No. 2Fin a Series of Old Carnegie Hall Program Covers Publishers: S
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Boston Symphony Orchestra Concert Programs, Season 88
BOSTON SYMPHONY v^Xvv^JTa Jlj l3 X JlVjl FOUNDED IN 1881 BY HENRY LEE HIGGINSON THURSDAY A SERIES EIGHTY-EIGHTH SEASON 1968-1969 Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President HAROLD D. HODGKINSON PHILIP K. ALLEN Vice-President E. MORTON JENNINGS JR ROBERT H.GARDINER Vice-President EDWARD M. -
The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
Hiomta News Volume 67/277
May 2010 hioMTA News Volume 67/277 OHIO MUSIC TEACHERS ASSOCIATION INCORPORATED FOUNDED 1879 Greetings from the President - day devoted to collaborative music making throughout the world. Hosting simultaneous Warm weather, dirty hands, performances around the world would clearly bring outdoor smells = time for attention to the importance of making music renewal together. We invite your organization to consider joining us in scheduling some type of collaborative The weather is warming, kids performance event on this date and promoting it come into their lessons with through your local media.” dirty hands and smelling like they’ve been playing outdoors. I encourage everyone to think about how you can Summer is clearly around the corner. What are celebrate this day through scheduling an event for your teaching plans? What are your personal your students. renewal plans? Mark the OhioMTA state conference on your Personal and professional renewal is necessary calendar! It offers a great opportunity for several times during the year and one way to professional renewal and is scheduled for Nov. 11- achieve this is through continuing education. 13 at the Cleveland Marriot East. Watch the Summer is an excellent time to find day-long website for upcoming information. clinics and workshops offered by music retailers. This is a budget-friendly way to learn more about Have a great summer! See you in the fall! existing and/or new teaching methods. Check with your local retailer to see if they have anything scheduled. Another form of renewal is available through workshops offered by local teachers and or your 2010 OhioMTA State local OhioMTA district. -
Boston Symphony Orchestra Concert Programs, Season 97, 1977-1978
97th SEASON . TRUST BANKING. A symphony in financial planning. Conducted by Boston Safe Deposit and Trust Company Decisions which affect personal financial goals are often best made in concert with a professional advisor However, some situations require consultation with a number of professionals skilled in different areas of financial management. Real estate advisors. Tax consultants. Estate planners. Investment managers. To assist people with these needs, our venerable Boston banking institution has developed a new banking concept which integrates all of these professional services into a single program. The program is called trust banking. Orchestrated by Roger Dane, Vice President, 722-7022, for a modest fee. DIRECTORS Hans H. Estin George W. Phillips C. Vincent Vappi Vernon R. Alden Vice Chairman, North Executive Vice President, Vappi & Chairman, Executive American Management President Company, Inc. Committee Corporation George Putnam JepthaH. Wade Nathan H. Garrick, Jr. Partner, Choate, Hall Dwight L. Allison, Jr. Chairman, Putnam of the Chairman of the Board Vice Chairman Management & Stewart Board David C. Crockett Company, Inc. William W.Wolbach Donald Hurley Deputv to the Chairman J. John E. Rogerson Vice Chairman Partner, of the Board of Trustees Goodwin, Partner, Hutchins & of the Board Procter Hoar and to the General & Wheeler Honorary Director Director, Massachusetts Robert Mainer Henry E. Russell Sidney R. Rabb General Hospital Senior Vice President, President Chairman, The Stop & The Boston Company, Inc. F. Stanton Deland, Jr. Mrs. George L. Sargent Shop Companies, Partner, Sherburne, Inc. Director of Various Powers & Needham William F. Morton Corporations Director of Various Charles W. Schmidt Corporations President, S.D. Warren Lovett C. -
Boston Symphony Orchestra Concert Programs, Season
Mffi — - ,„ :{ ^. ;/j ' "'^/FWS5Sj_£gj. QUADRUM The Mali. At Chkstnut Hill 617-965-5555 Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Eighth Season, 1988-89 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Vice-Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Mrs. Robert B. Newman David B. Arnold, Jr. Mrs. John H. Fitzpatrick Peter C. Read Mrs. Norman L. Cahners Avram J. Goldberg Richard A. Smith James F. Cleary Mrs. John L. Grandin Ray Stata Julian Cohen Francis W. Hatch, Jr. William F. Thompson William M. Crozier, Jr. Harvey Chet Krentzman Nicholas T. Zervas Mrs. Michael H. Davis Mrs. August R. Meyer Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. Mrs. George R. Rowland Allen G. Barry Edward M. Kennedy Mrs. George Lee Sargent Leo L. Beranek Albert L. Nickerson Sidney Stoneman Mrs. John M. Bradley Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Irving W. Rabb John L. Thorndike Mrs. Harris Fahnestock Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. W&iles, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Robert Bell, Data Processing Manager Marc Mandel, Publications Coordinator Helen P. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
Suggested Guidelines for the Composition of Vocal
NATS VISITS AATS selected pro HE JOURNAL OF SINGING PERIODICALLY publishes of nouncements issued by the American Academy of Teachers unique re Singing. For a brief history of the organization and its Singing lationship to NATS, the reader is referred to Journal of of its founding, the 61, no.3 (January/February 2005). Since 1922, the year papers on all sub Academy has been actively writing and disseminating jects pertaining to the teaching of singing. arising out of the The present paper differs from the usual Statements questions from the Academy in that it came about in response to some available to Douglas Moore Foundation concerning the lack of resources intended principally American Academy of composers who write for the voice. This response is how singers choose Teachers of Singing for composers-in-training who wish to learn more about music and how teachers teach it. At the same time, Addison and learn contemporary Adele voice pedagogues regarding challenges Elaine Bonazzi the paper may inform singers and music for voice. Claudia Cantania inherent in composing and performing contemporary whole rather than Lindsey Christiansen Because position papers arise out of the Academy as a Patricia Craig list the thinking of an individual or small group, it is important to Eric Douglas reflect the Jan time of the drafting of a particular doc Robert Edwin organization’s membership at the does not imply Shirlee Emmons ument. Its appearance in the Journal of Singing, however, the philosophy Robert Gartside NATS endorsement, nor does its content necessarily reflect Westerman Gregg website Jean or this publication. -
Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
*l'\ fr^j BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 G> X will MIIHIi H tf SEVENTY-SEVENTH SEASON 1957-1958 BAYARD TUCEERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT 8. TUCEERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. -
2019 Bay State Contest Judges' Biographies
2019 Bay State Contest Judges’ Biographies Seully Hall Donald Berman Donald Berman is Chair of Keyboard Studies at The Longy School of Music of Bard College and a Lecturer at Tufts University. He is a Harvard Radcliffe Institute Fellow and President of The Charles Ives Society. Prizewinner of the Schubert International Competition in Germany, Berman has been called a “thorough, thrillingly clear, and persuasive musician” (NY Times). His CDs include The Unknown Ives Volumes 1 and 2, The Uncovered Ruggles (New World), the 4-CD set Americans in Rome: Music by Fellows of the American Academy in Rome, Piano Music of Martin Boykan, and Scott Wheeler: Tributes and Portraits (Bridge). He has performed throughout the USA as well as abroad in Belgrade, Rome, Beijing, St. Petersburg, and Israel. His principal teachers were Mildred Victor in New York, George Barth at Wesleyan University, John Kirkpatrick, professor emeritus at Yale University, and Leonard Shure at The New England Conservatory. Rieko Aizawa Praised by the NY Times for her “impressive musicality, a crisp touch and expressive phrasing”, Japanese pianist Rieko Aizawa has established her own unique musical voice since her U.S. début at the Kennedy Center and Carnegie Hall with the New York String Orchestra, conducted by Alexander Schneider. The youngest-ever participant at the Marlboro Music Festival, she is a founding member of the Horszowski Trio and co-artistic director of the Alpenglow Chamber Music Festival. She was the last pupil of Mieczyslaw Horszowski at the Curtis Institute of Music; she also studied with Seymour Lipkin and Peter Serkin at the Juilliard School. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
ewoo %,m A.-;£> r^ u* BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF ^ Music Director -T^jj^i % Berkshire Festival 1963 I^^HMMUBBI^BB AN INVITATION TO HEAR THE DEBUT RECORDING BY LORIN HOLLANDER WITH THE BOSTON SYMPHONY UNDER THE DIRECTION OF ERICH LEINSDORF mmmv«Mx::miiWmi :: W>i Lorm Hollander was the first soloist chosen by Mr. " Leinsdorf to record with "The Aristocrat of Or- SSI»Y«M6 chestras." is in The album recorded RCA Victor's Dello Joio/ Fantasy and Variations new DYNAGROOVE system and captures to per- Ravel/Concerto in G Boston Symphony Orch./Leinsdorf fection Hollander's dazzling performance of The Aristocrat of Orchestras Ravel's Concerto in G , and the first recorded per- formance of Dello Joio's Fantas y, composed es- " pecially for Mr. Hollander. Acclaimed as . the outstanding member of his generation," watch for more recordings by Hollander and by the Boston Lorin Hollander Symphony under Mr. Leinsdorf's direction, exclu- sively on the Red Seal label. This album is avail- RCA VICTOR able in Living Stereo, Mono. Hi-Fi and on Tape. THE MOST TRUSTED NAME IN SOUND ^l, i Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor Berkshire Festival, Season ig6^ TWENTY-SIXTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS SEVENTH WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk Copyright, 1963 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C Paine Abkam Berkowitz E.. Morton Jennings, Jr. Sidney R. Rabb Theodore P.