Friedrich Schiller
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Goethe's Götz Von Berlichingen and Schiller's Fiesco
Durham Research Online Deposited in DRO: 28 June 2021 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Nitschke, Claudia (2021) 'Metaphorical Contracts and Games: Goethe's G¤otzvon Berlichingen and Schiller's Fiesco.', Law and literature. Further information on publisher's website: https://doi.org/10.1080/1535685X.2021.1885158 Publisher's copyright statement: c 2021 The Author(s). Published by Informa UK Limited, trading as Taylor Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Law & Literature ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rlal20 Metaphorical Contracts and Games: Goethe’s Götz von Berlichingen and Schiller’s Fiesco Claudia Nitschke To cite this article: Claudia Nitschke (2021): Metaphorical Contracts and Games: Goethe’s Götz vonBerlichingen and Schiller’s Fiesco, Law & Literature, DOI: 10.1080/1535685X.2021.1885158 To link to this article: https://doi.org/10.1080/1535685X.2021.1885158 © 2021 The Author(s). -
Vienna Report 2004
INTERNATIONAL FORUM ON DIPLOMATIC TRAINING 32nd Meeting of Deans and Directors of Diplomatic Academies and Institutes of International Relations Diplomatic Academy of Vienna 23 – 26 June 2004 The Diplomatic Academy of Vienna hosted the 32nd Meeting of Deans and Directors with its usual friendly hospitality and professional efficiency. The Meeting this year was enhanced by a special Symposium, ‘A Changing Europe in a Changing World’, to mark the 250th anniversary of the Oriental Academy and the 40th anniversary of the Vienna Diplomatic Academy. There was in addition a Reception given by the Embassy of the United States, and a memorable Festakt at the Vienna City Hall. After the Forum many members had the pleasure of an excursion to the Burgenland, followed by the annual Garden Party at the Diplomatic Academy. The Meeting commenced on 23 June with sub-meetings of the five regional groups: Africa: (Smail Benamara, chair) Four countries were represented at this first meeting of a specifically African group. They had discussed convening a Forum for the regional discussion of human resources development, training and challenges particular to African foreign ministries. They hoped to develop programmes of exchange between staff and students in their institutions, and perhaps with institutions in other regions. They would prepare two documents: (i) a list of institutes with their contact details; (ii) a draft proposal for their future work. Asia: (Hideaki Ueda, chair) Sixteen countries were represented, from East Asia to the Middle East. They had discussed principally training for economic diplomacy, both for the promotion of the national economic interest and for dealing with the international financial institutions and regional organisations. -
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Friedrich Schiller - Poems
Classic Poetry Series Friedrich Schiller - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Friedrich Schiller(10 November 1759 – 9 May 1805) Johann Christoph Friedrich von Schiller was a German poet, philosopher, historian, and playwright. During the last seventeen years of his life, Schiller struck up a productive, if complicated, friendship with already famous and influential <a href="http://www.poemhunter.com/johann-wolfgang-von- goethe/">Johann Wolfgang Von Goethe</a>. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on Xenien, a collection of short satirical poems in which both Schiller and Goethe challenge opponents to their philosophical vision. <b>Life</b> Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg as the only son of military doctor Johann Kaspar Schiller (1733–96), and Elisabeth Dorothea Kodweiß (1732–1802). They also had five daughters. His father was away in the Seven Years' War when Friedrich was born. He was named after king Frederick the Great, but he was called Fritz by nearly everyone. Kaspar Schiller was rarely home during the war, but he did manage to visit the family once in a while. His wife and children also visited him occasionally wherever he happened to be stationed. When the war ended in 1763, Schiller's father became a recruiting officer and was stationed in Schwäbisch Gmünd. The family moved with him. Due to the high cost of living—especially the rent—the family moved to nearby Lorch. -
Philosophy Sunday, July 8, 2018 12:01 PM
Philosophy Sunday, July 8, 2018 12:01 PM Western Pre-Socratics Fanon Heraclitus- Greek 535-475 Bayle Panta rhei Marshall Mcluhan • "Everything flows" Roman Jakobson • "No man ever steps in the same river twice" Saussure • Doctrine of flux Butler Logos Harris • "Reason" or "Argument" • "All entities come to be in accordance with the Logos" Dike eris • "Strife is justice" • Oppositional process of dissolving and generating known as strife "The Obscure" and "The Weeping Philosopher" "The path up and down are one and the same" • Theory about unity of opposites • Bow and lyre Native of Ephesus "Follow the common" "Character is fate" "Lighting steers the universe" Neitzshce said he was "eternally right" for "declaring that Being was an empty illusion" and embracing "becoming" Subject of Heideggar and Eugen Fink's lecture Fire was the origin of everything Influenced the Stoics Protagoras- Greek 490-420 BCE Most influential of the Sophists • Derided by Plato and Socrates for being mere rhetoricians "Man is the measure of all things" • Found many things to be unknowable • What is true for one person is not for another Could "make the worse case better" • Focused on persuasiveness of an argument Names a Socratic dialogue about whether virtue can be taught Pythagoras of Samos- Greek 570-495 BCE Metempsychosis • "Transmigration of souls" • Every soul is immortal and upon death enters a new body Pythagorean Theorem Pythagorean Tuning • System of musical tuning where frequency rations are on intervals based on ration 3:2 • "Pure" perfect fifth • Inspired -
Univ.-Prof. Mag. Dr. Michael Gehler
Univ.-Prof. Mag. Dr. Michael Gehler Ausbildung und berufliche Laufbahn: • 1981:01.07- 1987: 23.06.Doktoratsstudium der Geschichte und Deutsche Philologie an der Universität Innsbruck mit Promotion • 1984: Archiv- und Forschungsaufenthalte in der Bundesrepublik in Koblenz, Würzburg und Berlin • 1987: 23.06. Rigorosen-Zeugnis Geschichte/Deutsche Philologie mit „ausgezeichnet“; Promotion zum Dr. phil.; Thema der Dissertation: „Die Studentenschaft an der Universität Innsbruck 1918-1938“ (publiziert 1990) • 1988: 15.01. Erste Diplomprüfung Geschichte und Sozialkunde (Lehramt an höheren Schulen) „mit Auszeichnung bestanden“ • 1988: 31.05. Prüfung aus Pädagogik mit „sehr gut“ und Prüfung aus Psychologie und Jugendkunde bei der Bundesstaatlichen Prüfungskommission für das Lehramt an Höheren Schulen in Innsbruck mit „sehr gut“ bestanden • 1988: 09.06. Zweite Diplomprüfung Geschichte und Sozialkunde (Lehramt an höheren Schulen) „mit Auszeichnung bestanden“ • 1988: 14.06. Abschluss des Lehramtsstudiums Geschichte/Sozialkunde und Deutsche Philologie, Prüfungszeugnis mit „ausgezeichnet“, Sponsion • 1988: 12.09- 1989: 07.07: Unterrichtspraktikum am Bundesrealgymnasium/Bundesgymnasium Reithmannstraße in Innsbruck, Abschluss mit „ausgezeichnet bestanden“ • 1989: 02.10- 1990: 31.05: Zivildienst beim Roten Kreuz Innsbruck (daneben und darüber hinaus zehnjähriger freiwilliger Dienst von 1982-1991) • 1989-1996: Lehrbeauftragter und freier Mitarbeiter am Institut für Zeitgeschichte der Universität Innsbruck • 1990-1991: Erfassung des Karl Gruber Archivs am Institut für Zeitgeschichte, mehrwöchige Forschungsaufenthalte in Wien, Paris und London; Projekt „Edition der Reden Karl Grubers 1945-1953“ (publiziert 1994) • 1992: 02.01- 1994: 28.02: Stipendiat beim Fonds zur Förderung der wissenschaftlichen Forschung (FWF) in Wien mit dem Projekt „Zwischen Westintegration und Neutralität. Karl Gruber und die österreichische Politik 1945- 1953“ Forschungsaufenthalte und Vortragsreisen in den USA (Washington, Athens, Dallas, New Orleans) • 1992: gemeinsam mit Univ.-Prof. -
Corporeal Expression and the Paradox of Acting in the German Theater Discourse Around 1800
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository STAGING SPONTANEITY: CORPOREAL EXPRESSION AND THE PARADOX OF ACTING IN THE GERMAN THEATER DISCOURSE AROUND 1800 Matthew West Feminella A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department Germanic and Slavic Languages and Literatures (German). Chapel Hill 2016 Approved by: Clayton Koelb Eric Downing Jonathan Hess Gabriel Trop Inga Pollmann © 2016 Matthew West Feminella ALL RIGHTS RESERVED ii ABSTRACT MATTHEW WEST FEMINELLA: Staging Spontaneity: Corporeal Expression and the Paradox of Acting in the German Theater Discourse Around 1800 (Under the direction of Clayton Koelb) This dissertation explores how theories of spontaneity and the body are integrated into acting discourses on the German stage. I argue that the spontaneity of the human body represents a recurring feature in the acting discourses around 1800, which provoked a variety of responses from theorists of the theaters. These responses range from theorizing how to utilize corporeal spontaneity for the benefit of the theater to how to diminish its potential inimical effects on dramatic production. Theorizing about actors and spontaneity led these thinkers to re-conceptualize their notions of anthropology, semiotics, media, and human agency. Chapter 1 examines how Gotthold Ephraim Lessing in his correspondences and dramaturgical writings develops acting techniques that seek to reconcile intentionality and spontaneity: actors create mental images of bodies through poetic language that in turn are integrated into their own affective and bodily motions, thus artificially producing the impression of spontaneous natural action on stage. -
Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation. -
2011 Tanglewood Season Listing All Programs and Artists Are Subject to Change
2011 Tanglewood Season Listing All programs and artists are subject to change. Saturday, June 25, at 7 p.m. Koussevitzky Music Shed Earth, Wind, and Fire Tuesday, June 28, 11 a.m. and 3 p.m. Theatre Wednesday, June 29, 11 a.m. and 3 p.m. Theatre String Quartet Marathon Two 2‐hour concerts each day Tuesday, June 28, 8 p.m. Ozawa Hall Wednesday, June 29, 8 p.m. Ozawa Hall Mark Morris Dance Group Tanglewood Music Center Fellows Mark Morris, choreographer Yo‐Yo Ma, cello Isaac Mizrahi, costume designer Phil Sandstrom and Michael Chybowski, lighting designers Frisson Stravinsky ‐ Symphonies of Wind Instruments New work (world premiere; BSO commission) Stravinsky ‐ Renard Falling Down Stairs J.S. Bach ‐ Suite No. 3 in C for solo cello, BWV 1009 Thursday, June 30, 8 p.m. Ozawa Hall James Taylor in Ozawa Hall James Taylor and guests In the more intimate setting of Tanglewood's Ozawa Hall, James Taylor offers the music that has made him one of the most beloved artists of our day. Friday, July 1, 8:30 p.m. Shed James Taylor and the Boston Pops Boston Pops James Taylor, soloist John Williams, conductor Tanglewood’s favorite singer joins “America's Orchestra,” the Boston Pops and John Williams for a remarkable collaboration. Saturday, July 2, 5:45 p.m. Shed A Prairie Home Companion at Tanglewood with Garrison Keillor Live broadcast Sunday, July 3, 7 p.m. Shed Monday, July 4, 7 p.m. Shed The Essential James Taylor James Taylor returns to Tanglewood with his extraordinary band of musicians for two spectacular performances. -
216 Mitteilungen JUNI 2014 „
DÖW DOKUMENTATIONSARCHIV DES ÖSTERREICHISCHEN WIDERSTANDES FOLGE 216 Mitteilungen JUNI 2014 „... in diesem elenden Nest“ Deportationen Wien – Opole, Februar 1941 Im Februar und März 1941 wurden rund 5000 Jüdinnen und Juden vom Wiener Aspangbahnhof in das „Generalgouvernement“ (im ehemaligen Polen) deportiert. Die Opfer dieser Massendeportationen wurden auf die polnischen Kleinstädte Opole, Kielce, Modlibor- zyce, Lagow und Opatow im Distrikt Lublin verteilt. Der Reichsstatthalter in Wien Baldur von Schirach, seit August 1940 im Amt, kam damit dem Wunsch der Wiener NSDAP nach Freimachung jüdischer Wohnungen nach. Nach fünf Transporten wurde das Programm, das Wien „judenfrei“ machen sollte, unterbrochen (bis Herbst 1941) – Vorrang für das NS-Regime hatte jetzt die Vorbereitung des An- griffs auf die Sowjetunion (22. Juni 1941). Ab 1941 bis zum Abschluss der Massendeportationen im Oktober 1942 wurden von Wien aus mehr als 48.000 jüdische Frauen, Män- ner und Kinder in Ghettos, Konzentrations- und Vernichtungslager deportiert – weniger als 2000 von ihnen überlebten. In Wien befan- den sich zu diesem Zeitpunkt nur noch circa 8000, zumeist in „Mischehe“ mit einem nicht-jüdischen Partner lebende Jüdinnen und Juden. Diese Zahl sollte sich in der Folge durch eine Reihe von kleineren bzw. Einzeltransporten noch stark verringern. Die Wiener jü- dische Gemeinde, einst eine der größten der Welt, wurde nahezu vernichtet, die anderen jüdischen Gemeinden Österreichs praktisch zur Gänze ausgelöscht. Insgesamt kamen über 65.500 ÖsterreicherInnen im Zuge der Shoah ums Leben; zu rund 63.800 davon konnte das DÖW Namen und biographische Eckdaten eruieren. Die beiden Deportationstransporte nach Im Ghetto, das im März 1941 offiziell ein- Lebensunterhaltes waren die Ghettobe- Opole verließen den Wiener Aspangbahn- gerichtet wurde, war die Bewegungsfrei- wohnerInnen im Wesentlichen auf sich hof am 15. -
Germany Conference Features Eurasian Development
Click here for Full Issue of Fidelio Volume 10, Number 2, Summer 2001 International Conference, Germany ‘Win the Ecumenical Battle for Mankind’s Common Good!’ eading representatives from Europe, Paul II, tracing the LAsia, Africa, and the Americas, footsteps of the Apos- came together under the auspices of the tle Paul in explicit Schiller Institute in Germany over the pursuit of the com- May 4-6 weekend, to discuss a remedy mon good and against EIRNS/Dean Andromidas for the presently ongoing, Bush Admin- globalization. Schiller Institute founder Helga Zepp LaRouche delivers second istration-led plunge of the entire planet In his keynote pre- keynote address, on the life of Cardinal Nicolaus of Cusa. into a global new Dark Age. sentation, Lyndon The conference occurred in the con- LaRouche emphasized his proposal for nations of continental Eurasia, including text of the simultaneous ecumenical Eurasian cooperation and development, Japan, depends upon a commitment to mission being undertaken by Pope John stressing that such a Eurasian economic the greatest work of infrastructural renaissance will give Eura- development in all human history, a sia the means to support work he described as the “Conquest of justice for Africa. Inner Space.” This would require “crash Dominating the three programs” in the development of the days of the conference, combined science of physical economy beginning with LaRouche’s and biogeochemistry, for which the keynote speech, was the work of Vernadsky is critical. figure of the great Russia- Ukraine scientist Vladimir Extraordinary Russian Response Vernadsky. As LaRouche Following LaRouche’s keynote, present- EIRNS/Dean Andromidas EIRNS/Maria Schmitz stated, the possibility of ed on the evening of May 4, contribu- Russian economists Dr. -
1 Schiller and the Young Coleridge
Notes 1 Schiller and the Young Coleridge 1. For the details of Schiller’s career and thought I am drawing on a number of works including Lesley Sharpe, Friedrich Schiller: Drama, Thought and Politics (Cambridge: Cambridge University Press, 1991); Walter Schafarschik, Friedrich Schiller (Stuttgart: Philipp Reclam, 1999); F. J. Lamport, German Classical Drama: Theatre, Humanity, and Nation, 1750–1870 (Cambridge: Cambridge University Press, 1990); and T. J. Reed, The Classical Centre: Goethe and Weimar, 1775–1832 (Oxford: Oxford University Press, 1986), and Schiller- Handbuch, ed. Helmut Koopmann (Stuttgart: Alfred Kröner, 1998). 2. Schiller later revised the essay and published it in his Shorter Works in Prose under the title ‘The Stage Considered as a Moral Institution’ (‘Die Schaubühne als eine moralische Anstalt betrachtet’). 3. See David Pugh, ‘“Die Künstler”: Schiller’s Philosophical Programme’, Oxford German Studies, 18/19 (1989–90), 13–22. 4. See J. M. Ellis, Schiller’s ‘Kalliasbriefe’ and the Study of his Aesthetic Theory (The Hague and Paris: Mouton, 1969). 5. See Paul Robinson Sweet, Wilhelm von Humboldt: a Biography, 2 vols (Columbus: Ohio State University Press, 1978–80) and W. H. Bruford, The Ger- man Tradition of Self-Cultivation: ‘Bildung’ from Humboldt to Thomas Mann (Cambridge: Cambridge University Press, 1975), ch. 1; also E. S. Shaffer, ‘Romantic Philosophy and the Organization of the Disciplines: the Found- ing of the Humboldt University of Berlin’, in Romanticism and the Sciences, ed. Andrew Cunningham and Nicholas Jardine (Cambridge: Cambridge University Press, 1990), 38–54. 6. Norbert Oellers, Schiller: Geschichte seiner Wirkung bis zu Goethes Tod, 1805– 1832 (Bonn: Bouvier, 1967).