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Saveur Magazine, Feb 2018
Heart Wood® Cellars Photo By: Tim Fuller DRINKING IN THE VERDE VALLEY How the hills and deserts of central Arizona gave birth to some of the boldest wines in America. FEBRUARY 7, 2018 When Californians Valerie and Daniel Wood purchased a second home in Arizona’s Verde River Valley in the early aughts, they were surprised by the quality of the wines they found. Many of them were comparable to the ones they drank back home; they also compared favorably with the Grenaches, Syrahs, and Cabernets they’d enjoyed in the southern wine-growing regions of Italy, France, and Spain. “But what intrigued us the most was the idea of wine grapes growing in the desert,” Valerie says. “So, we spent some time talking to people about them.” They learned that the Verde Valley has many similarities, both in elevation and climate, to more celebrated wine regions, including—yes—the south of France, Italy, and Spain. “Those growing regions are around 30 to 50 degrees latitude,” Valerie says. “Here, it’s 34 degrees. As for the extreme heat of the Grand Canyon State, it’s not as big a problem as it seems. “The elevation affords us a cooling off period during the evening,” she says. “It gives grapes time to rest and prepare for the next day of sun and heat.” She also says the terroir, which ranges sporadically from limestone rich soil to desert sand, also produces bold wines with fascinating, and at times unique, profiles. When they bought the house in Arizona, the Woods were working high-power corporate jobs at McDonald’s. -
Skinny Puppy Bites Mp3, Flac, Wma
Skinny Puppy Bites mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Bites Country: Benelux Released: 1989 Style: EBM, Industrial MP3 version RAR size: 1200 mb FLAC version RAR size: 1709 mb WMA version RAR size: 1932 mb Rating: 4.1 Votes: 248 Other Formats: DMF ADX MP3 MP2 APE TTA AC3 Tracklist Hide Credits Attack Assimilate A1 6:56 Mixed By, Tape, Synthesizer [Bass], Effects [Treaments], Sampler – Tom Ellard The Choke A2 6:25 Synthesizer [Bass] – Wilhelm Schroeder Blood On The Wall A3 2:51 Bass – Mr D Pleven* A4 Church 3:12 Decay Deadlines B1 6:15 Guitar – Cevin Key B2 Last Call 5:52 B3 Basement 3:15 B4 Tomorrow 4:57 Companies, etc. Published By – Nettwerk Overboard Publ. Published By – Les Editions Confidentielles Recorded At – Mushroom Studios, Vancouver Recorded At – Doghouse Studios Pressed By – Sony/CBS, Haarlem – 08-024787-20 Printed By – Sony/CBS, Haarlem – 08-024787-20 Mastered At – Foon Credits Engineer – Cevin Key, David Ogilvie* Executive Producer – Terry McBride Producer – Cevin Key (tracks: A2 to A4, B1 to B4), David Ogilvie* (tracks: A2 to A4, B1 to B4), Tom Ellard (tracks: A1) Sleeve – Steven • R • Gilmore* Sleeve [Assistant] – Greg Sykes Synthesizer, Sequenced By, Tape, Sampler, Effects [Treatments], Percussion, Drums, Programmed By [Rhythm], Bass – Cevin Key Voice, Lyrics By, Synthesizer, Percussion, Effects [Treatments], Other [Objects] – Nivek Ogre Written-By, Performer – Skinny Puppy Notes Recorded 1984 - 1985 at Mushroom Studios, except tracks A4 & B4 which are recorded on 4track in the Dog House. -
Leon Bridges Black Moth Super Rainbow Melvins
POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges. -
June 26, 1995
Volume$3.00Mail Registration ($2.8061 No. plusNo. 1351 .20 GST)21-June 26, 1995 rn HO I. Y temptation Z2/Z4-8I026 BUM "temptation" IN ate, JUNE 27th FIRST SIN' "jersey girl" r"NAD1AN TOUR DATES June 24 (2 shows) - Discovery Theatre, Vancouver June 27 a 28 - St. Denis Theatre, Montreal June 30 - NAC Theatre, Ottawa July 4 - Massey Hall, Toronto PRODUCED BY CRAIG STREET RPM - Monday June 26, 1995 - 3 theUSArts ireartstrade of and andrepresentativean artsbroadcasting, andculture culture Mickey film, coalition coalition Kantorcable, representing magazine,has drawn getstobook listdander publishing companiesKantor up and hadthat soundindicated wouldover recording suffer thatKantor heunder wasindustries. USprepared trade spokespersonCanadiansanctions. KeithThe Conference for announcement theKelly, coalition, nationalof the was revealed Arts, expecteddirector actingthat ashortly. of recent as the a FrederickPublishersThe Society of Canadaof Composers, Harris (SOCAN) Authors and and The SOCANand Frederick Music project.the preview joint participation Canadian of SOCAN and works Harris in this contenthason"areGallup the theconcerned information Pollresponsibilityto choose indicated about from.highway preserving that to He ensure a and alsomajority that our pointedthere culturalthe of isgovernment Canadiansout Canadian identity that in MusiccompositionsofHarris three MusicConcert newCanadian Company at Hallcollections Toronto's on pianist presentedJune Royal 1.of Monica Canadian a Conservatory musical Gaylord preview piano of Chatman,introducedpresidentcomposers of StevenGuest by the and their SOCAN GellmanGaylord.speaker respective Foundation, and LouisThe composers,Alexina selections Applebaum, introduced Louie. Stephen were the originatethatisspite "an 64% of American the ofKelly abroad,cultural television alsodomination policies mostuncovered programs from in of place ourstatisticsscreened the media."in US; Canada indicatingin 93% Canada there of composersdesignedSeriesperformed (Explorations toThe the introduceinto previewpieces. -
Russell-Mills-Credits1
Russell Mills 1) Bob Marley: Dreams of Freedom (Ambient Dub translations of Bob Marley in Dub) by Bill Laswell 1997 Island Records Art and design: Russell Mills (shed) Design assistance, image melts: Michael Webster (storm) Paintings: Russell Mills 2) The Cocteau Twins: BBC Sessions 1999 Bella Union Records Art and design: Russell Mills (shed) Design assistance and image melts: Michael Webster (storm) 3) Gavin Bryars: The Sinking Of The Titanic / Jesus' Blood Never Failed Me Yet 1998 Virgin Records Art and design: Russell Mills Design assistance and image melts: Michael Webster (storm) Paintings and assemblages: Russell Mills 4) Gigi: Illuminated Audio 2003 Palm Pictures Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Photography: Jean Baptiste Mondino 5) Pharoah Sanders and Graham Haynes: With a Heartbeat - full digipak 2003 Gravity Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Paintings and assemblages: Russell Mills 6) Hector Zazou: Songs From The Cold Seas 1995 Sony/Columbia Art and design: Russell Mills and Dave Coppenhall (mc2) Design assistance: Maggi Smith and Michael Webster 7) Hugo Largo: Mettle 1989 Land Records Art and design: Russell Mills Design assistance: Dave Coppenhall Photography: Adam Peacock 8) Lori Carson: The Finest Thing - digipak front and back 2004 Meta Records Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Photography: Lori Carson 9) Toru Takemitsu: Riverrun 1991 Virgin Classics Art & design: Russell Mills Cover -
Shakespearean Actors Display Talents at ND
II III II 11111111111i'" Program Guide Specialty Shows 7 - 9 pm Daily ., Monday: Regressive Thursday: Hlp Hop WI! aRJ Tuesday: Rock-n-Roll/Sports Friday: Reggae Request Line: . Wednesday: Jazz Saturday: Hardcore/ 239-6400 ==============64 Sunday: Metal Punk These are the Voices of the Fighting Irish Monday Tuesday Wednesday Thursday Friday Saturday Sunday Mike BertinI Jason Hoida Mike Schwabe Pat Ninneman John Strieder Kathy Hordlek 7-9 a.m. "Rock Out With "Morning 'We're Brellking "H Hint Of 'Hot Brellkfllst Your Rooster Out" Stiffness" Pllrietllls' Hnesthesia" In No Time Rt RII" ~ ~ John Staunton Mystery D,J, Kristen Moria SullilJan Kelly Boglarsky ~/ffff/h • Sol & Cllrol's 'If I Rsked You To Baumler 'Mllnioclll "Bogue Not V#//ffM 9-11a.m. Spllnk Me, Would You Mudslinging BBO Plulldlse" Say N01 "Un Poco De Sko" Menllqerie' Uogue" 10:00 am - 1 :00 pm Paul Broderick John Dugan Greg Murphy Joson Wins lode Mike Montroy Rebecca Paul Saiz 'Jazun Jetsam's 11-lp.m. "Paul's Power "Nothing Short of "Midday "Bloodshot OSCillating Rudlo "Death By Ciletti Hour (or two)" Total War" Cramps" Karma" Sculpture' Disco" Chris Chris Infante Brad Barnhorst Karen 1-3p.m. Neil Higgins Kristen John Furey Scherzinger "Big Cheese "No LOlJe Lost" Holderer 'Rlldio Schlep Goes Downer" Harknett "Undergromd" Public' Dan langrill Jeff Sepeta Jeff Jotz Mike McMahon Shllwn Nowlerskl Jennifer Hnne Seifert 3-5 p.m. 'Don Lllngrill's "Uoices On The "Orifice Party "Me Rnd Your 'Songs O'Bjorn Rnd "ElJeryday Is Rudio Mood Ring' Fringe" '90" Mom" Fjords' Reiland Like Sundaq" Mark KelJin Brian Geraghty Kathy RleH Nunez Hlyson Naimoli Tom Fellrath "The Urban MCDonou~h • Eluls HilS Left 5-7 p.m. -
Provisioner Bona Fide Pure Arizona, Arizona White Table Wine 2014, 57
Provisioner Bona Fide Pure Arizona, Arizona White Table Wine 2014, 57% Colombard, 30% Chenin Blanc, 13% Malvasia 13.3% Alc • The Provisioner White is fresh, crisp and fruity with perfect amount of body. It’s wonderful as an accompaniment to a light lunch, with serious dinner foods and, of course, all by itself. • In early frontier days the small-town general store was the social hub and lifeline for the hardy pioneers that settled the American Southwest. These stores, or provisioners, sold everything from nails to flour, blankets to whiskey. Arizona, despite efforts to tame her, is still a wild place with many secrets lying just below the surface. The most recent discovery is the propensity for the vine to thrive here and to yield a fine nectar that is indisputably Southwestern. Provisioner wines capture and share the soul of this place, and they do so in the spirit of the old-time general store: they support new exploration, they push us into new territory and make this quest we are on a little more honest and enjoyable. And all of this without breaking the bank. Drink well. These are wines for the people! • Fort Bowie Vineyard, Cochise County, Arizona • Fort Bowie Vineyards is the second oldest vineyard in the state. Planted in 1984, the massive French Colombard vines on the site are a big as a foot in trunk diameter. Additionally, the deep, loamy soils and warm summers (the warmest of our vineyards) lend to fruit driven wines that are approachable and young. • At an elevation of 3750 feet, Fort Bowie has two distinct vineyards, the Shop block and Lacey’s block. -
Skinny Puppy Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
Skinny Puppy 音樂專輯 串行 (专辑 & 时间表) Weapon https://zh.listvote.com/lists/music/albums/weapon-7978041/songs The Process https://zh.listvote.com/lists/music/albums/the-process-7758446/songs VIVIsectVI https://zh.listvote.com/lists/music/albums/vivisectvi-7907100/songs The Greater Wrong of the Right https://zh.listvote.com/lists/music/albums/the-greater-wrong-of-the-right-1761720/songs Rabies https://zh.listvote.com/lists/music/albums/rabies-7278724/songs The Greater Wrong of the Right https://zh.listvote.com/lists/music/albums/the-greater-wrong-of-the-right-live-7738017/songs Live Remix Dystemper https://zh.listvote.com/lists/music/albums/remix-dystemper-7311955/songs Bootlegged, Broke, and In Solvent https://zh.listvote.com/lists/music/albums/bootlegged%2C-broke%2C-and-in-solvent-seas- Seas 16244609/songs https://zh.listvote.com/lists/music/albums/mind%3A-the-perpetual-intercourse- Mind: The Perpetual Intercourse 10585691/songs Twelve Inch Anthology https://zh.listvote.com/lists/music/albums/twelve-inch-anthology-7857610/songs The Singles Collect https://zh.listvote.com/lists/music/albums/the-singles-collect-7764468/songs Remission & Bites https://zh.listvote.com/lists/music/albums/remission-%26-bites-7311918/songs B-Sides Collect https://zh.listvote.com/lists/music/albums/b-sides-collect-4833705/songs https://zh.listvote.com/lists/music/albums/doomsday-%28skinny-puppy-album%29- Doomsday (Skinny Puppy album) 3714061/songs Bites https://zh.listvote.com/lists/music/albums/bites-1761169/songs Cleanse Fold and Manipulate https://zh.listvote.com/lists/music/albums/cleanse-fold-and-manipulate-5130586/songs -
Columbia Poetry Review Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Poetry Review Publications Spring 4-1-1992 Columbia Poetry Review Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cpr Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Poetry Review" (1992). Columbia Poetry Review. 5. https://digitalcommons.colum.edu/cpr/5 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Poetry Review by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. COLUMBIA POETRY REVIEW Columbia College/Chicago Spring 1992 Columbia Poetry Review is published in the spring of each year by the English Department of Columbia College, 600 South Michigan Avenue, Chicago, Illinois 60605. Submissions are encouraged and should be sent to the above address. Subscriptions and sample copies are available at $6.00 an issue. Copyright © I 992 by Columbia College. Grateful acknowledgement is made to Dr. Philip Klukoff, Chairman of the English Department; Dr. Sam Floyd, Academic Vice-President; Lya Rosenblum, D ean of Graduate Studies; Bert Gall, Administrative Vice President; and Mike Alexandroff, President of Columbia College. The cover photograph is by John Mulvany. Student Editors: John -
Aenima (Metal)
TOOL Aenima (Metal) Année de sortie : 1996 Nombre de pistes : 15 Durée : 77' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Le guitariste Adam JONES justifie la création de TOOL en se fondant sur une théorie développée par l’auteur Ronald P. Vincent. En 1949, ce dernier publie une œuvre unique, A joyful guide to lachrymology, dans laquelle il proclame que la progression et le développement personnels nécessitent l’exploration de la douleur physique et de la peine. Vincent souhaite fonder une philosophie en ce sens, la lacrymologie. JONES conçoit la musique de son groupe comme un outil (« tool » en anglais) destiné à permettre au public de la comprendre. Quelques mois après la formation du groupe, Ronald P. Vincent décède d’une cirrhose ; le musicien étudie alors sans relâche son ouvrage. Curieuse motivation pour former un groupe ; il s’agit en vérité d’une pure invention ! Pas plus l’auteur que son ouvrage n’a existé. Né de l’imagination d’Adam JONES, ce mythe figure dans un historique distribué avec les copies promotionnelles de l’album Undertow (1993), et serait destiné à tourner en dérision les mouvements sectaires. Plus sérieusement, JONES rencontre le chanteur Maynard James KEENAN à Los Angeles en 1986. -
NEW RELEASES MP3 CD, CD & LIBRARY DOWNLOAD COMPLETE and UNABRIDGED 1 Introducing Awais Khan…
APRIL – JUNE 2021 Australia ULVERSCROFT AUDIO NEW RELEASES MP3 CD, CD & LIBRARY DOWNLOAD COMPLETE AND UNABRIDGED 1 Introducing Awais Khan… Awais Khan currently lives in Pakistan. He has studied Novel Writing and Editing at the prestigious Faber Academy in London and is the founder of the Writing Institute, the largest institute for Creative Writing in Pakistan. In the Company of Strangers is his debut novel. What inspired the story behind In the Company of Strangers? In the Company of Strangers explores the secrets and lies of Pakistan’s wealthy society as they become a target in a terror plot. Over the years, I have had the chance to observe the lives of the people here and I’ve come to realise that no matter how privileged they may be, they are still subject to the toxic issues plaguing all of Pakistan, namely domestic abuse, misogyny and shaming. There are no heroes in In the Company of Strangers. My intention was to shine a light on how flawed and vicious much of Pakistani society can be, and how much still needs to be done to improve the lives of people, especially women, here. Introduce us to Mona. What’s facing her at the start of the novel? Mona is in her early forties and is married to one of the richest men in Lahore. Despite having wealth and all the luxuries that come with it at her disposal, she is unhappy. She is trapped in an abusive marriage with Bilal and she finds her friends extremely fake and judgmental…When a former friend tries to reconnect with her, offering her a chance to venture into a glittering world of secrets and covert affairs, she doesn’t think twice. -
Hipster Black Metal?
Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists.