Boston Symphony Orchestra Concert Programs, Season 97, 1977-1978
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Boston Symphony Orchestra Archives
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Boston Symphony Orchestra
Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New -
Boston Symphony Orchestra Archives
.ff Boston Symphony Orchestra Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor 26 November 1975 at 8:30 p.m. (Wednesday) 28 November 1975 at 2:00 p.m. 29 November 1975 at 8:30 p.m. 2, 4 December 1975 at 8:30 p.m. Symphony Hall, Boston Ninety-fifth season Baldwin Piano Deutsche Grammophon Records Program Program Notes Colin Davis conducting Felix Mendelssohn (1809-1847) Incidental Music from 'A Midsummer Night's Dream' Mendelssohn: Incidental Music from 'A Midsummer Night's Dream' The Incidental Music to Shakespeare's comedy was per- formed complete under Seiji Ozawa's direction at the 1975 I. Overture Berkshire Festival, and these excerpts were last played by II. Scherzo the Boston Symphony with Erich Leinsdorf in 1962. III. Nocturne The instrumentation calls for 2 flutes, 2 oboes, 2 clarinets, IV. Wedding March 2 bassoons, 2 horns, 2 trumpets, tuba, timpani, cymbals, triangle and strings. Sibelius: Tapiola, Tone Poem Op. 112 Youthful miracles are seldom repeated. Mendelssohn composed his Overture to 'A Midsummer Night's Dream' Intermission at seventeen (1826), with a miraculous deftness and deli- cacy, an elfin imagination and humor then unmatched. Yet, near the end of his life (1843), Mendelssohn did match the Sibelius: Symphony No. 6 Op. 104 miracle. He was invited by the King of Prussia to compose incidental music for a Berlin production of Ein Sommernachts- I. Allegro molto moderato traum. His youthful enthusiasm for Shakespeare surged II. Allegretto moderato back. With the most felicitous ease he wove the early III. Poco vivace themes into new pieces and ideas flowed with the Roman- Allegro molto N. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
Suggested Guidelines for the Composition of Vocal
NATS VISITS AATS selected pro HE JOURNAL OF SINGING PERIODICALLY publishes of nouncements issued by the American Academy of Teachers unique re Singing. For a brief history of the organization and its Singing lationship to NATS, the reader is referred to Journal of of its founding, the 61, no.3 (January/February 2005). Since 1922, the year papers on all sub Academy has been actively writing and disseminating jects pertaining to the teaching of singing. arising out of the The present paper differs from the usual Statements questions from the Academy in that it came about in response to some available to Douglas Moore Foundation concerning the lack of resources intended principally American Academy of composers who write for the voice. This response is how singers choose Teachers of Singing for composers-in-training who wish to learn more about music and how teachers teach it. At the same time, Addison and learn contemporary Adele voice pedagogues regarding challenges Elaine Bonazzi the paper may inform singers and music for voice. Claudia Cantania inherent in composing and performing contemporary whole rather than Lindsey Christiansen Because position papers arise out of the Academy as a Patricia Craig list the thinking of an individual or small group, it is important to Eric Douglas reflect the Jan time of the drafting of a particular doc Robert Edwin organization’s membership at the does not imply Shirlee Emmons ument. Its appearance in the Journal of Singing, however, the philosophy Robert Gartside NATS endorsement, nor does its content necessarily reflect Westerman Gregg website Jean or this publication. -
Boston Symphony Orchestra Concert Programs, Season 91, 1971
FRIDAY -SATURDAY 17 NINETY-FIRST SEASON 1971-1972 ADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN ERWIN D. CANHAM EDWARD G. MURRAY RICHARD P. CHAPMAN JOHN T. NOONAN ABRAM T. COLLIER MRS JAMES H. PERKINS MRS HARRIS FAHNESTOCK IRVING W. RABB THEODORE P. FERRIS PAUL C. REARDON SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. -
Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
*l'\ fr^j BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 G> X will MIIHIi H tf SEVENTY-SEVENTH SEASON 1957-1958 BAYARD TUCEERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT 8. TUCEERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. -
Boston Symphony Orchestra Concert Programs, Season 91, 1971-1972, Subscription
BOSTON SYMPHONY rYI?fT4T3CTT? A FOUNDED IN 1881 BY HENRY LEE HIGGINSON THURSDAY A 5 FRIDAY -SATURDAY 14 TUESDAY A 7 NINETY-FIRST SEASON 1971-1972 ADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN ERWIN D. CANHAM EDWARD G. MURRAY RICHARD P. CHAPMAN JOHN T. NOONAN ABRAM T. COLLIER MRS JAMES H. PERKINS MRS HARRIS FAHNESTOCK IRVING W. RABB THEODORE P. -
Boston Symphony Orchestra Concert Programs, Season 78, 1958-1959
^ BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIG SEVENTY-EIGHTH SEASON 1958-1959 Academy of Music, Brooklyn Under the auspices of the BROOKLYN INSTITUTE OF ARTS AND SQENCBS and the PHILHARMONIC SoaBTY OF BROOKLYN »958-59 THE WOMEN'S COMMITTEE FOR The Boston Symphony Orchestra Concerts IN BROOKLYN Mrs. Albert C. Magee, Chairman Mrs. Edward C. Blum Mrs. Edwin P. Maynard, Jr. Mrs. H. Haughton Bell Vice-Chairman Vice-Chairman Vice-chairman Mrs. Donald Edgar Swift, Secretary Mrs. John F. Thompson, Jr., Treasurer Mrs. Irving G. Idler Mrs. William T. Daily Chairman of Boxes Chairman of Membership Honorary Chairman, Mrs. Carroll J. Dickson Mrs. Alexander Aldrich Mrs. Edwin L. Garvin Miss Emma Jessie Ogg Mrs. Elias J. Audi Mrs. Silas M. R. Giddings Mrs. Harold Ostergren Mrs. Charles L. Babcock, Jr. Mrs. Andrew L. Goraory Mrs. William M. Parke Mrs. C. Rankin Barnes Mrs. R. Whitney Gosnell Mrs. William B. Parker Mrs. Bernard S. Ban- Mrs. Morgan Grossman Mrs. Frank H. Parsons Mrs. John R. Bartels Mrs. Warren L. Hafely Mrs. Raymond King Pendleton Mrs. George M. Billings Mrs. Arthur C. Hallan Mrs. Franklyn H. Peper Mrs. John R. H. Blum Mrs. Frederick H. Rohlfs Mrs. J. Victor Herd Mrs. Robert E. Blum Mrs. William B. Hewson Mrs. Donald Ross Mrs. Lawrence Sands J. Bolvig Mrs. James M. Hills Mrs. Abraham M. Mrs. Otis Swan Carroll Mrs. Irving Sands Mrs. David S. Hunter J. Mrs. Francis T. Christy Mrs. Raymond V. IngersoU Mrs. Martin Segal Miss Edith U. Conard Mrs. Henry A. Ingraham Mrs. Eliot H. Sharp Mrs. -
Boston Symphony Orchestra Concert Programs, Season 101, 1981
BOSTON SOYMPHONY OORCHESTRA Hundredth-L iUNDREDTH BirthdayOIRTHDAY OEASONSi s -°g™A LORCHESTRAj SHJIOZAWA 1881 -OCTOBER 22 -1981 w?w» V.S.O.P. % '' v£ CHAM*!** HEMY M a*^ m^ 1 COGNAC HOB FRANCE NE CHAMPAGNE CO^' THE FIRST NAME IN COGNAC SINCE 1724 EXCLUSIVELY FINE CHAMPAGNE COGNAC: FROM IMF tWO 'PREMIERS CRUS' OF THE COCNAC REGION Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. J. P. Barger Mrs. John L. Grandin Irving W Rabb Mrs. John M. Bradley Edward M. Kennedy Mrs. George Lee Sargent Mrs. Norman L. Cahners David G. Mugar William A. Selke George H. A. Clowes, Jr. Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward G. Murray Paul C. Reardon Richard P Chapman John T. Noonan John L. Thorndike Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager William Bernell Edward R. Birdwell Daniel R. Gustin Artistic Administrator Orchestra Manager Assistant Manager Joseph M. Hobbs Walter D. Hill Richard Ortner Director of Director of Administrator, Development Business Affairs Berkshire Music Center Joyce M. Snyder Theodore A. -
The DETROIT SYMPHONY ORCHESTRA
W;AD011\T£ROO~ featuring the DETROIT SYMPHONY ORCHESTRA PROGRAM, NOTES conducted by CONCERT Page No. CONCERT Page No. SIXTEN EHRLING THURSDAY-FRIDAY, June 30-July 1 77 SUNDAY, July 24 90 SATURDAY·SUNDAY, July 2-3 78 THURSDAY, July 28 93 THURSDAY-FRIDAY, July 7-8 78 FRIDAY, July 29 94 SATURDAY-SUNDAY, July 9-10 .. 81 SATURDAY, July 30 97 THURSDAY·FRIDAY, July 14-15 .. 82 SUNDAY, July 31 98 SATURDAY-SUNDAY, July 16-17 . 85 THURSDAY, Aug. 4 98 JAMES D. HICKS, THURSDAY, July 21 .; 86 FRIDAY, Aug. 5 101 Manager of Meadow Brook Festival FRIDAY, July 22 89 SATURDAY, Aug. 6 102 SATURDAY, July 23 .......•.. 89 SUNDAY, Aug. 7 105 MARY JUNE MA TIHEWS Coordinator of Women's Acth'itit'S PROGRAM CONTENTS PAGE PAGE Third Season - - - - - - - - - - 11 Guest Artists: Planning + People + Great Music = Meadow Brook 20 & 21 Henryk Szeryng, June 30, July 1-2-3 79 Meadow Brook Fe$lival Committees - - - - 28 & 30 Maureen Forrester, July 7-8-9-10 83 Major Donors to 1966 Meadow Brook Festival - - - 37 Van Cliburn, July 14-15-16·17 87 Sponsors of 1966 Meadow Brook Festival - - - 39 & 41 Isaac Stern, July 21·24-30, Aug. 5·7 91 Majar Innovations at Meadow Brook - - - - - 53 Eugene Istomin, July 22-28-31, Aug. 6·7 95 Meadow Brook School of Music - - - 48-49 Leonard Rose, July 23-29, Aug. 4-7 99 Detroit Symphony Orchestra, Sixten Ehrling 71-72 Robert Shaw, July 14-15-16·17, Aug. 11-12-13-14-18 73 Seventh Concert Week, Choral Programs - - - - - 66 Oakland University 60 & 61 Eighth Concert Week, Contemporary Music 67 Istomin-Stern-Rose Special Chamber Concerts - 45 Advertisers' Index ___ ___ __ ___ ______ __ ___ ___ ____ ___ ____ 129 & 130 SINGLE TICKETS AVAILABLE AT THE BOX-OFFICE, Pavilion $3, Grounds $1.50, or at the Festival Office, Oakland University, Rochester, Michigan, 48063, Telephone 338-7211, ext.