Soccer Earns NCAA Berth the Use of Humor and Anecdotes

Total Page:16

File Type:pdf, Size:1020Kb

Soccer Earns NCAA Berth the Use of Humor and Anecdotes THE~____ ~~~ TUFTS DAILY Where You Read It First Mondav. October 31,1994 Vol XXM,Number 32 Slater to give lecture on rights for women by KAREN EPSTEM social workers, therapists, and Senior Staff Wnter educatorsindealing with the adop- Tuesday evening, Tufts Lec- tion process since 1984. ture Series is sponsoring a lecture Slater stressed that her lecture entitled, “Women’s choices in the is not just for people who were ’90s: Are we going back to the adopted. She said it is important to O OS?' from 8 to 10 p.m. in Cabot see for anyone who is “sexually Auditorium. The speaker, Ronda active, or even if they plan to be.” Slater, will discuss her personal People who do not relate to the experience of facing an unplanned adoption issue will “appreciate pregnancy in the ’60s and her re- what they have,” Slater said. union with the daughter she gave According to Slater,the lecture up for adoption. is very much about decision mak- Slater, a 47-year old actress ing and how these decisions im- and playwright from California, pact our lives. She said that it will gave birth toachild in 1966 while inspire students from divorced still in college and was forced to families as well. give the child up for adoption. She Slater said the lecture will dis- was reunited with her daughter 18 years later Ronda Slater In her lecture, Slater will dis- cuss her experiences in the ’60s as Speaker on reproductive and they relate to college students to- adoption rights for women day. According to Slater, the lec- When: ture will include a discussion of the challenges of adoption, with Tues, Nov. 1, 1994 &fen 3 Soccer earns NCAA berth the use of humor and anecdotes. 8 p.m. The lecture will also include a Where: slide show and a discussion of her Cabot Auditorium Rematch with Ul%lliamSlOOmS in first- round Of- tOUmeY- Dost-reunion vears withherdaugh-Y - __ by JOHN TOMASE Needless to say, the players are plained. “At 10 o’clock, we won- ter. Sponsored by: Daily Editorial Board euphoric. dered what was going on. It’s great She will perform scenes from Lecture Series The Tufts men’s soccer team “Unbelievable,”gushed senior that it turned out this way.” her one-woman autobiographical faced a straightforward proposi- tri-captain Erik Anderson when Middlebury and Western Con- play “A Name You Never Got,” cuss the link between drinking and tion Saturday at Amherst: beat the informed of the news. “This is a necticut will meet in the other first which she wroteabout herreunion unplanned pregnancy. Slater said Lord Jeffs and advance to the monumental day for the program. round game, with the winner fac- with her daughter. This play has that in her own experience it was, NCAA Tournament. Lose, and We were a little bit worried after ing the victor of Tufts-Williams. “one date, one drink, one decision don’t. the tie. We knew a win would Ah yes, Williams. This highly that changed my life.” But what about a tie? definitely have been the’clincher. anticipated rematch has been in Slater insists that she doesn’t Just to make their fans sweat a Unbelievable.” the works since the Eph scored a “come at people wagging my fin- little longer, the Jumbos surren- Fellow captain Jon Bank sec- controversial, last-second goal to ger.’’ She said she will discuss dered two goals in the last six onded that emotion. beat Tufts two weekends ago. these issues in an entertaining minutes against Amherst and “Unbelievable,” Bank said. “I “We’ll be incredibly pumped manner. Slater even plans toplay a settled for a 2-2 tie, to finish their can’t even express how I feel right for them,” said the team’s leading song that she wrote about her re- season at 11-2- 1. now. The end of the season was a scorer,junior Peter Maglicic. “It’s union with her daughter. Accord- But late last. night Tufts was disappointment.Idon’tknow how a rematch that we’ve all wanted ing to Sherry Dong, chair of Lec- rewarded for the best season in we pulled through this.” ever since we lost to them.” ture Series, the timing of this lec- school history with a berth in the “Unbelievable,” he added, in Anderson agreed, and is confi- ture is “excellent” as an introduc- NCAA Division I11 Tournament. case the reporter didn’t notice. dent the Jumbos will more than tion to the upcoming women’s Tufts earned the fourth seed in the The Jumbos spent the better compete. “If we’re on top of our conference on Friday. She men- New England region and faces a part of Sunday afternoon waiting game, we can beat them.” tioned that next week is also first-round rematch against Will- for the phone call they thought Bank began to describe the Women’s Week. iams, which dealt the Jumbos their would never come. At 10:15 p.m. Williams matchup, but stopped Dong described Slater’s topic first loss of the season on Home- last night, the wait ended. mid-sentence. of adoption and reproductionrights coming. The day and time of the “Coach [Ralph Femgno] told “I’m sorry,’’ he said, “but I’ve Daily ffie phdb match will be announced today. us he’d call today,” Bank ex- got to go hug my other captain.” Ronda Slater‘ see LECTURE, page 9 Exhibit is tribute to Mission Statement proposed for 50 year anniversary TCU, will outline student rights by JOHN O’KEEFE ing reception will be held from 5- by GREG GEIMAN could not have been an actual bill George Bush as an example. Daily Editorial Board 8p.m. The show runsthrough Dec. Contributing Writer of rights. “Some students and faculty on A year of anniversaries, 1994 11. TheexecutiveboardoftheTufts In addition, Brinker said that campus were trying to preempt or has seen the Tufts School of Engi- The works were produced by Community Union (TCU) Senate, he would have felt uncomfortable censure Bush’s speech,” Brinker neering celebrateits centennial and 29 teachers in the joint program which has recently been involved with the task of finding a body to said. “Is that consistent with the the Experimental College enter its between the two schools and rep- in a revision of the TCU Constitu- determinewhen therights included philosophy of the student body? 30th academic year. For Tufts, this resent a wide spectrum of media, tion, is considering adding a Mis- in this bill had been infringed upon, We have to provide for freedom of year also marks the golden anni- from painting, photography, and sion Statement as art of the re- The Supreme Court decides when expression.” versary of the ongoing University sculpture to installations, video, vised constitution. While the ad- a constitutionally given right is collaboration with the School of and performance art. dition of this new statement is still infringeduponin the United States see RIGHTS, page 11 the Museum of Fine Arts in Bos- One of the featured works will under discussion at this point, there but Tufts has no defining body of ton. be “Circle of Stone” by Paul is agreement among members of judicial review such as this. For the past 50 years, art stu- Stopforth. Stopforth’s piece is a the board that a statement such as “The Tufts Community Union. dents have enjoyed the benefits of vivid blue cut-out painting depict- this is necessary in order to guar- Judiciary (TCUJ) could probably Inside Tufts’ tradition of academic ex- ing a configuration that he came antee certain rights for Tufts stu- do it, but it would definitely be a Features........................... P. 3 Ms. McHenry devises Halloween cos- cellence combined with across in Namibia. “It has strong dents. strain on them,” Brinker said. iumesfornotewoahypple,anddabout mentorship from leading contem- mythological overtones, and also This Mission Statement was Brinker feels that a Mission !he annual West Hall Party.. porary artists on the faculty of the strong links with my African past,” developed as a substitute for the Statement like the one currently School of the Museum of Fine Stopforthsaid. He began his affili- original notion of a bill of rights to being discussed would provide for Arts .................................... P.5 Arts. ation with Tufts as artist-in-resi- be included within the constitu- student rights such as freedom of A mediocre concert review, a taLk To celebrate the 50-year col- dence in 1988, shortly after arriv- tion. “A bill of rights,” said TCU speech and freedom of associa- with a British band member, and a sup- laboration with the Museum ing in the United States from South President David Brinker, “might tion, but not in an enumerated way iortive review of a campus play. School, a two-part juried exhibi- Africa. have been limiting in its guaran- such as in a bill of rights. tion of works by faculty from this Stopforth acknowledged that teeing of certain freedoms.” “TheMission Statementwould Spor............................. pp. 6-7 educational partnership begins its Boston is an important center in Brinker added that judiciary provide a set of written principles The football team suffersanotherloss, second half starting this Thursday, the American cultural landscape, decisions are made on a case-to- for the Tufts community to ascribe field hockey comes out on top, and a Nov. 3, in the Tisch Gallery of the case basis, depending on specific to,” Brinker said. He used the re- men’s soccer tie doesn’t hurt. MUSEUM, page 4 Aidekman Arts Center. The open- see case circumstances, so that there cent speech of former President page two THE TUFTS DAILY Monday, October 31,1994 THETUFTS DAILY Letters to the Editor - here at Tufts and thus have had several of even have a couple mistakes.
Recommended publications
  • Andy Arleo Université De Nantes (CRINI)
    LAURA NYRO’S ELI AND THE THIRTEENTH CONFESSION: TRANSCENDING THE DICHOTOMIES OF THE WOODSTOCK YEARS Andy Arleo Université de Nantes (CRINI) As Wavy Gravy says, if you can remember the sixties, you weren't really there (Van Ronk 141) Introduction1 As a member of the so-called Woodstock Generation, I am aware of the potential pitfalls of writing about this period. As Dave Van Ronk points out in his quote from Merry Prankster Wavy Gravy (Hugh Romney), memories of those times tend to be hazy. On the other hand, research on memory has shown that there is a “reminiscence bump,” that is “people tend to remember disproportionately more events from the period between their adolescence and early adulthood” (Foster 64). In any case, it is clear that memory, whether it is individual and collective, reconstructs past experience, and that my own experience of the era has inevitably flavored the content of this article, making it impossible to aspire completely to the traditional ideals of scholarly distance and detachment. Future generations of cultural analysts will no doubt reassess the Woodstock Years through different lenses. The name “Laura Nyro” may not ring a bell for many readers, as it did not for many of my students, colleagues and friends whom I have informally surveyed. This is understandable since, unlike other singer-songwriter icons of the period (e.g., Bob Dylan, Joni Mitchell, James Taylor), Nyro was never really in the mainstream, although her songs have often been covered by a broad spectrum of singers and bands in a remarkable variety of musical styles, sometimes achieving a fair amount of commercial success.
    [Show full text]
  • Scobie on I'm Not There
    I’M NOT THERE (1956-2007) Stephen Scobie Je est un autre—Arthur Rimbaud I’m Not There (2007) In this autumn season of 2007, I can see that I am going to be thinking a lot about the Bob Dylan song known as “I’m Not There (1956).” At least, that is the title given to it on most of its early, bootleg appearances. Now that it has finally been officially released, the sub-title date has been dropped—which is a pity (since it added an element of mystery to the song) but also understandable (since no good explanation of the date has ever been given). “I’m Not There” is perhaps the ultimate Dylan bootleg, and has always been a subject for cult idealization as the most obscure of Dylan’s “lost” songs: a major master- piece that almost no one knows, and which indeed seems to conspire actively against being known. Now, it has become the title of Todd Haynes’s movie I’m Not There, “inspired by the music and many lives of Bob Dylan”—“many” being the operative word. The film is already famous for casting six different actors to play aspects of Dylan at different points in his career. If this strategy is a gimmick, it is a successful one: the film is generating vast amounts of advance publicity, much of it based on the photographs of Cate Blanchett looking, uncannily and androgynously, like 1966 Bob. The film is not due for North American release until late November, though it has played in prestigious festivals like Toronto, New York, and Venice.
    [Show full text]
  • NO ONE KNOWS ABOUT US by Bridget Canning. a Creative Writing
    NO ONE KNOWS ABOUT US By Bridget Canning. A Creative Writing Thesis submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Masters of Arts in English (Creative Writing) Department of English, Memorial University of Newfoundland Abstract: No One Knows about Us is a collection of twelve contemporary short stories. As the title suggests, the characters in each story deal with secrets: relationships, longings, grudges, addictions, and trickery. For them, these secrets are simultaneously overwhelming and futile; their importance within their small worlds reflect a deeper feeling of insignificance in the greater scheme of life in a small city in a northern province hemmed on to the side of a continent. Here are a range of characters and situations set in St. John’s, Newfoundland and Labrador. The stories are mapped out in different areas of the city and move chronologically over a year, starting in fall and ending in late summer. They work together to create a small sample of life in modern-day St. John’s – one that is informed by the influences of history, economy, and weather. i Acknowledgements: This thesis would not have been accomplished without the help of the English department faculty at Memorial such as Robert Finley, Robert Chafe, and especially my thesis advisor, Lisa Moore. Thanks to the Graduate Society for their financial support. Thanks to Jonathan Weir, Deirdre Snook, and the members of the Naked Parade Writing Collective for their guidance and encouragement. ii Contents: 1. Seen, p. 1 2. With Glowing Hearts, p. 19 3.
    [Show full text]
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • Title "Stand by Your Man/There Ain't No Future In
    TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan.
    [Show full text]
  • Fair Use Avoidance in Music Cases Edward Lee Chicago-Kent College of Law, [email protected]
    Boston College Law Review Volume 59 | Issue 6 Article 2 7-11-2018 Fair Use Avoidance in Music Cases Edward Lee Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://lawdigitalcommons.bc.edu/bclr Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Edward Lee, Fair Use Avoidance in Music Cases, 59 B.C.L. Rev. 1873 (2018), https://lawdigitalcommons.bc.edu/bclr/vol59/iss6/2 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Law Review by an authorized editor of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. FAIR USE AVOIDANCE IN MUSIC CASES EDWARD LEE INTRODUCTION .......................................................................................................................... 1874 I. FAIR USE’S RELEVANCE TO MUSIC COMPOSITION ................................................................ 1878 A. Fair Use and the “Borrowing” of Copyrighted Content .................................................. 1879 1. Transformative Works ................................................................................................. 1879 2. Examples of Transformative Works ............................................................................ 1885 B. Borrowing in Music Composition ...................................................................................
    [Show full text]
  • Music for Guitar
    So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour
    [Show full text]
  • Exploring Anonymity in Cooperative Board Games
    Exploring Anonymity in Cooperative Board Games Jonas Linderoth University of Gothenburg Department of Education, Communication and Learning Box 300, 40530 GOTHENBURG, SWEDEN +46-31-7862172 [email protected] ABSTRACT This study was done as a part of a larger research project where the interest was on exploring if and how gameplay design could give informative principles to the design of educational activities. The researchers conducted a series of studies trying to map game mechanics that had the special quality of being inclusive, i.e., playable by a diverse group of players. This specific study focused on designing a cooperative board game with the goal of implementing anonymity as a game mechanic. Inspired by the gameplay design patterns methodology (Björk & Holopainen 2005a; 2005b; Holopainen & Björk 2008), mechanics from existing cooperative board games were extracted and analyzed in order to inform the design process. The results from prototyping and play testing indicated that it is possible to implement anonymous actions in cooperative board games and that this mechanic made rather unique forms of gameplay possible. These design patterns can be further developed in order to address inclusive educational practices. Keywords Inclusive education, board games, design based research, game mechanics, gameplay design patterns INTRODUCTION In 1994 UNESCO held a conference in Salamanca, Spain, addressing issues regarding children’s equal rights to education. Three hundred participants representing 92 governments and 25 international organizations came to the worldwide consensus that educational systems should be designed to acknowledge the wide diversity of children’s abilities and needs, and that this was best achieved by promoting inclusive education.
    [Show full text]
  • Hamad Thrills Fans at Dusk,Jazz Insights: Frankie Carle,Is This Jazz?: Passion Reverence Transcendence — a Tribute To
    In Pursuit of an Out Of This World Girl, JeanLou Shines On SuperNova Girl JeanLou is one of the city’s most active performers — he released three projects in just one year. He kicked things off in 2017 with, Since Your Listening… The five-song project was the official start of his musical journey. What came next is what really caught my attention. In early 2018 came the arrival of Melodies & Remedies, Vol. 1. On that project is one of my favorite tracks by JeanLou, “Sade,” a warm-hearted ode to “the one” in his life. This was moment I became fully aware of his talents, but arriving late to the party I knew something new was in store for the future. Thankfully, I didn’t have to wait too long for that, as project number 3, SuperNova Girl, would arrive a few months after Melodies & Remedies, Vol. 1 Strapped with 10 songs, SuperNova Girl sports features Z100Wave and Yoshe Mars, along with production from Gold, DreamNation, Mantra and Rrarebear. Throughout the album, JeanLou displays his versatility, stringing together songs with tempos and different sounds, from slow-paced and stripped-down R&B to the more upbeat and energetic dance sound. Kicking the album off with a clip from the 1999 movie, Zenon: Girl of the 21st Century, JeanLou gets things going with “Zenon’s Interlude.” The track features a dose of the slow-paced, stripped-down R&B, which appears once again in the following track, “Lust.” “Zenon’s Interlude” serves as a slight nudge forward into the album’s content, depicting his experience with a girl who’s “out of this world.” Vulnerable as ever, he sits on the wing of his spaceship, top hat tipped down low, as he puts his feelings on wax for this girl.
    [Show full text]
  • Double Grammy Nominees Queens of the Stone Age Kick Off Austin City Limits New Year
    Double Grammy Nominees Queens of the Stone Age Kick Off Austin City Limits New Year New Episode Premieres January 4 on PBS Austin, TX—December 30, 2013—Austin City Limits (ACL) rings in the new year with new episodes and the second half of Season 39 with an electrifying hour from rock innovators Queens of the Stone Age. Recently nominated for two Grammy Awards for Best Rock Performance and Best Rock Album, QOTSA prove they're undeniably one of the best rock bands today in a dynamic full-hour performance. The new episode airs Saturday, January 4th. ACL airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online at acltv.com immediately following the initial broadcast. Queens' frontman Josh Homme appeared on ACL back in 2009 as part of the supergroup Them Crooked Vultures along with Dave Grohl and John Paul Jones, but in this appearance he makes his long-awaited ACL debut with QOTSA, the band he's led for nearly two decades. QOTSA released their first disc in six years ...Like Clockwork this year, debuting at #1 on Billboard's 200 and earning unanimous raves on critic's Year-End Best Albums of 2013 lists including Spin, Rolling Stone, Alternative Press and NPR. QOTSA's ACL performance includes songs from the new record and hits from throughout their storied career. The scorching eleven-song set opens with signature tracks from their 2002 breakthrough Songs for the Deaf blasted out on head-banging drums and Homme's trademark guitar tone. The band combine metal, blues, thrash, punk and psychedelia into a sound that's both classic and unique.
    [Show full text]
  • Swarthmore Folk Alumni Songbook 2019
    Swarthmore College ALUMNI SONGBOOK 2019 Edition Swarthmore College ALUMNI SONGBOOK Being a nostalgic collection of songs designed to elicit joyful group singing whenever two or three are gathered together on the lawns or in the halls of Alma Mater. Nota Bene June, 1999: The 2014 edition celebrated the College’s Our Folk Festival Group, the folk who keep sesquicentennial. It also honored the life and the computer lines hot with their neverending legacy of Pete Seeger with 21 of his songs, plus conversation on the folkfestival listserv, the ones notes about his musical legacy. The total number who have staged Folk Things the last two Alumni of songs increased to 148. Weekends, decided that this year we’d like to In 2015, we observed several anniversaries. have some song books to facilitate and energize In honor of the 125th anniversary of the birth of singing. Lead Belly and the 50th anniversary of the Selma- The selection here is based on song sheets to-Montgomery march, Lead Belly’s “Bourgeois which Willa Freeman Grunes created for the War Blues” was added, as well as a new section of 11 Years Reunion in 1992 with additional selections Civil Rights songs suggested by three alumni. from the other participants in the listserv. Willa Freeman Grunes ’47 helped us celebrate There are quite a few songs here, but many the 70th anniversary of the first Swarthmore more could have been included. College Intercollegiate Folk Festival (and the We wish to say up front, that this book is 90th anniversary of her birth!) by telling us about intended for the use of Swarthmore College the origins of the Festivals and about her role Alumni on their Alumni Weekend and is neither in booking the first two featured folk singers, for sale nor available to the general public.
    [Show full text]
  • [Sample Title Page]
    BEN FOLDS FIVE, THE UNAUTHORIZED BIOGRAPHY OF REINHOLD MESSNER: A THEORETICAL ANALYSIS IN RELATIONSHIP WITH THE TEXT AS A MODERN SONG CYCLE by Andrew C. Richardson Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University July 2017 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Kyle Adams, Research Director ______________________________________ Andreas Poulimenos, Chair ______________________________________ Mary Ann Hart ______________________________________ Alice Hopper April 21, 2017 ii To Stephen Hendricks, who introduced me to the music of Ben Folds and to Kaley Szucz (née Vargo), who one April night in 2005, stood me up and with my free evening bought my first Ben Folds album Rockin’ the Suburbs iii Table of Contents Table of Contents ............................................................................................................... iv List of Examples ................................................................................................................. v List of Figures ................................................................................................................... vii Chapter 1: Introduction ....................................................................................................... 1 Chapter 2: Narcolepsy........................................................................................................
    [Show full text]