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Andy Arleo Université De Nantes (CRINI)
LAURA NYRO’S ELI AND THE THIRTEENTH CONFESSION: TRANSCENDING THE DICHOTOMIES OF THE WOODSTOCK YEARS Andy Arleo Université de Nantes (CRINI) As Wavy Gravy says, if you can remember the sixties, you weren't really there (Van Ronk 141) Introduction1 As a member of the so-called Woodstock Generation, I am aware of the potential pitfalls of writing about this period. As Dave Van Ronk points out in his quote from Merry Prankster Wavy Gravy (Hugh Romney), memories of those times tend to be hazy. On the other hand, research on memory has shown that there is a “reminiscence bump,” that is “people tend to remember disproportionately more events from the period between their adolescence and early adulthood” (Foster 64). In any case, it is clear that memory, whether it is individual and collective, reconstructs past experience, and that my own experience of the era has inevitably flavored the content of this article, making it impossible to aspire completely to the traditional ideals of scholarly distance and detachment. Future generations of cultural analysts will no doubt reassess the Woodstock Years through different lenses. The name “Laura Nyro” may not ring a bell for many readers, as it did not for many of my students, colleagues and friends whom I have informally surveyed. This is understandable since, unlike other singer-songwriter icons of the period (e.g., Bob Dylan, Joni Mitchell, James Taylor), Nyro was never really in the mainstream, although her songs have often been covered by a broad spectrum of singers and bands in a remarkable variety of musical styles, sometimes achieving a fair amount of commercial success. -
Scobie on I'm Not There
I’M NOT THERE (1956-2007) Stephen Scobie Je est un autre—Arthur Rimbaud I’m Not There (2007) In this autumn season of 2007, I can see that I am going to be thinking a lot about the Bob Dylan song known as “I’m Not There (1956).” At least, that is the title given to it on most of its early, bootleg appearances. Now that it has finally been officially released, the sub-title date has been dropped—which is a pity (since it added an element of mystery to the song) but also understandable (since no good explanation of the date has ever been given). “I’m Not There” is perhaps the ultimate Dylan bootleg, and has always been a subject for cult idealization as the most obscure of Dylan’s “lost” songs: a major master- piece that almost no one knows, and which indeed seems to conspire actively against being known. Now, it has become the title of Todd Haynes’s movie I’m Not There, “inspired by the music and many lives of Bob Dylan”—“many” being the operative word. The film is already famous for casting six different actors to play aspects of Dylan at different points in his career. If this strategy is a gimmick, it is a successful one: the film is generating vast amounts of advance publicity, much of it based on the photographs of Cate Blanchett looking, uncannily and androgynously, like 1966 Bob. The film is not due for North American release until late November, though it has played in prestigious festivals like Toronto, New York, and Venice. -
NO ONE KNOWS ABOUT US by Bridget Canning. a Creative Writing
NO ONE KNOWS ABOUT US By Bridget Canning. A Creative Writing Thesis submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Masters of Arts in English (Creative Writing) Department of English, Memorial University of Newfoundland Abstract: No One Knows about Us is a collection of twelve contemporary short stories. As the title suggests, the characters in each story deal with secrets: relationships, longings, grudges, addictions, and trickery. For them, these secrets are simultaneously overwhelming and futile; their importance within their small worlds reflect a deeper feeling of insignificance in the greater scheme of life in a small city in a northern province hemmed on to the side of a continent. Here are a range of characters and situations set in St. John’s, Newfoundland and Labrador. The stories are mapped out in different areas of the city and move chronologically over a year, starting in fall and ending in late summer. They work together to create a small sample of life in modern-day St. John’s – one that is informed by the influences of history, economy, and weather. i Acknowledgements: This thesis would not have been accomplished without the help of the English department faculty at Memorial such as Robert Finley, Robert Chafe, and especially my thesis advisor, Lisa Moore. Thanks to the Graduate Society for their financial support. Thanks to Jonathan Weir, Deirdre Snook, and the members of the Naked Parade Writing Collective for their guidance and encouragement. ii Contents: 1. Seen, p. 1 2. With Glowing Hearts, p. 19 3. -
Post Pop Depression Late Show with Stephen Colbert
IGGY POP POST POP DEPRESSION LIMITED RUN OF ONE-TIME-ONLY LIVE DATES ANNOUNCED TICKETS ON SALE TO THE PUBLIC JANUARY 29 ALBUM OUT MARCH 18 “BREAK INTO YOUR HEART” AND “GARDENIA” BOTH AVAILABLE INSTANTLY WITH PRE-ORDERS LATE SHOW WITH STEPHEN COLBERT WEB EXCLUSIVE PERFORMANCE HERE “Post Pop Depression... picks up where Lust for Life left off… The lyrics reflect on memories, hint at characters and offer advice and confessions; they can be hard-nosed, remorseful, flippant, combative or philosophical.”—THE NEW YORK TIMES “A slice of stratospheric punk-funk”—ROLLING STONE “‘Gardenia’ has the same sort of mean, skeletal, machinelike groove that so many of those great old Iggy songs had… over this sort of spartan groove, he sounds awesome.”—STEREOGUM “Iggy in finer form than ever and Homme’s distinctive driving guitar melodies firmly anchoring his florid vocals. Basically: it’s shit hot stuff and this album cannot come soon enough”—NOISEY “Pop gave the song a relatively restrained and poignant performance. The single, from his wonderfully titled new album Post Pop Depression,’ continues the bleak, grooving moods from his great David Bowie collaborations, and it's perhaps his catchiest new tune in a generation.”—THE LOS ANGELES TIMES “Glorious… ’Gardenia’ itself feels like a callback to the glory days of new wave, with Iggy’s trademark low voice channeling the spirit of his dearly departed friend David Bowie. Homme provides backing vocals and typically excellent guitar work.”—PASTE Its existence having been revealed to the world via a one-two punch of an appearance on The Late Show with Stephen Colbert and exclusive profile in The New York Times, it can now be announced that Iggy Pop’s new album Post Pop Depression (Rekords Rekords/Loma Vista/Caroline International) will be supported by a very limited run of one-time-only live performances in specially selected venues. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Queens of the Stone Age Are: Joshua Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman
Queens of the Stone Age are: Joshua Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman …Like Clockwork Release date June 4th, 2013 (US) LABEL • …Like Clockwork is the first QOTSA release with new label partner, Matador Records – which is part of the Beggars Group, the largest independent label group in the world. PRODUCTION • …Like Clockwork was recorded at Joshua Homme’s Pink Duck Studios in Burbank, CA • All Songs produced by Joshua Homme and QOTSA except …Like Clockwork, produced by Joshua Homme and James Lavelle • Engineered by Mark Rankin, with additional engineering by Alain Johannes and Justin Smith • All songs mixed by Mark Rankin, except “Fairweather Friends” mixed by Joe Barresi • All lyrics by Joshua Homme • Mastered by Gavin Lurssen of Lurssen Mastering, Los Angeles, CA ADDITIONAL PERFORMERS • DRUMMERS Joey Castillo, Dave Grohl, Jon Theodore o After Joey left the band, Dave came in to play on the remaining songs. § Joey Castillo performs on “Keep Your Eyes Peeled” - “ I Sat by the Ocean” - “The Vampyre of Time and Memory”- “Kalposia” § Dave Grohl performs on “My God Is The Sun” - “If I Had a Tail” - “Smooth Sailing” “Fairweather Friends” - “I Appear Missing” § Jon Theodore is the new touring drummer of QOTSA, and performs on “…Like Clockwork” • Jake Shears (Scissor Sisters) appears on “Keep Your Eyes Peeled” o Homme has previously worked with the front man by appearing as the spokesperson in an infomercial for the Scissor Sisters 2012 release “Magic Hour” http://youtu.be/aw60b-wk9MA • Mark Lanegan, Nick Oliveri and Alex -
A Map of Kyuss and Related Acts
1997, 1998 The Desert Sessions 1987 - 1989 is a side project Nick Oliveri (solo) A map of Kyuss The Desert Sessions 1 & 2 hosted by Josh Katzenjammer Josh Homme Homme where he Demolition Day (2004) Brant Bjork - Drums No releases Fred Drake invites musicians to Death Acoustic (2009) and related acts Chris Cockrell - Bass Dave Catching make an album with Nick Oliveri vs The Chuck Norris John Garcia - Vocals Brant Bjork Experiment (2012) Josh Homme - Lead guitar him over a week. Kyuss are the most influential band on the stoner Alfredo Hernández Nick Oliveri vs HeWhoCannotBeNamed Nick Oliveri - Rhythm guitar Yawning Man was founded by these and desert rock/metal genres. Some of the most Pete Stahl (2013) members, but they've had more notable people within the scene are Josh Homme, participants. It is arguably the same Ben Shepherd Leave Me Alone (2014) Brant Bjork, Chris Goss, and the Lallis. John McBain N.O. Hits At All vol. 1 - 3 (2017) band as The Sort of Quartet. Throughout their lives, the members of Kyuss 1986 - Releases 1994 - Brant Bjork (solo) have produced many, many projects that would The band Releases 1998 only release one or two albums. This chart changes name Yawning Man Rock Formations Fatso Jetson Jalamanta (1999) attempts to map them out. It gets especially Alfredo Hernández - Drums Vista Point Tony Tornay - Drums Stinky Little Gods The Desert Sessions 3 & 4 messy somewhere around 1996, when Kyuss fully Brant Bjork & the Operators (2002) Gary Arce - Guitar Yawning Sons Larry Lalli - Bass Power of Three Josh Homme split. -
Exploring Anonymity in Cooperative Board Games
Exploring Anonymity in Cooperative Board Games Jonas Linderoth University of Gothenburg Department of Education, Communication and Learning Box 300, 40530 GOTHENBURG, SWEDEN +46-31-7862172 [email protected] ABSTRACT This study was done as a part of a larger research project where the interest was on exploring if and how gameplay design could give informative principles to the design of educational activities. The researchers conducted a series of studies trying to map game mechanics that had the special quality of being inclusive, i.e., playable by a diverse group of players. This specific study focused on designing a cooperative board game with the goal of implementing anonymity as a game mechanic. Inspired by the gameplay design patterns methodology (Björk & Holopainen 2005a; 2005b; Holopainen & Björk 2008), mechanics from existing cooperative board games were extracted and analyzed in order to inform the design process. The results from prototyping and play testing indicated that it is possible to implement anonymous actions in cooperative board games and that this mechanic made rather unique forms of gameplay possible. These design patterns can be further developed in order to address inclusive educational practices. Keywords Inclusive education, board games, design based research, game mechanics, gameplay design patterns INTRODUCTION In 1994 UNESCO held a conference in Salamanca, Spain, addressing issues regarding children’s equal rights to education. Three hundred participants representing 92 governments and 25 international organizations came to the worldwide consensus that educational systems should be designed to acknowledge the wide diversity of children’s abilities and needs, and that this was best achieved by promoting inclusive education. -
Double Grammy Nominees Queens of the Stone Age Kick Off Austin City Limits New Year
Double Grammy Nominees Queens of the Stone Age Kick Off Austin City Limits New Year New Episode Premieres January 4 on PBS Austin, TX—December 30, 2013—Austin City Limits (ACL) rings in the new year with new episodes and the second half of Season 39 with an electrifying hour from rock innovators Queens of the Stone Age. Recently nominated for two Grammy Awards for Best Rock Performance and Best Rock Album, QOTSA prove they're undeniably one of the best rock bands today in a dynamic full-hour performance. The new episode airs Saturday, January 4th. ACL airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online at acltv.com immediately following the initial broadcast. Queens' frontman Josh Homme appeared on ACL back in 2009 as part of the supergroup Them Crooked Vultures along with Dave Grohl and John Paul Jones, but in this appearance he makes his long-awaited ACL debut with QOTSA, the band he's led for nearly two decades. QOTSA released their first disc in six years ...Like Clockwork this year, debuting at #1 on Billboard's 200 and earning unanimous raves on critic's Year-End Best Albums of 2013 lists including Spin, Rolling Stone, Alternative Press and NPR. QOTSA's ACL performance includes songs from the new record and hits from throughout their storied career. The scorching eleven-song set opens with signature tracks from their 2002 breakthrough Songs for the Deaf blasted out on head-banging drums and Homme's trademark guitar tone. The band combine metal, blues, thrash, punk and psychedelia into a sound that's both classic and unique. -
[Sample Title Page]
BEN FOLDS FIVE, THE UNAUTHORIZED BIOGRAPHY OF REINHOLD MESSNER: A THEORETICAL ANALYSIS IN RELATIONSHIP WITH THE TEXT AS A MODERN SONG CYCLE by Andrew C. Richardson Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University July 2017 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Kyle Adams, Research Director ______________________________________ Andreas Poulimenos, Chair ______________________________________ Mary Ann Hart ______________________________________ Alice Hopper April 21, 2017 ii To Stephen Hendricks, who introduced me to the music of Ben Folds and to Kaley Szucz (née Vargo), who one April night in 2005, stood me up and with my free evening bought my first Ben Folds album Rockin’ the Suburbs iii Table of Contents Table of Contents ............................................................................................................... iv List of Examples ................................................................................................................. v List of Figures ................................................................................................................... vii Chapter 1: Introduction ....................................................................................................... 1 Chapter 2: Narcolepsy........................................................................................................ -
Retro Goes Metro: a Track-By-Track Analysis of Villains by Queens Of
Bennett 1 Lauren Bennett Dr. O’Donnell Advanced Composition 4 December 2017 Retro Goes Metro A Track-by-Track Analysis of Villains by Queens of the Stone Age Today I felt the first coolness of fall. It’s finally October and so far the year 2017 has failed to accomplish any ideas of a futuristic/utopian pleasure-garden. The current earthly climate (besides being unusually warm) is socially dissonant to say the least. Politically—the “leadership” situation is downright absurd. Furthermore, I can’t help but find myself obsessing over change and fretting profusely that things may be changing for the worse. I have found several ways to escape this anxiety, and music is one of the safer ones. And even though I have always been able to rely on finding some sense of mental reconciliation in music, the sounds that have defined my core of auditory enjoyment—my rock-n-roll roots—have now waned. When I stop to assess the contemporary happenings of rock, I am, typically, shocked and horrified to find that a frenzy of electronic influence has seemingly debased everything that I have ever known to be righteous and upstanding in a time- This is the album cover for Villains. It was designed by a graphic artist named Boneface. They also designed for the album …Like Clockwork (2013). Bennett 2 worn genre that, since the 1950s, has been just fine. Hell, I find myself departing, entirely jaded, from the decades of the 20th century in terms of rock-n-roll. I’ve reached the point where I’m just ready to move on to something new. -
Davegrohlandfriends-Dossier1.Pdf
Introduction Dave Grohl is one of the most productive and inspiring artists in the History of Rock music! How could we, as a cover band, not share our enthusiasm about his creations, collaborations and his career (so far)?! So we did it. Dave Grohl & Friends is a multimedia show featuring video and live music which is performed live by Les Enroules. It covers many bands with which Dave has played either as a constant member or as a one- shot collaborator (live or in studio). The list is endless, but the most representative ones are the Foo Fighters, Nirvana, Queens Of The Stone Age, Them Crooked Vultures, Tenacious D, L7, Juliette & The Licks, Soundcity OST. Aside from the music, we will also be showing several short videos (excerpts from live shows, interviews, documentaries, etc.) where Dave and his friends share pieces of their thoughts, ideas and memories. The video part is presented by VJ Renour. Overview In this booklet, you will learn more about this project and the people behind it. You will also get some of the band's multimedia references. The document finally presents the details of the show, with technical specifications and a typical setlist given as an example. Contact Info Phone : +32498642463 Email : [email protected] Facebook : https://www.facebook.com/LesEnroules Twitter : @lesenroules Website : http://DaveGrohlAndFriends.com The Dave Grohl and Friends project Dave Grohl started his career as a drummer in a rock band called Scream in the Seattle area. After a while, the band got stuck somewhere in the states in the middle of a tour.