CD-Liste Cda1301 27.03.13

Total Page:16

File Type:pdf, Size:1020Kb

CD-Liste Cda1301 27.03.13 2025 mp3- CD CD CD 2 CD CD CD CD CD CD CD CD CD CD CD 2025,01 27.03.13 Desirée Rancatore,Desirée Saimir Pirgu, , , , , , , , , , , , , , , Alexander Spemann,Alexander Sanja Anastasia, Vida Mikneviciute, Christian Miedl, , Heikki Kilpeläinen, Hans-Otto Weiß, Thorsten Büttner, Kristine Opolais, Michaela Martens, Christopher Ventris, Breslik, Pavol Hanna Schwarz, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Deborah Voigt, Susan Graham, Giordani,Marcello Croft, Dwayne Cargill, Karen , Kwangchul Youn, , Magdalena Jonas Kozená, Kaufmann, Kostas Smoriginas, Genia Kühmeier, Christian van Horn, Schuen,André Jean-Paul Fouchécourt, Simene del Savio, Dina Kuznetsova, Jolana Fogas, Richard Paul Fink, Černoch, Pavel Mishura,Irina Andrea Porta, , , Marquise von Pompadour - Gesine XV. - Ludwig König Forberger, Andreas Jäpel, René - Jens Klaus MadeleineWilde, - Debra Stanley, - Belotte Cornelia Zink, Joseph Alberto Marcelo Álvarez, Mastromarino, Maria Siri,José Anna Malavasi, Giovanna Lanza, Chiara Sagona,Fracasso, Gabriele Pietro Fléville, -- -- -- -- -- Johannes Miah Weisser, Persson, Ann -- ,Hallenberg, , , , , -- -- -- -- -- -- -- -- cda1301 John Fiore Marc Niemann Renato Palumbo Marc Minkowski Hermann Bäumer Fabio Luisi Riccardo Chailly Myung-Whun Chung Gustavo Dudamel Gustavo Dudamel John Eliot Gardiner Bernard Haitink Fabio Luisi -- Sir Simon Rattle -- -- -- -- -- -- -- -- -- -- -- -- -- t Orchestra Coro Te del e K Symphonieorchester des K Philharmonisches Staats O Chorund Orchester der O Berliner Philharmoniker K Sächsische Staatskapell K Wiener Philharmoniker K Berliner Philharmoniker K The MetropolitanThe Opera O Berliner Philharmoniker O Orchestra Coro Te del e O Philharmonisches Orche O Orchestra Coro Te del e O O BBC Orches Symphony Venedig Luzern Mainz Zürich Berlin Dresden Salzburg Berlin Berlin Cottbus Turin London New York New Neapel Seite: 1 Seite: Jenufa Die Die Trojaner Chénier André 22.01.2013 26.01.2013 20.01.2013 15.12.2012 12.01.2013 23.09.2012 09.01.2013 08.01.2013 26.01.2013 31.01.2013 29.12.2012 01.04.2012 05.01.2013 2013 2012 2012 2013 2013 2013 2012 2013 2012 2013 2013 2013 2013 ------ 2012 ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ 31.01.2013 Mozart - MozartBruckner - Verdi - Verdi - - Tschaikowski Rossini Wagner - Mozart - Wagner Barber Bartók - - Strauss Messiaen - Mahler - Messiaen Její pastorkyna - Mendelssohn Bruckner Der Prinz von Der Prinz von Homburg Andrea Chénier Andrea Peer Gynt Madame Pompadour Madame Carmen Rusalka Les Troyens Les ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ 27.03.13 S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 Konzert Oper 3 Janácek Oper 6 Henze op. 23 Grieg Oper 3 Giordano Operette 31 op. 114 Fall Dvorák Oper 6 Bizet W W 901 Berlioz CD-Liste CD CD CD CD CD CD CD CD CD CD CD CD CD CD 27.03.13 Renée Fleming, , Fleming, Renée , , , , , , , , , , , , , , Günther Treptow, Piero Cappuccilli,GüntherPiero Treptow, Rita Cossotto, Fiorenza Hans Gorr, Hotter, Melchior,Lauritz Mario del Monaco, , Maria Cebotari, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , -- , , , , , , , , -- Violetta Urmana, Stephen Gould, -- Dohmen,Albert , , , , , , , , , , , , , -- DiDonato, Joyce Juan Florez, Diego -- Ann ,Hallenberg, , , , , Barna-Sabadus,Valer , , , , , , , -- -- -- -- -- -- -- -- -- cda1301 Marek Janowski Riccardo Muti Hans-Christoph Rademann Daniel Harding -- René Jacobs -- -- -- -- -- -- -- -- -- -- -- -- -- S S S S S S S S S L Musi Akademiefür Alte K O O O MDR Sinfonieorchester O O O Filarmonica Scala della K Musi Akademie für Alte K OrchestrePhilharmoniq O Symphonieorchester des K O O Wien Berlin op op op op op op Mailand Wien Paris München op op Seite: 2 Seite: 06.01.2013 01.01.2013 28.01.2013 17.11.2011 2012 2012 2013 2002 2012 2012 11.12.2012 1 1 1 2013 1 1 2013 ------ 2011 ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ Carl Philipp Emanuel PhilippCarl Emanuel Johann Bach - Bach Sebastian Jahres Wolf, Mahler, Schönberg, Korngold - Zemlinsky Leipzig Meyerbeer Giacomo Oper 2013 - die auf Ausblick des Höhepunkte Vor 90 Jahren: des Gründung Rundfunkorchesters Maria Cebotari RICHARD WAGNER Verdi - VerdiWagner - Cesti, Vinci, Porta, Vinci, Cesti, Weigl, Paer, Coccia Valer Barna-Sabadus Haydn - Busoni - - Busoni - Haydn MozartDvorák - Beethoven - Haydn - Beethoven Wagner Richard Mozart - Wagner - - MozartWagner - -Strauss ---- ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ 27.03.13 S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 S S 1 Konzert Konzert S S 1 Konzert S S 1 Konzert CD-Liste 2033 2042 mp3- mp3- CD 1 CD CD 2 CD CD CD 2 CD CD CD 3 CD CD CD CD CD 2042,01 2051,01 2034,02 2052,01 2033,01 27.03.13 Giorgio Berrugi, Giorgio Erika Grimaldi, Simone Alberghini, Longhi, Federico Sagona,Gabriele Ekaterina Bakanova, Matteo Peirone, Matteo Peirone, Kristine Opolais, Giuseppe Filianoti, Anna Christy, Marius Brenciu, Dwayne Croft, , , , Christian ,Gerhaher, , , , , , , , , , , , , , , Patricia Brinton / Gertrud Schretter, Gino Sinemberghi, Uta Ana Graf, Maria NormanFrederick Iriarte, Foster, Guthrie, Hans Strohbauer, Mona Paulee, , , , , , , , , Brown, Lioba , , , , , , , Wunderlich,Fritz , , , , , , , Bostridge, Patrizia Ciofi, Coote, Alice Paul Regazzo, Mario Luperi, Lorenzo Véronique Gens, Agnew, John Osborn, Laurent Naouri, Sonya Yoncheva, Yoncheva,Sonya Sonya Yoncheva, Laurent Michèle Losier, Laurent Alvaro, Alvaro, Sibylla Rubens,Sibylla , , , , , , , Robert Dean Smith, , , , , , , , , , , , , , , , Donnie Krisztina Ray Albert, Szabo, Elizabeth Futral, James Valenti, Richard Novak, Eudora Brown, , , -- -- -- -- -- -- -- -- -- /Natalie SoniaDessay Prina, Ian -- -- -- -- -- cda1301 Emmerich Smola Christian Thielemann Christian Thielemann Christian Thielemann Robin Ticciati Welser- Franz Möst Walker Antony Emmanuelle Haïm Paul Hindemith Marc Minkowski Renato Palumbo Marin Ion Hans Rosbaud -- Schneider Peter -- -- -- -- -- -- -- -- -- -- -- -- -- S S S WashingtonConcert Op Musiciens Les du Louvr Orchestra Coro Te del e O MetropolitanThe Opera O Bamberger Symphonike K Wiener Philharmoniker K O ConcertLe d'Astrée O Wiener Symphoniker O O SWRSinfonieorchester K O SWRRundfunkorcheste O Berliner Philharmoniker K O Sächsische Staatskapell K NDR Sinfonieorchester Turin Bamberg Wien Wien Lübeck Kaiserslautern Paris Paris Berlin Graupa Dresden Washington New York New ph Seite: 3 Seite: Die Die Schwalbe Der Schwur Der Orpheus Fassung: Paul Hindemith Hoffmanns Erzählungen 06.12.2012 11.01.2013 25.01.2013 02.12.2012 01.01.2013 31.05.2009 04.06.1954 22.11.2012 19.01.2013 26.01.2013 29.06.2007 2012 2013 2013 2009 2003 1954 2013 2012 2013 1 2012 2013 1 ------ 2007 ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ La Rondine La La Bohème La L'Orfeo Contes Les d'Hoffmann L'Orfeo Il giuramento Wagner - Mahler - - Mahler - Wagner Schumann Christian Thielemann Thielemann Christian Gespräch im Brahms - Busoni Giuseppe Verdi Giuseppe Richard Wagner Richard Archiven unseren Aus Aus unseren Archiven unseren Aus ------ ------ ------ ------ ------ ------ ------ 2013 Neujahrskonzert ------ ------ ------ ------ ------ ------ ------ 27.03.13 Oper 8 Puccini Oper 4 Puccini Oper 29 Offenbach Oper 1 Monteverdi Oper 1 Monteverdi Oper 44 Mercadante S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 Konzert S S 1 S S 1 Konzert Konzert S S 1 Konzert S S 1 Konzert CD-Liste 2026 2048 2034 mp3- mp3- mp3- CD CD 3 CD CD CD 2 CD CD 2 CD CD CD CD CD CD CD 2026,01 2048,01 2034,01 27.03.13 , , , , , , , , Cappuccilli,Piero Plácido Domingo, Nesterenko, Ghena Jewgenij Dimitrova, Lucia Valentini Terrani, , , , Cristina Faus, Jesús Roy, Alejandro Castejón, , , , , , Bernarda Bobro, Andrea Rost, Tania Breslik, Pavol Kross, Dietmar Kerschbaum, Dietrich Henschel, Ivan Nigel, / Georg Lhote Lionel Ludlow, Anatolij Leiferkus, Kotscherga, Sergej Dyadkova,Larissa Galina Gorchakova, Larin, MonteSergej Pederson, Richard Margison, Heinz Zednik, Violeta Urmana, Stuart Samuel Neill, Ramey, Maria Guleghina, Sara Fulgoni, , , , Valérie Gabail,Valérie Stéphanie Révidat, ReinoudFrançois-Nicolas Geslot, van Aimery Fierro, Mechelen, Sydney , , Lefèvre, Marina Comparato, Alessandro Orsolini, Aldo FilippoLuongo, Adami, Andrea Concetti, , , , Marina Comparato, Maria Grazia Schiavo, , , Maria Schiavo,Grazia Sonia Prina, Sonia Prina, , Tara Erraught, Corbelli, Alessandro Korchak,Dmitry Vito Priante, , , , D'Arcangelo, Ildebrando Cristina Faus, César San Martín, , , , , , , Leigh Melrose, Andrew Kennedy, Kennedy, Andrew Melrose, Leigh Mark Richardson, Randle, Tom Mark , Lisa Stafford-Allen, Stone, Toby Milne, -- -- -- -- Alexandrina Pendatchanska, Barbara --Di Castri, Michele Pertusi, Gregory Kunde,Sacchi, Federico Marianna Ortiz, Enrico Faccini, Fernand Bernardi, -- -- DanielaIsokoski, Soile Sindram, -- Bankl, Wolfgang Daniela Martin Fally, Pegram, Gantner,Aaron Ayan, Atalla Schneiderman,Helene -- -- -- -- -- -- cda1301 Yves Abel Yves Jesus Lópes- Cobos Evelino Pidò MaríaJosé Moreno MaríaJosé Moreno Christian Thielemann Adam Fischer Jane Glover Sir Neville Marriner Giuseppe Sinopoli Hugo Hugo Reyne Abel Yves -- -- -- -- -- -- -- -- -- -- Järvi Neeme -- -- -- -- t t BBC ConcertOrchestra OrchestreNational de Fr Sächsische Staatskapell O Chorund Orchester
Recommended publications
  • Private Musiksammlung Archiv CD/DVD
    Private Musiksammlung Aktualisierung am: 04.09.15 Archiv CD/DVD - Oper Sortierung nach: in CD - mp3 / DVD - MEGP- Formaten 1. Komponisten 2. Werk-Nummer (op.Zahl etc) TA und TR: Daten sind bei „alne“ vorhanden 3. Aufnahmejahr Auskünfte über Mail [email protected] Diese Datei erreichen Sie unter: T und TR: Daten sind bei „EO“ vorhanden http://www.euro-opera.de/T-TA-TR.pdf Auskünfte über Mail in Kürze auch unter: [email protected] http://www.cloud-de.de/~Alne_Musik/ Haas Haas Die heilige Elisabeth - 1 München Maria Venuti - Wolf Bruno Weil Ch-O - BR 4 Euba - - - - - - - Elmar Schloter, Joseph Haas (1879 - - Orgel - 1960) - Münchener 21.03.2004 - Rundfunkorchester op. 84 - cda403 T- VHS-Audi CD o Haas Die heilige Elisabeth - 1990 München Maria Venuti - Wolf Bruno Weil Ch - 26.11.1990 BR 4 Euba - - - - - - - - 1659,01 Joseph Haas (1879 - - 1960) - Münchner 31.03.2010 - Rundfunkorchester op. 84 - cda1003 T- Dok 409 2 CD 2 Haas Scharlatan - 1997 Prag Vladimir Chmelo - Anda-Louise Israel Yinon O - BR 4 Bogza - Miroslav Svejda - Leo 529,01 Pavel Haas (1899 - - MarianVodicka - Ladislav Mlejnek - 1944) - Orchester der Prager 22.06.1999 - Jan Jezek - - - - Staatsoper Oper 1 - T- VHS-Audio Haas Scharlatan - 2009 Gera Andreas Scheibner - Franziska Rauch - Jens Troester O - 06.03.2009 MDR Figaro Peter-Paul Haller - Konrad 1355,01 Pavel Haas (1899 - - Zorn - - - - - Kay Kuntze - Duncan 1944) - Sarlatán Opernchor und 07.03.2009 - Hayler Philharmonisches Oper 1 - cda1601 T- Dok 124 CD 6 Haas Bluthaus - 2011 Schwetzingen Sarah Wegener - Ruth Hartmann
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • Digital Concert Hall
    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
    [Show full text]
  • Anton Bruckner Messe F-Moll
    Anton Bruckner Messe f-Moll Lenneke Ruiten Iris Vermillion Shawn Mathey Franz Josef Selig Orchestre de la Suisse Romande Rundfunkchor Berlin Marek Janowski Anton Bruckner: Anton Bruckner 1824-1896 Mass in F Minor when Bruckner’s bright star first rose in full splendour Messe f-Moll above the horizon.” In his Symphony No. 1 (1865-66) Mass No. 3 in F minor (1867-1893) robably no other great master began his career in a more too, Bruckner passionately threw off the shackles of his pro- 1 Kyrie – Moderato 10. 24 Psceptical and timid manner than Bruckner. With these longed and deep-seated insecurity. It seems almost as if 2 Gloria – Allegro – Andante, mehr Adagio (Sehr langsam) 11. 43 words, the great German musicologist Friedrich Blume cut Bruckner could not conquer his serious self-doubt and his 3 Credo – Allegro – Moderato misterioso – Langsam – Allegro 20. 19 to the quick in his brief and specific description of the pecu- scepticism about his personal artistic skills before complet- 4 Sanctus – Moderato – Allegro 2. 06 liar initiation of Anton Bruckner in his development from the ing a formal and official course of study, before more or less 5 Benedictus – Allegro moderato 8. 57 village school-assistant to composer, from socially secure sec- receiving external confirmation. For now, in a first creative 6 Agnus Dei – Andante 8. 40 ondary school teacher to free-lance artist. For alongside his phase, full of euphoria and courage, new works began to Lenneke Ruiten, Soprano tenure as organist in Linz, Upper Austria from 1856 to 1868, emerge, with his Mass in E Minor following on immediately Iris Vermillion, Mezzo-soprano the former school assistant and high school teacher Bruckner in 1866.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • Ó P E R a 2017
    ÓPERA 2017 JEFE DE GOBIERNO Horacio Rodríguez Larreta VICEJEFE DE GOBIERNO Diego Santilli JEFE DE GABINETE Felipe Miguel MINISTRO DE CULTURA Ángel Mahler DIRECTORA GENERAL María Victoria Alcaraz Hojas institucionales 2017.indd 1 3/20/17 12:20 Ascenso y caída de la ciudad de Mahagonny AUFSTIEG UND FALL DER STADT MAHAGONNY ÓPERA EN TRES ACTOS DE KURT WEILL (1930) LIBRETO DE BERTOLT BRECHT DIRECTOR MUSICAL INVITADO DISEÑO COREOGRÁFICO ASISTENTE DE DIRECCIÓN David Syrus Ignacio González Cano Mercedes Marmorek ESCENÓGRAFA REPOSITORA DIRECCIÓN DE ESCENA DIRECTOR DEL CORO ESTABLE Noelia Svoboda Marcelo Lombardero Miguel Martínez ASISTENTE DE ESCENOGRAFÍA Martina Nosetto DISEÑO DE ESCENOGRAFÍA Diego Siliano ASISTENTES DE VESTUARIO Michelle Krymer Lihuen Savegnago DISEÑO DE VESTUARIO Luciana Gutman ASISTENTE COREOGRÁFICO Manuco Firmani DISEÑO DE ILUMINACIÓN STAGE MANAGER José Luis Fiorruccio Artur Gonçalves COPRODUCCIÓN DEL TEATRO COLÓN, EL TEATRO MUNICIPAL DE SANTIAGO DE CHILE Y EL TEATRO MAYOR DE BOGOTÁ Auge y caída de la ciudad de Mahagonny. Ópera en tres actos con música de Kurt Weill y libreto de Bertolt Brecht. Editor Original: Universal Edition. Representante exclusivo: Barry Editorial www.barryeditorial.com.ar GA | Gran Abono. ANT | Abono Nocturno Tradicional. FE | Función Extraordinaria. ANN | Abono Nocturno Nuevo. AV | Abono Vespertino AGOSTO MARTES 22, 20 H GA | VIERNES 25, 20 H ANT | SÁBADO 26, 20 H FE | DOMINGO 27, 17 H AV | MARTES 29, 20 H ANN Duración: Acto I: 70 min. Intervalo. Acto II y acto III juntos: 65 min. Duración total:
    [Show full text]
  • Mahler's Das Lied Von Der Erde
    Mahler’s Das Lied von der Erde - A survey of the main post-WW2 recordings by Ralph Moore There are probably at least a hundred and fifty post-WW2 recordings of Das Lied von der Erde; I have selected thirty-five of those here, of which the majority are studio recordings and fourteen are live. This is a work that can get under the skin and aficionados can find themselves obsessively collecting multiple versions - of which there are many worthy to feed their obsession. My chosen recordings feature only the full orchestral version with a mezzo-soprano/contralto and tenor soloist, as I find the tenor and baritone combination to be lacking in tonal contrast and variety, and contrary to the spirit of Mahler’s work - even if he did sanction it if the preferred contralto is unavailable. That hardly applies today, but we occasionally see the deliberate choice of a male duo. I see little artistic excuse or aesthetic rationale behind that option, still less for Jonas Kaufmann’s self-aggrandising – and not very successful - exercise of singing both the tenor and baritone parts. Nor have I included recordings of the chamber arrangement. Some sixty recordings of the full orchestral version have been made over the last forty years; over half of those are live, as are the majority of the more recent versions, as the age of studio recordings is now essentially over just as the work itself is becoming increasingly popular and more frequently scheduled in concert programmes. Finally, my decision to treat only of post-war recordings is based simply on the criterion of wanting decent sound, but also absolves me from the necessity of discussing the live performance in Amsterdam featuring the infamous "Deutschland über alles, Herr Schuricht" incident.
    [Show full text]
  • Mozart's Die Zauberflöte
    Mozart’s Die Zauberflöte – a partial discographical survey by Ralph Moore There are 128 recordings of Die Zauberflöte listed in the CLOR catalogue, of which around twenty are studio versions. I have tried any number of recordings and long despaired of ever finding one in acceptable sound which does the opera full justice. There are some good mono recordings from the 50’s, sometimes shorn of all dialogue as per Karajan’s, but most collectors understandably want a good stereo version, with the dialogue perhaps cut to manageable proportions for non-German-speakers. That which comes closest is Böhm’s 1964 recording starring Fritz Wunderlich as an ideal Tamino, but the perceived inadequacies of the female singers soon led to the observation that the ideal recording could have been produced by combining the men from Böhm’s recording with the women in Klemperer’s exactly contemporaneous studio recording. As they stand, both are arguably flawed but revisiting them has softened my own objections and few since have offered anything better. At almost every turn, some problem has compromised subsequent studio versions of the stereo and digital eras, such as the presence of throaty, constricted tenors as Tamino like Schreier, blighting all three recordings conducted by Suitner, Sawallisch and Davis, or Araiza for Karajan and Marriner. Finding a good Queen of the Night has been problematic, too; HIP influence has tended to encourage the casting of voices too small and flimsy to do justice to Mozart’s deceptively simple writing, and produced some really inadequate efforts, such as Harnoncourt’s, Norrington’s, Jacobs’ and Christie’s recordings, all of which I have excluded from the reviews below, as their mostly weak casting and small-scale or reduced forces approach render them of little merit as far as my own taste goes.
    [Show full text]
  • Meistersinger Solti
    DIE MEISTERSINGER VON NÜRNBERG José van Dam Hans Sachs , Rene Pape Pogner , Alan Opie Beckmesser , Albert Dohmen Kothner , Ben Heppner Stolzing , Karita Mattila Eva, Iris Vermillion Magdalene , Herbert Lippert David . Chicago Symphony Orchestra & Chorus o.l.v. Sir Georg Solti DECCA 4526062 (4CD). Opname: 09/1995 FEESTELIJK EN WELLUIDEND Een halve eeuw na Karl Böhm heeft Sir Georg Solti iets te zwaar geweest. De opname komt in een fase "Die Meistersinger" nogmaals opgenomen voor van zijn carrière, waar hij het gebrek aan vokale glans DECCA. Solti heeft de tien grote werken van Wagner deels goedmaakt, door fijnzinnige nuanceringen, want opgenomen voor dit merk, maar hij was zelf niet psychologisch kan hij de figuur van Sachs zeer raak tevreden over zijn "Tristan und Isolde" (omwille van de karakteriseren. Ben Heppner is de meest succesvolle ontoereikende tenor Fritz Uhl) en over "Die Wagnertenor van het ogenblik. Zonder zich te forceren Meistersinger." Bij zijn vorige opname van het werk is hij een jeugdige Walther, die daarenboven ook mooi was aanvankelijk voorzien dat Karl Ridderbusch Hans zingt. Karita Mattila zong reeds tien jaar geleden Eva Sachs zou zingen, Dietrich Fischer-Dieskau Beck- in Brussel, naast José van Dam. Ze is een mooie Eva, messer en Gundula Janowitz Eva. Solti had echter maar doet de ‘hemelse’ vertolkingen van Schwarzkopf vernomen dat Karl Ridderbusch een verzamelaar was (Karajan I) en Janowitz (Kubelik) niet vergeten. Alan van nazi-symbolen en wilde daarom onder geen enkele Opie tekent Beckmesser met veel intelligentie en een voorwaarde nog met die zanger samenwerken. Het zeer goede tekstprojectie. Hij vervalt nooit in oorspronkelijke project verviel en werd vervangen door karikaturen.
    [Show full text]
  • Building a Library
    BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 2000 – July 2001 .................................................................................................................................. 24 September 2001 – July 2002 .................................................................................................................................. 46 September 2002 – July 2003 .................................................................................................................................. 74 September 2003 – July 2004 .................................................................................................................................. 98 September 2004 – July 2005 ................................................................................................................................ 128 September 2005 – July 2006 ................................................................................................................................ 155 September 2006 – July 2007 ...............................................................................................................................
    [Show full text]
  • Wagner's Die Meistersinger
    Wagner’s Die Meistersinger: A partial discographical survey by Ralph Moore There are around ninety recordings of Die Meistersinger, of which only seven were studio-made and the last of those was recorded nearly twenty years ago; a handful are composite recordings from radio broadcasts or live performances but the majority are simply live recordings of one performance, with all the hazards, extraneous noises and potential for errors that the presentation of such a long and complex work entails. I review here some 24 recordings in all, including all seven studio versions, some live or radio broadcast performances, a couple of early recordings of excerpts and Böhm’s 1939 recording of Act 3, for reason of its exceptional quality. Two are in English: the 1923 pioneering effort and Goodall’s Sadler’s Wells performance in 1968. Some understandably esteem this opera above all Wagner’s other works, even the Ring. Certainly my experience in recent years of having seen two excellent productions, one at Glyndebourne and the other at the ENO confirms the validity of that assessment; not only is it musically deeply satisfying but it provides an absorbing dramatic spectacle and Beckmesser’s antics can even be genuinely funny – not a quality we necessarily associate with Wagner. The riot scene concluding Act 2, the cacophonous confusion melting away to leave the sole figure of the Nightwatchman intoning the hour, is one of the most thrilling in all opera; it must surely have influenced or even inspired Strauss in his use of three Nightwatchmen to provide a consoling conclusion to the end of Act 1 of his own Act 2 to Die Frau ohne Schatten.
    [Show full text]
  • Welcome to the Digital Concert Hall
    3 WELCOME WELCOME TO THE DIGITAL CONCERT HALL Once again in the 2012/13 season you can enjoy virtually all of the Berliner Philharmoniker’s concerts via the Internet in superb HD quality. Chief conduc­ tor Sir Simon Rattle will perform great symphonic works from the Classical era to the present day. In addition, he will conduct such vocal masterpieces as Gershwin’s Porgy and Bess, Mozart’s Magic Flute and Britten’s War Re­ quiem as well as the music of such major but too infrequently heard com­ posers as Witold Lutosławski and Paul Hindemith. — Among the season’s guest conductors are many who have been working regularly with the Berliner Philharmoniker in recent years, from Claudio Abbado to Mariss Jansons and Christian Thielemann. Others such as Riccardo Chailly and Paavo Järvi are returning to the Philharmonie ros­ trum after a longer absence. Leading instrumental soloists in the new sea­ son line­up include Lisa Batiashvili, Murray Perahia, Maurizio Pollini and the season’s Artist­in­Residence, Leonidas Kavakos. — And, once again, the Digital Concert Hall will also be showcasing many items beyond the Berliner Philharmoniker’s regular offerings, in­ cluding presentations of the orchestra’s Education Programme, concerts by visiting youth orchestras, artist interviews and much more. Some 40 times this season you will be able to join Berlin Philharmonie audiences via the Internet. And in our video archive you’ll discover another 150 live concerts, documentaries and wide­ranging bonus material. — Opened in 2009, the Digital Concert Hall is generously supported by Deutsche Bank, which has sponsored the Berliner Philharmoniker since 1989 and makes possible the orchestra’s Education Programme.
    [Show full text]