Boston Symphony Orchestra Concert Programs, Season 94, 1974-1975
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Peter Grimes Benjamin Britten
Peter Grimes Benjamin Britten THEATER 16/17 FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. any day of the week. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Boston Symphony Orchestra Concert Programs
m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc. -
PURA Jan2012
Newsletter JANUARY 2012 VOLUME 36, NUMBER 1 Luncheon programs, presentations continue at MCL Nearly every fi rst Monday in the month, PURA members and their guests gather at MCL for a noon program and lunch BELOW: Roy Johnson, past (optional, room opens at 11 a.m.), during president of PURA, speaks which new members and birthdays are during the October luncheon celebrated, and a guest speaker makes a at MCL. His topic was Purdue presentation. Three recent programs were Bands, which celebrated its as follows: 125th anniversary in 2011. • On Oct. 3, Roy Johnson, one of our own and a past president of PURA, celebrated the 125th anniversary of Purdue Bands with pictures and commentary. • For the Nov. 7 program, Michael ABOVE: Morgan Burke, Purdue Brzezinski, dean of international director of intercollegiate athletics, programs, spoke on “Understanding the presents a summary of the Mackey Chinese Mind: Confucius, Values, and Complex upgrade to retirees at the Beliefs.” December MCL luncheon. • On Dec. 5, Morgan Burke gave an Athletics Update and shared pictures and information regarding the construction of the new Mackey Complex. maintain contact with their colleagues 6, March 5 and April 2. For more on These PURA luncheons offer a and the University. Note that upcoming upcoming luncheons, see Page 4. good way for recent and past retirees to gatherings at MCL will occur on Feb. Late spring outings from Trips and Tours to travel back in time, and to St. Louis Plan now to join your Trips and Tours visit the beautiful city of St. Louis and 765-447-9321. -
334 XIII. Revivals and Recreations; The
XIII. Revivals and Recreations; The Sociology of Jazz By the early 1970s, as we have seen, jazz was in a state of stylistic chaos. This was one reason why the first glimmers of “smooth jazz” came about as both an antidote to fusion and an answer to “outside jazz.” But classical music was also in a state of chaos. The majority of listen- ers had become sick of listening to the modern music that had come to dominate the field since the end of World War II and had only become more abrasive and less communicative to a lay audience. In addition, the influx of young television executives in that period had not only led to the cancellation of many well-loved programs who they felt only appealed to an older audience demographic, but also the chopping out of virtually all arts programming. Such long-running programs as The Voice of Firestone and The Bell Telephone Hour were already gone by then. Leonard Bernstein had been replaced at the New York Philharmonic by Michael Tilson Thomas, an excellent conductor but not a popular communicator, and thus CBS’s “Young People’s Con- certs” no longer had the same appeal. In addition, both forms of music, classical and jazz, were the victims of an oil shortage that grossly affected American pressings of vinyl LPs. What had once been a high quality market was now riddled with defective copies of discs which had blis- ters in the vinyl, scratchy-sounding surfaces and wore out quickly. Record buyers who were turned off by this switched to cassette tapes or, in some cases, the new eight-track tape format. -
June 1-3,2(>(>7
Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................ -
State Dinners - 5/8/75 - Singapore” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 31, folder “State Dinners - 5/8/75 - Singapore” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Revised (Pg. 2} May 8, 1975 10:00 a.m. THE WHIT£ HOUSE. WASHINGTON DINNER IN HONOR OF HIS EXCELLENCY THE PRIME MINISTER OF THE REPUBLIC OF SINGAPORE AND MRS. LEE May 8, 1975 8:00 p. m. Dress: Black tie ... long dresses for the ladies Arrival: 8:00 p. m .... at North Portico Entrance ... Prime Minister and Mrs. Lee, Ambassador and Mrs. Catto You and Mrs. Ford will greet Photo coverage of greeting Yellow Oval Room: Secretary and Mrs. Kissinger; His Excellency Sinnathamby Rajaratnam, Minister of Foreign Affairs of the Republic of Si~gapore; His Excellency The Ambassador of the Republic of Singapore and Mrs. Monteiro will assemble just prior to the 8: 00 p. m. arrival of Prin1e Minister and Mrs. Lee and Ambassador and Mrs. -
Leonard Bernstein's
Leonard Bernstein’s FOR YOUR INFORMATION Do you want more information about upcoming events at the Indiana University Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through go.iu.edu/24K1. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. 2018-19 Opera and Ballet Theater Season Learn more about this year’s season, and reserve your seats by visiting music.indiana.edu/operaballet. Musical Arts Center The Musical Arts Center (MAC) Box Office is open M - F, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. -
Fall 2018 Whole Notes
Fall 2018 WholeThe magazine for friends and alumni of the UniversityNotes of Washington School of Music IN THIS ISSUE School 2 . School News News 4 . Zakir Hussain From the Director 5 . IMPFest X Stays True to Form This issue of Whole Notes PROFESSOR PATRICIA CAMPBELL JOINS ASSOCIATION FOR 7 . 20 Questions with Larry Starr highlights only a few of the 9 . Faculty News triumphs and achievements CULTURAL EQUITY BOARD 10 . Passages of our students and faculty School of Music Professor Patricia Campbell has joined the board of the Association for in the 2017-18 academic year. Cultural Equity (ACE), accepting an invitation extended by Anna Lomax Wood, anthropologist 11 . New Publications and Recordings It also pays tribute to the and daughter of musicologist Alan Lomax. 12 . New Faculty friends whose support creates “ACE is the archive (recordings and films) of Alan Lomax, John Lomax (father), and Bess 13 . Q&A with Huck Hodge opportunities for learning and Lomax Hawes (sister) that encompasses historic recordings from about 1915 to the late 15 . Ted Poor: The Blues & Otherwise discovery at the University of 1990s, a goldmine of recordings that are highly valued by musicologists, ethnomusicologists, 17 . Making Appearances Washington School of Music. folklorists, historians, and Americanists of every sort,” Campbell says. As a member of the 19 . Faculty Profile: Cristina Valdés ACE board, Campbell expects to help with the development of teaching and learning projects In this issue we shine a spotlight related to the historical study of American music, a role for which she is abundantly qualified. 21 . Charles Corey, Partch Master General on a few of our outstanding “I’ve been involved for over a decade in developing resources for teaching/learning (as have 23 . -
Hilbert Circle Theatre
HILBERTCIRCLETHEATRE KRZYSZTOFURBAŃSKI MUSIC DIRECTOR | JACKEVERLY PRINCIPAL POPS CONDUCTOR La La Land: In Concert The Golden Age of Broadway: Rodgers & Hammerstein Gershwin & Tchaikovsky Joshua Bell American Masters: Bernstein & Copland Frankie Moreno: Under the Inuence Augustin Hadelich Returns SEPTEMBER & OCTOBER | VOLUME 1 Jump in, IT’SJump PERFECT in, From diving into our heated pool to joining neighbors for a day trip From divingIT’S into our heated PERFECTpool to joining neighbors for a day trip to taking a dance class, life feels amazingly good here. Add not-for- Fromto taking diving IT’Sa dance into our class, heated life feels PERFECTpool amazingly to joining goodneighbors here. for Add a day not-for- trip prot ownership, a local board of directors, and CCAC accreditation, proFromto t takingownership, diving a danceinto a our local class, heated board life feels pool of directors,amazingly to joining andgood neighbors CCAC here. forAddaccreditation, a daynot-for- trip and Marquee truly is the place to be. protto taking ownership, a dance a local class, board lifeand feels ofMarque directors,amazingly e and trulygood CCAC ishere. the accreditation, Add place not-for- to be. prot ownership, a local boardand Marqueeof directors, trulyand CCAC is the accreditation,place to be. To learn more, call, visit our websiteand Marquee or stop truly by isour the community. place to be. To learn more, call, visit our website or stop by our community. To learn more, call, visit our website or stop by our community. 8140 Township Line Rd. | Indianapolis, IN 46260 To learn more, 8140call, Township visit our Line website Rd. | Indianapolis, or stop IN by 46260 our community. -
Indiana National Bank Records, 1833–1998
Collection # M 0724 OMB 0075 BV 5001–5011 F 1818–1875 INDIANA NATIONAL BANK RECORDS, 1833–1998 Collection Information Historical Sketch Scope and Content Note Series Contents Processed by Annie Kruse December, 2014 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org COLLECTION INFORMATION VOLUME OF 160 manuscript boxes, 2 color photo boxes, 15 photo boxes, 49 COLLECTION: oversized boxes, 11 Bound Volumes, 1 slide box. 1 35mm negative box, 1 3x5 negative box, 1 4x5 negative box, 1 5x7 negative box, 1 8x10 negative box, 57 microfilm boxes, 3 boxes VHS and audio tapes, 3 Artifacts Boxes COLLECTION 1833-1998 DATES: PROVENANCE: NBD Bank, Indianapolis, November, 1998 RESTRICTIONS: None COPYRIGHT: REPRODUCTION Permission to reproduce or publish material in this collection RIGHTS: must be obtained from the Indiana Historical Society. ALTERNATE FORMATS: RELATED HOLDINGS: ACCESSION 1999.0039 NUMBER: NOTES: HISTORICAL SKETCH INB National Bank traced its history to 1834 when the Indiana General Assembly granted a twenty-five year charter for the Second State Bank of Indiana. Twelve Branches were located around the state, including Indianapolis, to provide currency and short-term commercial and agricultural loans. The charter for the Second State Bank expired in1857 and many of the same investors sought a charter for the third state bank, The Bank of the State of Indiana, which also had a branch in Indianapolis. In 1865, the investors of the Indianapolis branch secured a national charter under the National Bank Act of 1865; the new bank was The Indiana National Bank of Indianapolis. -
Lorin Hollander
Lorin Hollander Lorin Hollander (born July 19, 1944) is an American Rudolf in 1966 presented by the Department of State.[13] classical concert pianist. He has performed with virtually His appearances in Europe began in 1965, when he all of the major symphony orchestras in the United States made a recording in London of Aram Khachaturian's pi- and many around the world.[1] A New York Times critic ano concerto and Ernest Bloch's Scherzo Fantasque with has called him, “the leading pianist of his generation.”[2] the Royal Philharmonic Orchestra and conductor André Previn. In 1968 he debuted with the Concertgebouw Orchestra. Among many others, Hollander has per- formed with the orchestras of Boston, Chicago, Cleve- 1 Early life land, Dallas, Detroit, Los Angeles, New York, Philadel- phia, Pittsburgh, San Francisco and Washington’s Na- Lorin Hollander was born in New York City into a Jewish tional Symphony, and internationally with the London family. His father, Max Hollander, was associate concert- Philharmonic, Royal Concertgebouw, Orchestre de la Su- master of the NBC Symphony Orchestra under Arturo isse Romande, Jerusalem Symphony Orchestra, ORTF Toscanini.[1] Lorin Hollander was a child prodigy and and New Tokyo Philharmonic.[12] gave his first public performance at age five playing ex- In 1969, Lorin Hollander gave the first public classical cerpts of Bach’s The Well-Tempered Clavier, and at age recital using the Baldwin Electric Concert Grand at the eleven, he made his Carnegie Hall debut with the National Fillmore East.[14] In 1971 he was the first classical pianist Orchestral Association.[1][3] to give street concerts in East Harlem and in Queens, un- He studied with Eduard Steuermann[4] from age eight and der the auspices of the Department of Cultural Affairs.[15] took courses at what is now the Juilliard Pre-College at Hollander premiered Norman Dello Joio's “Fantasy and age eleven.