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Boston Symphony Orchestra Concert Programs, Season 88
BOSTON SYMPHONY v^Xvv^JTa Jlj l3 X JlVjl FOUNDED IN 1881 BY HENRY LEE HIGGINSON THURSDAY A SERIES EIGHTY-EIGHTH SEASON 1968-1969 Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President HAROLD D. HODGKINSON PHILIP K. ALLEN Vice-President E. MORTON JENNINGS JR ROBERT H.GARDINER Vice-President EDWARD M. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
334 XIII. Revivals and Recreations; The
XIII. Revivals and Recreations; The Sociology of Jazz By the early 1970s, as we have seen, jazz was in a state of stylistic chaos. This was one reason why the first glimmers of “smooth jazz” came about as both an antidote to fusion and an answer to “outside jazz.” But classical music was also in a state of chaos. The majority of listen- ers had become sick of listening to the modern music that had come to dominate the field since the end of World War II and had only become more abrasive and less communicative to a lay audience. In addition, the influx of young television executives in that period had not only led to the cancellation of many well-loved programs who they felt only appealed to an older audience demographic, but also the chopping out of virtually all arts programming. Such long-running programs as The Voice of Firestone and The Bell Telephone Hour were already gone by then. Leonard Bernstein had been replaced at the New York Philharmonic by Michael Tilson Thomas, an excellent conductor but not a popular communicator, and thus CBS’s “Young People’s Con- certs” no longer had the same appeal. In addition, both forms of music, classical and jazz, were the victims of an oil shortage that grossly affected American pressings of vinyl LPs. What had once been a high quality market was now riddled with defective copies of discs which had blis- ters in the vinyl, scratchy-sounding surfaces and wore out quickly. Record buyers who were turned off by this switched to cassette tapes or, in some cases, the new eight-track tape format. -
June 1-3,2(>(>7
Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................ -
State Dinners - 5/8/75 - Singapore” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 31, folder “State Dinners - 5/8/75 - Singapore” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Revised (Pg. 2} May 8, 1975 10:00 a.m. THE WHIT£ HOUSE. WASHINGTON DINNER IN HONOR OF HIS EXCELLENCY THE PRIME MINISTER OF THE REPUBLIC OF SINGAPORE AND MRS. LEE May 8, 1975 8:00 p. m. Dress: Black tie ... long dresses for the ladies Arrival: 8:00 p. m .... at North Portico Entrance ... Prime Minister and Mrs. Lee, Ambassador and Mrs. Catto You and Mrs. Ford will greet Photo coverage of greeting Yellow Oval Room: Secretary and Mrs. Kissinger; His Excellency Sinnathamby Rajaratnam, Minister of Foreign Affairs of the Republic of Si~gapore; His Excellency The Ambassador of the Republic of Singapore and Mrs. Monteiro will assemble just prior to the 8: 00 p. m. arrival of Prin1e Minister and Mrs. Lee and Ambassador and Mrs. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
ewoo %,m A.-;£> r^ u* BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF ^ Music Director -T^jj^i % Berkshire Festival 1963 I^^HMMUBBI^BB AN INVITATION TO HEAR THE DEBUT RECORDING BY LORIN HOLLANDER WITH THE BOSTON SYMPHONY UNDER THE DIRECTION OF ERICH LEINSDORF mmmv«Mx::miiWmi :: W>i Lorm Hollander was the first soloist chosen by Mr. " Leinsdorf to record with "The Aristocrat of Or- SSI»Y«M6 chestras." is in The album recorded RCA Victor's Dello Joio/ Fantasy and Variations new DYNAGROOVE system and captures to per- Ravel/Concerto in G Boston Symphony Orch./Leinsdorf fection Hollander's dazzling performance of The Aristocrat of Orchestras Ravel's Concerto in G , and the first recorded per- formance of Dello Joio's Fantas y, composed es- " pecially for Mr. Hollander. Acclaimed as . the outstanding member of his generation," watch for more recordings by Hollander and by the Boston Lorin Hollander Symphony under Mr. Leinsdorf's direction, exclu- sively on the Red Seal label. This album is avail- RCA VICTOR able in Living Stereo, Mono. Hi-Fi and on Tape. THE MOST TRUSTED NAME IN SOUND ^l, i Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor Berkshire Festival, Season ig6^ TWENTY-SIXTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS SEVENTH WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk Copyright, 1963 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C Paine Abkam Berkowitz E.. Morton Jennings, Jr. Sidney R. Rabb Theodore P. -
April 2013 List Blu-Ray New Releases
tel 0115 982 7500 fax 0115 982 7020 APRIL 2013 LIST See inside for valid dates Dear Customer To start, please allow us to wish you all a very Happy Easter! This catalogue should be arriving with you around the festive time - please remember that we will be closed for the bank holiday on Monday 1st April. Universal Classics have produced another three bargain boxsets for release in April: the first one you will spot is the second volume of Mercury recordings (55CD). This is a limited edition set, so please don’t wait if you are keen to obtain a copy. The first set sold out quite quickly! Also being released is a 55CD set of recordings from DG’s ‘Archiv’ catalogue and a 13CD box of the complete works of Pierre Boulez - both are excellent value. April also sees the release of a brand new disc from Gramophone Award winners, Vox Luminis. Many of you will remember their beautiful Schutz recording from last year - this time they turn their attention to English Royal Funeral Music. It is available at a very special price, provided that you order it in April - see p.2. Other new releases worth a mention include Haydn piano albums from both Hamelin and Bavouzet, two major releases (Stravinsky/Rattle and Rossini/Pappano) from EMI and another recording of Berlioz from the Scottish Chamber Orchestra under Robin Ticciati. The rich catalogue of DVDs from VAI is reduced this month, alongside bargains from Hyperion Helios, beautiful presentations from Glossa and Alpha, niche genres from Regent and NMC and historical gems from Music and Arts and West Hill Radio Archives. -
Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
Cfanglewoo 3l r BOSTON SYMPHONY (f ' ORCHESTRA) ERICH LEINSDORF Musk Director *, ,ASl m*> (=- Berkshire Festival 1963 L (Raptured to Perfection Great performances by the Boston Symphony/The Aristocrat of Orchestras/' have been captured on Red Seal albums. Two are in the "DYNAGROOVE" system—the new recording process developed by RCA Victor. One is Ravel's Concerto in G , and the 1st recorded performance of Dello Joio's Fantasy and Variations with Lorin Hollander, pianist; the other is Mahler's 1st Sym phon y. Hear also Bartok's Concerto for Orchestra . All three exciting albums are available in Living Stereo, Monaural Hi-Fi and also on Tape. Erich Leinsdorf and the Boston Symphony Orchestra record exclusively on the Red Seal label. OYNflCHOOVE » KaVlfr# BtHt<5k | Concerto for Orchestra Dello Joio/Pantasy and Variations Mahler/Symphony No. 1 Boston Symphony Orchestra Ravel /Concerto in. 6 Boston Symphony Grch. Erich Leinsdorf Boston Symphony Oreh. / Leinsdorf Erich Leinsdorf The Aristocrat of Orchestras Lorin Hollander RCA VICTOR —Ml® (THE MOST TRUSTED NAME IN SOUND Boston Symphony Orchestra ERICH LEINSDORF, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season ig6^ TWENTY-SIXTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS FIRST WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk Copyright, 1963 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C Paine Abram Berkowitz E. Morton Jennings, Jr. Sidney R. Rabb Theodore P. Ferris Henry A. Laughlin Charles H. Stockton Francis W. Hatch John T. Noonan John L. -
Music Collection News 015047800049 Selected New Cds
M USIC COLLECTION NEWS Spring, 2013 Greetings Musicians At long last it feels like Spring! We have been very busy in the Music Collection, assisting students with term papers and listening assignments. The “Reference by Appointment” service continues to be popular for students needing a little extra help for a term paper or thesis. You can request an appointment online from the “Ask a Librarian” page (https://www.bsu.edu/libraries/forms/referencebyappointment.php) or by e-mailing me at [email protected] What’s New? The Music Collection blog now has an index and a search function. Over the years I have attempted to create posts of wide interest, but especially difficult-to-search topics. Links in blog posts go to the CardCat listing for items. This Spring’s topics included old time Hollywood Musicals (the catalog subject is usually “Man-Woman Relationships”) and a list of the most popular operatic sopranos and their roles. In this issue: New CDs 2 New DVDs 2 New on Naxos 2 Music Online New Books 3 New Scores 3 New Popular CDs 3 Bracken Library phone numbers: Music Collection: Educational Resources: 765-285-8188 765-285-5333 Featured Books, 4 Music Librarian: Reference: CDs and Scores 765-285-5065 765-285-1101 Page 2 Music Collection News 015047800049 Selected New CDs: Berlioz. Romeo et Juliette Gothic Voices. Masters of the Kanka, perf. Cello Concertos Compact Disc 21441 Rolls Compact Disc 21490 Compact Disc 21481 The Brecker Brothers Kwiecien. Slavic Heroes Compact Disc 21386 Gubaidulina. Complete String Compact Disc 21491 Quartets Conductus: Music & Poetry from Compact Disc 21480 Lutoslawski & Bartok. -
06 – Spinning the Record
V: THE GOLDEN AGE, Part 2 The LP-45 boom becomes an explosion As mentioned in the previous chapter, the years 1940-1956 were so rich culturally that it is virtually impossible to describe it all in one chapter, and Americans of all economic and educational backgrounds had free or inexpensive access to music that was once only the prov- ince of the very wealthy. One should note that, in addition to the various innovations men- tioned previously, radio too was part of this free dissemination of the arts. The crown jewel of its epistle may have been Toscanini, but there were also the weekly Metropolitan Opera broadcasts sponsored by Texaco Oil, a commercial-free venue that would continue uninter- rupted until the 2003-04 season, when the company—no longer interested in promoting music that few of their customers listened to—allowed their contract to expire. And then there were two programs, independently sponsored, that brought classical, semi-classical and quasi- classical vocal music to listeners on a weekly basis, the Bell Telephone Hour and The Voice of Firestone. Both had somewhat middlebrow programming, yet they still brought such great singers as Maggie Teyte and Jussi Björling to thousands who would otherwise be unaware of their greatness. During the early LP era, too, “new” conductors (or, at least, conductors previously not known by the general public) were suddenly brought to the fore. As inventor of the LP, Co- lumbia was first, producing records by the New York Philharmonic’s new music director, Artur Rodzinski, as well as his replacement, the great Dmitri Mitropoulos (though, since the New York musicians didn’t “like” Mitropoulos, they rarely played their best for him); a re- markable Polish conductor, Paul Kletzki, in his first EMI recordings with Walter Legge’s newly-formed Philharmonia Orchestra; and the draconian Hungarian, Fritz Reiner, then the music director of the Pittsburgh Symphony Orchestra. -
NEW YORK PHILHARMONIC 10,000Th CONCERT
' ■ w NEW YORK PHILHARMONIC 10,000th CONCERT NEW YORK PHILHARMONIC 10,000th CONCERT Sunday, March 7,1982, 5:00 pm Mahler Symphony No. 2 (Resurrection) Zubin Mehta, Music Director and Conductor Kathleen Battle, soprano Maureen Forrester, contralto Westminster Choir, Joseph Flummerfelt, director CONTENTS The First 9,999 Concerts.................................... 2 Bernstein, Boulez, Mehta By Herbert Kupferberg.................................................. 5 New York Philharmonic: The Tradition of Greatness Continues By Howard Shanet........................................................ 8 Gustav Mahler and the New York Philharmonic............................... 14 Contemporary Music and the New York Philharmonic............................... 15 AVERY FISHER HALL, LINCOLN CENTER THE FIRST 9,999 CONCERTS The population of New York City in NEW YORK PHILHARMONIC: 1982 is 20 times what it was in 1842; the each of them. To survey them is to Philharmonic’s listeners today are define the current richness of the 10,000 times as many as they were in that organization: THE TRADITION OF GREATNESS CONTINUES The Subscription Concerts au dience, though not the largest of the their diversity they reflect the varied en Battle, David Britton, Montserrat aballé, Jennifer Jones, Christa Lud- in Avery Fisher Hall. As for television, it ig, Jessye Norman, and Frederica von is estimated that six million people Stade. (Another whole category across the country saw and heard the like - the < iductors. those chosen Philharmonic in a single televised per formance when the celebrated come dian Danny Kaye conducted the Or chestra recently in a Pension Fund benefit concert; and in a season's quota who is Music Director, of "Live from Lincoln Center" and other telecasts by the Philharmonic 20 are presented elsewhere in this publi million watchers may enjoy the Or chestra's performances in their homes.