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Indie Mixtape 20 Q&A Is with Proper., Who Can Sing All the Words to Every Kanye and Say Anything Album (Even the Bad Ones)
:: View email as a web page :: Chuck Klosterman once observed that every straight American man “has at least one transitionary period in his life when he believes Led Zeppelin is the only good band that ever existed.” Typically, this “Zeppelin phase” occurs in one’s teens, when a band that sings lasciviously about squeezing lemons while contemplating hobbits aligns with the surging hormones of the listener. But what about when you hit your early 30s? Is there a band that corresponds with graying beards and an encroaching sense of mortality? We believe, based on anecdotal evidence, that this band is the Grateful Dead. So many people who weren’t Dead fans when Jerry Garcia was alive have come to embrace the band, including many people in the indie-rock community, whether it’s Ezra Koenig of Vampire Weekend, Jim James of My Morning Jacket, or scores of others. Check out this piece on why the Dead is so popular now, even as the 25th anniversary of Garcia’s death looms, and let us know why you like them on Twitter. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century PS: Was this email forwarded to you? Join the band here. In case you missed it... Our YouTube channel just added a swath official music videos from Tori Amos and Faith No More. After a handful of delays, we now have an official release date for the new album from The Killers, as well as a new song. -
VOLUME 42 | NUMBER 21 Hen Chris Cornell Entered He Shrugged
May 24-30, 2017 | VOLUME 42 | NUMBER 21 hen Chris Cornell entered He shrugged. He spoke in short bursts of at a room, the air seemed to syllables. Soundgarden was split at the time, hum with his presence. All and he showed no interest in getting the eyes darted to him, then band back together. He showed little interest danced over his mop of in many of my questions. Until I noted he curls and lanky frame. He appeared to carry had a pattern of daring creative expression himself carelessly, but there was calculation outside of Soundgarden: Audioslave’s softer in his approach—the high, loose black side; bluesy solo eorts; the guitar-eschew- boots, tight jeans, and impeccable facial hair ing Scream with beatmaker Timbaland. his standard uniform. He was a rock star. At this, Cornell’s eyes sharpened. He He knew it. He knew you knew it. And that sprung forward and became fully engaged. didn’t make him any less likable. When he He got up and brought me an unsolicited left the stage—and, in my case, his Four bottled water, then paced a bit, talking all Seasons suite following a 2009 interview— the while. About needing to stay unpre- that hum leisurely faded, like dazzling dictable. About always trying new things. sunspots in the eyes. He told me that he wrote many songs “in at presence helped Cornell reach the character,” outside of himself. He said, “I’m pinnacle of popular music as front man for not trying to nd my musical identity, be- Soundgarden. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Metal Musician Nick Oliveri Mutes the Manic for Solo Album : News : G
Metal musician Nick Oliveri mutes the manic for solo album : News : G... http://www.gomemphis.com/news/2010/jan/28/bassist-takes-acoustic-bre... Login Home commercialappeal.com Contact Us Site Map SEARCH MEMPHIS music movies dining arts nightlife tv books games travel Web Search powered by YAHOO! SEARCH Reviews | Listen Up | Venues | Bands Metal musician Nick Oliveri mutes the manic for solo album By Mark Jordan Thursday, January 28, 2010 As bass player for such celebrated metal outfits as Kyuss, Queens of the Stone Age, and Mondo Generator, Nick Oliveri has made his name and reputation by rocking fast, loud, and furious. His latest project, however, finds the California native strapping on an acoustic guitar for his first solo album, Death Acoustic , and a tour that stops at the Hi-Tone Saturday night. But Oliveri, who has always brought a jolt of punk energy -- as well as, frequently, a splash of on-stage nudity -- to whatever endeavor he undertakes, is not turning into a folkie. MOST EMAILED MOST DISCUSSED Show horse and workhorse Borgnine star in movie that shoots in Memphis Stage Review: 'Jersey Boys' gets standing ovation for "I do songs that I think are fun and made me want to play music,'' says Nick Oliveri, who plays acoustic guitar for his first feel-good evening solo album. ''And if they're covers and songs that I thought would be challenging to transpose into acoustic, that's fine.''Rob Meet the chef: Duncan Aiken Hunt Theater Review: Circuit Playhouse exits with incisive 'Trouble in Mind' STORY TOOLS Now Hear This! Ben Nichols E-mail story 'Plug In' expo helps Memphis performers navigate music iPod friendly business Printer friendly More Music News Beyonce takes 6 Grammys; Booker T. -
Brazilian/American Trio São Paulo Underground Expands Psycho-Tropicalia Into New Dimensions on Cantos Invisíveis, a Global Tapestry That Transcends Place & Time
Bio information: SÃO PAULO UNDERGROUND Title: CANTOS INVISÍVEIS (Cuneiform Rune 423) Format: CD / DIGITAL Cuneiform Promotion Dept: (301) 589-8894 / Fax (301) 589-1819 Press and world radio: [email protected] | North American and world radio: [email protected] www.cuneiformrecords.com FILE UNDER: JAZZ / TROPICALIA / ELECTRONIC / WORLD / PSYCHEDELIC / POST-JAZZ RELEASE DATE: OCTOBER 14, 2016 Brazilian/American Trio São Paulo Underground Expands Psycho-Tropicalia into New Dimensions on Cantos Invisíveis, a Global Tapestry that Transcends Place & Time Cantos Invisíveis is a wondrous album, a startling slab of 21st century trans-global music that mesmerizes, exhilarates and transports the listener to surreal dreamlands astride the equator. Never before has the fearless post-jazz, trans-continental trio São Paulo Underground sounded more confident than here on their fifth album and third release for Cuneiform. Weaving together a borderless electro-acoustic tapestry of North and South American, African and Asian, traditional folk and modern jazz, rock and electronica, the trio create music at once intimate and universal. On Cantos Invisíveis, nine tracks celebrate humanity by evoking lost haunts, enduring love, and the sheer delirious joy of making music together. São Paulo Underground fully manifests its expansive vision of a universal global music, one that blurs edges, transcends genres, defies national and temporal borders, and embraces humankind in its myriad physical and spiritual dimensions. Featuring three multi-instrumentalists, São Paulo Underground is the creation of Chicago-reared polymath Rob Mazurek (cornet, Mellotron, modular synthesizer, Moog Paraphonic, OP-1, percussion and voice) and two Brazilian masters of modern psycho- Tropicalia -- Mauricio Takara (drums, cavaquinho, electronics, Moog Werkstatt, percussion and voice) and Guilherme Granado (keyboards, synthesizers, sampler, percussion and voice). -
Pepperland—Mark Morris' Exuberant Homage to the 1960S Countercultural Touchstones in Sgt. Pepper's Lonely Hearts Club Band
Pepperland—Mark Morris’ exuberant homage to the 1960s countercultural touchstones in Sgt. Pepper’s Lonely Hearts Club Band—makes its NY premiere at BAM, May 8—11 Pepperland Mark Morris Dance Group Choreography by Mark Morris Music by The Beatles and Ethan Iverson Music arrangements by Ethan Iverson Set design by Johan Henckens Costume design by Elizabeth Kurtzman Lighting design by Nick Kolin BAM Howard Gilman Opera House (30 Lafayette Ave) May 8—11 at 7:30pm Tickets start at $30 Physically Integrated Workshop: Mark Morris Dance Group Led by Domingo Estrada Jr. and Nicole Sabella Co-presented by BAM and Mark Morris Dance Group May 4 at 4pm Mark Morris Dance Center (3 Lafayette Ave) Price: $20 For dancers with and without disabilities April 1, 2019/Brooklyn, NY—Pepperland, a vivid work by the choreographer Mark Morris was created at the request of the City of Liverpool to inaugurate the “Sgt. Pepper at 50 Festival” in 2017, paying tribute to the Beatles’ groundbreaking album Sgt. Pepper's Lonely Hearts Club Band. Renowned for his profound understanding of musical forms, Morris teases out the album’s colorfully avant garde motifs through spirited movement and an inspired score by jazz composer Ethan Iverson. The Pepperland score is performed by a unique music ensemble, featuring voice, theremin, soprano sax, trombone, piano, keyboard, and percussion. Iverson’s new arrangements of six songs from the album intermingle with six “Pepper-inspired” original pieces, illuminating the LP’s eclectic roots. An important work of British psychedelia, musical influences included Indian classical music, vaudeville, classical, jazz, avant-garde, and blues. -
Post Pop Depression Late Show with Stephen Colbert
IGGY POP POST POP DEPRESSION LIMITED RUN OF ONE-TIME-ONLY LIVE DATES ANNOUNCED TICKETS ON SALE TO THE PUBLIC JANUARY 29 ALBUM OUT MARCH 18 “BREAK INTO YOUR HEART” AND “GARDENIA” BOTH AVAILABLE INSTANTLY WITH PRE-ORDERS LATE SHOW WITH STEPHEN COLBERT WEB EXCLUSIVE PERFORMANCE HERE “Post Pop Depression... picks up where Lust for Life left off… The lyrics reflect on memories, hint at characters and offer advice and confessions; they can be hard-nosed, remorseful, flippant, combative or philosophical.”—THE NEW YORK TIMES “A slice of stratospheric punk-funk”—ROLLING STONE “‘Gardenia’ has the same sort of mean, skeletal, machinelike groove that so many of those great old Iggy songs had… over this sort of spartan groove, he sounds awesome.”—STEREOGUM “Iggy in finer form than ever and Homme’s distinctive driving guitar melodies firmly anchoring his florid vocals. Basically: it’s shit hot stuff and this album cannot come soon enough”—NOISEY “Pop gave the song a relatively restrained and poignant performance. The single, from his wonderfully titled new album Post Pop Depression,’ continues the bleak, grooving moods from his great David Bowie collaborations, and it's perhaps his catchiest new tune in a generation.”—THE LOS ANGELES TIMES “Glorious… ’Gardenia’ itself feels like a callback to the glory days of new wave, with Iggy’s trademark low voice channeling the spirit of his dearly departed friend David Bowie. Homme provides backing vocals and typically excellent guitar work.”—PASTE Its existence having been revealed to the world via a one-two punch of an appearance on The Late Show with Stephen Colbert and exclusive profile in The New York Times, it can now be announced that Iggy Pop’s new album Post Pop Depression (Rekords Rekords/Loma Vista/Caroline International) will be supported by a very limited run of one-time-only live performances in specially selected venues. -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
DAVID MERRITT & the MUSIC of NOT LISTENING by Carl Wilson It Was Hearing About an Application Called Shazam That Made Me
DAVID MERRITT & THE MUSIC OF NOT LISTENING by Carl Wilson It was hearing about an application called Shazam that made me finally give in and buy an iPhone. Rumour had it that it let you point your phone at any music playing, say, on the radio or in a shop or bar and, with a swipe of finger over touchscreen, get the song’s and artist’s names. For a writer about pop music whose superpowers do not include total trivia recall -- and who, for great chunks of his life, didn’t pay especially close heed to what was on the charts -- it was an irresistible lure: When “On the Loose” came chugging through the room, I’d be able to make a surreptitious consult and meet expectant questioning eyes with the answer that it was Saga who had to do it their way or no way at all, not any of the other 1970s Canadian chest-hair bands whose names might scissor-kick their way across my brain, like Triumph or Chilliwack or April Wine. No wonder the app was christened with the shibboleth of magical malarkey that comic- book Billy would shout in order to be lightning-strike-morphed into Captain Marvel. But in real life, Shazam was not such a thunderbolt. It can’t make out what I hear through the porous walls and floors of my apartment, or through the registers ringing or tableware clanking at a cafe It can only identify what was set apart and clear, the way music seldom comes these days -- Shazam pays a variety of attention to music that seems old-fashioned in a slick digital device, like the caricature of the “true” music fan that remains from album-era rock culture: headphones on, eyes shut, hands in prayer position against the chest. -
Queens of the Stone Age Are: Joshua Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman
Queens of the Stone Age are: Joshua Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman …Like Clockwork Release date June 4th, 2013 (US) LABEL • …Like Clockwork is the first QOTSA release with new label partner, Matador Records – which is part of the Beggars Group, the largest independent label group in the world. PRODUCTION • …Like Clockwork was recorded at Joshua Homme’s Pink Duck Studios in Burbank, CA • All Songs produced by Joshua Homme and QOTSA except …Like Clockwork, produced by Joshua Homme and James Lavelle • Engineered by Mark Rankin, with additional engineering by Alain Johannes and Justin Smith • All songs mixed by Mark Rankin, except “Fairweather Friends” mixed by Joe Barresi • All lyrics by Joshua Homme • Mastered by Gavin Lurssen of Lurssen Mastering, Los Angeles, CA ADDITIONAL PERFORMERS • DRUMMERS Joey Castillo, Dave Grohl, Jon Theodore o After Joey left the band, Dave came in to play on the remaining songs. § Joey Castillo performs on “Keep Your Eyes Peeled” - “ I Sat by the Ocean” - “The Vampyre of Time and Memory”- “Kalposia” § Dave Grohl performs on “My God Is The Sun” - “If I Had a Tail” - “Smooth Sailing” “Fairweather Friends” - “I Appear Missing” § Jon Theodore is the new touring drummer of QOTSA, and performs on “…Like Clockwork” • Jake Shears (Scissor Sisters) appears on “Keep Your Eyes Peeled” o Homme has previously worked with the front man by appearing as the spokesperson in an infomercial for the Scissor Sisters 2012 release “Magic Hour” http://youtu.be/aw60b-wk9MA • Mark Lanegan, Nick Oliveri and Alex -
Stenerrockensstørstestemme
musikmetalfest nu 6 2011 torsdag 16. juni Fyens Stiftstidende Kyuss er pionerer inden forden moderne stenerrock, og albummet ”Blues forthe RedSun”erenmilepæl inden forden psykedeliskemetalrock. John Garcia er nummer trefra højre. PR-foto Stenerrockensstørstestemme ■ Sangeren John Garcia er en levende legende Kyuss Lives! kunne jeg mærke, at lysten mens datteren brokker sig til at stå på scenen og spille højlydt ibaggrunden over,aT inden for stenerrock, hvor tungeriffs og Kyuss blev dannet islutninen af Lives! af Garcia, Oliveri, Bjork sange fra ”Blues for the Red fortet ikke vil, som hun vil. psykedelisketekster forenes. Hans band Kyuss 1980’erne. Gruppen udgavfem samt Bruno Fevery. Sun” og ”... And the Circus er gendannet og optræder på metalfestivalen albummer samt en ep sammen Copenhell foregår fredagog Leaves To wn” igen var der. Europa forstår os med det nydannede Queens of lørdag17. og 18. juni på Refsha- Det gav mig blod på tanden Kyuss Lives! skal optræde i Copenhell under navnet KyussLives! the Stone Agei1997. leøen iKøbenhavn og har bl.a. til at gendanne bandet og gå Europa frem til august, og John Garcia og Josh Homme Judas Priest, Korn, BulletFor My igang med nyt materiale. Så John Garcia glæder sig til På forhånd havde jeg frygtet, delig dag, der begyndte klok- var bandets to fastemedlem- Valentine, Anvil, Opeth og May- ja, der kommer et album med endnu et møde med Europa. John Garcia ville være gna- ken 5.30. Ind imellem er det mer.Deblevsuppleret af Brant hem på programmet. Kyuss Lives! på et tidspunkt, -IUSA forstår publikum os ven og særdeles arrig at inter- som at befinde sig midt ien Bjork, Nick Oliveri, Scott Reeder, www.myspace.com/kyusslives lover John Garcia. -
The Music (And More) 2019 Quarter 3 Report
The Music (and More) 2019 Quarter 3 Report Report covers the time period of July 1st to Kieran Robbins & Chief - "Sway" [glam rock] September 30th, 2019. I inadvertently missed Troy a few before that time period, which were brought to my attention by fans, bands & Moriah Formica - "I Don't Care What You others. The missing are listed at the end, along with an Think" (single) [hard rock] Albany End Note… Nine Votes Short - "NVS: 09/03/2019" [punk rock] RECORDINGS: Albany Hard Rock / Metal / Punk Psychomanteum - "Mortal Extremis" (single track) Attica - "Resurected" (EP) [hardcore metal] Albany [thrash prog metal industrial] Albany Between Now and Forever - "Happy" (single - Silversyde - "In The Dark" [christian gospel hard rock] Mudvayne cover) [melodic metal rock] Albany Troy/Toledo OH Black Electric - "Black Electric" [heavy stoner blues rock] Scotchka - "Back on the Liquor" | "Save" (single tracks) Voorheesville [emo pop punk] Albany Blood Blood Blood - "Stranglers” (single) [darkwave Somewhere To Call Home - "Somewhere To Call Home" horror synthpunk] Troy [nu-metalcore] Albany Broken Field Runner – "Lay My Head Down" [emo pop Untaymed - "Lady" (single track) [british hard rock] punk] Albany / LA Colonie Brookline - "Live From the Bunker - Acoustic" (EP) We’re History - "We’re History" | "Pop Tarts" - [acoustic pop-punk alt rock] Greenwich "Avalanche" (singles) [punk rock pop] Saratoga Springs Candy Ambulance - "Traumantic" [alternative grunge Wet Specimens - "Haunted Flesh" (EP) [hardcore punk] rock] Saratoga Springs Albany Craig Relyea - "Between the Rain" (single track) Rock / Pop [modern post-rock] Schenectady Achille - "Superman (A Song for Mora)" (single) [alternative pop rock] Albany Dead-Lift - "Take It or Leave It" (single) [metal hard rock fusion] Schenectady Caramel Snow - "Wheels Are Meant To Roll Away" (single track) [shoegaze dreampop] Delmar Deep Slut - "u up?" (3-song) [punk slutcore rap] Albany Cassandra Kubinski - "DREAMS (feat.