A Tutorial on Calculating Source Impedance Ratios for Determining Line Length
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Making Connections: Typography, Layout and Language
From: AAAI Technical Report FS-99-04. Compilation copyright © 1999, AAAI (www.aaai.org). All rights reserved. Making connections: typography, layout and language Robert Waller Information Design Unit & Coventry University [email protected] Abstract paragraphs are an interpolation, and would more com- These working notes summarise a genre theory that accounts fortably appear in a panel or box if I were able to write in for document layout in a three part communication model that another genre Ð textbook perhaps. Limited to the linearity recognises not only the effort of the writer to set out a topic of prose, I should really spend time crafting my language, and the purposeful effort by a reader to access information, and working out a way to knit the anecdote more closely but also the professional and manufacturing processes that 3 intervene. I suggest that layout genres use conventions that at into my argument. some historical point are rooted in functionality (of document A year or two back I redesigned the medical journal The generation, manufacture or use) but which have become con- Lancet. Part of the brief was to make it clearer to readers ventionalised. It follows that genres will shift over time as that as well as acting as a primary research journal reasons to generate or access information change, and as text through its refereed papers and letter, The Lancet also technologies develop. Case studies are described that illus- trate key aspects of the model and offer insight into the way contains highly topical and readable medical journalism. designers think about layout. -
The Arydshln Package∗
The arydshln package∗ Hiroshi Nakashima (Kyoto University) 2019/02/21 Abstract This file gives LATEX's array and tabular environments the capability to draw horizontal/vertical dash-lines. Contents 1 Introduction 3 2 Usage 3 2.1 Loading Package . 3 2.2 Basic Usage . 4 2.3 Style Parameters . 4 2.4 Fine Tuning . 5 2.5 Finer Tuning . 5 2.6 Performance Tuning . 6 2.7 Compatibility with Other Packages . 7 3 Known Problems 9 4 Implementation 10 4.1 Problems and Solutions . 10 4.2 Another Old Problem . 13 4.3 Register Declaration . 14 4.4 Initialization . 17 4.5 Making Preamble . 22 4.6 Building Columns . 27 4.7 Multi-columns . 30 4.8 End of Rows . 32 4.9 Horizontal Lines . 33 4.10 End of Environment . 37 4.11 Drawing Vertical Lines . 38 ∗This file has version number v1.76, last revised 2019/02/21. 1 4.12 Drawing Dash-lines . 44 4.13 Shorthand Activation . 45 4.14 Compatibility with colortab ........................... 48 4.15 Compatibility with longtable ........................... 48 4.15.1 Initialization . 49 4.15.2 Ending Chunks . 51 4.15.3 Horizontal Lines and p-Boxes . 53 4.15.4 First Chunk . 55 4.15.5 Output Routine . 56 4.16 Compatibility with colortbl ........................... 60 4.16.1 Initialization, Cell Coloring and Finalization . 62 4.16.2 Horizontal Line Coloring . 63 4.16.3 Vertical Line Coloring . 65 4.16.4 Compatibility with longtable ...................... 68 2 1 Introduction In January 1993, Weimin Zhang kindly posted a style hvdashln written by the author, which draws horizontal/vertical dash-lines in LATEX's array and tabular environments, to the news group comp.text.tex. -
Copyrighted Material
INDEX A Bertsch, Fred, 16 Caslon Italic, 86 accents, 224 Best, Mark, 87 Caslon Openface, 68 Adobe Bickham Script Pro, 30, 208 Betz, Jennifer, 292 Cassandre, A. M., 87 Adobe Caslon Pro, 40 Bézier curve, 281 Cassidy, Brian, 268, 279 Adobe InDesign soft ware, 116, 128, 130, 163, Bible, 6–7 casual scripts typeface design, 44 168, 173, 175, 182, 188, 190, 195, 218 Bickham Script Pro, 43 cave drawing, type development, 3–4 Adobe Minion Pro, 195 Bilardello, Robin, 122 Caxton, 110 Adobe Systems, 20, 29 Binner Gothic, 92 centered type alignment Adobe Text Composer, 173 Birch, 95 formatting, 114–15, 116 Adobe Wood Type Ornaments, 229 bitmapped (screen) fonts, 28–29 horizontal alignment, 168–69 AIDS awareness, 79 Black, Kathleen, 233 Century, 189 Akuin, Vincent, 157 black letter typeface design, 45 Chan, Derek, 132 Alexander Isley, Inc., 138 Black Sabbath, 96 Chantry, Art, 84, 121, 140, 148 Alfon, 71 Blake, Marty, 90, 92, 95, 140, 204 character, glyph compared, 49 alignment block type project, 62–63 character parts, typeface design, 38–39 fi ne-tuning, 167–71 Blok Design, 141 character relationships, kerning, spacing formatting, 114–23 Bodoni, 95, 99 considerations, 187–89 alternate characters, refi nement, 208 Bodoni, Giambattista, 14, 15 Charlemagne, 206 American Type Founders (ATF), 16 boldface, hierarchy and emphasis technique, China, type development, 5 Amnesty International, 246 143 Cholla typeface family, 122 A N D, 150, 225 boustrophedon, Greek alphabet, 5 circle P (sound recording copyright And Atelier, 139 bowl symbol), 223 angled brackets, -
W5GI MYSTERY ANTENNA (Pdf)
W5GI Mystery Antenna A multi-band wire antenna that performs exceptionally well even though it confounds antenna modeling software Article by W5GI ( SK ) The design of the Mystery antenna was inspired by an article written by James E. Taylor, W2OZH, in which he described a low profile collinear coaxial array. This antenna covers 80 to 6 meters with low feed point impedance and will work with most radios, with or without an antenna tuner. It is approximately 100 feet long, can handle the legal limit, and is easy and inexpensive to build. It’s similar to a G5RV but a much better performer especially on 20 meters. The W5GI Mystery antenna, erected at various heights and configurations, is currently being used by thousands of amateurs throughout the world. Feedback from users indicates that the antenna has met or exceeded all performance criteria. The “mystery”! part of the antenna comes from the fact that it is difficult, if not impossible, to model and explain why the antenna works as well as it does. The antenna is especially well suited to hams who are unable to erect towers and rotating arrays. All that’s needed is two vertical supports (trees work well) about 130 feet apart to permit installation of wire antennas at about 25 feet above ground. The W5GI Multi-band Mystery Antenna is a fundamentally a collinear antenna comprising three half waves in-phase on 20 meters with a half-wave 20 meter line transformer. It may sound and look like a G5RV but it is a substantially different antenna on 20 meters. -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Design of a 5.8 GHz Two-Stage Low Noise Amplifier A graduate project submitted in partial fulfillment of the requirements For the degree of Master of Science in Electrical Engineering By Yashika Parwath August 2020 The graduate project of Yashika Parwath is approved: Dr. John Valdovinos Date Dr. Jack Ou Date Dr. Brad Jackson, Chair Date California State University, Northridge ii Acknowledgement I would like to express my sincere gratitude to Dr. Brad Jackson for his unwavering support and mentorship that aided me to finish my master’s project. With his deep understanding of the subject and valuable inputs this design project has been quite a learning wheel expanding my knowledge horizons. I would also like to thank Dr. John Valdovinos and Dr. Jack Ou for being the esteemed members of the committee. iii Table of Contents Signature page ii Acknowledgement iii List of Figures v List of Tables vii Abstract viii Chapter 1: Introduction 1 1.1 Communication System 1 1.2 Low Noise Amplifier 2 1.3 Design Goals 2 Chapter 2: LNA Theory and Background 4 2.1 Introduction 4 2.2 Terminology 4 2.3 Design Procedure 10 Chapter 3: LNA Design Procedure 12 3.1 Transistor 12 3.2 S-Parameters 12 3.3 Stability 13 3.4 Noise and Noise Figure 16 3.5 Cascaded Noise Figure 16 3.6 Noise Circles 17 3.7 Unilateral Figure of Merit 18 3.8 Gain 20 Chapter 4: Source and Load Reflection Coefficient 23 4.1 Reflection Coefficient 23 4.2 Source Reflection Coefficient 24 4.3 Load Reflection Coefficient 26 Chapter 5: Impedance Matching -
Circuit and Method for Balun Compensation
Europaisches Patentamt J European Patent Office © Publication number: 0 644 605 A1 Office europeen des brevets EUROPEAN PATENT APPLICATION © Application number: 94112882.9 int. CI 6: H01P 5/10 @ Date of filing: 18.08.94 © Priority: 22.09.93 US 124875 © Applicant: MOTOROLA, INC. 1303 East Algonquin Road @ Date of publication of application: Schaumburg, IL 60196 (US) 22.03.95 Bulletin 95/12 @ Inventor: Kaltenecker, Robert S. © Designated Contracting States: 2719 S. Estrella Circle DE FR GB Mesa, Arizona 85202 (US) Inventor: Pfizenmayer, Henry L. 3318 E. Turquiose Avenue Phoenix, Arizona 85028 (US) Inventor: Wernett, Frederick C. 492 Kweo Trail Flagstaff, Arizona 86001 (US) © Representative: Hudson, Peter David et al Motorola European Intellectual Property Midpoint Alencon Link Basingstoke, Hampshire RG21 1PL (GB) © Circuit and method for balun compensation. 10 © A novel circuit and method for providing am- 14 plitude and phase compensation for a balun in order P1 P2 7o,Eo | Ox to provide first and second voltage signals that are 12 1 16 balanced has been provided. The compensation is I rrm < ^ achieved by an amplitude and phase com- adding P3 pensation circuit such as a transmission line (14) or 1 mm 18 o inductive (20) and capacitive (22) lumped elements CO in series with one of the ports of the balun on the balanced side. The and amplitude phase compensa- FIG. 1 tion circuit includes a characteristic impedance CO pa- rameter (Zo) and an electrical length parameter (Eo) that are optimized such that the amplitude difference between first and second voltage signals is mini- mized, while the magnitude of the phase difference between first and second voltage signals is maxi- mized. -
Design and Application of a New Planar Balun
DESIGN AND APPLICATION OF A NEW PLANAR BALUN Younes Mohamed Thesis Prepared for the Degree of MASTER OF SCIENCE UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Shengli Fu, Major Professor and Interim Chair of the Department of Electrical Engineering Hualiang Zhang, Co-Major Professor Hyoung Soo Kim, Committee Member Costas Tsatsoulis, Dean of the College of Engineering Mark Wardell, Dean of the Toulouse Graduate School Mohamed, Younes. Design and Application of a New Planar Balun. Master of Science (Electrical Engineering), May 2014, 41 pp., 2 tables, 29 figures, references, 21 titles. The baluns are the key components in balanced circuits such balanced mixers, frequency multipliers, push–pull amplifiers, and antennas. Most of these applications have become more integrated which demands the baluns to be in compact size and low cost. In this thesis, a new approach about the design of planar balun is presented where the 4-port symmetrical network with one port terminated by open circuit is first analyzed by using even- and odd-mode excitations. With full design equations, the proposed balun presents perfect balanced output and good input matching and the measurement results make a good agreement with the simulations. Second, Yagi-Uda antenna is also introduced as an entry to fully understand the quasi-Yagi antenna. Both of the antennas have the same design requirements and present the radiation properties. The arrangement of the antenna’s elements and the end-fire radiation property of the antenna have been presented. Finally, the quasi-Yagi antenna is used as an application of the balun where the proposed balun is employed to feed a quasi-Yagi antenna. -
5 the Rules of Typography
The Rules of Typography Typographic Terminology THE RULES OF TYPOGRAPHY Typographic Terminology TYPEFACE VS. FONT: Two Definitions Typeface Font THE FULL FAMILY vs. ONE WEIGHT A full family of fonts A member of a typeface family example: Helvetica Neue example: Helvetica Neue Bold THE DESIGN vs. THE DIGITAL FILE The intellectual property created A digital file of a typeface by a type designer THE RULES OF TYPOGRAPHY Typographic Terminology LEADING 16/20 16/29 “In a badly designed book, the letters “In a badly designed book, the letters Leading refers to the amount of space mill and stand like starving horses in a mill and stand like starving horses in a between lines of type using points as field. In a book designed by rote, they the measurement. The name was sit like stale bread and mutton on field. In a book designed by rote, they derived from the strips of lead that the page. In a well-made book, where sit like stale bread and mutton on were used during the typesetting designer, compositor and printer have process to create the space. Now we all done their jobs, no matter how the page. In a well-made book, where perform this digitally—also with many thousands of lines and pages, the designer, compositor and printer have consideration to the optimal setting letters are alive. They dance in their for any particular typeface. seats. Sometimes they rise and dance all done their jobs, no matter how When speaking about leading we in the margins and aisles.” many thousands of lines and pages, the first say the type size “on” the leading. -
Lecture 11 – Typography
Typography Steven R. Bagley Introduction • Looked at the beginning at representing text in a computer • And then how to describe the appearance of a page • Now going to start to looking at how to convert from text to into a PDL • Formatting algorithms Formatting • At its most basic formatting text is breaking it into words and fitting them into a space forming lines • But it turns out its a hard problem to solve • Because the text has to look nice • And computers don’t do nice… Formatting • Lots of parameters that affect formatting • All of which are interrelated, so changing one may require you to change another • And the effects are psychological affecting the readability of a block of text Formatting • Goal is to be able to quantify good layout • Computer can then select one layout over another • To do that we’re going to need to understand what makes good text layout • And so understand the lingo of typography • A lot of the terms are steeped in history… Mainly from hot-metal typesetting… Show face to face with progress ;) Measurements • Basic units of measurement in typography are the point and the pica • Derived from the inch • Point is 1/72 inch • Traditionally, has been slightly less but now rounded to 1/72 • Pica is a 1/12 inch (or 6pts) ~1/72.27 So 12 point text is 1pica high Measurements • These are absolute measurements • It’s also useful to have measurements that are relative to the current point size • Particularly used for horizontal spacing to remain proportional as the font gets bigger em and en • One such relative measurement is the em • Specified as being the same as the point size • Also have the en which is half the point size • Will also see references to M/3, M/4 and M/5 Character size • The size of text is referred to the point size (and not font size) • Describes the distance from baseline to baseline when text is set solid • That is when the bits of metal type are abutted together Letterforms have tone, timbre character, just as words and sentences do. -
Self-Publishing Guide to Doing It Right the First Time
FORMATTING MANUSCRIPT ARE YOU PUZZLED BY SELF PUBLISHING? A SELF-PUBLISHING GUIDE TO DOING IT RIGHT THE FIRST TIME. PRINTING EDITING PROMOTION TABLE OF CONTENTS How to use this Book Copyright example page Dedication example page Prologue 9 The Process Defined 10 Your First Steps 12 - The Manuscript 12 - Sourcing Printing Quotes 13 Design and Formatting 14 - The Basics: Page Overview 15 - The Basics: Page Overview - Defined 16 - The Basics: Typography 18 - The Basics: Font Size 20 - The Basics: Line Length 21 - The Basics: Line Spacing 22 - The Basics: Choose your Binding 23 - The Basics: Picking your Paper Stock 23 - The Basics: Formatting for Print 24 TABLE OF CONTENTS CON’T Tutorials 25 - Setting your Margins 25 - Setting your Page Size 26 - Setting Line Spacing 27 - Setting Chapters and Headings 28 - Creating a Table of Contents 29 - Saving a Print-Ready File 30 - Creating your Cover File 31 Registration & ISBN 33 The Printing Process 34 Glossary 35 Notes 36 The Table of Contents gives the reader a comprehensive overview of what topics or chapters that your manuscript PRO TIP has, as well as the page number each chapter begins with. These are most common in print - electronic documents FRONT MATTER have started to adapt this principle as well. - TABLE OF CONTENTS HOW TO USE THIS BOOK Congratulations! You have finished your manuscript and have decided to self-publish your book. We have taken our 28 years of expertise and developed an easy to use guide to take you through the world of self- publishing. This guide is a reliable, practical, and straightforward reference guide for you. -
Baseline Shift a Function Within Indesign That Allows a Character To
Type Terms #2 baseline shift (four dots): .... (Lupton, p. 211) Use A function within InDesign that your glyph palette or simply use the 22:342 allows a character to be raised or keystrokes option-;. Studio Problems in Typography lowered relative to the baseline. In Cutler-Lake InDesign, the Baseline Shift control is em dash (—) located on the type character control A longer dash that is equal to the Important concepts in Text chap- panel at the top of the screen, just to point size of the type. Can be used ter from Lupton textbook: spacing; the right of the tracking control. (“Aa,” to join two phrases together into linearity; the user; kerning; tracking; with an arrow underneath the lower- one sentence instead of using a spacing; alignment; marking para- cased “a.”) conjunction, or to insert information graphs; hierarchy. instead of using parentheses. Also body copy/body text used before the author’s name at the The main text of a book, story, or end of a quote. In a word-processed article, usually set in a consistent document (such as Microsoft Word), manner using a single font with the dashes can be indicated with two same line length, leading, and point hyphens (--). Em dashes are required, size. however, in typesetting. Use your glyph palette or simply use the book weight keystrokes shift-option-hyphen. A typeface weight specifically See Lupton p. 211. designed to be used as body text. Usually found somewhere between en dash (–) light and bold. The dash you need to use to indicate ranges of numbers. Such as April caption 4–6 or 2:30–8:30. -
University of Cincinnati
UNIVERSITY OF CINCINNATI _____________ , 20 _____ I,______________________________________________, hereby submit this as part of the requirements for the degree of: ________________________________________________ in: ________________________________________________ It is entitled: ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ Approved by: ________________________ ________________________ ________________________ ________________________ ________________________ Digital Direction Finding System Design and Analysis A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE (M.S.) in the Department of Electrical & Computer Engineering and Computer Science of the College of Engineering 2003 by Huazhou Liu B.E., Xi’an Jiaotong University P. R. China, 2000 Committee Chair: Professor Howard Fan ABSTRACT Direction Finding (DF) system is used in many military and civilian operations such as surveillance, reconnaissance, and rescue, etc. In the past years, direction finding system is implemented usually using analog RF techniques such as Butler matrix and analog beamforming. Analog direction finding systems have drawbacks inherent from their analog properties such as expensive implementation, inflexibility to adjust or change functionality, intensive calibration procedures and