions between 2003 and 2007, with spatial resolution spanning 32–88 km (image scales 13–20 km/pix). We improve our determination of the size, shape, and pole by a novel method that combines our AO data with 51 visual light-curves spanning 34 years of observations as well as archived occultation data. The shape model of Pallas derived here reproduces well both the projected shape of Pallas on the sky (average deviation of edge profile of 0.4 pixel) and light-curve behavior (average deviation of 0.019 mag) at all the epochs considered. -
Barbelo 1 Barbelo
Barbelo 1 Barbelo Part of a series on Gnosticism History • Early • Syrian-Egyptic • Mandaeism • Manichaeism • Sabians of Haran • Modern schools Proto-Gnostics • Philo • Simon Magus • Cerinthus • Valentinus • Basilides • Menander Scriptures • Gnostic Gospels • Nag Hammadi library • Pseudo-Abdias • Clementine literature • Gnosticism and the New Testament Codices • Codex Tchacos • Askew Codex • Bruce Codex • Berlin Codex Lists • Gnostic sects • Gnostic terms Related articles • Gnosis • Jnana • Esoteric Christianity • Theosophy • Neoplatonism and Gnosticism • v • t [1] • e Barbelo 2 The Gnostic term "Barbēlō" (Greek: Βαρβηλώ)[2] refers to the first emanation of God in several forms of Gnostic cosmogony. Barbēlō is often depicted as a supreme female principle, the single passive antecedent of creation in its manifoldness. This figure is also variously referred to as 'Mother-Father' (hinting at her apparent androgyny), 'First Human Being', 'The Triple Androgynous Name', or 'Eternal Aeon'. So prominent was her place amongst some Gnostics that some schools were designated as Barbeliotae, Barbēlō worshippers or Barbēlōgnostics. The nature of Barbēlō Nag Hammadi Library In the Apocryphon of John, a tractate in the Nag Hammadi Library containing the most extensive recounting of the Sethian creation myth, the Barbēlō is described as "the first power, the glory, Barbēlō, the perfect glory in the aeons, the glory of the revelation". All subsequent acts of creation within the divine sphere (save, crucially, that of the lowest aeon Sophia) occurs through her coaction with God. The text describes her thus: This is the first thought, his image; she became the womb of everything, for it is she who is prior to them all, the Mother-Father, the first man (Anthropos), the holy Spirit, the thrice-male, the thrice-powerful, the thrice-named androgynous one, and the eternal aeon among the invisible ones, and the first to come forth.