Win a

Benefit the TanglewGDd Music Center Scholarship Fund.

Enter the Raffle of a Tickets available at the Drawing Tanglewood Baldwin spinet piano, Friends Office. Or visit Friends Office, Sunday, a Sony compact disc the Raffle Booths located August 30, 1987 on the grounds near The Winners will be notified. player, and three $50 Glass House and the Delivery included, continen- gift certificates from Lion's Gate open from 6 tal U.S. Employees of the The Glass House. p.m. through intermission BSO and their families not Donation—$2/Ticket eligible. of each BSO concert. $10/Book of Six Tickets Tanglewood on Parade

Tuesday, 18 August 1987 TanglewGDd Music For the benefit of the Tanglewood Music Center Center

2:00 Gates Open 5:30 Alpine Horn Demonstration (Lawn near 2:10 Brass Fanfares at Chamber Music Hall) Main Gate Drive: Ronald Barron 5:45 Balloon Ascension (Rear of Shed in (Lawn near Box Lot, case of rain) weather permitting)

2:30 Boston University 6:00 Tanglewood Music Center Tanglewood Institute Fellowship Wind Music Young Artists Chorus (Main House Porch; (Shed) Shed if rain)

2:30 Boston University 7:00 Berkshire Highlanders Tanglewood Institute (Lion Gate; rear of Chamber Music Concert Shed if rain) (Chamber Music Hall) 8:00 Eastover Train 2:30 Tanglewood Music Center (Main Gate) Fellowship Chamber Music 8: 15 Fanfare at rear of Shed: (Theatre-Concert Hall) Roger Voisin 4:00 Tanglewood Music Center 8:40 Fanfare from Shed stage: Fellowship Vocal Concert Charles Schlueter (Chamber Music Hall) 9:00 Gala Concert 4:00 Boston University (Shed) Tanglewood Institute Young Artists Orchestra (Shed)

Hot air balloon courtesy Charles Joseph of Lebanon, New Jersey Alpine horns courtesy BSO horn player Daniel Katzen Artillery, cannon, and train supplied by Eastover, Inc. Scottish folk music courtesy the Berkshire Highlanders Fireworks over the Stockbridge Bowl following the Gala Concert A Message from

Tanglewood-on-Parade is a festive day musician to be inspired by the Boston with a serious and important purpose, to Symphony Orchestra, the preeminent provide funds to help support the Tangle- guest conductors and soloists performing wood Music Center. In fulfillment of at Tanglewood, and the magnificent sur- Serge Koussevitzky s dream, young musi- roundings of the Berkshires? cians come to this beautiful setting Because the Tanglewood Music Center to study with members of the Boston is very costly to operate, we are now in- Symphony Orchestra, and on this day the volved in a $12 million campaign with two orchestras traditionally make music the goal to make the Tanglewood Music together. Center self-supporting and to provide a

The Tanglewood Music Center is the new Theatre-Concert Hall, the site of the only institution of its kind administered student performances. and financed by a major symphony or- Your attendance at this benefit concert chestra. The 150 Fellows who come here supports the Music Center. We invite all from thirty states and fifteen foreign coun- of you who share our love for great music tries pay no tuition and are offered free to participate in the Tanglewood Music room and board. This freedom from finan- Center's 50th Anniversary Campaign. In cial concerns for the summer gives these 1990 we hope to celebrate the successful gifted young musicians an opportunity completion of the campaign and look to focus all of their attention on a very forward to an even more glorious future. intense level of music-making. It is a fan- tastic experience, one which will influ- ence most of the Fellows for the rest of their lives.

The summer I spent here as a Fellow in 1960 was one of the most challenging and stimulating periods of my musical life.

Can you imagine what it is like for a young Seiji Ozawa The Tanglewood Music Center

Tanglewood is much more than a pleas- the emphasis is still on ensemble per- ant, outdoor, summer concert hall; it is formance, learning chamber music and also the site of one of the most influential the orchestral literature with talented centers for advanced musical study in the fellow musicians under the coaching of a world. Here, the Tanglewood Music master-musician-teacher. Many of the Center, which has been maintained by pieces learned this way are performed in the Boston Symphony Orchestra ever the regular student recitals; each summer since its establishment (as the Berkshire brings treasured memories of exciting Music Center) under the leadership of performances by talented young profes- Serge Koussevitzky in 1940, provides a sionals beginning a love affair with a wide range of specialized training and great piece of music. experience for young musicians from all The Tanglewood Music Center Orches- over the world. Now in its third year under tra performs weekly in concerts covering Artistic Director Leon Fleisher, the the entire repertory under the direction Tanglewood Music Center looks forward of student conductors as well as members to celebrating its first half-century of of the TMC faculty and visitors who are musical excellence in 1990. in town to lead the BSO in its festival The school opened formally on 8 July concerts. The quality of this orchestra, 1940, with speeches (Koussevitzky, allud- assembled for just eight weeks each sum- ing to the war then raging in Europe, mer, regularly astonishes visitors. It said, "If ever there was a time to speak of would be impossible to list all the distin- music, it is now in the New World") and guished musicians who have been part of music, the first performance of Randall that annual corps of young people on the Thompson's A lleluia for unaccompanied verge of a professional career as instru- chorus, which had been written for the mentalists, singers, conductors, and ceremony and had arrived less than an composers. But it is worth noting that hour before the event was to begin, but 20% of the members of the major orches- which made such an impression that it tras in this country have been students at has remained the traditional opening music each summer. The TMC was Kous- sevitzky's pride and joy for the rest of his life. He assembled an extraordinary faculty in composition, operatic and choral activities, and instrumental per- formance; he himself taught the most gifted conductors. The emphasis at the Tanglewood Music Center has always been not on sheer technique, which students learn with their regular private teachers, but on making music. Although the program has changed in some respects over the years,

Serge Koussevitzky the Tanglewood Music Center, and that mostly of high-school age, when Erich figure is constantly rising. Leinsdorf invited the Boston University Today there are three principal pro- School for the Arts to become involved grams at the Tanglewood Music Center, with the Boston Symphony Orchestra's each with appropriate subdivisions. The activities in the Berkshires. Today, Boston

Fellowship Program provides a demanding University, through its Tanglewood Insti- schedule of study and performance for tute, sponsors programs which offer indi- students who have completed most of vidual and ensemble instruction to their training in music and who are talented younger musicians, with ten awarded fellowships to underwrite their separate programs for performers and expenses. It includes courses of study composers. for instrumentalists, vocalists, conduc- Today, alumni of the Tanglewood Music tors, and composers. The Tanglewood Center play a vital role in the musical life Seminars are a series of special instruc- of the nation. Tanglewood and the Tangle- tional programs, this summer including wood Music Center, projects with which the Phyllis Curtin Seminar for Singers Serge Koussevitzky was involved until his and a Seminar for Conductors. Beginning death, have become a fitting shrine to his in 1966, educational programs at Tangle- memory, a living embodiment of the vital, wood were extended to younger students, humanistic tradition that was his legacy.

TICKETS ON SALE NOW AT THE TANGLEWOOD BOX OFFICE

WEDNESDAY, AUGUST 26, 8:30 PM THEATRE-CONCERT HALL SPECIAL CONCERT IN MEMORY Or ANDRE CdME

BSO Brass, Empire Brass Charles Schlueter, Charles Daval, Peter Chapman, and Armando Ghitalla, trumpet soloists Seiji Ozawa, Joseph Silverstein, and Roger Voisin, conductors

Program will include music of Gabrieli, Vivaldi, Handel, and Copland, plus a Bach concerto featuring Joseph Silverstein and Malcolm Lowe.

Ticket prices: $17.50, $25, $50 (Lawn admission $10) Limited Benefactor seats available at $250

TanglewGDd All proceeds from this concert go toward the establishment of a Tanglewood Music Center Fellowship in Andre Come's name. Gala Concert

TANGLEWOOD ON PARADE Tanglew®d Music Tuesday, 18 August at 9 Center For the benefit of the Tanglewood Music Center

BOSTON SYMPHONY ORCHESTRA TANGLEWOOD MUSIC CENTER ORCHESTRA

SEIJI OZAWA, EMANUEL AX, piano JOHN WILLIAMS, and YOUNG UCK KIM, violin LEON FLEISHER conducting YO-YO MA, cello

VERDI Overture to Laforza del destino TANGLEWOOD MUSIC CENTER ORCHESTRA, SEIJI OZAWA, conductor

BEETHOVEN Concerto in C for piano, violin, and cello, Opus 56 Allegro Largo Rondo alia polacca

EMANUEL AX, piano; YOUNG UCK KIM, violin; YO-YO MA, cello TANGLEWOOD MUSIC CENTER ORCHESTRA, SEIJI OZAWA, conductor

INTERMISSION

GERSHWIN/BENNETT Porgy and Bess: A Symphonic Picture BOSTON SYMPHONY ORCHESTRA, JOHN WILLIAMS, conductor

TCHAIKOVSKY Ceremonial Overture, 1812 BOSTON SYMPHONY ORCHESTRA and TANGLEWOOD MUSIC CENTER ORCHESTRA, LEON FLEISHER, conductor

Baldwin piano

Emanuel Ax plays the Steinway piano.

The Tanglewood Music Center is funded in part by a generous grant from the National Endowment for the Arts. Note*

Giuseppe Verdi (1813-1901) composed his opera Laforza del destino ("The force of destiny") in 1862 on a commission from the Imperial Theater of St. Petersburg, where it was first performed on 10 November 1862. The opera is based on a Spanish play so full of unlikely coincidences that it is hard to summarize the plot with a straight face.

Still, Verdi's music makes it a powerful and vivid experience. The opera is dominated by the workings of fate or destiny. In the opening scene, the tenor Alvaro, who has come to elope with Leonora, inadvertently kills her father when he tosses down his gun in a gesture of reconciliation and it goes off, sending a bullet through the father's heart. From this point to Leonora's final peace in death, one fateful encounter after another keeps the story moving over a vast panorama. Seven years after the premiere,

Verdi rewrote the ending of the opera and added the overture, which offers a musical summary of its music. The working of fate is marked by a melodic figure heard in the overture immediately after the opening summons to attention: a triplet upbeat and a sighing motif. This is heard throughout much of the overture, even in combination with the gently soaring string phrases taken from Leonora's great prayer to find peace in death, ''''Pace, pace mio Dio." (1770-1827) composed his Triple Concerto, Opus 56, for his pupil and patron, the Archduke Rudolph of Austria, who was a pianist and amateur composer. The concerto was intended for performance by the Archduke himself, along with his court violinist and cellist. For this reason Beethoven made the piano part much easier than those of the two string soloists. He sketched the first movement early in 1803 and continued working on it the following year, while also planning and composing two of his most famous piano sonatas (the Waldstein and the

Appassionato) and the first of the Razumovsky quartets. The Archduke presumably kept the manuscript of the finished work (it is now lost) and took part in private per- formances. The parts were published in 1807, and the work was publicly performed in Vienna's Augarten in May 1808. From the beginning the Triple Concerto was an unusual work, Beethoven's only concerto for more than one soloist. The first move- ment is far more leisurely and less heaven-storming than Beethoven's other composi- tions of the same time, reveling instead in the genial interplay of sonorities. The short Largo in A-flat provides a wonderful moment of repose before embarking on the polonaise that comprises the finale.

When George Gershwin (1899-1937) died of a brain tumor just fifty years ago last month, it cut short a brilliant career that had already produced not only a series of superb Broadway shows and dozens of classic song hits, but also a couple of ever- popular concert works and what is arguably the finest opera yet written by an Amer- ican composer, Porgy and Bess, to a libretto by Gershwin's brother Ira and Dubose Heyward, who had written the play and novel Porgy that served as the basis for the work. For many years the opera was reduced to the scope of a Broadway musical in performances that omitted most of the score, concentrating only on the hit songs. But

Gershwin insisted that it was an opera, and recent revivals have demonstrated beyond any doubt its theatrical effectiveness and its quality as a deeply moving human docu- ment. Robert Russell Bennett created his "symphonic picture" of Porgy and Bess to offer a concert summary of some of the main musical moments in this story that seems, on the surface, to be just the eternal triangle but turns out to be a truly origi- nal picture of an entire society. Pyotr Ilyich Tchaikovsky (1840-1893) composed his concert overture with the official title "The Year 1812" in 1880; it was first performed in Moscow on 20 August 1882. The central event of the year 1812 for any Russian, of course, was Napoleon's discomfiture at Moscow and his humiliating and devastating march back to western Europe. Tchaikovsky composed this musical tribute to the Russian victory essentially as a potboiler, aimed at popular success, and in that he was not mistaken. The quo- tation of familiar tunes (at least, familiar to his Russian audience) guaranteed a patriotic response: the hymn ''''God preserve the Tsar" the appearance of La Marseil- laise gradually overwhelmed by the "Russian" music, and the concluding Imperial anthem, reinforced by bells and cannon, have made the overture a popular showpiece from its very first performance.

—Steven Ledbetter

Artists

Seiji Ozawa is Music Director of the Boston Symphony Orchestra. John Williams is Conductor of the Boston Pops Orchestra. Leon Fleisher is Artistic Director of the Tanglewood Music Center. Internationally acclaimed artists Emanuel Ax, piano, Young Uck Kim, violin, and Yo-Yo Ma, cello, collaborate frequently in trio performance. SEIJI OZAWA CHARLES DUTOIT ZUBIN MEHTA MICHAEL TILSON THOMAS CHRISTOPH VON DOHNANYI PHYLLIS CURTIN SHERRILL MILNES LEONTYNE PRICE

SHIRLEY VERRETT • BURT BACHARACH JACOB DRUCKMAN -DAVID DEL TREDICI OLIVER KNUSSEN

What do these names have in common, along with hundreds of musicians who perform in

America 's major symphony orchestras ?

All are distinguished alumni of a unique program founded in 1940 as the fulfillment of Serge Koussevitzky's vision of the ideal musical community. Today, the Tanglewood Music Center continues to be the nation's preeminent academy for advanced musical study and performance. Maintained and financed by the Boston Symphony Orchestra, the Tanglewood Music Center offers exceptional young instrumentalists, singers, composers, and conductors a comprehensive and exhilarating eight-week program of musical training, under the direction of the world's greatest concert artists.

Since admission to the TMC is based solely on musical ability rather than the ability to pay, the Center operates each year at a substantial loss to the BSO. We need your support. Please contribute TanglewGDd to the Tanglewood Music Center. When you do, you contribute to the future of Music music itself. Please make checks payable to the Tanglewood Music Center and mail to Center the Friends Office, Tanglewood, Lenox MA 01240. For further information, please contact John Keenum in the Friends Office at Tanglewood, or call (413)637-1600. Tanglewood Music Center 1987 Fellowship Program

Violins Marta Szlubowska, Warsaw, Poland Margaret Bichteler, Austin TX Philip and Bernice Krupp Fellowship Dr. Boris A. and Katherine E. Jackson Akiko Ueda, Tokyo, Japan Fellowship Tanglewood Association Fellowship Sia-Hua Chang, Beijing, China Katharina Wolff, Belmont, MA Leonard Bernstein Fellowship BayBanks Fellowship Tamara Chang, Villa Park, IL Suli Xue, Shanghai, China CD. Jackson Fellowship Leo L. Beranek Fellowship Yan Chin, Beijing, China William and Juliana Thompson Fellowship Violas Claudia Chudacoff, Ann Arbor, MI Judith Ablon, Brooklyn, NY Morris A. Schapiro Fellowship Charles E. Culpeper Foundation Fellowship Nancy Dahn, Lunenburg, Nova Scotia, Michael Amory, Brookline, MA Canada Brookline Youth Concerts Awards Committee Kandell Family Fellowship/ Fellowship William Kroll Fellowship Jenny Douglass, Newton, MA Dionysia Fernandez, Upper Saddle River, NJ Jane W. Bancroft Fellowship Darling Family Fellowship Cindy Fondiler, Upper Montclair, NJ Dian Folland, Owatonna, MN Mr. and Mrs. Thomas H.P Whitney Bradley Fellowship Fellowship Christoph Franzgrote, Pasadena, CA Susan Gulkis, Sierra Madre, CA Ruth S. Morse Fellowship Frederic and Juliette Brandi Fellowship Lei Hou, Shanghai, China Amadi Hummings, Winston-Salem, NC Dr. John H. Knowles Memorial Fellowship RJR Nabisco Fellowship Laura Hundley, Belmont, MA Jan Krosenbrink, Winterswyk, The Netherlands Leo Panasevich Fellowship Karl and Marianne Lipsky Fellowship/ Ellen Jewett, Evanston, IL Stuart Haupt Fellowship Sarah Ann Leinbach and Mercedes Leon, New York, NY Lillian Norton Fellowship Edward John Noble Foundation Fellowship Fritz Krakowski, New York, NY Karen Sanders, San Diego, CA Edward John Noble Fellowship Nat Cole Memorial Fellowship Katie Lansdale, Bethesda, MD Katrina Smith, Chesterton, IN Claire and Millard Pryor Fellowship Archie Peace Memorial Fellowship/ Paul Manaster, San Diego, CA James A. Macdonald Foundation Fellowship Dynatech Corporation Fellowship Peter Sulski, Worcester, MA Key Markl, Dormugen, West Germany Ina and Haskell Gordon Fellowship Dr. Marshall N. Fulton Memorial Fellowship Trung Le Trinh, Houston, TX Karen Marx, Paramus, NJ Harry and Mildred Remis Fellowship Geraldine R. Dodge Foundation Fellowship Marisol Medina, Quebec, Canada Cellos Stokes Fellowship Linda Bardutz, Regina, Saskatchewan, Canada Esselborn Geier Memorial Fellowship Michi Mizutori, Tokyo, Japan Juliette Tanglewood Association Fellowship Robert Bergman, Conway, MA Margaret T. Bruce Gelin Fellowship Jennifer Moreau, Christchurch, New Zealand and R. Gerald Gelbloom Memorial Fellowship Susannah Chapman, Bethlehem, PA Katherine Fellowship/ Ann Palen, Midland, MI H. Metcalf Lucy Lowell Fellowship Joseph and Lillian Miller Fellowship Daniela Rodnite, Orinda, CA Heidi Hoffman, Bainbridge Island, WA Sandra L. Fellowship Northern California Fund Fellowship Brown Scott Kluksdahl, San Rafael, Marc Sabat, Toronto, Canada CA Esther Engel Salzman Fellowship Leonard Bernstein Fellowship Kate Stenberg, Burlingame, CA The Luke B. Hancock Foundation Fellowship Katja Linfield, New Haven, CT Oboes Naomi and Philip Kruvant Fellowship! Rebecca Brown, San Diego, CA English Speaking Union Fellowship Paul Hellmuth Memorial Fellowship Jean-Guihen Queyras, Forcalquier, France Willa Henigman, Long Beach, NY Olivetti Foundation Fellowship Leonard Bernstein Fellowship Alicia Stegink, Holland, MI Mark McEwen, Tampa, FL Anna Gray Sweeny Noe Fellowship Fernand Gillet Memorial Fellowship Ruth Waeffler, Windisch, Switzerland Kevin Vigneau, Hingham, MA CD. Jackson Fellowship Alfred E. Chase Fellowship Brooks Whitehouse, Peterborough, NH KeisukeWakao, New York, NY Country Curtains Fellowship Augustus Thorndike Fellowship Owen Young, Pittsburgh, PA Hodgkinson Fellowship Clarinets Hillel Zori, Givataime, Israel Steven Jackson, Chicago, IL Mr. and Mrs. Edwin A. Jaffee Fellowship Brownie and Gil Cohen Fellowship Alan Kay, New York, NY Basses The Frelinghuysen Foundation Fellowship Maximilian Dimoff, Seattle, WA Todd Palmer, Hagerstown, MD Arthur FiedlerI Leo Wasserman Fellowship Leonard Bernstein Fellowship Douglas Johnson, Ferndale, WA Nathan Williams, Weaverville, NC Mr. and Mrs. Robert E. Remis Fellowship Bessie Pappas Fellowship Keith Kawazoe, Soquel, CA Kimberly Wilson, Parma, OH Jane and Peter Rice Fellowship Carole K. Newman Fellowship Jennifer Matteson, Canton, NY Koussevitzky Music Foundation Fellowship Bassoons David Rosi, Brooklyn, NY Noe Cantu, Huffman, TX Lia and William Poorvu Fellowship Claudette SorellMu Phi Epsilon Fellowship! Dennis Roy, Scituate, RI Idah L. Salzman Fellowship Albert L. and Elizabeth P. Nickerson Marc Feldman, Rockville Centre, NY Fellowship Surdna Foundation Fellowship Guy Tyler, Burlington, MA Ping Liang, Shanghai, China The Theodore Edson Parker Foundation Herbert and Jeanine Coyne Fellowship Fellowship Thomas Novak, Montgomery, IL

Robert McClellan, Jr. , and IBM Matching Flutes Grant Fellowship LeeAnn Edwards, Altadena, CA Patricia Paulson, Boise, ID Wynton Marsalis Fellowship General Cinema Corporation Fellowship Regina Helcher, Cincinnati, OH Honey Sharp Lippman Fellowship Horns Amy Porter, Wilmington, DE Robert Danforth, Grand Rapids, MI Red Lion Inn Fellowship Steven and Persis Morris Fellowship Jennifer Steele, San Rafael, CA David Griffin, Valparaiso, IN Lilian and Lester Radio Fellowship Betty 0. and Richard S. Burdick Fellowship Alison Young, Shaker Heights, OH Thomas Hadley, Westford, MA Irma Fisher Mann Fellowship/ Empire Brass Fellowship Miriam Ann Kenner Memorial Fellowship Chris Komer, Merriam, KS Anonymous Fellowship Thomas Sherwood, Sand Springs, OK Abby and Joe Nathan Fellowship Deborah Stephenson, Dallas, TX Rosamond Sturgis Brooks Fellowship Trumpets Keyboard David Bamonte, Mattydale, NY John Adams, Somerville, MA Mr. and Mrs. Joseph W. Rosgen Fellowship William J. Rubush Memorial Fellowship Bibi Black, Decatur, AL Carol Archer, New York, NY Boston Showcase Company Fellowship/ Felicia Montealegre Bernstein Fellowship Berkshire County Savings Bank Fellowship Margaret Kampmeier, Rochester, NY Anthony DiLorenzo, Stoughton, MA Peggy Rockefeller Fellowship Empire Brass Fellowship in Memory of Kevin Kenner, Coronado, CA Andre Come Mr. and Mrs. Vincent J. Lesunaitis Fellowship Brian Rood, Ann Arbor, MI Benjamin Loeb, Dallas, TX Caroline Grosvenor Congdon Memorial Hon. and Mrs. Peter LB. Lavan Fellowship Fellowship Florence Millet, St. Germain-en-Laye, France Daniel Smith, Helotes, TX Florence J. Gould Foundation Fellowship Armando A. Ghitalla Fellowship Michal Tal, Tel Aviv, Israel Paul Jacobs Memorial Fellowship Trombones Hans Bohn, Ono, PA Conductors Mrs. Harris Fahnestock Fellowship/ Gyorgy Gyorivanyi Rath, Budapest, Hungary Gordon McCormick Fellowship Leonard Bernstein Fellowship John DiLutis, Perry Hall, MD Jun Markl, West Germany Berkshire Life Insurance Co. Fellowship Koussevitzky Music Foundation Fellowship Robert Scott McElroy, Ann Arbor, MI in Honor ofMargaret Grant J.P. and Mary Barger Fellowship Anthony Princiotti, Nelson, NH Gerry Pagano, New York, NY The William and Mary Greve Foundation Marion Callanan Memorial Fellowship Fellowship Yutaka Sado, Kyoto, Japan Tuba Seiji Ozawa Fellowship Charles Schuchat, Washington, DC Robert and Sally King Fellowship Vocal Fellows Angela Cofer, Tucson, AZ Percussion H. Eugene and Ruth B. Jones Fellowship David Fishlock, Kenmore, NY Alicia Cordell, Aztec, NM Charles and Sara Goldberg Charitable Trust Francis and Caryn Powers Fellowship Fellowship Bradley Cresswell, Moline, IL Kurt Grissom, Tampa, FL David R. and Muriel K. Pokross Fellowship Frederick W. Richmond Foundation GuiPing Deng, Gui Lin, China Fellowship Stanley Chappie Fellowship Thomas Harvey, Roslindale, MA Man-Hua Gao, Tianjin, China General Electric Plastics Fellowship Helene R. and Norman Cahners Fellowship Sebastian Neumann, Zornheim, Andrea Gruber, New York, NY West Germany Bernice and Lizbeth Krupp Fellowship Mr. and Mrs. David B.Arnold, Jr., Fellowship Nan Hughes, Rumson, NJ Luanne Warner, Portland, OR WCRB Fellowship in Honor ofLeo Beranek Harriet B. Harris Memorial Fellowship Rockland Osgood, Somerville, MA Frederick Feza Zweifel, Blacksbury, VA Julius and Eleanor Kass Fellowship Tappan-Dixey-Brooks Fellowship Richard Slade, New York, NY CD. Jackson Fellowship Harps Perry Ward, Clinton, TN Kayo Ishimaru, Osaka, Japan Mildred A. Leinbach Fellowship John and Susanne Grandin Fellowship Marijane Zeller, Cambridge, MA Yolanda Kondonassis, Norman, OK Harry Stedman Fellowship Kathleen Hall Banks Fellowship Zhou Zheng, Shanghai, China Eunice and Julian Cohen Fellowship TanglewcDd Music Center 50th ANNIVERSARY CAMPAIGN

Ihe 50th Anniversary Campaign has achieved more Additions to existing Funds and than $5 million towards the goal of $12 million by 1990. Contributions to General Endowment

We gratefully acknowledge the following generous Anonymous endowment gifts and pledges of $5,000 or more re- Mr. Leonard Bernstein ceived since September 1, 1986. Such support allows us Frank Stanley Beveridge Foundation to bring the best young musicians to study at Tangle- Mr. and Mrs. Charles R. Callanan wood on tuition-free Fellowships. Mrs. Nat Cole Mrs.A.WerkCook Andrall E. Pearson, Chairman Mr. Winthrop M. Crane

Peter M. Flanigan, Vice-Chairman Mrs. Lewis S. Dabney

David Rockefeller, Jr., Vice-Chairman Mr. and Mrs. George M. Elvin Mr. and Mrs. Eitan Evan New Endowment Funds Hon. and Mrs. John H. Fitzpatrick

Guarantor Fellowships Mr. and Mrs. Peter M. Flanigan

Mr. and Mrs. Henry N. Flynt, Jr. Jane W Bancroft Fellowship Mr. Peter H.B. Frelinghuysen Darling Family Fellowship Mr. and Mrs. Haskell R. Gordon Otto Eckstein Family Fellowship Mr. and Mrs. John L. Grandin Florence J. Gould Foundation Mr. and Mrs. Robinson Grover Fellowship Mr. and Mrs. Francis W Hatch Paul Jacobs Memorial Fellowship

Mr. Alan J. Hirschfield H. Eugene and Ruth B. Jones Mrs. Marilyn B. Hoffman Fellowship Mr. and Mrs. H. Eugene Jones Surdna Foundation Fellowship Mr. and Mrs. Howard Kaufman Sustaining Fellowships Mr. and Mrs. George H. Kidder Mr. and Mrs. Philip Krupp Lola and Edwin Jaffe Fellowship Mr. and Mrs. George Krupp

Seminar Scholarships Mrs. James F. Lawrence Ted Mann Foundation Eugene L. Cook Memorial Scholarship Mr. Robert G.McClellan

Faculty Positions Mr. and Mrs. Nathan R. Miller

Berkshire Fund Chair Morse Family Foundation Richard Burgin Chair Mr. and Mrs. George Perle

by the Christian A. Johnson Mr. and Mrs. William J. Poorvu Endeavor Foundation Mrs. Daphne Brooks Prout

Mr. and Mrs. Millard H. Pryor, Jr. Other Endowment Funds Mr. and Mrs. David Rockefeller, Jr.

Eleanor Naylor Dana Visiting Artist Fund Mrs. George R. Rowland Ann and Gordon Getty Fund Mr. and Mrs. Edward Shufro Paul Jacobs Memorial Commissioning Ms. Mary Hunting Smith Fund Mr. and Mrs. John H. Stookey

Mr. and Mrs. Andrall E. Pearson Fund Mr. and Mrs. William F. Thompson

Herbert Prashker Memorial Fund Mr. and Mrs. John L. Thorndike

Jane and Peter van S. Rice Fund Estate ofJoanna Versteeg Vocal Coaches Piano Trio Thomas Dewey, Sellersburg, IN Violaine-Marie Melancon, Quebec, Canada Clowes Fund Fellowship Donald Bellamy Sinclair Memorial Kayo Iwama, Rumson, NJ Fellowship R. Amory Thorndike Fellowship Bonnie Thron, Brooklyn, NY Kristen Okerlund, Fargo, ND Miriam E. Silcox Fellowship CD. Jackson Fellowship Seth Knopp, San Francisco, CA Karl Paulnack, Ithaca, NY Daphne Brooks Prout Fellowship Baldwin Piano and Organ Company Fellowship Other Participants Mark Trawka, Erie, PA Seminarfor Conductors Marie Gillet Fellowship Duilio Dobrin, Fairfield, CT Dorothy and Montgomery Crane Scholarship Composers Alan Gilbert, New York, NY Thomas Patrick Carrabre, Winnipeg, Canada William and Mary Greve Foundation Aaron and Abby Schroeder Fellowship/ Scholarship

Dr. and Mrs. Alexander B . Russell Fellowship Piergiorgio Morandi, Milan, Italy Nathan Currier, North Providence, RI Olivetti Foundation Fellowship Leonard Bernstein Fellowship Anne Muller, Strasbourg, France Sebastian Currier, North Providence, RI William E. Crofut Family Scholarship Reader's Digest Fellowship Kirk Muspratt, Alberta, Canada Richard Diinser, Bregenz, Austria Dr. and Mrs. Raymond Schneider Scholarship Margaret Lee Crofts Fellowship Stefan Reck, Baden-Baden, West Germany Sharon Hershey, Worthington, OH Edward H. Michaelsen Scholarship Otto Eckstein Family Fellowship Jorge Liderman, Chicago, IL Phyllis Curtin Seminarfor Singers Omar Del Carlo Tanglewood Fellowship Margaret Bishop, Kodiak, Alaska Charles Porter, Brooklyn, NY Barbara Lee/Raymond Lee Foundation Margaret Lee Crofts Fellowship Scholarship Amy Reich, Larchmont, NY Robert Bullington, New Orleans, LA Judith and Stewart Colton Fellowship Mead Specialty Paper Scholarship Lawrence Siegel, Jamaica Plain, MA Anne Darling, Toronto, Canada Freida and Samuel Strassler Fellowship Seven Hills Scholarship

Julie Hanson, Lummi Is. , WA Chamber Ensemble Residency Gerda and John Kelly Scholarship Shanghai String Quartet Misa Iwama, Rumson, NJ Honggang Li, Shanghai, China Eugene Cook Memorial Scholarship Jane and William Ryan Fellowship! Mary Jane McCloskey, Collingswood, NJ Hugh Cecil Sangster Memorial Fellowship Mr. and Mrs. James S. Deely Scholarship Weigang Li, Shanghai, China Douglas Purcell, Farmingdale, NY Karl Burak Memorial Fellowship Anonymous Scholarship Zheng Wang, Shanghai, China Harry and Mildred Remis Fellowship Kathe Jarka, Missoula, Montana Hannah and Raymond Schneider Fellowship Boston Symphony Orchestra 1986-87

Boston Symphony Orchestra Seiji Ozawa, Music Director

Music Directorship endowed by John Moors Cabot

First Violins Violas Flutes Malcolm Lowe Burton Fine Doriot Anthony Dwyer Concertmaster Charles S. Dana chair Walter Piston chair Charles Munch chair Patricia McCarty Fenwick Smith Tamara Smirnova-Sajfar Anne Stoneman chair, Myra and Robert Kraft chair Associate Concertmaster fullyfunded in perpetuity Leone Buyse Helen Horner Mclntyre chair Ronald Wilkison Max Hobart Robert Barnes Piccolo Assistant Concertmaster Jerome Lipson Lois Schaefer Robert L. Beal, and Evelyn and C. Charles Marran Enid L. and Bruce A. Beal chair Joseph Pietropaolo chair Cecylia Arzewski Michael Zaretsky Assistant Concertmaster Marc Jeanneret Oboes Edward and Bertha C. Rose chair Betty Benthin Ralph Gomberg Bo Youp Hwang *Mark Ludwig Mildred B. Remis chair John and Dorothy Wilson chair, Wayne Rapier fullyfunded in perpetuity * Roberto Diaz Alfred Genovese Max Winder Cellos Harry Dickson English Horn Jules Eskin Forrest Foster Collier chair Philip R. Allen chair Laurence Thorstenberg Gottfried Wilfinger Martha Babcock Beranek chair, Fredy Ostrovsky Vernon and Marion Alden fullyfunded in perpetuity Dorothy Q. and David B. Arnold, Jr., chair Clarinets chair, fullyfunded in perpetuity Mischa Nieland Harold Wright Leo Panasevich Esther S. and Joseph M. Shapiro Ann S.M. Banks chair Carolyn and George Rowland chair chair Martin Sheldon Rotenberg Joel Moerschel Thomas Muriel C. Kasdon and Sandra and David Bakalar Peter Hadcock Marjorie C. Paley chair chair E-flat Clarinet Alfred Schneider Robert Ripley Bass Clarinet Raymond Sird Luis Leguia Nordstrom Robert Bradford Newman Craig Ikuko Mizuno Harvey chair Farla and Chet Amnon Levy Krentzman chair Carol Procter Second Violins Lillian and Nathan R. Miller Bassoons chair Marylou Speaker Churchill Sherman Walt Ronald Feldman Fahnestock chair Edward A. Taft chair Vyacheslav Uritsky *Jerome Patterson Roland Small Charlotte and Irving W. Rabb chair *Jonathan Miller Matthew Ruggiero Ronald Knudsen *Sato Knudsen Edgar and Shirley Grossman chair Contrabassoon Joseph McGauley Basses Richard Plaster $ Leonard Moss Edwin Barker Harold D. Hodgkinson chair Horns *Michael Vitale Lawrence Wolfe Charles Kavalovski * Harvey Seigel Maria Nistazos Stata chair, Helen SagojfSlosberg chair *Jerome Rosen fullyfunded in perpetuity Richard Sebring *Sheila Fiekowsky Joseph Hearne Margaret Andersen Congleton *Gerald Elias Bela Wurtzler chair Ronan Lefkowitz Leslie Martin Daniel Katzen * Nancy Bracken John Salkowski Jay Wadenpfuhl *Jennie Shames * Robert Olson Richard Mackey *Aza Raykhtsaum * James Orleans Jonathan Menkis *Lucia Lin * Valeria Vilker Kuchment * Bonnie Bewick §Christopher Kimber §Joseph Conte Trumpets Timpani Personnel Managers Charles Schlueter $ Everett Firth William Moyer Roger Louis Voisin chair Sylvia Shippen Wells chair Harry Shapiro Peter Chapman Arthur Press Librarians Ford H. Cooper chair § John Wyre Charles Daval Marshall Burlingame Percussion §Randell Croley William Shisler Charles Smith James Harper Trombones Peter and Anne Brooke chair Ronald Barron Arthur Press Stage Manager J. P. and Mary B. Barger chair, Peter Andrew Lurie chair Position endowed by fullyfunded in perpetuity Thomas Gauger Angelica Lloyd Clagett Norman Bolter Frank Epstein Alfred Robison Bass Trombone Harp Stage Assistant Douglas Yeo Ann Hobson Pilot Harold Harris Tuba Willona Henderson Sinclair Chester Schmitz chair Margaret and William C. Rousseau chair

* Participating in a system of rotated seating within each string section X On sabbatical leave § Substituting, Tanglewood 1987

Tanglewood Music Center National Committee

Chairman Dr. Michael von Clemm Mr. H. Eugene Jones Mr. Andrall E. Pearson Mrs. Nat Cole Mr. Gilbert Kaplan Mrs. A. Werk Cook Mrs. Walter F. Mondale Vice-Chairmen Mr. Wallace L. Cook Mr. Thomas D. Perry, Jr. Mr. Peter M. Flanigan Mr. William M. Crozier, Jr. Mrs. Daphne Brooks Prout

Mr. David Rockefeller, Jr. Mr. George M. Elvin Mr. Millard H. Pryor, Jr. Mrs. John H. Fitzpatrick Mrs. Peter van S. Rice Mr. Peter H.B. Frelinghuysen Mrs. William H. Ryan Mr. Gordon P. Getty Mr. John Hoyt Stookey

Mr. Alan J. Hirschfield Mr. Wlliam F. Thompson Mrs. Marilyn B. Hoffman

Honorary Committee Maurice Abravanel Tanglew(©d Leonard Bernstein Aaron Copland Music Zubin Mehta Seiji Ozawa Center Leontyne Price —

Additional Acknowledgments

The TANGLEWOOD MUSIC CENTER acknowledges with gratitude thefollowing

gifts to underwritefaculty positions in 1987:

Aetna—Ann Hobson Pilot, Master Teacher National Distillers and Chemical Corporation John Oliver, Head of Vocal Activities RJR Nabisco— Oliver Knussen, Coordinator of Contemporary Music Activities Frederick W. Richmond Foundation—Joel Krosnick, Master Teacher

Thefollowing endowedfunds provide extraordinary supportfor the teaching activities ofthe TANGLEWOOD MUSIC CENTER:

Honorable and Mrs. John H. Fitzpatrick Fund Louis Krasner Fund, established by Marilyn Brachman Hoffman Eleanor Naylor Dana Visiting Artist Fund Paul Jacobs Memorial Fund

The TANGLEWOOD MUSIC CENTER is also supported in part through a generous grantfrom the National Endowmentfor the Arts.

The TANGLEWOOD MUSIC CENTER acknowledges with gratitude the support and donation ofequipment by theAvedis Zildjian Co., Norwell, Massachusetts.

TanglewGDd Music Center

The TANGLEWOOD MUSIC CENTER is maintained for advanced study in music and sponsored by the BOSTON SYMPHONY ORCHESTRA.

BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Kenneth Haas, Managing Director

TANGLEWOOD MUSIC CENTER Leon Fleisher, Artistic Director Gilbert Kalish, Chairman of the Faculty Daniel R. Gustin, Administrative Director Richard Ortner, Administrator James E. Whitaker, ChiefCoordinator and The Music Box

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Peter Allen Marian McPartland Aspen Music Festival Zubin Mehta Burt Bacharach Leonard Bernstein Mitchell-Ruff Duo Bolcom and Morris Seiji Ozawa Jorge Bolet Alexander Peskanov Boston Pops Orchestra Boston Symphony Orchestra Andre Previn Brevard Music Center Ravinia Festival Dave Brubeck Santiago Rodriguez David Buechner George Shearing Chicago Symphony Orchestra Bobby Short Cincinnati May Festival Abbey Simon Cincinnati Symphony Orchestra Georg Solti Aaron Copland Tanglewood Music Center Denver Symphony Orchestra Michael Tilson Thomas Ferrante and Teicher Beveridge Webster Philip Glass Earl Wild Natalie Hinderas John Williams Dick Hyman Wolf Trap Foundation for Interlochen Arts Academy and the Performing Arts National Music Camp Yehudi Wyner Adam Makowicz Over 200 others Baldwin