Julius Firmicus Maternus: De Errore Profanarum Religionum
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2013%Yale%Certamen%Invitational% Intermediate%Division% Round%1% %
2013%Yale%Certamen%Invitational% Intermediate%Division% Round%1% % 1. What elderly senator succeeded Domitian as emperor in 96 A.D.? NERVA B1 Give the name of the mistress of the Praetorian Prefect who led the conspiracy to assassinate Domitian. DOMITIA B2 What palace servant stabbed Domitian? STEPHANUS 2. What fisherman found and cared for Danaë and the infant Perseus? DICTYS B1 Name Dictys’s cruel brother. POLYDECTES B2 On what island did Dictys and Polydectes live? SERIPHOS 3. For the verb tollō, tollere give the 2nd person plural, imperfect, passive, indicative. TOLLĒBĀMINĪ B1 Make tollēbāminī 1st person. TOLLĒBĀMUR B2 Make tollēbāmur perfect. SUBLĀTĪ/-AE/-A SUMUS 4. What is the meaning of the Latin adjective melior? BETTER B1 Give an antonym of melior? PEIOR B2 Give the superlative form of peior? PESSIMUS 5. The Greek chieftains Phoenix, Ajax the Greater, and Odysseus were assembled to appease what warrior and convince him to rejoin the war against the Trojans? ACHILLES B1 Who had organized this embassy after stealing Achilles’ concubine and evoking his anger? AGAMEMNON B2 What was the name of this concubine from Lyrnessus whom Agamemnon had stolen to replace his own? BRISEÏS 6. Translate the following sentence into English: hortus cotīdiē ab animālibus rūsticīs vīsitābātur. THE GARDEN WAS (BEING) VISITED BY RUSTIC ANIMALS EVERY DAY. 2013%Yale%Certamen%Invitational% Intermediate%Division% Round%1% % B1 Now translate this sentence: herba ā nōn solum leporibus sed etiam bovibus consumpta est. THE GRASS WAS/HAS BEEN EATEN NOT ONLY BY RABBITS BUT ALSO BY COWS/HEIFERS. B2 Restate the sentence posteā agricola dēfessus leporēs gladiō interfēcit in Latin by changing the verb to the passive voice yet keeping the overall meaning the same. -
Athenians and Eleusinians in the West Pediment of the Parthenon
ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article. -
New Light on "The Excursion" ALAN G
New Light on "The Excursion" ALAN G. HILL fresh approach to The Excursion is long overdue if Wordsworth is to take his rightful place among the sages of the early Victorian period. But the obstacles in the way of this are great. There is little gen• eral agreement as to what, if anything, Wordsworth was trying to achieve in this vast, even sprawling, structure, and it has never attracted the steady critical attention that would have made it more accessible now. Apart from the tragic tale of Margaret in Book I, which in the form of The Ruined Cottage was written much earlier, the poem is largely ignored except as evidence of Wordsworth's poetic decline. Jeffrey's notorious verdict —• "This will never do!" — has re-echoed in one form or another down the years. The poem really deserves a better fate altogether. As one of the great reassertions of traditional values and be• liefs against the sceptical spirit of the Enlightenment, it is a work no student of the nineteenth century can afford to neglect. But a more favourable estimate is impossible while the whole raison d'etre of the design remains prob• lematic. Wordsworth's own remarks about The Excursion (parti• cularly in the Preface of 1814) and its relation to the un• finished Recluse reveal little about his intentions in or• ganizing the poem as he did. A few influences are fairly clear: the dialogues of Plato, and possibly those of George Berkeley as well, the didactic and contemplative poetry of the eighteenth century, and finally travelogues like John Thelwall's miscellany The Peripatetic (1793). -
(Eponymous) Heroes
is is a version of an electronic document, part of the series, Dēmos: Clas- sical Athenian Democracy, a publicationpublication ofof e Stoa: a consortium for electronic publication in the humanities [www.stoa.org]. e electronic version of this article off ers contextual information intended to make the study of Athenian democracy more accessible to a wide audience. Please visit the site at http:// www.stoa.org/projects/demos/home. Athenian Political Art from the fi h and fourth centuries: Images of Tribal (Eponymous) Heroes S e Cleisthenic reforms of /, which fi rmly established democracy at Ath- ens, imposed a new division of Attica into ten tribes, each of which consti- tuted a new political and military unit, but included citizens from each of the three geographical regions of Attica – the city, the coast, and the inland. En- rollment in a tribe (according to heredity) was a manda- tory prerequisite for citizenship. As usual in ancient Athenian aff airs, politics and reli- gion came hand in hand and, a er due consultation with Apollo’s oracle at Delphi, each new tribe was assigned to a particular hero a er whom the tribe was named; the ten Amy C. Smith, “Athenian Political Art from the Fi h and Fourth Centuries : Images of Tribal (Eponymous) Heroes,” in C. Blackwell, ed., Dēmos: Classical Athenian Democracy (A.(A. MahoneyMahoney andand R.R. Scaife,Scaife, edd.,edd., e Stoa: a consortium for electronic publication in the humanities [www.stoa.org], . © , A.C. Smith. tribal heroes are thus known as the eponymous (or name giving) heroes. T : Aristotle indicates that each hero already received worship by the time of the Cleisthenic reforms, although little evi- dence as to the nature of the worship of each hero is now known (Aristot. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
The Disputes Between Appion and Clement in the Pseudo-Clementine Homilies: a Narrative and Rhetorical Approach to the Structure of Hom
The Disputes between Appion and Clement in the Pseudo-Clementine Homilies: A Narrative and Rhetorical Approach to the Structure of Hom. 6 BENJAMIN DE VOS Ghent University Introduction This contribution offers, in the first place (1), a structural and rhetorical reading of the debates on the third day between Clement and Appion in the Pseudo-Clem- entine Homilies (Hom. 6) and shows that there is a well-considered rhetorical ring structure in their disputes. Connected with this first point (2), the suggested read- ing will unravel how Clement and Appion use and manipulate their sophisticated rhetoric, linked to this particular structure. This is well worth considering since these debates deal with Greek paideia, which means culture and above all educa- tion, of which rhetorical education forms part. The rhetorical features will be dis- played as a fine product of the rhetorical and even sophistic background in Late Antiquity. Clement, moreover, will present himself as a master in rhetoric against Appion, who is presented as a sophist and a grammarian in the Pseudo-Clemen- tine Homilies. Until now, the Pseudo-Clementine research context concerning Hom. 6 has focused on two aspects. First, several researchers have examined to which tradition of Orphic Cosmogonies the Homilistic version, included in the speech of Appion, belongs. Secondly, according to some scholars, the disputes between Appion and Clement have an abrupt ending. However, they have not looked at the structure and function of the general debate between Clement and Appion and of the whole work. Finally (3), the reappraisal of the rhetorical dy- namics in and the narrative structure of Hom. -
MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1
MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1. This son of Zeus was the builder of the palaces on Mt. Olympus and the maker of Achilles’ armor. a. Apollo b. Dionysus c. Hephaestus d. Hermes 2. She was the first wife of Heracles; unfortunately, she was killed by Heracles in a fit of madness. a. Aethra b. Evadne c. Megara d. Penelope 3. He grew up as a fisherman and won fame for himself by slaying Medusa. a. Amphitryon b. Electryon c. Heracles d. Perseus 4. This girl was transformed into a sunflower after she was rejected by the Sun god. a. Arachne b. Clytie c. Leucothoe d. Myrrha 5. According to Hesiod, he was NOT a son of Cronus and Rhea. a. Brontes b. Hades c. Poseidon d. Zeus 6. He chose to die young but with great glory as opposed to dying in old age with no glory. a. Achilles b. Heracles c. Jason d. Perseus 7. This queen of the gods is often depicted as a jealous wife. a. Demeter b. Hera c. Hestia d. Thetis 8. This ruler of the Underworld had the least extra-marital affairs among the three brothers. a. Aeacus b. Hades c. Minos d. Rhadamanthys 9. He imprisoned his daughter because a prophesy said that her son would become his killer. a. Acrisius b. Heracles c. Perseus d. Theseus 10. He fled burning Troy on the shoulder of his son. a. Anchises b. Dardanus c. Laomedon d. Priam 11. He poked his eyes out after learning that he had married his own mother. -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
Christianity and Astrology: Fundamental Incompatability Concerning Gods and Free Will
CHRISTIANITY AND ASTROLOGY: FUNDAMENTAL INCOMPATABILITY CONCERNING GODS AND FREE WILL An Undergraduate Research Scholars Thesis by KATHERINE MILLER Submitted to the Undergraduate Research Scholars program at Texas A&M University in partial fulfillment of the requirements for the designation as an UNDERGRADUATE RESEARCH SCHOLAR Approved by Research Advisor: Dr. Justin Lake May 2020 Major: Biology Classical Studies TABLE OF CONTENTS Page ABSTRACT .................................................................................................................................... 1 Literature Review.................................................................................................... 1 Thesis Statement ..................................................................................................... 1 Theoretical Framework ........................................................................................... 2 Project Description.................................................................................................. 2 ACKNOWLEDGMENTS .............................................................................................................. 3 INTRODUCTION .......................................................................................................................... 4 CHAPTER I. THE PLANETS AS GODLY BEINGS ........................................................................ 6 Babylon .................................................................................................................. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
Practicing Love of God in Medieval Jerusalem, Gaul and Saxony
he collection of essays presented in “Devotional Cross-Roads: Practicing Love of God in Medieval Gaul, Jerusalem, and Saxony” investigates test case witnesses of TChristian devotion and patronage from Late Antiquity to the Late Middle Ages, set in and between the Eastern and Western Mediterranean, as well as Gaul and the regions north of the Alps. Devotional practice and love of God refer to people – mostly from the lay and religious elite –, ideas, copies of texts, images, and material objects, such as relics and reliquaries. The wide geographic borders and time span are used here to illustrate a broad picture composed around questions of worship, identity, reli- gious affiliation and gender. Among the diversity of cases, the studies presented in this volume exemplify recurring themes, which occupied the Christian believer, such as the veneration of the Cross, translation of architecture, pilgrimage and patronage, emergence of iconography and devotional patterns. These essays are representing the research results of the project “Practicing Love of God: Comparing Women’s and Men’s Practice in Medieval Saxony” guided by the art historian Galit Noga-Banai, The Hebrew University of Jerusalem, and the histori- an Hedwig Röckelein, Georg-August-University Göttingen. This project was running from 2013 to 2018 within the Niedersachsen-Israeli Program and financed by the State of Lower Saxony. Devotional Cross-Roads Practicing Love of God in Medieval Jerusalem, Gaul and Saxony Edited by Hedwig Röckelein, Galit Noga-Banai, and Lotem Pinchover Röckelein/Noga-Banai/Pinchover Devotional Cross-Roads ISBN 978-3-86395-372-0 Universitätsverlag Göttingen Universitätsverlag Göttingen Hedwig Röckelein, Galit Noga-Banai, and Lotem Pinchover (Eds.) Devotional Cross-Roads This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. -
Far from Being Idolatrous: Ancestor Veneration
Dr Alexander Jebadu SVD FAR FROM BEING IDOLATROUS: ANCESTOR VENERATION 2010 ______________________________________________ Steyler Verlaag, Nettetal Bibliografische Information Der Deutchen Bibliotek Die Deutche Bibliotek verzeichnet diese Publikation in der Deutchen Nationalbibliografie; detailierte bibliografische Daten sind im Internet über http://dnb.ddb.de abrufbar. ©Steyler Verlaag Bahnhofstraβe 9 41334 Nettetal Germany [email protected] ISSN 0562-2816 ISBN 978-3-8050-0564-7 DPT: Martina Ludwig, Steyler Missionswissenschaftliches Instutut Druck: Verlaag Franz Schmitt, Siegburg TABLE OF CONTETS AKNOWLEDGEMENTS ……………………………………………………………...iii I. INTRODUCTION …………………………………………………………………...01 1.1. Problem Mapping of This Study …..…………….……………………………..01 1.2. Goal and Scope of This Study …………..….…………………………………..01 1.3. Organization of This Study and Its Methodology……………………….…….03 1.4. The Limitations of This Study ……………………………………………….…04 II. THE RELEVANCE OF THEOLOGY OF ANCESTRAL VENERATION……. FOR THE ASIAN-AFRICAN CATHOLIC CHURCH …………………..….…...06 2.1. Ancestral Veneration Presupposes Faith in Life after Death ……….………..06 2.1.1. Ancestral Veneration in the Work of Herbert Spencer ……….….…..07 2.1.2. Human Soul in the Frame of Edward Burnet Tylor’s Animism ……..10 2.1.2.1. Definition of Religion ………………………………………….….…...11 2.1.2.2. Animism …………………………………………………….………......11 2.1.2.3. The Origin of Belief in the Human Soul …….………………….….…13 2.1.2.3.1. Human Biological Phenomena …….…………………..…..13 2.1.2.3.2. The Unity of Life and Phantom …….….…………………..14 2.1.2.4. Samples of Popular Beliefs in Human Soul ….….………….…….….14 2.1.2.4.1. The Concept of Soul as Shadow ……..…………….….…...14 2.1.2.4.2. The Concept of Soul as the Cause of Life ………….....…...15 2.1.2.4.3.