DOCSLIB.ORG

Of Late Designer Alaia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Of Late Designer Alaia 28 Established 1961 Lifestyle Fashion Sunday, January 28, 2018 Paris show pays homage to ‘eternal style’ of late designer Alaia A picture shows creations displayed at the exhibition “Je suis couturier” (I am a fashion designer) of late French-Tunisian fashion designer Azzedine Alaia on January 21, 2018, at the Azzedine Alaia Association in Paris. — AFP photos wo months after legendary designer Azzedine Alaia’s sudden death plunged the fashion world Tinto mourning, an exhibition in homage to the “King of Cling” opens Monday in his studios in Paris. The Tunisian-born designer, renowned for the way his clothes hugged the body, died suddenly in November aged 82, reportedly of heart failure after falling down the stairs at his home. The diminutive maverick, who ignored fashion week convention by showing when and where he wanted, in July produced his first couture collection in six years to rapturous reviews. Now some of his most iconic dress- es are going on display in the glass-roofed gallery next to his studio and home in the Marais district where he used to show his creations. It includes the dress worn In this file photo taken on September 7, 2017 Franco-Tunisian by supermodel Naomi Campbell, his longtime friend fashion designer Azzedine Alaia poses during an exposition of and muse, when she led his last collection down the cat- the work of British artist Richard Wentworth on fashion walk. The pair were so close Campbell called the design at the Maison Alaia in Paris. designer “Papa”, and she was inconsolable at his funeral in Tunis. ‘Last of the couturiers’ “Alaia used to say that you can make an idea more a job with Christian Dior, only to be let go because he Alaia studied to be a sculptor and used his fine art Saillard described Alaia as the “last of the couturi- precise in black and not dilute it,” Saillard said. The did not have the right immigration papers. training to sculpt with needle and thread. Fashion histo- ers”, capable of doing everything himself and making famous hooded dress he made for Jones and the fire Despite the setback, he moved on to work with Guy rian Olivier Saillard, who has curated the show which his mastery invisible. “Like Balenciaga and all those brigade-red zip one he created for pop superstar Laroche and Thierry Mugler before going out on his runs until June, said Alaia’s famously flattering cut was who knew how to cut and sew, he moved further and Rihanna are among the 41 classic dresses on display. own with his own wealthy clientele. A foundation has timeless. To hammer the point home, none of the dress- further away from making an obvious show of his bril- Although his private life was always a mystery, the now been created to safeguard his work, and will also es in “Azzedine Alaia: I am a Couturier” have a panel liant technique.” He said his clothes “didn’t shout, there designer kept an open house in Paris during fashion hold regular exhibitions from his vast personal collec- explaining when they were made. “I defy anyone to dis- was nothing bling about them”, instead he went for an weeks as celebrities rubbed shoulders with students tion of couture. A retrospective of his work, “Azzedine tinguish between a dress made in 1981, 1995 or 2017,” eternal style that never went out of fashion. Almost all and waifs and strays at his large kitchen table where he Alaia, The Couturier”, will open at the Design Museum he told AFP. Instead curious visitors must consult a cat- the dresses in the show-including ones he made for pop cooked for all comers. Alaia moved to Paris at the height in London in May, when his brand will also open its first alogue at the door. star and actress Grace Jones-are in black or white. of the Algerian war of independence, where he soon got British boutique. — AFP Five highlights from Paris haute couture fashion week s Paris haute couture week ends Thursday, we look at the five things we learned from the elite fashion Aextravaganza: All hail Galliano Genius is a word that gets thrown around in fashion like confetti at a wedding, but many who witnessed John Galliano’s two shows for Margiela over the past 12 days believed that in his case the feathered hat fits. The British designer may never live down the notorious drunken anti- Semitic rant that cost him his job at Dior in 2011. Yet fash- ion would be far less fantastical without him. His haute couture collection using transformative fab- rics which look completely different to the naked eye than through the lens of smartphone, was not just inspired use of cutting-edge tech, but deft commentary on seeing at the world through the lens of Instagram. Karl’s beard Even geniuses make mistakes. Just ask Karl Lagerfeld who is no doubt stroking his chin over whether he will persist with his new wispy white beard. Reaction to the Kaiser’s first major change in image in two decades was general- ly negative-and almost drowned out his very girly Chanel show. Vogue’s legendary critic Suzy Menkes did her best to soften the blow by referring to the growth as “an exciting facial accessory”. Be careful who you quote Dior under Maria Grazia Chiuri loves nothing better than a good slogan. She began her reign at the fabled label with her “We should all be feminists” T-shirt and by plastering “Christian Dior J’adore” on just about every- thing, from bras to sandal straps. This week she wrote lines from Andre Breton’s “Surrealist Models present creations for Ralph & Russo during the 2018 spring/summer Haute Couture collection in Paris. — AFP photos Manifesto” across her models’ collar.
Load more

Recommended publications
  • The 18Th Century Back in Fashion
    the palace of veRsailles presents the 18th century back in fashion guide to the exhibition and the grand trianon 8 july – 9 OCTOBer organised with the Grand trianon floor plan the 18th century back in fashion couturiers and fashion designers at the grand trianon The Grand Trianon and the Musée Galliera, the fashion museum of the City of Paris, present in a poetic confrontation costumes from the 18th century and masterpieces of haute couture and fashion design from the 20th and 21st centuries. The 18th century with its floating dresses, its voluminous skirts, flounces and furbelows, its silhouettes of minor marquis in three-piece suits and its immense hairstyles have never ceased to inspire the world of haute couture. The Enlightenment, the age of French Europe according to the famous saying, continues to fascinate. The political and cultural prestige of France was at its highest, when wit, lightness and elegance metamorphosed into a veritable art of fine living. Since 1800, the fashion world has continued to refer back to the 18th century for both women’s and men’s clothing as well as for its textiles and accessories. Like mirrors reflecting each other, the garments exhibited, from haute couture to ready-to-wear, propose Self-guided architecture tour a modern reading of that extravagant century. Each designer adapts the period to his/her sensibility. Some a self-guided architectural tour takes you through the grand quote the 18th century shapes almost literally, while trianon’s most notable places at the same time as the "18th century others deconstruct them, expand their dimensions and back in fashion" exhibition.
    [Show full text]
  • Hats by Madame Paulette: Paris Milliner Extraordinaire Free
    FREE HATS BY MADAME PAULETTE: PARIS MILLINER EXTRAORDINAIRE PDF Annie Schneider,Stephen Jones | 160 pages | 22 Apr 2014 | Thames & Hudson Ltd | 9780500517314 | English | London, United Kingdom Fashion books to look forward to | Financial Times Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Hats by Madame Paulette will appeal to fashion experts and aficionados of fine millinery alike, providing an essential guide on the most indispensable fashion item of the mid-twentieth century; no woman would consider herself formally dressed without a hat. Get A Copy. Hardcoverpages. More Details Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Hats by Madame Pauletteplease sign up. Be the first to ask a question about Hats by Madame Paulette. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Nov 14, Lisa rated it liked it. I didn't love this book or hate it. I think that I was just surprised on the lay out of the book. I thought that this was going to be a history of different hats that this designer has done, instead this was more of a biography of this designer. That was my bad. I did enjoy the book, I had myself a laugh on the different hats.
    [Show full text]
  • THIERRY MUGLER: COUTURISSIME April 3 – August 30, 2020
    Press Release THIERRY MUGLER: COUTURISSIME April 3 – August 30, 2020 For the first time in Germany, the Kunsthalle München is presenting an exhibition about the French creator Thierry Mugler. It is initiated, produced and circulated by the Montreal Museum of Fine Arts, in collaboration with the Maison Mugler. The exhibition is curated by Thierry-Maxime Loriot under the direction of Nathalie Bondil, Director General and Chief Curator of the Montreal Museum of Fine Arts. This spectacularly staged retrospective presents the multifaceted work of this visionary couturier, director, photographer and perfumer. It showcases more than 150 haute couture and prêt-à-porter outfi ts, stage costumes and accessories, videos, photographs, design sketches, and archival material created between 1977 and 2014. Some 100 works by famous fashion photographers who have staged Mugler’s creations, from Helmut Newton (1920–2004) to David LaChapelle (*1963), round out the exhibition. In the early 1970s, Mugler, who was trained as a classical ballet dancer, revolutionized fashion by countering the fl owing bohemian looks of the hippie era with morphological and futuristic cuts as well as sculptural, elegant, and form-fi tting silhouettes. With his designs, Mugler lent heroic strength to the people he once described as “fragile, beautiful creatures”. In times of cocooning, of retreating from a world perceived as unmanageable and threatening into a domestic private life, Mugler created glamorous armor that transformed women into superheroines by borrowing from the world of animals and myths as well as from the universe of modern technology and architecture. He experimented with innovative materials such as metal, Plexiglas, fake fur, vinyl and latex.
    [Show full text]
  • INSIDE the MAGICAL WORLD of MAKEUP ARTIST PAT Mcgrath
    AN ISSUE OF WOMEN’S WEAR DAILY THE BUSINESS OF BEAUTY THE CREATIVE ISSUE ANGEL’S ASTONISHING RUN ON THE EDGE WITH NEIL KRAFT FASHION TAKES ON BEAUTY—AGAIN Hello Darling! INSIDE THE MAGICAL WORLD OF MAKEUP ARTIST PAT McGRATH %%3*;&29(5DLQGG $0 $QQSPWFEXJUIXBSOJOHT SUN PROTECTION FOR EVERY SKIN TONE UNDER THE SUN SUNCARE BREAKTHROUGH THE 1ST SPF 50+ SUNSCREEN IN AN OIL* NEW SHEER PROTECT SUNSCREEN OIL SPF + 50 I UVA/UVB broad spectrum protection I Effective sun protection for all ethnicities I Clean, non-greasy feel I Dermatologist tested Won’t clog pores or cause acne Also available in SPF 30 and 15 ** LOREALPARISUSA.COM/SUN ©2013 L’Oréal USA, Inc. *Sublime Sun Sheer Protect Sunscreen Oil SPF 50+ is the fi rst SPF oil with SPF 50 or above in mass market. **The Melanoma Research Alliance name and logo are used with its permission which ADVANCED SUNCARE in no way constitutes an endorsement, express or implied, of any company or product. The Skin Cancer Foundation recommends this product as an effective broad spectrum sunscreen. For every skin tone under the sun. SUN PROTECTION FOR EVERY SKIN TONE UNDER THE SUN SUNCARE BREAKTHROUGH THE 1ST SPF 50+ SUNSCREEN IN AN OIL* NEW SHEER PROTECT SUNSCREEN OIL SPF + 50 I UVA/UVB broad spectrum protection I Effective sun protection for all ethnicities I Clean, non-greasy feel I Dermatologist tested Won’t clog pores or cause acne Also available in SPF 30 and 15 ** LOREALPARISUSA.COM/SUN ©2013 L’Oréal USA, Inc. *Sublime Sun Sheer Protect Sunscreen Oil SPF 50+ is the fi rst SPF oil with SPF 50 or above in mass market.
    [Show full text]
  • Inspiration and Vision
    SALVATORE FERRAGAMO INSPIRATION AND VISION Museo Salvatore Ferragamo 27 May 2011 - 12 March 2012 “We are all flowing with the eternal tide, and of the eternal tide only is there no end.” From Shoemaker of Dreams, the autobiography of Salvatore Ferragamo (ed. Skira 2010) On the 26th of May 2011, Museo Salvatore Ferragamo will inaugurate a new exhibition and museum layout in Florence’s historic Palazzo Spini Feroni, the brand’s headquarters since 1938. The first two rooms of the museum will be devoted to the history and work of Salvatore Ferragamo, with a rotating display of his most creative women’s shoes, styles that best reflect his work, in order to satiate the curiosity of the many Ferragamo fans and lovers of women’s shoes. The remaining rooms will host the exhibitions organised by the museum, covering a plethora of new aspects with one common denomi- nator: taking inspiration from the story of Ferragamo and his celebrated shoes. SALVATORE FERRAGAMO: INSPIRATION AND VISION. THE WORKS ON DISPLAY This project is the most complex ever to be undertaken by Museo Salvatore Ferragamo. Not consider- ing the museum’s permanent collection, in which 102 different shoe styles will be shown, in addition to documents, photographs and the lasts made for Ferragamo’s famous customers, the actual exhibition will comprise 255 pieces, including 99 Salvatore Ferragamo shoes dating back to the 1920’s through to the end of 1950, along with 156 works of art from public and private collections, not only in Florence and Italy, but around the world. What ties
    [Show full text]
  • French Fashion Designers 4 5 by Brigit Viney 6
    Penguin Readers Factsheets level E Teacher’s notes 1 2 3 French Fashion Designers 4 5 by Brigit Viney 6 ELEMENTARY SUMMARY rench Fashion Designers gives a lot of BACKGROUND AND THEMES information about the most famous French F FRENCH FASHION DESIGNERS designers, their even more famous fashion French fashion designers, famous all over the world houses, their ideas about fashion, and other for their very expensive clothes, perfumes, scarves, products sold by them. Although the French fashion bags, and sunglasses—for women and men—have world has traditionally been dominated by men, with dominated the world of fashion throughout the the exception of Coco Chanel, the book has a twentieth century and into the twenty-first. They separate section on women designers. There is a have all gotten started by having an interest in quiz at the beginning of the book that tests the fashion and an original idea. Coco Chanel started readers’ knowledge, as well as a very helpful page out in 1910 selling hats in Paris. By 1936 she was with words in fashion clearly illustrated to help selling nearly 28,000 designs each year with nearly students learn the vocabulary before reading. 4,000 people working for her fashion house, Chanel. Students will enjoy the later quizzes in the book Christian Dior started working in fashion in 1935 with “Can you be a fashion designer?” and “Who are three workrooms and 85 workers. His clothes used a you?” lot of material and were very expensive. By the There are fascinating statistics about French 1950s, he had 28 workrooms and more than 1,000 fashion houses and what they mean to the economy workers in Paris.
    [Show full text]
  • A Textile Couture Experience
    A TEXTILE COUTURE EXPERIENCE CHEENA NICOLE RAIFORD CCA+D MASTER OF ARTS EXHIBITION DESIGN THESIS/EX7900/STUDIO B SPRING 2013/SP01 MAY 2013 CLASH: A Textile Couture Experience By Cheena Nicole Raiford A Thesis Submitted to the Graduate Faculty of Corcoran College of Art + Design in Partial Fulfillment of The Requirements for the Degree of Master of Arts Exhibition Design Committee: ___________________________________________ Thesis Advisor Selma Thomas ___________________________________________ Department Chairperson Clare Brown ___________________________________________ Provost Catherine Armour Date: May 2013 Corcoran College of Art + Design Washington, D.C. CHEENA NICOLE RAIFORD CCA+D MASTER OF ARTS EXHIBITION DESIGN THESIS/EX7900/STUDIO B SPRING 2013/SP01 MAY 2013 A TEXTILE COUTURE EXPERIENCE clash: a textile couture experience A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Corcoran College of Art and Design By Cheena Nicole Raiford Bachelor of Arts Norfolk State University, December 2007 Advisor: Selma Thomas Adjunct Professor Spring Semester 2013 Corcoran College of Art + Design Washington, D.C. CHEENA NICOLE RAIFORD CCA+D MASTER OF ARTS EXHIBITION DESIGN THESIS/EX7900/STUDIO B SPRING 2013/SP01 MAY 2013 A TEXTILE COUTURE EXPERIENCE © Copyright 2013 Cheena Nicole Raiford All Rights Reserved CHEENA NICOLE RAIFORD CCA+D MASTER OF ARTS EXHIBITION DESIGN THESIS/EX7900/STUDIO B SPRING 2013/SP01 MAY 2013 A TEXTILE COUTURE EXPERIENCE DEDICATION I dedicate this project to my fellow fashionistas, art enthusiasts, and all individuals that are soul believers of standing out from the norm, striving to be uniquely different. CLASH A TEXTILE EXPERIENCE I CHEENA NICOLE RAIFORD CCA+D MASTER OF ARTS EXHIBITION DESIGN THESIS/EX7900/STUDIO B SPRING 2013/SP01 MAY 2013 A TEXTILE COUTURE EXPERIENCE acknowledgements First and foremost, I would like to thank my mom, Loretta W.
    [Show full text]
  • Press Release
    Press Release THIERRY MUGLER: COUTURISSIME extended till Mid-April 2021 For the first time in Germany, the Kunsthalle München is presenting an exhibition about the French creator Thierry Mugler. It is initiated, produced and circulated by the Montreal Museum of Fine Arts (MMFA), in collaboration with the Maison Mugler which restored the designer’s heritage couture. The exhibition is curated by Thierry-Maxime Loriot. This spectacularly staged retrospective presents the multifaceted work of this visionary couturier, director, photographer and perfumer. It showcases more than 150 haute couture and prêt-à-porter outfits, stage costumes and accessories, videos, photographs, design sketches, and archival material created between 1977 and 2014. Some 100 works by famous fashion photographers who have staged Mugler’s creations, from Helmut Newton (1920–2004) to David LaChapelle (*1963), round out the exhibition. In the early 1970s, Mugler, who was trained as a classical ballet dancer, revolutionized fashion by countering the flowing bohemian looks of the hippie era with morphological and futuristic cuts as well as sculptural, elegant, and form-fitting silhouettes. With his designs, Mugler lent heroic strength to the people he once described as “fragile, beautiful creatures”. In times of cocooning, of retreating from a world perceived as unmanageable and threatening into a domestic private life, Mugler created glamorous armor that transformed women into superheroines by borrowing from the world of animals and myths as well as from the universe of modern technology and architecture. He experimented with innovative materials such as metal, Plexiglas, fake fur, vinyl and latex. “My only measure is excess,” said Mugler of his extravagant creations.
    [Show full text]
  • Thierry Mugler – Couturissime Press Release 30 Sept
    Thierry Mugler – Couturissime Press release collection, Haute couture fall/winter 1997-1998 © Alan Strutt La Chimère (London, 1997). 30 Sept. 2021 Sept. 30 Yasmin Le Bon Yasmin — 24 April 2022 — 24 Alan Strutt, ORGANIZED BY WITH THE PARTICIPATION OF INTERNATIONAL TOUR SPONSORS WITH THE SUPPORT OF THE FRIENDS OF THE MUSÉE DES ARTS DÉCORATIFS Thierry Mugler – Couturissime 1. Les Insectes collection — From September 30th, 2021 until April haute couture 24th, 2022, the Musée des Arts Décoratifs spring/summer 1997 in Paris will present Thierry Mugler, Rubber suit, “tire” effect Couturissime, initiated, produced and Collaboration with circulated by the Montreal Museum of Fine Abel Villarreal Arts (MMFA) in 2019. © Patrice Stable This major and unparalleled exhibition 2. Anniversaire des will retrace the work of Thierry Mugler, 20 ans collection — a singular artist who has revolutionized Haute couture the worlds of fashion, haute couture and fall/winter 1995-1996 perfume throughout his distinguished © Patrice Stable career. PRESS RELEASE 2. The stage offered by the Musée des Arts Décoratifs for Mugler’s exceptional creations will mark the return of this visionary artist to Paris, where his fame began nearly five decades ago. From ready-to-wear and haute couture silhouettes to stage costumes, photographs, films and unpublished archives dating from 1973 to 2014, Thierry Mugler, Couturissime will showcase the fascinating universe of this creator and his multiple collaborations in the fields of entertainment, music and cinema. Curated by Thierry-Maxime Loriot, a collective scenography with the MMFA will include digital performances by entertainment and audiovisual professionals. 1. The Musée des Arts Décoratifs is delighted to pay homage to this multidisciplinary icon.
    [Show full text]
  • Vauthier Worked with Thiérry Mugler and Jean-Paul Gaulthier Before Launching His Eponymous Label in 2008
    Haute Couturier AlexaNDRE Vauthier talks to BBeyond After graduating from ESMOD (École Supérieure des Arts et Techniques de la Mode), Vauthier worked with Thiérry Mugler and Jean-Paul Gaulthier before launching his eponymous label in 2008. He has since then presented a collection at Haute Couture Fashion Week in Paris and has many French and international high profile clients and brand ambassadors. 44 Where do you draw your inspiration? Are you still influenced by the designers you Vauthier knows how to sculpt a worked for? seductive silhouette - the smooth I draw my inspiration from the women around me; I listen to them and what I create is a synthesis of the world I perceive around me. The recurrent colours lines belie a sophistication of cut black, white and gold for example, come from vivid childhood memories. My 4 years working with Thierry Mugler taught me the “architecture” of a while the draping technique and garment whereas with Gauthier, I learnt to de-structurise and work in a 3D dimension when creating a piece; I became less rigid in my approach and was marked (oversized) shoulders able to incorporate my own sensibilities. After ESMOD, I was still on a learning curve and both designers were “mentors” for me - the richness of what I learnt emphasise femininity. working alongside them, certainly played a part in shaping who I am now as a designer. When he launched his own haute Define Haute Couture in your own words couture house, he partnered with The couture style is different from Haute Couture (HC). HC is a savoir-faire.
    [Show full text]
  • The Fashion Diaries So Long to the Killer B’S, J.Lo Leads the A-List Back to the New York Shows
    WWDEYE ON THE INSIDE SCOOP GIRLS OF FALL KRISTEN STEWART SOPHIE OKONEDO ZOE K AZAN ALEXA CHUNG JENNIFER CARPENTER AND MORE AUERMANN AND WEBB POST-RUNWAY LIFE GOES ON THE FASHION DIARIES SO LONG TO THE KILLER B’S, J.LO LEADS THE A-LIST BACK TO THE NEW YORK SHOWS. SONIA RYKIEL’S LEFT BANK PLUS BACKSTAGE SNAPS ILLUSTRATION MAN LE BERNARDIN STEPHEN JONES BRUSSELS SPROUTS DR. DENIS LEARY THE $1 MILLION CAR AT PLAY DOWN UNDER ANNE HATHAWAY shop at lancome-usa.com DNR_FN spread.indd 2 8/28/08 12:10:48 PM DNR_FN spread.indd 3 8/28/08 12:11:19 PM havaianasus.com Supp-web_Template.indd 2 9/10/08 6:38:01 PM Supp-web_Template.indd 3 9/10/08 6:38:17 PM s c o o p 60 CONTENTS WATCH OUT 40 HEAD CASE 16 MARK YOUR CALENDARS: Art in Hats are Stephen Jones’ top priority. Berlin, nostalgia in Paris and couture in Chicago. 42 WHAT WAS YOUR BIGGEST FASHION FAUX PAS? EYE OPENERS The most embarrassing moments of the chic set. 18 UNDER THE COVERS 43 DISASTER AREA From skateboarders to soccer players, dogs to …Then again, some people just never learn. ON THE COVER: Jennifer Lopez, tycoons, books that speak volumes. photographed by Steve Eichner, front row at 20 GIRLS OF FALL ARTS & PEOPLE Diane von Furstenberg. The leaves are changing, and so, too, are the starlets to watch. 44 STRANGER THAN FICTION Philippe Parreno brings magic to his art. FASHION 46 GRECIAN FORMULA Hydra inspires Demetri Gassoumis. 26 THE FASHION DIARIES The A-list returns to New York Fashion Week.
    [Show full text]
  • Beyoncé's 'Black Is King': Let's Discuss by Jason Farago, Vanessa
    Beyoncé’s ‘Black Is King’: Let’s Discuss By Jason Farago, Vanessa Friedman, Gia Kourlas, Wesley Morris, Jon Pareles and Salamishah Tillet July 31, 2020 Six critics on the visual album rooted in her “Lion King”-inspired record “The Gift,” a grand statement of African-dias- pora pride and creative power. Beyoncé’s “Black Is King,” a visual album consisting of songs from “The Lion King: The Gift,” teamed the pop superstar with directors, choreographers and fashion designers.Credit...Null/Parkwood Entertainment and Disney+, via Associated Press When Beyoncé took a speaking role as Nala — the eventual queen — in the 2019 remake of “The Lion King,” she decided to delve beyond Disney’s Hollywood version of Africa. She added a new, gospel-charged song, “Spirit,” to the film’s soundtrack, and gathered an international coalition, featuring up-and-coming African songwriters and producers, to join her on a full-length album, “The Lion King: The Gift.” Now she has turned songs from the album into a film of her own, working with various directors as she did on her visual albums “Beyoncé” and “Lemonade.” Here, critics for The New York Times discuss the imagery and implications of “Black Is King.” Wesley Morris, critic at large Let’s take a moment, shall we, to appreciate that beauty will make you tolerate anything, including waking up at the crack of dawn to behold it. Very little compares to the rising sun. Often not much tops Beyoncé and the extremes sometimes required to experience her (canceling an evening, dropping everything, getting filthy at Coachella).
    [Show full text]