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Julius Firmicus Maternus: De Errore Profanarum Religionum
RICE UNIVERSITY JULIUS FIRMICUS MATERNUS: DE ERRORE PROFANARUM RELIGIONUM. INTRODUCTION, TRANSLATION AND COMMENTARY by Richard E. Oster, Jr. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Thesis Director's Signature: Houston, Texas May 1971 ABSTRACT JULIUS FIRMICUS MATERNUS: DE ERRORE PROFANARUM RELIGIONUM. INTRODUCTION, TRANSLATION AND COMMENTARY BY Richard E. Oster, Jr. B.A. Texas Technological College M.A. Rice University Julius Firmicus Maternus, author of De Errore Profanarum Religiomm. and Mathesis, is an important but oftentimes over¬ looked writer from the middle of the fourth century. He is known to us only from the two works which he left behind, the former being a Christian polemic against pagan religion and the latter, a work he wrote while still a pagan, being on the subject of astrology. It is his Christian work which is the topic of this thesis. The middle of the fourth century when Firmicus wrote his work, A.D. 346-350, was a time of religious change and struggle in the Roman Empire. Within Christianity there were still troubles over the issues which precipitated the Council of Nicea. Outside of the church, paganism, though on the defensive, was still strong. Legislation had been passed against the pagan cults but it was not being enforced. So, about A.D. 348, a Roman Senator, Julius Firmicus Maternus, wrote a letter Concerning the Error of Profane 1 2 Religions to the Emperors Constans and Constantius. The first section of this work, chapters 1-17, presents the various gods of antiquity. Firmicus ridicules these by de¬ picting the crimes and immorality of the gods, by showing that the pagan gods were nothing more than personified elements or processes of nature. -
Occultation Newsletter Volume 8, Number 4
Volume 12, Number 1 January 2005 $5.00 North Am./$6.25 Other International Occultation Timing Association, Inc. (IOTA) In this Issue Article Page The Largest Members Of Our Solar System – 2005 . 4 Resources Page What to Send to Whom . 3 Membership and Subscription Information . 3 IOTA Publications. 3 The Offices and Officers of IOTA . .11 IOTA European Section (IOTA/ES) . .11 IOTA on the World Wide Web. Back Cover ON THE COVER: Steve Preston posted a prediction for the occultation of a 10.8-magnitude star in Orion, about 3° from Betelgeuse, by the asteroid (238) Hypatia, which had an expected diameter of 148 km. The predicted path passed over the San Francisco Bay area, and that turned out to be quite accurate, with only a small shift towards the north, enough to leave Richard Nolthenius, observing visually from the coast northwest of Santa Cruz, to have a miss. But farther north, three other observers video recorded the occultation from their homes, and they were fortuitously located to define three well- spaced chords across the asteroid to accurately measure its shape and location relative to the star, as shown in the figure. The dashed lines show the axes of the fitted ellipse, produced by Dave Herald’s WinOccult program. This demonstrates the good results that can be obtained by a few dedicated observers with a relatively faint star; a bright star and/or many observers are not always necessary to obtain solid useful observations. – David Dunham Publication Date for this issue: July 2005 Please note: The date shown on the cover is for subscription purposes only and does not reflect the actual publication date. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
The Disputes Between Appion and Clement in the Pseudo-Clementine Homilies: a Narrative and Rhetorical Approach to the Structure of Hom
The Disputes between Appion and Clement in the Pseudo-Clementine Homilies: A Narrative and Rhetorical Approach to the Structure of Hom. 6 BENJAMIN DE VOS Ghent University Introduction This contribution offers, in the first place (1), a structural and rhetorical reading of the debates on the third day between Clement and Appion in the Pseudo-Clem- entine Homilies (Hom. 6) and shows that there is a well-considered rhetorical ring structure in their disputes. Connected with this first point (2), the suggested read- ing will unravel how Clement and Appion use and manipulate their sophisticated rhetoric, linked to this particular structure. This is well worth considering since these debates deal with Greek paideia, which means culture and above all educa- tion, of which rhetorical education forms part. The rhetorical features will be dis- played as a fine product of the rhetorical and even sophistic background in Late Antiquity. Clement, moreover, will present himself as a master in rhetoric against Appion, who is presented as a sophist and a grammarian in the Pseudo-Clemen- tine Homilies. Until now, the Pseudo-Clementine research context concerning Hom. 6 has focused on two aspects. First, several researchers have examined to which tradition of Orphic Cosmogonies the Homilistic version, included in the speech of Appion, belongs. Secondly, according to some scholars, the disputes between Appion and Clement have an abrupt ending. However, they have not looked at the structure and function of the general debate between Clement and Appion and of the whole work. Finally (3), the reappraisal of the rhetorical dy- namics in and the narrative structure of Hom. -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
ATHENA Booksares in Thishades Series Artemis Hera Athena Poseidon Demeter Zeus
GODS & GODDESSES LOH-HAGAN OF THE ANCIENT WORLD Drama, passion, murder, and treachery—the ancient world of GODS & GODDESSES had it all. Gods could be fair and just or jealous and cruel. Temples were built in their honor and sacrifices were made to ensure they would bestow good fortune on mortals. Explore the whole series and get a glimpse into this thrilling ancient world! ATHENA BooksAres in thisHades Series Artemis Hera Athena Poseidon Demeter Zeus 45thHigh Parallel interest topics with Press accessible reading Features levels Considerate vocabulary Engaging content and fascinating facts Clear text and formatting Compelling photos AthenaVIRGINIA LOH-HAGAN www.cherrylakepublishing.com Page intentionally blank GODS & GODDESSES OF THE ANCIENT WORLD Athenaby Virginia Loh-Hagan Gods and goddesses were the main characters of myths. Myths are traditional stories from ancient cultures. Storytellers answered questions about the world by creating exciting explanations. People thought myths were true. Myths explained the unexplainable. They helped people make sense of human behavior and nature. Today, we use science to explain the world. But people still love myths. Myths may not be literally true. But they have meaning. They tell us something about our history and culture. Published in the United States of America by Cherry Lake Publishing Ann Arbor, Michigan www.cherrylakepublishing.com Content Adviser: Matthew Wellenbach, Catholic Memorial School, West Roxbury, MA Reading Adviser: Marla Conn MS, Ed., Literacy specialist, Read-Ability, Inc. -
Dangerous Marriage Beds in Aeneid 6
Dangerous Marriage Beds in Aeneid 6 Entering the Underworld along with Aeneas and the Sibyl in book 6 of the Aeneid, we see an assembly of dangerous entities flanking the approach to the palace of Dis. Here, too, are the beds of the avenging Curae (6. 274) and the iron chambers of the Eumenides (6.280). Both of the words used (cubile for the Curae and thalamus, appropriately Greek, for the Eumenides) are commonly associated with the marriage bed, and these references introduce a marriage motif that recurs in the Underworld and is taken up strongly by Juno, goddess of marriage, as she sets in motion the second half of the poem in book 7. The motif then has a final echo in the fatal baldric of Pallas and its scene of a wedding chamber befouled with blood (10.497-499), which spurs Aeneas to the final act of the poem. This motif is both structurally and thematically important to our readings of the Aeneid, but seems to have escaped much scholarly notice. The relationship of Dido and Aeneas, of course, has attracted much attention, and readers have also noted that both the character and (promised) marriage of Lavinia are, despite their centrality to the plot, notable in the lack of narrative focus received. Smolenaars (2004) addresses the scene of Venus soliciting arms from Vulcan, in which we have both a golden thalamus (8.372) and a cubile (8.412) in the explicit context of marriage, but he is more concerned with Venus’ morals than the relevance of the marriage imagery to the rest of the work. -
Updated IAA RAS Planetary Ephemerides-EPM2011 and Their
ISSN 0038-0946, Solar System Research, 2013, Vol. 47, No. 5, pp. 386-402. c Pleiades Publishing, Inc., 2013. Original Russian Text c E.V. Pitjeva, 2013, published in Astronomicheskii Vestnik, 2013, Vol. 47, No. 5, pp. 419-435 UDK 521.172:523.2 Updated IAA RAS Planetary Ephemerides-EPM2011 and Their Use in Scientific Research c 2013 г. E. V. Pitjeva Institute of Applied Astronomy, Russian Academy of Sciences, nab. Kutuzova 10, St. Petersburg, 191187 Russia Received December 20, 2012 Abstract -The EPM (Ephemerides of Planets and the Moon) numerical ephemerides were first created in the 1970s in support of Russian space flight missions and since then have been constantly improved at IAA RAS. In the following work, the latest version of the planetary part of the EPM2011 numerical ephemerides is presented. The EPM2011 ephemerides are computed using an updated dynamical model, new values of the parameters, and an extended observation database that contains about 680 000 positional measurements of various types obtained from 1913 to 2011. The dynamical model takes into account mutual perturbations of the major planets, the Sun, the Moon, 301 massive asteroids, and 21 of the largest trans-Neptunian objects (TNOs), as well as perturbations from the other main-belt asteroids and other TNOs. The EPM ephemerides are computed by numerical integration of the equations of motion of celestial bodies in the parameterized post-Newtonian n-body metric in the BCRS coordinate system for the TDB time scale over a 400-year interval. The ephemerides were oriented to the ICRF system using 213 VLBI observations (taken from arXiv:1308.6416v1 [astro-ph.EP] 29 Aug 2013 1989 to 2010) of spacecraft near planets with background quasars, the coordinates of which are given in the ICRF system. -
Rocks in Space Asteroids, Comets and Meteors
Modern Astronomy: Voyage to the Planets Lecture 6 Rocks in Space asteroids, comets and meteors University of Sydney Centre for Continuing Education Autumn 2009 Tonight: • Asteroids – rocks that circle • Comets – rocks that evaporate • Trans-Neptunian objects – really cold rocks • Meteorites – rocks that fall Asteroids The Solar System contains a large number of small bodies, of which the largest are the asteroids. Some orbit the Sun inside the Earth’s orbit, and others have highly elliptical orbits which cross the Earth’s. However, the vast bulk of asteroids orbit the Sun in nearly circular orbits in a broad belt between Mars and Jupiter. An asteroid (or strictly minor planet*) is smaller than major planets, but larger than meteoroids, which are 10m or less in size. * since 2006, these are now officially small solar system bodies, though the term “minor planet” may still be used As of April 2009, there are 212,999 asteroids which have been given numbers; 15190 have been given names. The rate of discovery of new bodies is about 5000 per month. It is estimated there are between 1.1 and 1.9 million asteroids larger than 1 km in diameter. Number of minor planets with orbits (red) and names (green) The largest are 1 Ceres (1000 km in diameter), 2 Pallas (550 km), 4 Vesta (530!km), and 10 Hygiea (410 km). Only 16 asteroids are larger than 240 km in size. Ceres is by far the largest and most massive body in the asteroid belt, and contains approximately a third of the belt's total mass. -
Dawn: a Journey to the Beginning of the Solar System
DAWN: A JOURNEY TO THE BEGINNING OF THE SOLAR SYSTEM C.T. Russell(1), A. Coradini(2), W.C. Feldman(3), R. Jaumann(4), A.S. Konopliv(5), T.B. McCord(6), L.A. McFadden(7), H.Y. McSween(8), S. Mottola(4), G. Neukum(9), C.M. Pieters(10) C.A. Raymond(5), D.E. Smith(11), M.V. Sykes(12) B.G. Williams(5), and M.T. Zuber(13) 1IGPP&ESS, UCLA, Los Angeles, CA 90095-1567; [email protected] 2IFSI, Via del fosso del Cavaliere, 00133 ROMA Italy 3LANL, MS D466, NIS-1, Los Alamos, NM 87545 4DLR Rutherfordstr 2, D-12489 Berlin, Germany 5JPL, 4800 Oak Grove Dr., Pasadena, CA 91109 6University of Hawaii, 2525 Correa Rd., Honolulu, HI 96822 7University of Maryland, College Park, MD 20742 8University of Tennessee, Knoxville, TN 37996-1410 9Freie Universitat Berlin, Malteser Str.74-100, 12249 Berlin, Germany 10Brown University, Providence, RI 02912 11GSFC, MC 920, Greenbelt, MD 20771 12U of Arizona, Tucson, AZ 85721 13MIT, Cambridge, MA 02139 ABSTRACT/RESUME Once Jupiter formed, by gravitational collapse, its orbital motion relative to the asteroids Dawn, NASA's ninth Discovery mission, is provided a periodic gravitational pulse that scheduled to launch on May 27, 2006 on a accelerated them so they would no longer journey that will take it into orbit about the two accrete. Thus the formation of Jupiter stopped most massive asteroids 4 Vesta and 1 Ceres. much of the geochemical evolution of this Dawn's goal is to understand the conditions and region. By exploring the two most massive processes present at the solar system's earliest planetesimals, Dawn studies some of the earliest epoch, and the role of water content and size in processes in the solar system, those occurring planetary evolution. -
The Use of the Figure and the Myth of Asclepius in the Greek Anti-Pagan Controversy* Gaetano Spampinato (University of Fribourg)
The Use of the Figure and the Myth of Asclepius in the Greek Anti-pagan Controversy* Gaetano Spampinato (University of Fribourg) Keywords: Asclepius, Justin martyr, Athenagoras, Clement of Alexandria, Origen, Contra Celsum, euhemerism 1. Introduction In the Exhortation to the Greeks (or Protrepticus), Clement of Alexandria, polemicizing with the cult of pagan divinities,1 hurls himself with particular vehemence against the statues representing the gods. In lamenting the madness of worshipping the artifacts built by men themselves, the Alexandrian theologian uses a rather ironic image: “The swallows and the majority of the birds, flying over these statues, excrete right there, regardless of Zeus Olympius, Asclepius of Epidaurus (Ἐπιδαυρίου Ἀσκληπιοῦ), Athena Polias herself or the Egyptian Serapis. But not even these animals can make you understand the insensitivity of the statues!”2 The message is clear: even animals, beings without intellect, seem to understand the nonsense of the cult of statues and they defecate on them, regardless of honors attributed by men.3 In this passage Clement cites examples of well-known sculptures of divinities, including the two famous statues of Zeus Olympius and Athena Polias, that of the Egyptian Serapis, and that of * This paper was written with the support of a research project on “Religious competition in Late Antiquity”, funded by the Swiss National Science Foundation (SNSF) and hosted by the University of Fribourg (P. I. Francesco Massa) (http://relab.hypotheses.org). 1 I use the term ‘pagan’ for a matter of pure convenience, well aware of the problematic nature of the use of this term. 2 Clem. Prot.