NEW RELEASES MP3 CD, CD & LIBRARY DOWNLOAD COMPLETE and UNABRIDGED 1 Introducing Samantha Silva… Samantha Silva Is a Writer and Screenwriter Based in Idaho
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spark Festival Uk Green Film Festival
15 BOX OFFICE — 0116 242 2800 phoenix.org.uk MAY CINEMA / ART / CAFÉ BAR PHOENIX 8 – 14 May NEW FILMS — FAR FROM THE MADDING CROWD A GIRL WALKS HOME THIS MONTH — ALONE AT NIGHT SPARK FESTIVAL Creative fun for all the family STONES FOR THE RAMPART UK GREEN FILM FESTIVAL FORCE MAJEURE We join cinemas nationwide to celebrate environmental films SAMBA MAY AT A GLANCE FAR FROM THE MADDING CROWD P4 <MultipleINTERSECTING LINKS > <MULTIPLEINTERSECTING LINKS> Box Office242 2800 0116 — GOOD KILL P4 CHILD 44 P6 FORCE MAJEURE P5 Book Online — www.phoenix.org.uk BEVERLEY + MAKING OF DOC P5 <MultipleINTERSECTING LINKS > <MULTIPLEINTERSECTING LINKS> JOHN WICK P6 STONES FOR THE RAMPART P5 PHOENIX P6 THE VOICES P7 <MultipleINTERSECTING LINKS > <MULTIPLEINTERSECTING LINKS> THE WATER DIVINER P7 THE FALLING P10 A ROYAL NIGHT OUT P7 WOMAN IN GOLD P10 8 1/2 P10 COMING IN JUNE CLOUDS OF SILS MARIA MR HOLMES TIMBUKTU 2 – 3 DISCOVER FILM DISCOVER PHOENIX FIND WELCOME It’s Spark Festival time again! Leicester is home to the biggest children’s arts festival in the country, and at Phoenix our programme is jam–packed with digital fun for all ages. Experiment with new technologies in a short workshop; catch a family film; or create your own ‘light art’ in our Cube Gallery with Water Light Graffiti, an amazing wall embedded with thousands of LEDs that light up when you paint on it with water. A huge thank you to everyone who filled in our annual customer survey last month: we got over 950 responses. We’re currently looking through all your comments to see how we can make things better for you, and shape Phoenix’s future as we continue to adapt to pressures on public funding. -
BOOKNEWS from ISSN 1056–5655, © the Poisoned Pen, Ltd
BOOKNEWS from ISSN 1056–5655, © The Poisoned Pen, Ltd. 4014 N. Goldwater Blvd. Volume 28, Number 11 Scottsdale, AZ 85251 October Booknews 2016 480-947-2974 [email protected] tel (888)560-9919 http://poisonedpen.com Horrors! It’s already October…. AUTHORS ARE SIGNING… Some Events will be webcast at http://new.livestream.com/poisonedpen. SATURDAY OCTOBER 1 2:00 PM Holmes x 2 WEDNESDAY OCTOBER 19 7:00 PM Laurie R King signs Mary Russell’s War (Poisoned Pen $15.99) Randy Wayne White signs Seduced (Putnam $27) Hannah Stories Smith #4 Laurie R King and Leslie S Klinger sign Echoes of Sherlock THURSDAY OCTOBER 20 7:00 PM Holmes (Pegasus $24.95) More stories, and by various authors David Rosenfelt signs The Twelve Dogs of Christmas (St SUNDAY OCTOBER 3 2:00 PM Martins $24.99) Andy Carpenter #14 Jodie Archer signs The Bestseller Code (St Martins $25.99) FRIDAY OCTOBER 21 7:00 PM MONDAY OCTOBER 3 7:00 PM SciFi-Fantasy Club discusses Django Wexler’s The Thousand Kevin Hearne signs The Purloined Poodle (Subterranean $20) Names ($7.99) TUESDAY OCTOBER 4 Ghosts! SATURDAY OCTOBER 22 10:30 AM Carolyn Hart signs Ghost Times Two (Berkley $26) Croak & Dagger Club discusses John Hart’s Iron House Donis Casey signs All Men Fear Me ($15.95) ($15.99) Hannah Dennison signs Deadly Desires at Honeychurch Hall SUNDAY OCTOBER 23 MiniHistoricon ($15.95) Tasha Alexander signs A Terrible Beauty (St Martins $25.99) SATURDAY OCTOBER 8 10:30 AM Lady Emily #11 Coffee and Club members share favorite Mary Stewart novels Sherry Thomas signs A Study in Scarlet Women (Berkley -
Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates. -
<H1>The Lodger by Marie Belloc Lowndes</H1>
The Lodger by Marie Belloc Lowndes The Lodger by Marie Belloc Lowndes The Lodger by Marie Belloc Lowndes "Lover and friend hast thou put far from me, and mine acquaintance into darkness." PSALM lxxxviii. 18 CHAPTER I Robert Bunting and Ellen his wife sat before their dully burning, carefully-banked-up fire. The room, especially when it be known that it was part of a house standing in a grimy, if not exactly sordid, London thoroughfare, was exceptionally clean and well-cared-for. A casual stranger, more particularly one of a Superior class to their own, on suddenly opening the door of that sitting-room; would have thought that Mr. page 1 / 387 and Mrs. Bunting presented a very pleasant cosy picture of comfortable married life. Bunting, who was leaning back in a deep leather arm-chair, was clean-shaven and dapper, still in appearance what he had been for many years of his life--a self-respecting man-servant. On his wife, now sitting up in an uncomfortable straight-backed chair, the marks of past servitude were less apparent; but they were there all the same--in her neat black stuff dress, and in her scrupulously clean, plain collar and cuffs. Mrs. Bunting, as a single woman, had been what is known as a useful maid. But peculiarly true of average English life is the time-worn English proverb as to appearances being deceitful. Mr. and Mrs. Bunting were sitting in a very nice room and in their time--how long ago it now seemed!--both husband and wife had been proud of their carefully chosen belongings. -
September 2016
September 2016 Title – Night Watch Author – Iris Johansen Call Number – F JOHANSEN Book Description - Sometimes, what you can’t see will kill you . Kendra is surprised when she is visited by Dr. Charles Waldridge, the researcher who gave her sight through a revolutionary medical procedure developed by England's Night Watch Project. All is not well with the brilliant surgeon; he’s troubled by something he can’t discuss with Kendra. When Waldridge disappears the very night he visits her, Kendra is on the case, recruiting government agent-for-hire Adam Lynch to join her on a trail that leads to the snow- packed California mountains. There they make a gruesome discovery: the corpse of one of Dr. Waldridge’s associates. But it’s only the first casualty in a white-knuckle confrontation with a deadly enemy who will push Kendra to the limits of her abilities. Soon she must fight for her very survival as she tries to stop the killing…and unearth the shocking secret of Night Watch. Title – Far From True Author – Linwood Barclay Call Number – F BARCLAY Book Description - When private investigator Cal Weaver looks into a break-in at the home of a recently deceased man, he uncovers far more than he is prepared for after he finds a hidden room that was used for salacious activities. Perhaps something illegal . Detective Barry Duckworth is doggedly trying to solve two murders, one of which is three years old. He believes the killings are connected, since each featured a similar distinctive wound. And the key to his mystery may lie with Cal Weaver’s own case. -
Newsletter 22/06 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 22/06 DIGITAL EDITION Nr. 193 - Oktober 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 22/06 (Nr. 193) Oktober 2006 editorial Hallo Laserdisc- und DVD-Fans, diesem Sinne sind wir guten Mutes, unse- liebe Filmfreunde! ren Festivalbericht in einem der kommen- Kennen Sie das auch? Da macht man be- den Newsletter nachzureichen. reits während der Fertigstellung des einen Newsletters große Pläne für den darauf Aber jetzt zu einem viel wichtigeren The- folgenden nächsten Newsletter und prompt ma. Denn wer von uns in den vergangenen wird einem ein Strich durch die Rechnung Wochen bereits die limitierte Steelbook- gemacht. So in unserem Fall. Der für die Edition der SCANNERS-Trilogie erwor- jetzt vorliegende Ausgabe 193 vorgesehene ben hat, der darf seinen ursprünglichen Bericht über das Karlsruher Todd-AO- Ärger über Teil 2 der Trilogie rasch ver- Festival musste kurzerhand wieder auf Eis gessen. Hersteller Black Hill ließ Folgen- gelegt werden. Und dafür gibt es viele gute des verlautbaren: Gründe. Da ist zunächst das Platzproblem. Im wahrsten Sinne des Wortes ”platzt” der ”Käufer der Verleih-Fassung der Scanners neue Newsletter wieder aus allen Nähten. Box haben sicherlich bemerkt, dass der Wenn Sie also bislang zu jenen Unglückli- 59 prall gefüllte Seiten - und das nur mit zweite Teil um circa 100 Sekunden gekürzt chen gehören, die SCANNERS 2 nur in anstehenden amerikanischen Releases! Des ist. -
Notions of the Gothic in the Films of Alfred Hitchcock. CLARK, Dawn Karen
Notions of the Gothic in the films of Alfred Hitchcock. CLARK, Dawn Karen. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19471/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version CLARK, Dawn Karen. (2004). Notions of the Gothic in the films of Alfred Hitchcock. Masters, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus Sheffield S1 1WB Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE ProQuest Number: 10694352 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694352 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Notions of the Gothic in the Films of Alfred Hitchcock Dawn Karen Clark A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Master of Philosophy July 2004 Abstract The films of Alfred Hitchcock were made within the confines of the commercial film industries in Britain and the USA and related to popular cultural traditions such as the thriller and the spy story. -
NEW RELEASES MP3 CD, CD & LIBRARY DOWNLOAD COMPLETE and UNABRIDGED 1 Introducing Awais Khan…
APRIL – JUNE 2021 Australia ULVERSCROFT AUDIO NEW RELEASES MP3 CD, CD & LIBRARY DOWNLOAD COMPLETE AND UNABRIDGED 1 Introducing Awais Khan… Awais Khan currently lives in Pakistan. He has studied Novel Writing and Editing at the prestigious Faber Academy in London and is the founder of the Writing Institute, the largest institute for Creative Writing in Pakistan. In the Company of Strangers is his debut novel. What inspired the story behind In the Company of Strangers? In the Company of Strangers explores the secrets and lies of Pakistan’s wealthy society as they become a target in a terror plot. Over the years, I have had the chance to observe the lives of the people here and I’ve come to realise that no matter how privileged they may be, they are still subject to the toxic issues plaguing all of Pakistan, namely domestic abuse, misogyny and shaming. There are no heroes in In the Company of Strangers. My intention was to shine a light on how flawed and vicious much of Pakistani society can be, and how much still needs to be done to improve the lives of people, especially women, here. Introduce us to Mona. What’s facing her at the start of the novel? Mona is in her early forties and is married to one of the richest men in Lahore. Despite having wealth and all the luxuries that come with it at her disposal, she is unhappy. She is trapped in an abusive marriage with Bilal and she finds her friends extremely fake and judgmental…When a former friend tries to reconnect with her, offering her a chance to venture into a glittering world of secrets and covert affairs, she doesn’t think twice. -
Hipster Black Metal?
Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists. -
Representations of Mental Illness, Queer Identity, and Abjection in High Tension
“I WON’T LET ANYONE COME BETWEEN US” REPRESENTATIONS OF MENTAL ILLNESS, QUEER IDENTITY, AND ABJECTION IN HIGH TENSION Krista Michelle Wise A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of May 2014 Committee: Becca Cragin, Advisor Marilyn Motz © 2014 Krista Wise All Rights Reserved iii ABSTRACT Becca Cragin, Advisor In this thesis I analyze the presence of mental illness, queer identity and Kristeva’s theory of abjection in Alexandre Aja’s 2003 film High Tension. Specifically I look at the common trend within the horror genre of scapegoating those who are mentally ill or queer (or both) through High Tension. It is my belief that it is easier for directors, and society as a whole, to target marginalized groups (commonly referred to as the Other) as a means of expressing a “normalized” group’s anxiety in a safe and acceptable manner. High Tension allows audiences to reassure themselves of their sanity and, at the same time, experience hyper violence in a safe setting. Horror films have always targeted the fears of the dominant culture and I use this thesis to analyze the impact damaging perceptions may have on oppressed groups. iv “My mood swings have now turned my dreams into gruesome scenes” – Tech N9ne, “Am I a Psycho?” v ACKNOWLEDGMENTS I would like to thank Dr. Becca Cragin and Dr. Marilyn Motz for their critique, suggestions, and feedback throughout this process. I consider myself very fortunate to have had their guidance, especially as a first generation MA student. -
„Yours Truly, Jack the Ripper”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Duisburg-Essen Publications Online „Yours truly, Jack the Ripper” Die interdiskursive Faszinationsfigur eines Serienmörders in Spannungsliteratur und Film Dissertation zur Erlangung des akademischen Grades Dr. phil. im Fach Germanistik am Institut für Geisteswissenschaften der Universität Duisburg-Essen Vorgelegt von Iris Müller (geboren in Dortmund) Erstgutachter: Prof. Dr. Jochen Vogt Zweitgutachter: Prof. Dr. Rolf Parr Tag der Disputation: 26. Mai 2014 Inhalt 1. Vorbemerkungen ..................................................................................... 4 1.1 Erkenntnisinteresse .............................................................................. 7 1.2 ‚Jack the Ripper‘ als interdiskursive Faszinationsfigur .......................... 9 1.3 Methodik und Aufbau der Arbeit ......................................................... 11 2. Die kriminalhistorischen Fakten ........................................................... 13 2.1 Quellengrundlage: Wer war ‚Jack the Ripper‘? ................................... 13 2.2 Whitechapel 1888: Der Tatort ............................................................. 14 2.3 Die Morde .......................................................................................... 16 2.3.1 Mary Ann Nichols ................................................................................................ 16 2.3.2 Annie Chapman .................................................................................................. -
NEWS34-Gd7m.Pdf
news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm.