DOCSLIB.ORG

PACAD225-ALL ACCESS/Winter NAMM

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PACAD225-ALL ACCESS/Winter NAMM AP ERFECT CIRCLE GUITARIST TROY VAN LEEUWEN COMMANDS A A PERFECT CIRCLE’S well-roundedviewofcurrentheavyrock.Heseeshisband asanaturalevolutionfrom’90sprogressive-metalgroups Troy with the suchasTool—whichjusthappenstobetheotherbandof AES1500B TROY VAN LEEUWEN APerfectCirclefrontmanMaynardJamesKeenan.How’s thatforcircular? “WhenNewYorkbandslikeToolandHelmetstartedto GETS AROUND hit,”recallsVanLeeuwen,“InoticedalotofpeoplehereinL.A. tryingtolatchontothatheavy,tuned-down-lowsound—you know,likeBlackSabbathwithanindie-rocksinger.Thatdirection eventuallyspawnedbandslikeKorn,whojusttookitastepfurther.” ForVanLeeuwen,APerfectCircle’sdebutalbum,MerDeNoms,venturesyetanotherstep beyond.“Themusicismatureandemotional,”hesays.“It’saboutmorethanjustbeingmadand pointingthefinger.Thereareetherealqualities,ambience,space,acousticinstruments.” Ironically,VanLeeuwenhadn’tbeenseekingagigwhenhejoined APerfectCircle.Afterhispreviousgroup,Failure,liveduptoitsname,hedecidedtoconcentrate onstudiowork,playingonOrgy’sdebutalbumandonremixsessionsforKorn,DepecheMode, LimpBizkit,andothers.“ButwhenMaynardinvitedmedowntocheckouttheband,Iwascon - vinced,”hesays.“Itseemedlikeagenuineexchangebetweenmusicianswhoknewwhentoadd somethingandwhentostepback—areallygoodchemistry.”Perhapsevenmorerefreshingthan thealbum’sboldtexturalshiftsandprogressivearrangementsisthefactthatithasbecomea majorhit–quiteanaccomplishmentintoday’sformulaicrockclimate. OneoftheguitarsthathelpsVanLeeuwennavigatehisband’sambitiousdynamicsisa YamahaAES1500hollowbody.“It’sanextremelywellmadeguitar,andit’sveryversatile,”says Troy.“Itcangofromthatpristine,hollowbodiedcleansoundtoafat,high-gainsound.Ievenuse ittosimulatepartsoftherecordthatgobetweenacousticguitarsandheavysounds.Isplitthe coilontheneckDiMarzio TM humbuckerforacleansound,andthenIgointoheavymodejustby flickingtheswitchtothefull-humbuckerbridgepickup.” Heavyrockfromahollowbody?“Yes,”saysTroy.“Alotofplayersautomaticallyturntoa mahoganysolidbodywhentheywantaheavysound,butyoucandefinitelygetathicksoundout ofahollowbodylikethe1500.Infact,the1500hasagreatheavysound.It’srounderthanasolid - body,butitcanstillcut.Likeonanyhollowbody,youhavetobecarefulaboutfeedback—itcan getoutofcontrolifyou’renotcareful,butthe1500isgreatfortimeswhenyouaredeliberately creatingfeedback,likeAPerfectCircledoesafewtimesduringtheshow.SometimesIusea flangewithfeedbacktogetthatwild,swirling,out-of-controleffect.Youdon’tnecessarilyknow wherethesoundisgoingtoendup,butyougetlotsofinterestingthings.” ThebandmembershavealreadystartedwritingmaterialforAPerfectCircle’snextalbum, thoughthatprojectwon’tbecompleteduntilKeenanfinishesworkonTool’supcomingrelease.In themeantimeVanLeeuwenwillbefocusingonhisnewband,Enemy.“It’smesingingandplaying guitar,plusarhythmsection,”hesays.“I’mprobablygoingtousetheAES1500inplaces,and YamahaisalsobuildingmeamodifiedAES800solidbodywithasetneckinsteadoftheusualbolt- on,justbecausethat’swhatIfeelmostcomfortablewith.Itmayevengetitsownmodelnumber.” IsVanLeeuwensurprisedthatsuchanoffbeatandambitiousrecordasMerDeNomshas donesowell?“Definitely,”henods.“It’scoolthatabandlikethiscanbeuptherechartingalong - sidealotofstuffthatisn’tso—sorrytosayit—good.Iseeitasaglimmerofhope,proofthat musiccanstillbesomethingmorethanaproductentirelydefinedbythebusinessendofthings.” 30 yama ha all access winter 2k1 31.
Load more

Recommended publications
  • Virulence and Digital Culture
    Virulence and Digital Culture Ryan E. Artrip Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In ASPECT: Alliance for Social, Political, Ethical, and Cultural Thought François Debrix, Chair Timothy W. Luke Brian Britt Patricia Nickel April 18, 2016 Blacksburg, VA Keywords: Technology; Digitality; Digital Culture; Production; Information; Representation; Referentiality; Virtuality; Viral Media; Virulence; Sexuality; Linguistic Theory; Baudrillard; Hyperreality; Virtual Reality; Implosion; Critical Theory; Political Theory; Cultural Theory; Critical Media Studies; Poststructuralism; Epistemology; Ontology; Metaphysics Copyright 2016 Virulence and Digital Culture Ryan E. Artrip ABSTRACT (academic) This dissertation is a theoretical study of the role of virality/virulence as a predominant technological term in the reproduction of social and cultural information in the digital age. I argue that viral media are not new phenomena, only the name is new. Media have always behaved as viruses; it is only when they become hyper-intensified in digital technology that their virulent function surfaces in language and culture. The project examines processes of self-replication and evolution undergone by various new media phenomena as they relate back to the global profusion of social networks, data centers, and cybernetic practices. Drawing from several contributions in media theory, political and social theory, and critical media studies, I argue that digital media have a hyper-intensifying effect on whatever objects, subjects, or realities they mediate or represent; thus networked societies are virulently swarmed by their own signs and images in information. Through an examination of three primary categories of digital proliferation—language, visuality, and sexuality—I situate digital culture in a framework of virulence, arguing that the digital may be best understood as an effect of cultural hyper-saturation and implosion.
    [Show full text]
  • Leon Bridges Black Moth Super Rainbow Melvins
    POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges.
    [Show full text]
  • Post Pop Depression Late Show with Stephen Colbert
    IGGY POP POST POP DEPRESSION LIMITED RUN OF ONE-TIME-ONLY LIVE DATES ANNOUNCED TICKETS ON SALE TO THE PUBLIC JANUARY 29 ALBUM OUT MARCH 18 “BREAK INTO YOUR HEART” AND “GARDENIA” BOTH AVAILABLE INSTANTLY WITH PRE-ORDERS LATE SHOW WITH STEPHEN COLBERT WEB EXCLUSIVE PERFORMANCE HERE “Post Pop Depression... picks up where Lust for Life left off… The lyrics reflect on memories, hint at characters and offer advice and confessions; they can be hard-nosed, remorseful, flippant, combative or philosophical.”—THE NEW YORK TIMES “A slice of stratospheric punk-funk”—ROLLING STONE “‘Gardenia’ has the same sort of mean, skeletal, machinelike groove that so many of those great old Iggy songs had… over this sort of spartan groove, he sounds awesome.”—STEREOGUM “Iggy in finer form than ever and Homme’s distinctive driving guitar melodies firmly anchoring his florid vocals. Basically: it’s shit hot stuff and this album cannot come soon enough”—NOISEY “Pop gave the song a relatively restrained and poignant performance. The single, from his wonderfully titled new album Post Pop Depression,’ continues the bleak, grooving moods from his great David Bowie collaborations, and it's perhaps his catchiest new tune in a generation.”—THE LOS ANGELES TIMES “Glorious… ’Gardenia’ itself feels like a callback to the glory days of new wave, with Iggy’s trademark low voice channeling the spirit of his dearly departed friend David Bowie. Homme provides backing vocals and typically excellent guitar work.”—PASTE Its existence having been revealed to the world via a one-two punch of an appearance on The Late Show with Stephen Colbert and exclusive profile in The New York Times, it can now be announced that Iggy Pop’s new album Post Pop Depression (Rekords Rekords/Loma Vista/Caroline International) will be supported by a very limited run of one-time-only live performances in specially selected venues.
    [Show full text]
  • Tolono Library CD List
    Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J.
    [Show full text]
  • Columbia Poetry Review Publications
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Poetry Review Publications Spring 4-1-1992 Columbia Poetry Review Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cpr Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Poetry Review" (1992). Columbia Poetry Review. 5. https://digitalcommons.colum.edu/cpr/5 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Poetry Review by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. COLUMBIA POETRY REVIEW Columbia College/Chicago Spring 1992 Columbia Poetry Review is published in the spring of each year by the English Department of Columbia College, 600 South Michigan Avenue, Chicago, Illinois 60605. Submissions are encouraged and should be sent to the above address. Subscriptions and sample copies are available at $6.00 an issue. Copyright © I 992 by Columbia College. Grateful acknowledgement is made to Dr. Philip Klukoff, Chairman of the English Department; Dr. Sam Floyd, Academic Vice-President; Lya Rosenblum, D ean of Graduate Studies; Bert Gall, Administrative Vice­ President; and Mike Alexandroff, President of Columbia College. The cover photograph is by John Mulvany. Student Editors: John
    [Show full text]
  • Queens of the Stone Age Are: Joshua Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman
    Queens of the Stone Age are: Joshua Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman …Like Clockwork Release date June 4th, 2013 (US) LABEL • …Like Clockwork is the first QOTSA release with new label partner, Matador Records – which is part of the Beggars Group, the largest independent label group in the world. PRODUCTION • …Like Clockwork was recorded at Joshua Homme’s Pink Duck Studios in Burbank, CA • All Songs produced by Joshua Homme and QOTSA except …Like Clockwork, produced by Joshua Homme and James Lavelle • Engineered by Mark Rankin, with additional engineering by Alain Johannes and Justin Smith • All songs mixed by Mark Rankin, except “Fairweather Friends” mixed by Joe Barresi • All lyrics by Joshua Homme • Mastered by Gavin Lurssen of Lurssen Mastering, Los Angeles, CA ADDITIONAL PERFORMERS • DRUMMERS Joey Castillo, Dave Grohl, Jon Theodore o After Joey left the band, Dave came in to play on the remaining songs. § Joey Castillo performs on “Keep Your Eyes Peeled” - “ I Sat by the Ocean” - “The Vampyre of Time and Memory”- “Kalposia” § Dave Grohl performs on “My God Is The Sun” - “If I Had a Tail” - “Smooth Sailing” “Fairweather Friends” - “I Appear Missing” § Jon Theodore is the new touring drummer of QOTSA, and performs on “…Like Clockwork” • Jake Shears (Scissor Sisters) appears on “Keep Your Eyes Peeled” o Homme has previously worked with the front man by appearing as the spokesperson in an infomercial for the Scissor Sisters 2012 release “Magic Hour” http://youtu.be/aw60b-wk9MA • Mark Lanegan, Nick Oliveri and Alex
    [Show full text]
  • Aenima (Metal)
    TOOL Aenima (Metal) Année de sortie : 1996 Nombre de pistes : 15 Durée : 77' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Le guitariste Adam JONES justifie la création de TOOL en se fondant sur une théorie développée par l’auteur Ronald P. Vincent. En 1949, ce dernier publie une œuvre unique, A joyful guide to lachrymology, dans laquelle il proclame que la progression et le développement personnels nécessitent l’exploration de la douleur physique et de la peine. Vincent souhaite fonder une philosophie en ce sens, la lacrymologie. JONES conçoit la musique de son groupe comme un outil (« tool » en anglais) destiné à permettre au public de la comprendre. Quelques mois après la formation du groupe, Ronald P. Vincent décède d’une cirrhose ; le musicien étudie alors sans relâche son ouvrage. Curieuse motivation pour former un groupe ; il s’agit en vérité d’une pure invention ! Pas plus l’auteur que son ouvrage n’a existé. Né de l’imagination d’Adam JONES, ce mythe figure dans un historique distribué avec les copies promotionnelles de l’album Undertow (1993), et serait destiné à tourner en dérision les mouvements sectaires. Plus sérieusement, JONES rencontre le chanteur Maynard James KEENAN à Los Angeles en 1986.
    [Show full text]
  • Orestes Guitar Tab
    ORESTES As recorded by A Perfect Circle (From the 2000 Album MER DE NOMS) Transcribed by Nick Coulter Words and Music by Maynard James Keenan and Billy Howerdel E F G5 E5 D5 C5 G5/A G5 X E5 open xx xxxb xxx x xx 7 fr. x xx 5 fr. x xx x xx x xx 10 fr. xxx A Intro Moderately Slow = 49 Em7 P Fmaj9 Em7 Fmaj9 1 g 6 V V V gV V V V V V gV V V I 8 ggV V V V V V V ggV V V V V V V Gtr I mp let ring T 0 0 8 8 0 0 8 8 7 7 9 9 7 7 9 9 A 5 5 7 7 5 5 7 7 B 7 8 7 8 B Verse Em7 Em7/G Fmaj9/C Fmaj9/D Em7 Em7/A Fmaj9/C Fmaj9/A 5 g V V V gV V V V V V gV V V I ggV V V V V V V ggV V V V V V V let ring T 0 0 8 8 0 0 8 8 7 7 9 9 7 7 9 9 A 5 5 7 7 5 5 7 7 B 7 8 7 8 Em7 Em7/G Fmaj9/C Fmaj9/D Em7 Em7/A Fmaj9/C Fmaj9/A 9 g V V V gV V V V V V gV V V I ggV V V V V V V ggV V V V V V V let ring T 0 0 8 8 0 0 8 8 7 7 9 9 7 7 9 9 A 5 5 7 7 5 5 7 7 B 7 8 7 8 Em7 Em7/G Fmaj9/C Fmaj9/D Em7 Em7/A Fmaj9/C Fmaj9/A 13 g V V V gV V V V V V gV V V I ggV V V V V V V ggV V V V V V V let ring T 0 0 8 8 0 0 8 8 7 7 9 9 7 7 9 9 A 5 5 7 7 5 5 7 7 B 7 8 7 8 Generated using the Power Tab Editor by Brad Larsen.
    [Show full text]
  • Tool, Avenged Sevenfold, Alice in Chains, a Perfect Circle Godsmack, Stone Sour, Breaking Benjamin & Stone Temple Pilots
    Tool, Avenged Sevenfold, Alice In Chains, A Perfect Circle Godsmack, Stone Sour, Breaking Benjamin & Stone Temple Pilots Lead Lineup For 12 th Annual Rock On The Range May 18, 19 & 20 At MAPFRE Stadium In Columbus, Ohio The 12 th annual Rock On The Range returns to MAPFRE Stadium in Columbus, OH Friday, May 18, Saturday, May 19 and Sunday, May 20 with its most power-packed lineup to date. America’s largest and most acclaimed rock festival features nearly 60 bands on three stages, led by Tool, Avenged Sevenfold, and Alice In Chains, also featuring Godsmack, A Perfect Circle, Stone Sour, Breaking Benjamin, Three Days Grace, Stone Temple Pilots, Machine Gun Kelly, The Used, Bullet For My Valentine, Black Veil Brides, and many more. Many of the biggest names in rock will be joined by some of rock’s most exciting up-and-coming talent such as Greta Van Fleet , Code Orange, Power Trip , and New Years Day . Rock On The Range also showcases rock’s favorite comedians in the ROTR Rolling Rock Comedy Tent , and the festival includes various onsite experiences during the three-day weekend. The 2018 comedian lineup will be announced in early 2018. Rock On The Range continues to grow year after year and draws attendees from around the world. 2017 was the festival’s biggest year to date with a crowd of 135,000 in attendances; tickets sold out just a month after going sale, marking the festival’s fifth consecutive advance sell-out. Rock On The Range General Admission and VIP tickets (including layaway options), as well as Hotel and Camping Packages are on sale now at www.RockOnTheRange.com .
    [Show full text]
  • A Map of Kyuss and Related Acts
    1997, 1998 The Desert Sessions 1987 - 1989 is a side project Nick Oliveri (solo) A map of Kyuss The Desert Sessions 1 & 2 hosted by Josh Katzenjammer Josh Homme Homme where he Demolition Day (2004) Brant Bjork - Drums No releases Fred Drake invites musicians to Death Acoustic (2009) and related acts Chris Cockrell - Bass Dave Catching make an album with Nick Oliveri vs The Chuck Norris John Garcia - Vocals Brant Bjork Experiment (2012) Josh Homme - Lead guitar him over a week. Kyuss are the most influential band on the stoner Alfredo Hernández Nick Oliveri vs HeWhoCannotBeNamed Nick Oliveri - Rhythm guitar Yawning Man was founded by these and desert rock/metal genres. Some of the most Pete Stahl (2013) members, but they've had more notable people within the scene are Josh Homme, participants. It is arguably the same Ben Shepherd Leave Me Alone (2014) Brant Bjork, Chris Goss, and the Lallis. John McBain N.O. Hits At All vol. 1 - 3 (2017) band as The Sort of Quartet. Throughout their lives, the members of Kyuss 1986 - Releases 1994 - Brant Bjork (solo) have produced many, many projects that would The band Releases 1998 only release one or two albums. This chart changes name Yawning Man Rock Formations Fatso Jetson Jalamanta (1999) attempts to map them out. It gets especially Alfredo Hernández - Drums Vista Point Tony Tornay - Drums Stinky Little Gods The Desert Sessions 3 & 4 messy somewhere around 1996, when Kyuss fully Brant Bjork & the Operators (2002) Gary Arce - Guitar Yawning Sons Larry Lalli - Bass Power of Three Josh Homme split.
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]
  • Radu Aurelian Panait
    RADU AURELIAN PANAIT COMMUNICATION THROUGH MUSIC AND ITS NUANCES CASE STUDY: MAYNARD JAMES KEENAN Radu Aurelian Panait Babes-Bolyai University, Cluj, Romania Email: [email protected] Abstract This essay is an analytical and descriptive perspective on the ways in which communication can be achieved through music. I expand on this point of view by taking into account the direct (verbal) as well as the indirect communication, in the instances in which it appears in the context of music. As follows, I set out to present the genealogy of the creative process behind the American singer Maynard James Keenan, as well as the projects in which he is involved. I will take into account the appropriateness of semiotic principles on the subject at hand, as well as the different aesthetic and philosophical levels relevant to the topic. To begin with, I propose a brief introduction into Keenan's life. Next, I explore the communication and aesthetics of his lyrics in two different ways (corresponding to the main musical projects that he is part of). Finally, I highlight his relevance and influence by means of artistic and philosophical insight. Keywords: music, communication, Maynard James Keenan, semiotics, aesthetics. COMUNICAREA PRIN MUZICĂ ȘI NUANȚELE EI STUDIU DE CAZ: MAYNARD JAMES KEENAN Rezumat: Acest eseu este o perspectivă analitică și descriptivă asupra felurilor în care se realizează comunicarea prin intermediul muzicii. Voi dezvolta acest punct de vedere ținând cont de comunicarea directă (verbală) precum și de cea indirectă, în ipostazele în care apare în contextul muzicii. În acest sens, mi-am propus să prezint Revista de Filosofie Aplicată, Volume 3, Issue 5 (Winter 2020): 47-62.
    [Show full text]