Culture of Turkey
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Why Stockton Folk Dance Camp Still Produces a Syllabus
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2018 FINAL In Memoriam Rickey Holden – 1926-2017 Rickey was a square and folk dance teacher, researcher, caller, record producer, and author. Rickey was largely responsible for spreading recreational international folk dancing throughout Europe and Asia. Rickey learned ballroom dance in Austin Texas in 1935 and 1936. He started square and contra dancing in Vermont in 1939. He taught international folk dance all over Europe and Asia, eventually making his home base in Brussels. He worked with Folkraft Records in the early years. He taught at Stockton Folk Dance Camp in the 1940s and 50s, plus an additional appearance in 1992. In addition to dozens of books about square dancing, he also authored books on Israeli, Turkish, Bulgarian, Hungarian, Greek, and Macedonian dance. STOCKTON FOLK DANCE CAMP – 2018 FINAL Preface Many of the dance descriptions in the syllabus have been or are being copyrighted. They should not be reproduced in any form without permission. Specific permission of the instructors involved must be secured. Camp is satisfied if a suitable by-line such as “Learned at Folk Dance Camp, University of the Pacific” is included. Loui Tucker served as editor of this syllabus, with valuable assistance from Karen Bennett and Joyce Lissant Uggla. We are indebted to members of the Dance Research Committee of the Folk Dance Federation of California (North and South) for assistance in preparing the Final Syllabus. Cover art copyright © 2018 Susan Gregory. (Thanks, Susan.) Please -
Reflections on Bandista
Turkey and Copyleft Music Production: Reflections on Bandista Ilkin Mehrabov Karlstad University, Sweden [email protected] Abstract This article focuses on copyleft music production in Turkey through a case study on Bandista, a music collective with strong oppositional stance formed in 2006 in Istanbul. Describing its musical performances as "situationist experiment of rage and rapture" Bandista became immensely popular in the Turkish political music scenery after releasing its debut album De te fabula narratur in 2009 under the copyleft scheme. The article tries to look at the copyleft with the notion of 'music as performance' in mind, and argues that copyleft politics are essential, especially for new music bands to form themselves as independent actors within the music scene. Keywords: Bandista, copyleft music, Turkey, performance, punk Introduction Bookshelves, academic journals, popular magazines and from its earliest emergence the Internet itself is filled with books, articles, papers and web-posts about the issue of copyright, and most of the time people involved within the discussion about the pros and cons of the matter are divided into two distinctive camps. Fierce copyright advocate Adam D. Moore defines these camps as "cyber-punks, hackers, and net surfers who claim that 'information wants to be free' and that intellectual property rights give undue credit to authors and inventors", and on the other hand, "collected cannons of Anglo-American copyright, patent, and trade secret law" (Moore 2001: 1). Notion of copyright and heated debates over it seems to point to one of the most pressing issues within the current global economic order: Culture Industry and its continuation as “business as usual'. -
Çalği Alətlərinin Texniki Və Bədii Ifadə Imkanlari
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History of the Turkish People
June IJPSS Volume 2, Issue 6 ISSN: 2249-5894 2012 _________________________________________________________ History of the Turkish people Vahid Rashidvash* __________________________________________________________ Abstract The Turkish people also known as "Turks" (Türkler) are defined mainly as being speakers of Turkish as a first language. In the Republic of Turkey, an early history text provided the definition of being a Turk as "any individual within the Republic of Turkey, whatever his faith who speaks Turkish, grows up with Turkish culture and adopts the Turkish ideal is a Turk." Today the word is primarily used for the inhabitants of Turkey, but may also refer to the members of sizeable Turkish-speaking populations of the former lands of the Ottoman Empire and large Turkish communities which been established in Europe (particularly in Germany, France, and the Netherlands), as well as North America, and Australia. Key words: Turkish people. History. Culture. Language. Genetic. Racial characteristics of Turkish people. * Department of Iranian Studies, Yerevan State University, Yerevan, Republic of Armeni. A Monthly Double-Blind Peer Reviewed Refereed Open Access International e-Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gage, India as well as in Cabell’s Directories of Publishing Opportunities, U.S.A. International Journal of Physical and Social Sciences http://www.ijmra.us 118 June IJPSS Volume 2, Issue 6 ISSN: 2249-5894 2012 _________________________________________________________ 1. Introduction The Turks (Turkish people), whose name was first used in history in the 6th century by the Chinese, are a society whose language belongs to the Turkic language family (which in turn some classify as a subbranch of Altaic linguistic family. -
What Is Belly Dance?
What Is Belly Dance? THE PYRAMID DANCE CO. INC. was originally founded in Memphis 1987. With over 30 years Experience in Middle Eastern Dance, we are known for producing professional Dancers and Instructors in belly dancing! The company’s purpose is to teach, promote, study, and perform belly dance. Phone: 901.628.1788 E-mail: [email protected] PAGE 2 CONTACT: 901.628.1788 WHAT IS BELLY DANCE? PAGE 11 What is the belly dance? Sadiia is committed to further- ing belly dance in its various The dance form we call "belly dancing" is derived from forms (folk, modern, fusion , traditional women's dances of the Middle East and interpretive) by increasing pub- North Africa. Women have always belly danced, at lic awareness, appreciation parties, at family gatherings, and during rites of pas- and education through per- sage. A woman's social dancing eventually evolved formances, classes and litera- into belly dancing as entertainment ("Dans Oryantal " in ture, and by continuing to Turkish and "Raqs Sharqi" in Arabic). Although the his- study all aspects of belly tory of belly dancing is clouded prior to the late 1800s, dance and producing meaning- many experts believe its roots go back to the temple ful work. She offers her stu- rites of India. Probably the greatest misconception dents a fun, positive and nur- about belly dance is that it is intended to entertain men. turing atmosphere to explore Because segregation of the sexes was common in the movement and the proper part of the world that produced belly dancing, men of- techniques of belly dance, giv- ten were not allowed to be present. -
Connecting Through Dance
Connecting Through Dance: The Multiplicity of Meanings of Kurdish Folk Dances in Turkey Mona Maria Nyberg Thesis submitted in partial fulfillment of the M.A. degree Department of Social Anthropology, University of Bergen Spring 2012 The front page photograph is taken by Mona Maria Nyberg at a Kurdish wedding celebration. The women who are dancing in the picture are not informants. II Acknowledgements While studying for an exam during my time as a bachelor student, I read a work by Professor Bruce Kapferer which made me reconsider my decision of not applying for the master program; I could write about dance, I realized. And now I have! The process has been challenging and intense, but well worth it. Throughout this journey I have been anything but alone on this, and the list of persons who have contributed is too long to mention. First of all I need to thank my informants. Without you this thesis could not have been written. Thank you for your help and generosity! Especially I want to thank everyone at the culture centers for allowing me do fieldwork and participate in activities. My inmost gratitude goes to two of my informants, whose names I cannot write out of reasons of anonymity - but you know who you are. I want to thank you for allowing me into your lives and making me part of your family. You have contributing to my fieldwork by helping me in in innumerous ways, being my translators – both in terms of language and culture. You have become two of my closest friends. -
Folk Dance in Bulgaria Today
„Този проект е финансиран с подкрепата на Европейската комисия. Публикацията отразява само личните виждания на автора и от Комисията не може да бъде търсена отговорност за използването на съдържащата се в нея информация.” 2 3 Short Bulgarian History The oldest traces of human presence in our land are from Paleolithic Age –before 1.6 million years. Archaeological finds in the ―Kozarnika‖ cave, near the town of Belogradchik, testify to the life of the first inhabitants of southeastern Europe. With the emergence of agriculture (VII-VI millennium BC) in the valleys of Struma and Mesta rivers, the live of people here is transformed. Dwellings of stone and wood, permanent settlements and tribes appeared. The discovery of copper noted a peak in the agriculture in our land. Open in 1972, Varna treasure is evidence of advanced human relationships - property differentiation. In the III-II millennium BC, with the arrival of the nomadic tribes of the north and merging them with the local farmers, formed a large tribal community - the Thracians. Their culture is described by the ancient Greeks. The largest Thracian tribe- Odrysaeans, founded in V century BC their country, between the Maritsa River and Black Sea, led by king Teres. Thracians established a rich culture, although they have no script. Many lavish tombs in our lands reveal the sacraments of faith in the afterlife. Top of the art of the ancient Thracian is tomb of Kazanlak . 4 Since 1979, Kazanlak Tomb is in the List of World Heritage of UNESCO. Thracians demonstrated exceptional craft skills in the processing of gold and silver. -
Dutchcu|Ture Dance in Turkey |
Centre for international DutchCu|ture | cooperation Dance in Turkey Version 2019 | Written by Zeynep Günsür Dance in Turkey Dance in Turkey Version 2019 In 2011, SICA (the predecessor of DutchCulture) Acknowledgements produced a comprehensive mapping of the Turkish Written by Zeynep Günsür cultural field. This mapping was written by local experts and edited by Teike Asselbergs and Chantal Edited by Chantal Hamelinck and Teike Asselbergs. Hamelinck. The mapping was produce as a means to Proofread by Natasha Hay. promote cultural exchange between the Netherlands and Turkey and as a starting point of the year 2012, Commissioned by DutchCulture, centre for internati- which marked 400 years of Dutch – Turkish diplo- onal cooperation. matic relations. The mapping was supported and produced in close co-operation with the Dutch public Supported by the Ministry of Education, Culture and funds. Science of the Netherlands. An update of these mappings was commissioned in 2018 by DutchCulture while working with the same editors. The existing mappings were revised and several new mappings were added. The updated mappings are focusing more on giving Dutch cultu- ral practitioners an insight into the Turkish cultural field and its infrastructure, and helping them get in contact with colleagues. This mapping is supported by the Ministry of Education, Culture and Science of the Netherlands. Page 2 Dance in Turkey Contents Summary 4 Introduction 5 Short History 6 Main trends and topics 10 Popular 16 Audiences 17 Sub-disciplines 18 Professional groups and -
First Class Mail PAID
FOLK DANCE SCENE First Class Mail 4362 COOLIDGE AVE. U.S. POSTAGE LOS ANGELES, CA 90066 PAID Culver City, CA Permit No. 69 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ ADDRESS _________________________________________ PHONE (_____)_____–________ CITY _________________________________________ STATE __________________ E-MAIL _________________________________________ ZIP __________–________ Please mail subscription orders to the Subscription Office: 2010 Parnell Avenue Los Angeles, CA 90025 Ragtime Bands at the West Coast Ragtime Festival (Allow 6-8 weeks for subscription to go into effect if order is mailed after the 10th of the month.) Published by the Folk Dance Federation of California, South Volume 38, No. 8 October 2002 Folk Dance Scene Committee Club Directory Coordinators Jay Michtom [email protected] (818) 368-1957 Jill Michtom [email protected] (818) 368-1957 Beginner’s Classes Calendar Jay Michtom [email protected] (818) 368-1957 On the Scene Jill Michtom [email protected] (818) 368-1957 Club Time Contact Location Club Directory Steve Himel [email protected] (949) 646-7082 CABRILLO INT'L FOLK Tue 7:00-8:00 (858) 459-1336 Georgina SAN DIEGO, Balboa Park Club Contributing Editor Richard Duree [email protected] -
History and Actual Image of Oil Wrestling”
International Journal of Ethnosport and Traditional Games, №2 (2) For references: Bakhrevskiy, Eugeniy. (2019) “History and actual image of oil wrestling”. International Journal of Ethnosport and Traditional Games, №2 (2), 12–36. DOI: https://www.doi.org/10.34685/HI.2020.75.15.002 HISTORY AND ACTUAL IMAGE OF OIL WRESTLING Eugeniy Bakhrevskiy PhD in philology, ORCID: 0000-0003-1246-3398 Russian Heritage Institute, Deputy Director; E-mail: [email protected] RUSSIA Abstract Turkish “oil wrestling” (yağlı güreş) has a great popularity in Turkey, spread in some neighboring countries (Bulgaria, Macedonia, Albania), in Western Europe and Japan there are amateur clubs of this wrestling. That is complex system of accompanying rituals and attributes, it is based on ancient folklore tradition, and in modern conditions it became an important symbol of Turkish national consciousness. An Oil wrestling long enough became a subject of scientific interest; there is a series of books on its history and a lot of papers. At the same time caring publicists note that still we don’t have a satisfactory scientific description of oil wrestling, neither in Turkish nor in other languages. The article presents the results of a study of historical development of oil wrestling, listed in the UNESCO Intangible Cultural Heritage. Symbolic and ritual elements of nowadays oil wrestling and Kırkpınar festival (ağa, cazgır, peşrev, kıspet etc.) were analyzed. Kırkpınar festival came into being in the end of the 19th century, in the period of wrestlers’ tekke system decay, when the well-known masters from Edirne and Constantinople began to participate to the local festival on Hıdırellez, after that it became very popular even on national level. -
Tarih Boyunca Türk Askeri Müziğinde Kullanilan Sazlar
i T.C. SELÇUK ÜNøVERSøTESø SOSYAL Bø/øMLERø ENSTøTÜSÜ MÜZøK ANABø/øM DALI TÜRK SANAT MÜZøöø Bø/øM DALI TARøH BOYUNCA TÜRK ASKERø MÜZøöøNDE KULLANILAN SAZLAR Süleyman YARDIM YÜKSEK LøSANS TEZø DanÕúman Yrd. Doç. Dr. Sema SEVøNÇ Konya – 2010 ii T.C. SELÇUK ÜNøVERSøTESø Sosyal Bilimler Enstitüsü Müdürlü÷ü %ø/øMSEL ETøK SAYFASI Bu tezin proje safhasÕndan sonuçlanmasÕna kadarki bütün süreçlerde bilimsel eti÷e ve akademik kurallara özenle riayet edildi÷ini, tez içindeki bütün bilgilerin etik davranÕú ve akademik kurallar çerçevesinde elde edilerek sunuldu÷unu, ayrÕca tez yazÕm kurallarÕna uygun olarak hazÕrlanan bu çalÕúmada baúkalarÕQÕn eserlerinden yararlanÕlmasÕ durumunda bilimsel kurallara uygun olarak atÕf yapÕldÕ÷ÕQÕ bildiririm. Süleyman YARDIM iii T.C. SELÇUK ÜNøVERSøTESø Sosyal Bilimler Enstitüsü Müdürlü÷ü YÜKSEK LøSANS TEZø KABUL FORMU Süleyman YARDIM tarafÕndan hazÕrlanan Tarih Boyunca Türk Askeri Müzi÷inde KullanÕlan Sazlar baúOÕklÕ bu çalÕúma, tarihinde yapÕlan savunma sÕnavÕ sonucunda oybirli÷i/oyçoklu÷u ile baúarÕOÕ bulunarak, jürimiz tarafÕndan yüksek lisans tezi olarak kabul edilmiútir. DanÕúman Yrd. Doç. Dr. Sema SEVøNÇ jüri jüri Prof. Yusuf AKBULUT Yrd. Doç. Dr. Serdar ÇAKIRER iv TEùEKKÜR Yüksek lisans e÷itimim boyunca desteklerini hiç esirgemeyen tez danÕúman hocam Yrd. Doç. Dr. Sema SEVøÇ’ e, bu tezin baúlangÕFÕndan bugüne kadar gelemsinde sonsuz deste÷i bulunan sevgili hocam Prof. Yusuf AKBULUT’ a, ilk tez danÕúmanÕm ve konu seçiminde bana yardÕmcÕ olan hocam Yrd. Doç. Hamit ÖNAL’A, tezi hazÕrlamamda büyük yardÕmlarÕQÕ gördü÷üm Kültür ve Turizm BakanlÕ÷Õ Klasik Türk Müzi÷i ses sanatçÕVÕ Timuçin ÇEVøKOöLU beyefendi’ye ve bu tezin son haline gelmesinde bana yardÕmlarÕQÕ hiç esirgemeyen arkadaúÕm Arú. Gör. Murat CAN’ a sonsuz teúekkürlerimi sunarÕm. -
BA Turkish and X
Programme specification 2012/2013 School of Oriental and African Studies The following information forms the programme specification at the School of Oriental and African Studies, University of London. It gives definitive information relating to a programme of study and is written for a public audience, particularly prospective and current students. It is also used for other purposes such as initial programme approval, and is therefore produced at the start of the programme development process. Once approved, it forms the base- line information for all statements relating to the programme and is updated as approved amendments are made. CORE INFORMATION Programme title Turkish and another subject Final award BA Honours Intermediate awards n/a Mode of attendance Full-time UCAS code Turkish may be combined with: Arabic TR69 BA/TUA Development Studies LTX6 BA/TUDVS Economics LTC6 BA/TUEC French* Geography** LTR6 BA/TUGE Georgian TTP9 BA/TUGN History TVP1 BA/TUH History of Art/Archaeology VTH6 BA/HAATurk Linguistics QTC6 BA/LGTU Law MTC6 BA/TULW Modern Greek Studies# T630 BA/TSMG Music TWP3 BA/TUMS Persian T661 BA/TUP Politics LTF6 BA/TUPOL Social Anthropology LTP6 BA/TUSA Study of Religions VT66 BA/TUSR * Taught at University College, London (Apply to UCL only) ** Taught at King's College, London # Taught at King's College, London (Apply to KCL only) Professional body accreditation n/a Date specification created/updated Updated February 2011 WHY CHOOSE THIS PROGRAMME? Why study at SOAS? SOAS is unique as the only higher education institution in the UK specialising in the study of Africa, Asia and the Middle East.