DOCSLIB.ORG

Music Collection News 015047800049 Selected New Cds

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music Collection News 015047800049 Selected New Cds M USIC COLLECTION NEWS Spring, 2013 Greetings Musicians At long last it feels like Spring! We have been very busy in the Music Collection, assisting students with term papers and listening assignments. The “Reference by Appointment” service continues to be popular for students needing a little extra help for a term paper or thesis. You can request an appointment online from the “Ask a Librarian” page (https://www.bsu.edu/libraries/forms/referencebyappointment.php) or by e-mailing me at [email protected] What’s New? The Music Collection blog now has an index and a search function. Over the years I have attempted to create posts of wide interest, but especially difficult-to-search topics. Links in blog posts go to the CardCat listing for items. This Spring’s topics included old time Hollywood Musicals (the catalog subject is usually “Man-Woman Relationships”) and a list of the most popular operatic sopranos and their roles. In this issue: New CDs 2 New DVDs 2 New on Naxos 2 Music Online New Books 3 New Scores 3 New Popular CDs 3 Bracken Library phone numbers: Music Collection: Educational Resources: 765-285-8188 765-285-5333 Featured Books, 4 Music Librarian: Reference: CDs and Scores 765-285-5065 765-285-1101 Page 2 Music Collection News 015047800049 Selected New CDs: Berlioz. Romeo et Juliette Gothic Voices. Masters of the Kanka, perf. Cello Concertos Compact Disc 21441 Rolls Compact Disc 21490 Compact Disc 21481 The Brecker Brothers Kwiecien. Slavic Heroes Compact Disc 21386 Gubaidulina. Complete String Compact Disc 21491 Quartets Conductus: Music & Poetry from Compact Disc 21480 Lutoslawski & Bartok. 13th-Century France Funeral Music Compact Disc 21432 Hahn, Hilary. Silfra Compact Disc 21438 Compact Disc 21482 De Niese. Beauty of the Massenet. Werther Baroque Handel. Alceste (Covent Garden) Compact Disc 21420 Compact Disc 21456 Compact Disc 21489 Dvorak. Rusalka Handel. Atalanta Mendelssohn. Early Songs Compact Disc 20696 Compact Disc 21484 Compact Disc 21090 Fleming. Poèmes Hovhaness. From the Ends of Rutter. Blessing Compact Disc 21457 the Earth (Choral Music) Compact Disc 21479 Compact Disc 21452 Garanća. Romantique Compact Disc 21446 New Music DVDs in Educational Resources: These are The Anatomy of Conducting Donizetti. Roberto Devereux Puccini. La Fanciulla del West just some DVD Video 10895 (Wolf Trap, 1975) (Met) DVD Video 10619 DVD Video 10521 of the new Art of Conducting: Great Conductors of the Past Great Stars of Opera: Telecasts Puccini. Turandot (Met) titles added DVD Video 10950 from the Bell Telephone Hour DVD Video 10614 (1959-1966) to the Puccini. Turandot (Milan, 1958) Art of Piano: Great Pianists of DVD Video 10618 collection. the 20th Century DVD Video 10620 DVD Video 10626 Handel. Giulio Cesare (Paris) Rossini. L’Italiana in Check http:// DVD Video 10800 Borodin. Prince Igor (Kirov) Algeri (Met) liblink.bsu.edu/ DVD Video 10629 Leoncavallo. I Pagliacci DVD Video 10615 (Washington, Domingo, 1997) newlist/ Verdi. Rigoletto (Dresden) The Concert for New York City DVD Video 10625 DVD Video 10628 for monthly DVD Video 10963 Menotti. Amahl and the Night Verdi. Il Trovatore (Met) Donizetti. Don Pasquale (Met) Visitors (NBC, 1955) listings DVD Video 10522 DVD Video 10651 DVD Video 10621 New on Naxos Music Library Online (selections): Bloch, Bridge, Hough. Organ Recital: Music for the Sondheim. A Little Night Music In the Shadow of War. Organ of Notre-Dame of Paris Nonesuch 075597978858 BIS 1992 Solstice FYCD125 Takemitsu, et. al. Experimental Britten. Sacred Choral Music Queen Elizabeth II Diamond Workshop Novum NCR 1386 Jubilee Naxos Japan NYNG013 Musical Concepts GCCD4077 Ciconia. Complete Works Vivaldi. Viola d’amore Concertos Pavane Records ADW7345-47 Rubinstein Klezmer Project. Virgin Classics 0094639514656 Fiddler on the Road We can Do It! Celebrating Elgar. Choral Music ARC EUCD2427 Signum Classics SIGCD 315 Women in WWII Schumann, Robert. Chamber Altissimo! 75442272022 Essential Opera Divas Music with Winds EMI Classics 5099972345252 Wolf / Schwarzkopf, Moore. Indé Sens INDE 048 Lieder (Goethe, Mörike, etc.) Kronos Quartet. Howl, U.S.A. Shostakovich Symphony No. 5 EMI Classics 0094638002956 Nonesuch075597990768 Documents 298294 http://bsu.naxosmusiclibrary.com/ Page 3 015047800049 Selected New Books: Burwell. Studio-Based Geck. Robert Schumann Rodin. Josquin’s Rome Instrumental Learning ML 410 .S4 G2963 2013 ML 410 .J815 R64 2012 MT 1 .B89 2012 Green. How Popular Musicians Rudolph & Leonard. Finale: An Brend. Sound of Tomorrow Learn Easy Guide to Music Notation ML 1380 .B74 2012 MT 3 .G7 G74 2002 MT 39 .R83 2012 Cambridge Companion to Michael Kim, Choon-Mee. Harmonia Sampson. Music Research: A Tippett Koreana: A Short History of Handbook (2nd edition) ML 410 .T467 C36 2013 20th-Century Korean Music REF ML 113 .S28 2013 ML 342.5 .K56 2011 Chusid. Verdi’s Il Trovatore Schaeffer, Pierre. In Search of a ML 410 .V4 C58 2012 Kinderman. The Creative Process Concrete Music Di Grazia. Nineteenth-Century in Music from Mozart to Kurtág ML 3817 .S2613 2012 ML 193 .K56 2012 Choral Music Strom. Shpil: The Art of Playing ML 1505 .N56 2013 Laudon. The Dramatic Symphony Klezmer ML 1255 .L39 2012 ML 3528.8 .S53 2012 Elliott Carter Studies ML 410 .C3293 E68 2012 Mathew. Political Beethoven Summer. Renaissance Music for ML 410 .B42 M33 2013 the Choral Conductor Freedman. Music in the Renaissance ML 1502 .S86 2013 ML 172 .F74 2013 Selected New Scores: Adams. On the Transmigration of Crumb. Mundus Canis Piazzolla for Cello M 235 .P53 T3 1999 Souls (Full Score) M 298 .C78 M8 2000 M 1530 .A33 O5 2012 Piazzolla. El Viaje: 14 Tangos and Hensel, Fanny Mendelssohn. To request a Beach, Amy. Three Browning 16 Songs (with IPA) Other Pieces (violin/CD/piano) M 222 .P53 V5 2009 book, score, Songs (high voice) M 1620 .H46 P34 1995 (high M 1621 .B43 op. 44 2000b voice) Schnittke. Pieces for Violin and M 1620 .H46 P35 1995 (low CD, or DVD, Beach, Amy. Violin Sonata Piano voice) M 22 .B38 op. 34 1994 M 218 .S378 2010 e-mail the music Hebrew Holiday and Folk Songs Chopin for Guitar: Famous Schumann, Clara. Three M 1850 .H43 2009 Transcriptions Romances for Violin and Piano librarian or click M 221 .S38 R6 2006 M 128 .C54 C46 2010 The Fritz Kreisler Collection “Suggestions” M 217 .K74 F7 v. 1-5 Toxic Avenger: The Musical Contemporary Singing Actor M 1507 .C669 2008 (Women) Olsson. Piano Music for Ballet M 1508 .B79 T6 2009 on the Libraries’ M 1507 .C666 2010 (Men) Class (5 Volumes) M 1507 .C663 2010 (Duets) MT 950 .O47 P5 2009 Home Page Selected New Popular Music CDs: Beyoncé. 4 Girls’ Generation. The Boys Linkin Park. Living Things Compact Disc 21402 Compact Disc 21455 Compact Disc 21500 The Best of Bleach Goulding, Ellie. Halcyon Lumineers. The Lumineers Compact Disc 18578 Compact Disc 2143 Compact Disc 21501 Durcal, Rocía. Alma Ranchera Green Day. ¡Uno! Maroon 5. Overexposed Compact Disc 21381 Compact Disc 21412 Compact Disc 21506 The Very Best of Frankie Valli Infante, Pedro. Las Mañanitas Ross, Rick. God Forgives; I don’t and the Four Seasons Compact Disc 21449 Compact Disc 21444 Compact Disc 21416 Jones, George. 50 Years of Hits Zac Brown Band. G-Dragon. One of a Kind Compact Disc 21505 Uncaged Compact Disc 21487 Compact Disc 21403 Kelly, R. Write Me Back Garbage. Not Your Kind of Compact Disc 21418 盧廣仲 (Lu Guangzhong) People Keys, Alicia. Girl on Fire 100 Ways of Living Compact Disc 21411 Compact Disc 21419 Compact Disc 18789 For monthly updates go to: http://liblink.bsu.edu/newlist/ BALL STATE Music Collection News UNIVERSITY Libraries Featured Scores Featured CDs Featured Books Piano Music for Ballet Class Historic Piano Performances Music Research: A Handbook MT 950 .O47 P5 2009 by Laurie Sampsel There is a definite art to accompani- Legendary Piano Recordings Reference: ML 113 .S28 2013 ment for ballet class. The pianist has Compact Disc 21467 This book is a practical guide to to have repertoire at the ready for Historical recordings from 1903 to both print and online sources for various techniques the students will 1919 by Debussy, Saint-Saëns, Grieg, music. With an accompanying be learning and for different levels of and others. Engineers have website. remastered and corrected the student ability. This five-volume set is Shpil: The Art of divided in exactly this way, with music original audio to bring long-dead composers and performers to life. Playing Klezmer for barre exercises and specific steps. ML 3528.8 .S53 Contemporary Singing Actor Welte-Mignon Piano 2012 Duets: M1507 .C663 2010 Performances by composers and History and tech- Men’s Edition, M1507 .C666 2010 stars of the previous century, nique for all the Women’s Edition, M1507 .C669 2008 recorded on a mechanical piano and instruments of played back in 2000. this challenging Disney Songs for Singers Compact Disc 21471-2 Jewish folk music M1507 .D584 2005 (High Voice) style, plus vocal M1507 .D585 2005 (Low Voice) technique Catch up on Pat Metheny: Singer’s Musical Theatre Anthology edited for “16-bar” auditions Pat Metheny Group Letters from Home Available for each voice range. Compact Disc 21521 The Fritz Kreisler Collection Pat Metheny Group 5 volumes of original pieces and Offramp arrangements by the famous violinist, Compact Disc 21525 for violin and piano. M 217 .K74 F7 v. 1-5 Pat Metheny & Lyle Mays As Falls Wichita, So Falls Wichita Falls Compact Disc 21530 The Feldenkrais Method Pat Metheny New Chautauqua The Feldenkrais Method of Listen to Naxos Music Library on Compact Disc 21529 Somatic Education is a teaching and learning method designed your mobile device! Instructions Metheny, Haden, DeJohnette, Music Collection Staff: to help people better link their here: Ornette Coleman mind and body.
Load more

Recommended publications
  • Marvin Hamlisch
    tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
    [Show full text]
  • 334 XIII. Revivals and Recreations; The
    XIII. Revivals and Recreations; The Sociology of Jazz By the early 1970s, as we have seen, jazz was in a state of stylistic chaos. This was one reason why the first glimmers of “smooth jazz” came about as both an antidote to fusion and an answer to “outside jazz.” But classical music was also in a state of chaos. The majority of listen- ers had become sick of listening to the modern music that had come to dominate the field since the end of World War II and had only become more abrasive and less communicative to a lay audience. In addition, the influx of young television executives in that period had not only led to the cancellation of many well-loved programs who they felt only appealed to an older audience demographic, but also the chopping out of virtually all arts programming. Such long-running programs as The Voice of Firestone and The Bell Telephone Hour were already gone by then. Leonard Bernstein had been replaced at the New York Philharmonic by Michael Tilson Thomas, an excellent conductor but not a popular communicator, and thus CBS’s “Young People’s Con- certs” no longer had the same appeal. In addition, both forms of music, classical and jazz, were the victims of an oil shortage that grossly affected American pressings of vinyl LPs. What had once been a high quality market was now riddled with defective copies of discs which had blis- ters in the vinyl, scratchy-sounding surfaces and wore out quickly. Record buyers who were turned off by this switched to cassette tapes or, in some cases, the new eight-track tape format.
    [Show full text]
  • June 1-3,2(>(>7
    Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................
    [Show full text]
  • State Dinners - 5/8/75 - Singapore” of the Sheila Weidenfeld Files at the Gerald R
    The original documents are located in Box 31, folder “State Dinners - 5/8/75 - Singapore” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Revised (Pg. 2} May 8, 1975 10:00 a.m. THE WHIT£ HOUSE. WASHINGTON DINNER IN HONOR OF HIS EXCELLENCY THE PRIME MINISTER OF THE REPUBLIC OF SINGAPORE AND MRS. LEE May 8, 1975 8:00 p. m. Dress: Black tie ... long dresses for the ladies Arrival: 8:00 p. m .... at North Portico Entrance ... Prime Minister and Mrs. Lee, Ambassador and Mrs. Catto You and Mrs. Ford will greet Photo coverage of greeting Yellow Oval Room: Secretary and Mrs. Kissinger; His Excellency Sinnathamby Rajaratnam, Minister of Foreign Affairs of the Republic of Si~gapore; His Excellency The Ambassador of the Republic of Singapore and Mrs. Monteiro will assemble just prior to the 8: 00 p. m. arrival of Prin1e Minister and Mrs. Lee and Ambassador and Mrs.
    [Show full text]
  • Lorin Hollander
    Lorin Hollander Lorin Hollander (born July 19, 1944) is an American Rudolf in 1966 presented by the Department of State.[13] classical concert pianist. He has performed with virtually His appearances in Europe began in 1965, when he all of the major symphony orchestras in the United States made a recording in London of Aram Khachaturian's pi- and many around the world.[1] A New York Times critic ano concerto and Ernest Bloch's Scherzo Fantasque with has called him, “the leading pianist of his generation.”[2] the Royal Philharmonic Orchestra and conductor André Previn. In 1968 he debuted with the Concertgebouw Orchestra. Among many others, Hollander has per- formed with the orchestras of Boston, Chicago, Cleve- 1 Early life land, Dallas, Detroit, Los Angeles, New York, Philadel- phia, Pittsburgh, San Francisco and Washington’s Na- Lorin Hollander was born in New York City into a Jewish tional Symphony, and internationally with the London family. His father, Max Hollander, was associate concert- Philharmonic, Royal Concertgebouw, Orchestre de la Su- master of the NBC Symphony Orchestra under Arturo isse Romande, Jerusalem Symphony Orchestra, ORTF Toscanini.[1] Lorin Hollander was a child prodigy and and New Tokyo Philharmonic.[12] gave his first public performance at age five playing ex- In 1969, Lorin Hollander gave the first public classical cerpts of Bach’s The Well-Tempered Clavier, and at age recital using the Baldwin Electric Concert Grand at the eleven, he made his Carnegie Hall debut with the National Fillmore East.[14] In 1971 he was the first classical pianist Orchestral Association.[1][3] to give street concerts in East Harlem and in Queens, un- He studied with Eduard Steuermann[4] from age eight and der the auspices of the Department of Cultural Affairs.[15] took courses at what is now the Juilliard Pre-College at Hollander premiered Norman Dello Joio's “Fantasy and age eleven.
    [Show full text]
  • April 2013 List Blu-Ray New Releases
    tel 0115 982 7500 fax 0115 982 7020 APRIL 2013 LIST See inside for valid dates Dear Customer To start, please allow us to wish you all a very Happy Easter! This catalogue should be arriving with you around the festive time - please remember that we will be closed for the bank holiday on Monday 1st April. Universal Classics have produced another three bargain boxsets for release in April: the first one you will spot is the second volume of Mercury recordings (55CD). This is a limited edition set, so please don’t wait if you are keen to obtain a copy. The first set sold out quite quickly! Also being released is a 55CD set of recordings from DG’s ‘Archiv’ catalogue and a 13CD box of the complete works of Pierre Boulez - both are excellent value. April also sees the release of a brand new disc from Gramophone Award winners, Vox Luminis. Many of you will remember their beautiful Schutz recording from last year - this time they turn their attention to English Royal Funeral Music. It is available at a very special price, provided that you order it in April - see p.2. Other new releases worth a mention include Haydn piano albums from both Hamelin and Bavouzet, two major releases (Stravinsky/Rattle and Rossini/Pappano) from EMI and another recording of Berlioz from the Scottish Chamber Orchestra under Robin Ticciati. The rich catalogue of DVDs from VAI is reduced this month, alongside bargains from Hyperion Helios, beautiful presentations from Glossa and Alpha, niche genres from Regent and NMC and historical gems from Music and Arts and West Hill Radio Archives.
    [Show full text]
  • 06 – Spinning the Record
    V: THE GOLDEN AGE, Part 2 The LP-45 boom becomes an explosion As mentioned in the previous chapter, the years 1940-1956 were so rich culturally that it is virtually impossible to describe it all in one chapter, and Americans of all economic and educational backgrounds had free or inexpensive access to music that was once only the prov- ince of the very wealthy. One should note that, in addition to the various innovations men- tioned previously, radio too was part of this free dissemination of the arts. The crown jewel of its epistle may have been Toscanini, but there were also the weekly Metropolitan Opera broadcasts sponsored by Texaco Oil, a commercial-free venue that would continue uninter- rupted until the 2003-04 season, when the company—no longer interested in promoting music that few of their customers listened to—allowed their contract to expire. And then there were two programs, independently sponsored, that brought classical, semi-classical and quasi- classical vocal music to listeners on a weekly basis, the Bell Telephone Hour and The Voice of Firestone. Both had somewhat middlebrow programming, yet they still brought such great singers as Maggie Teyte and Jussi Björling to thousands who would otherwise be unaware of their greatness. During the early LP era, too, “new” conductors (or, at least, conductors previously not known by the general public) were suddenly brought to the fore. As inventor of the LP, Co- lumbia was first, producing records by the New York Philharmonic’s new music director, Artur Rodzinski, as well as his replacement, the great Dmitri Mitropoulos (though, since the New York musicians didn’t “like” Mitropoulos, they rarely played their best for him); a re- markable Polish conductor, Paul Kletzki, in his first EMI recordings with Walter Legge’s newly-formed Philharmonia Orchestra; and the draconian Hungarian, Fritz Reiner, then the music director of the Pittsburgh Symphony Orchestra.
    [Show full text]
  • The Old-Time Radio Era, Sometimes Referred to As the Golden Age of Radio, Was an Era of Radio
    by Mike Prero The old-time radio era, sometimes referred to as the Golden Age of Radio, was an era of radio continued on p.3 programming in the United States during which radio was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted until the 1950s, when television superseded radio as the medium of choice for scripted programming. The last few scripted radio dramas and full-service radio stations ended in 1962. During this period radio was the only broadcast medium, and people regularly tuned into their favorite radio programs, and families gathered to listen to the home radio in the evening. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. A variety of new entertainment formats and genres were created for the new medium, many of which later migrated to television: radio plays, mys- tery serials, soap operas, quiz shows, talent shows, variety hours, situation comedies, play-by-play sports, children's shows, cooking shows. Since this era, radio programming has shifted to a more nar- row format of news, talk, sports and music. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 94, 1974-1975
    OF BUTLER UNVERSfT EATRE FOR THE PERFORMING ARTS LIANAFOLIS ~ "8 o Dto to I * a -£ £ o -2 3 3 5 £ o o ,» D to "D O •E £ on a> a <u -^ E E E o o C _Q u> U D h D __ C _ .>>•§ CQ v 00 u _Q "«o ^ ~ .9? a. a. a jD o O i- <o D ^ OQ -i to 6 D a, j> S - to _c o o O 3» 5 < ^ .E >s +- _c £ £ i_ 1/) E *- <D <u 5S _c -c o x •= u c _c co c u U U g O-i o o O I a) ft- O ™ o E (DOC o o o _Q O S .fc o 1- c o | O "O o c E o c 0) *> tO c3 to = Z .«£ "C E 0) r ohi OF BUTLER UNIVERSITY 4600 Sunset Avenue /Indianapolis, Indiana 46208 Box Office 924-1 267 /Executive Office 924-6321 April 6, 1975 7:30 P.M. Boston SEIJI OZAWA Music Director Natural Gas Is Natural Energy Use It Efficiently citizens gas O INDIANAPOLIS CLOWES HALL OFFICERS 1974-1975 STANDING COMMITTEE CHAIRME President/Mrs. Carl M. Sauer Membership/Mrs. J. Fred Risk Mrs. Fred C. Tucker, Jr. Exec. Vice-President/Mrs. Robert D. Enoch Program/Mrs. Stephen M. Coons Vice-President/Mrs. Merle H. Miller. Jr. Social/Mrs. Richard O. Creedon Mrs. George E. Ludwig Vice-President/Mrs. Lisle C. Hunter Board Notices/Mrs. Howard E. Nyhart Vice-President/Mrs. Harold W. Schnelker Mrs. Julian A. Kiser Special Invitations/Mrs. Morris B. Paynter Recording Secretary/Mrs.
    [Show full text]
  • WNET Licensing (A's)
    The “A’s” (Source: NET microfiche, unless listed) Aaron Copland Meets the Soviet Composers (1959) Initial Broadcast: N/A Number of programs: 1 Origin Format: Undetermined Running time: 30 minutes AARON COPLAND MEETS THE SOVIET COMPOSERS is a half-hour studio production kinescope of an interview between Copland and six Soviet musicians, musicologists and/or composers who were travelling in the US. My impression is that this was a visit in return for one made to the USSR by an American group earlier that included Menned (?), Sessions, Harris and Kay (?). The setting for the interview is a recreated concert hall stage with the guests sitting in players’ chairs and Copland and his translator located where a solo instrumentalist would be seated. The questions appear to have been scripted in advance – and scripts placed on the music stands. The responses from the Soviets appear to have been ad lib. Copland’s questions were translated into Russian by an American (?) of Russian origins, Nicholas Slonimsky, himself a musician. The Soviets spoke in Russian and were heard through simultaneous translation. The translator was unseen and uncredited. The Soviet guests include (in order of answering questions): Dmitri Kabalevsky, Boris Yarustovsky, Tikhon Khrennikov, Dmitri Shostakovich, Konstantin Dankevich and Fikret Amirov. Kabalevsky was asked about the knowledge of American music in the USSR; Yarustovsky on the influence of American music on Russian music; Khrennikov on the reactions of Soviet musicians to the visit of four American musicians earlier (in the exchange program?); Shostakovich on American jaZZ and its influence; Dankevich on younger Soviet composers and Amirov on the adaption of native musical types to series music.
    [Show full text]
  • VAI 2005 Fall Catalog.Pmd
    2005 FALL CATALOGUE THE LEADER IN RECORDINGS OF HISTORIC PERFORMANCES AND RARE REPERTOIRE A-18 GEN TWO NEW DVDS IN ALICIA ALONSO ON VVVAI’sss BROADWAAAY SERIES Listing on page 2 Listings on page 3 New Compact Disc Releases on Page 22 These and other recent VAI DVD releases pp. 2-8! New Hardy & Kicco Classics DVDs on Page 21 A Tribute to the “Voice of an Angel” Listing on page 3 Listing on page 3 February 1, 1922 ••• December 20, 2004 Details of this 2-DVD retrospective on page 3 Listing on page 7 Listing on page 6 From the President of VAI Recently Released Dance & Orchestral DVDs from VAI Dear Friends, Our current listings feature some of HARDY CLASSICS DVD Broadway’s brightest stars. Most of this material derives from the rich archives of the Bell Telephone Hour which has provided us with performances by some of the greatest artists from the worlds of opera, dance and the concert stage. The Broadway offerings were no less luminous with star turns from such legendary greats as Ethel Merman, Barbara Cook, Robert Goulet, Alfred Drake, Carol Lawrence, Larry Kert, Dolores Gray John Raitt, Howard Keel and Gretchen Wyler. Highlighting our new releases are TWO NEW DANCE DVDS FROM VAI DVDs devoted to the art of Barbara Cook and Carol Lawrence. Both ladies ALICIA ALONSO – PRIMA BALLERINA ASSOLUTA This GISELLE are still very much in the public eye. compilation from 1958 to 1985 includes extracts from many of Alicia Miss Cook, a cabaret favorite, is about NUREYEV • FRACCI Alonso’s most celebrated roles.
    [Show full text]
  • To Download Your Copy
    Copyright 2020 by Carl Mann All Rights Reserved. Please feel free to use this material in a responsible manner, providing credit and attribution. This work may be used free of charge. Selling is prohibited. Commercial copying, hiring, lending, or digital posting is prohibited and will constitute an infringement of copyright. Permission granted to reproduce this work for personal and educational use only. Obtain permission before redistributing. In all cases this notice must remain intact. Photos and illustrations are copyrighted by the author except where courtesied and may not be reproduced outside of this content without proper permission from the credited owners. First Edition 2020 This work is dedicated to the two men who gave their all to make AM, FM, and TV a technical reality: Edwin Armstrong and Philo T. Farnsworth. ACKNOWLEDGMENTS The workhorse sources of this project were the archives of the Omaha World-Herald and the dozens of publications preserved in David Gleason’s amazing website AmericanRadioHistory.com, especially Broadcasting Magazine, and Billboard Magazine. Other publications and organizations include: Creighton Magazine, spring 1996, Radio World magazine, Fremont Valley Museum, Norfolk, NE, Georgia Radio Hall of Fame, Hamilton Tip Sheet, Hitmakers 1984, Lincoln Journal Star, Nebraska Broadcasters Assoc., Omaha Central High School Archives, Pottawattamie County Historical Society, Purdue University for 2002 thesis by Steven Robert Scherer, Sponsor Magazine, Television Magazine 1957, Time Magazine of June 4, 1956, and WOW Tower monthly publication 1940s In the bibliography are: Burnishing the Brand by Tom McCourt and Eric Rothenbuhler, 2004 Radio & Records, Greatest Radio Promotions of All Time, 1981 The Birth of Top 40 Radio, by Richard W.
    [Show full text]