The King in Yellow
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The Unspeakable Oath Issues 1 & 2 Page 1
The Unspeakable Oath issues 1 & 2 Page 1 Introduction to The Annotated Unspeakable Oath ©1993 John Tynes This is a series of freely-distributable text files that presents the textual contents of early issues of THE UNSPEAKABLE OATH, the world’s premiere digest for Chaosium’s CALL OF CTHULHU ™ role-playing game. Each file contains the nearly-complete text from a given issue. Anything missing is described briefly with the file, and is missing either due to copyright problems or because the information has been or will be reprinted in a commercial product. Everything in this file is copyrighted by the original authors, and each section carries that copyright. This file may be freely distributed provided that no money is charged whatsoever for its distribution. This file may only be distributed if it is intact, whole, and unchanged. All copyright notices must be retained. Modified versions may not be distributed — the contents belong to the creators, so please respect their work. Abusing my position as editor and instigator of the magazine and this project, I have taken the liberty of adding comments to some of the contents where I thought I had something interesting or historically worth preserving to say. Yeah, right! – John Tynes, editor-in-chief of Pagan Publishing The Unspeakable Oath issues 1 & 2 Page 2 Table of Contents Introduction to The Annotated Unspeakable Oath...................................................................................2 Introduction to TUO 1.........................................................................................................................4 -
The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France
names, Vol. 58 No. 3, September, 2010, 127–38 Teratonymy: The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France Lovecraft’s teratonyms are monstrous inventions that estrange the sound patterns of English and obscure the kinds of meaning traditionally associ- ated with literary onomastics. J.R.R. Tolkien’s notion of linguistic style pro- vides a useful concept to examine how these names play upon a distance from and proximity to English, so as to give rise to specific historical and cultural connotations. Some imitate the sounds and forms of foreign nomen- clatures that hold “weird” connotations due to being linked in the popular imagination with kabbalism and decadent antiquity. Others introduce sounds-patterns that lie outside English phonetics or run contrary to the phonotactics of the language to result in anti-aesthetic constructions that are awkward to pronounce. In terms of sense, teratonyms invite comparison with the “esoteric” words discussed by Jean-Jacques Lecercle, as they dimi- nish or obscure semantic content, while augmenting affective values and heightening the reader’s awareness of the bodily production of speech. keywords literary onomastics, linguistic invention, HP Lovecraft, twentieth- century literature, American literature, weird fiction, horror fiction, teratology Text Cult author H.P. Lovecraft is best known as the creator of an original mythology often referred to as the “Cthulhu Mythos.” Named after his most popular creature, this mythos is elaborated throughout Lovecraft’s poetry and fiction with the help of three “devices.” The first is an outlandish array of monsters of extraterrestrial origin, such as Cthulhu itself, described as “vaguely anthropoid [in] outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind” (1963: 134). -
Lovecraft, New Materialism and the Maeriality of Writing Brad Tabas
Reading in the chtuhulucene: lovecraft, new materialism and the maeriality of writing Brad Tabas To cite this version: Brad Tabas. Reading in the chtuhulucene: lovecraft, new materialism and the maeriality of writing. Motifs, la revue HCTI, HCTI-Université de Bretagne occidentale, Brest, 2017. hal-02052305 HAL Id: hal-02052305 https://hal-ensta-bretagne.archives-ouvertes.fr/hal-02052305 Submitted on 28 Feb 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Motifs n° 2 (2017), Matérialité et Écriture READING IN THE CHTUHULUCENE: LOVECRAFT, NEW MATERIALISM AND THE MATERIALITY OF WRITING GIVING LIFE BACK TO MATTER The traditional take on the theme of the materiality of writing asks about the meaning of the material that supports human-made signs. It considers the importance of the dark side of the signifier; of all that one does not take into account when one sees a sign as a sign. It might consider the ways in which written words present one with multiple possible significations, the ways in which the fact of a text’s having been written haunts readers’ engagements with that text. Traditional theorists of the materiality of writing might remind us that this materia- lity really does have a signification, that paper and pixels really do convey meaning. -
Pandemic – Reign of Cthulhu Is a Cooperative Game
Beings of ancient and bizarre intelligence, known as Old Ones, are stirring within their vast cosmic prisons. If they awake into the world, it will unleash an age of madness, chaos, and destruction upon the very fabric of reality. Everything you know and love will be destroyed! You are cursed with knowledge that the “sleeping masses” cannot bear: that this Evil exists, and that it must be stopped at all costs. Shadows danced all around the gas street light above you as the pilot flame sputtered a weak yellow light. Even a small pool of light is better than total darkness, you think to yourself. You check your watch again for the third time in the last few minutes. Where was she? Had something happened? The sound of heels clicking on pavement draws your eyes across the street. Slowly, as if the darkness were a cloak around her, a woman comes into view. Her brown hair rests in a neat bun on her head and glasses frame a nervous face. Her hands hold a large manila folder with the words INNSMOUTH stamped on the outside in blocky type lettering. “You’re late,” you say with a note of worry in your voice, taking the folder she is handing you. “I… I tried to get here as soon as I could.” Her voice is tight with fear, high pitched and fast, her eyes moving nervously without pause. “You know how to fix this?” The question in her voice cuts you like a knife. “You can… make IT go away?!” You wince inwardly as her voice raises too loudly at that last bit, a nervous edge of hysteria creeping into her tone. -
Errata for H. P. Lovecraft: the Fiction
Errata for H. P. Lovecraft: The Fiction The layout of the stories – specifically, the fact that the first line is printed in all capitals – has some drawbacks. In most cases, it doesn’t matter, but in “A Reminiscence of Dr. Samuel Johnson”, there is no way of telling that “Privilege” and “Reminiscence” are spelled with capitals. THE BEAST IN THE CAVE A REMINISCENCE OF DR. SAMUEL JOHNSON 2.39-3.1: advanced, and the animal] advanced, 28.10: THE PRIVILEGE OF REMINISCENCE, the animal HOWEVER] THE PRIVILEGE OF 5.12: wondered if the unnatural quality] REMINISCENCE, HOWEVER wondered if this unnatural quality 28.12: occurrences of History and the] occurrences of History, and the THE ALCHEMIST 28.20: whose famous personages I was] whose 6.5: Comtes de C——“), and] Comtes de C— famous Personages I was —”), and 28.22: of August 1690 (or] of August, 1690 (or 6.14: stronghold for he proud] stronghold for 28.32: appear in print.”), and] appear in the proud Print.”), and 6.24: stones of he walls,] stones of the walls, 28.34: Juvenal, intituled “London,” by] 7.1: died at birth,] died at my birth, Juvenal, intitul’d “London,” by 7.1-2: servitor, and old and trusted] servitor, an 29.29: Poems, Mr. Johnson said:] Poems, Mr. old and trusted Johnson said: 7.33: which he had said had for] which he said 30.24: speaking for Davy when others] had for speaking for Davy when others 8.28: the Comte, the pronounced in] the 30.25-26: no Doubt but that he] no Doubt that Comte, he pronounced in he 8.29: haunted the House of] haunted the house 30.35-36: to the Greater -
Herbert West — Reanimator
DARK ADVENTURE RADIO THEATRE: HERBERT WEST — REANIMATOR Written by Sean Branney and Andrew Leman Based on "Herbert West — Reanimator" by H. P. Lovecraft Read-along Script June 18, 2013 ©2013 by HPLHS Inc. All Rights Reserved. NOTICE: This script is provided as a convenience only to DART listeners to follow along with the recorded show. It is not licensed for professional or amateur performance of any kind. Inquiries regarding performance rights should be sent to [email protected] 1 INTRO 1 SFX: static, radio tuning, snippet of ‘30s song, more tuning, static dissolves to: Dark Adventure Radio THEME MUSIC. ANNOUNCER Tales of intrigue, adventure, and the mysterious occult that will stir your imagination and make your very blood run cold. MUSIC CRESCENDO. ANNOUNCER (CONT’D) This is Dark Adventure Radio Theatre, with your host Erskine Blackwell. Today’s episode: H.P. Lovecraft’s “Herbert West -- Reanimator!” THEME MUSIC DIMINISHES. The sound of MOANING, BUBBLING CHEMICALS, and FUNEREAL MUSIC underneath. ERSKINE BLACKWELL A brilliant medical student dreams of bringing life to the dying, and to the dead. How far will he go to achieve his dream? Will his genius unlock the secrets of life and death, or will boundless ambition twist his noble purpose into something monstrous? A few piano notes from the FORHAN’S TOOTHPASTE JINGLE. ERSKINE BLACKWELL (CONT’D) You know, folks, nothing says success quite like a bright radiant smile. And for truly gleaming teeth, there’s no better toothpaste than Forhan’s, now with new Radiol! It’s the very latest thing: a safe extract of radium, scientifically developed in the finest medical laboratories of Europe. -
H. P. Lovecraft-A Bibliography.Pdf
X-'r Art Hi H. P. LOVECRAFT; A BIBLIOGRAPHY compiled by Joseph Payne/ Brennan Yale University Library BIBLIO PRESS 1104 Vermont Avenue, N. W. Washington 5, D. C. Revised edition, copyright 1952 Joseph Payne Brennan Original from Digitized by GOO UNIVERSITY OF CALIFORNIA L&11 vie 2. THE SHUNNED HOUSE. Athol, Mass., 1928. bds., labels, uncut. o. p. August Derleth: "Not a published book. Six or seven copies hand bound by R. H. Barlow in 1936 and sent to friends." Some stapled in paper covers. A certain number of uncut, unbound but folded sheets available. Following is an extract from the copyright notice pasted to the unbound sheets: "Though the sheets of this story were printed and marked for copyright in 1928, the story was neither bound nor cir- culated at that time. A few copies were bound, put under copyright, and circulated by R. H. Barlow in 1936, but the first wide publication of the story was in the magazine, WEIRD TALES, in the following year. The story was orig- inally set up and printed by the late W. Paul Cook, pub- lisher of THE RECLUSE." FURTHER CRITICISM OF POETRY. Press of Geo. G. Fetter Co., Louisville, 1952. 13 p. o. p. THE CATS OF ULTHAR. Dragonfly Press, Cassia, Florida, 1935. 10 p. o. p. Christmas, 1935. Forty copies printed. LOOKING BACKWARD. C. W. Smith, Haverhill, Mass., 1935. 36 p. o. p. THE SHADOW OVER INNSMOUTH. Visionary Press, Everett, Pa., 1936. 158 p. o. p. Illustrations by Frank Utpatel. The only work of the author's which was published in book form during his lifetime. -
The YELLOW KING RPG: Paris – Shattered Realities, Exploded Selves
PARIS Robin D. Laws BOOK ONE PARIS Publishers: Simon Rogers and Cathriona Tobin Designed, Written, and Produced by: Robin D. Laws Cover Art: Shel Kahn Interior Illustrations: Shel Kahn Collages: Dean Engelhardt Graphic Design: Christian Knutsson Copyediting: Colleen Riley, Cathriona Tobin Eagle-eyes: S. Ben Melhuish Indexing: Cathriona Tobin Special Thanks: Kevin Kenan, Côme Martin, Erik Otterberg, Galen Pejeau Playtesters: Ralf Achenbach, Jack Anderson, Bradley Barger, Jeff Bernstein, Julien Berton, Alizée Bleue, Yosefka Bill, Jeff Borders, Mark W. Bruce, Shaun Burton, Kelli Butler, Brian Carter, Brendan Clougherty, Chris Cooke, Lizzy Cooke, Maudie Pepper Croal, Ashley Cyr, Jarrod Davila, Susan Davis, Mike de Jong, Dimes, Toorte Dot, Axel Eble, Jonathan Elcock, Davina Ellis, Anne Freitas, Jeromy French, Meg Gallagher, Nicole Gardella, Davy Gerard, Lloyd Graney, Jacob Haley, Justin Haley, Morgan Hua, Chris Huth, Bert Isla, Susan Isla, Paul Jackson, Bertram Jänsch, Sydney Jones, Zachary Joyner, Shel Kahn, David Kennedy, Joe Kimbrough, Zack Kline, James Kohl, Julaïe Koï, Rainer Koreasalo, Chris Lambertus, Nicole Long, Nyssa Mackinnon, Mark Manlapas, Côme Martin, John W.S. Martin, Damon Matthews, Dan McSorley, Dustyn Mincey, Chandreyee Mitra, Justin Mohareb, Arka Neirda, Thomas Nowell, Janne Nuutinen, Travis Offenberger, Tyler Omichinski, Erik Otterberg, Cameron Parkinson, Andrew Pfeiffer, Michael Pfeiffer, Florian Poisignon, Luke Powell, Jack Reidy, Tim Reiter, Christian "CJ" Jensen Romer, Aubrey Rush, Nat Sanderson, Tomi Sarkkinen, Liam Scanlon, Martin Schramm, Steve Seminerio, Eric L.M. Shuman, Scott Slonaker, Jebadiah Smalls, Becky Smith, Robert J. Smith, Simon Strietholm, Aser Tolentino, Megan Tolentino, Ben Wachtell, Scott Wachter, Brett Wagner, Markus Wagner, Paul Ward, Michael Warnick, Brian Watson, Mike Weber, Cory Welch, Calliope Westbrook, Dan Wiley, Joseph Williams, Charles Wright, Kim Wright. -
The Haunts and Hauntings of HP Lovecraft
Reanimating Providence: The Haunts and Hauntings of H. P. Lovecraft Isaac Schlecht To H. P. Lovecraft, one of the founding masters of American horror, Providence, Rhode Island was not just his lifelong home, but the inspiration for his greatest fl ights of fi ction — a vista at the border of light and dark, magic and science, hope and fear. With Lovecraft as our guide, we embark on a haunting journey through the Providence of not just his life — but our own. http://dl.lib.brown.edu/cob Copyright © 2010 Isaac Schlecht Written in partial fulfi llment of requirements for E. Taylor’s EL18 or 118: “Tales of the Real World” in the Nonfi ction Writing Program, Department of English, Brown University. Reanimating Providence: The Haunts and Hauntings of H.P. Lovecraft Isaac Schlecht October 2010 To H.P. Lovecraft, one of the founding masters of American horror, Providence, Rhode Island was not just his lifelong home, but the inspiration for his greatest flights of fiction—a vista at the border of light and dark, magic and science, hope and fear. With Lovecraft as our guide, we embark on a haunting journey through the Providence of not just his life—but our own. I never can be tied to raw, new things, For I first saw the light in an old town, Where from my window huddled roofs sloped down To a quaint harbor rich with visionings. Streets with carved doorways where the sunset beams Flooded old fanlights and small window-panes, And Georgian steeples topped with gilded vanes— These were the sights that shaped my childhood dreams. -
Herbert West–Reanimator by H.P. Lovecraft Written: June 1922 | Published: July 1922
Herbert West–Reanimator By H.P. Lovecraft Written: June 1922 | Published: July 1922 I. From The Dark Of Herbert West, who was my friend in college and in after life, I can speak only with extreme terror. This terror is not due altogether to the sinister manner of his recent disappearance, but was engendered by the whole nature of his life-work, and first gained its acute form more than seventeen years ago, when we were in the third year of our course at the Miskatonic University Medical School in Arkham. While he was with me, the wonder and diabolism of his experiments fascinated me utterly, and I was his closest companion. Now that he is gone and the spell is broken, the actual fear is greater. Memories and possibilities are ever more hideous than realities. The first horrible incident of our acquaintance was the greatest shock I ever experienced, and it is only with reluctance that I repeat it. As I have said, it happened when we were in the medical school where West had already made himself notorious through his wild theories on the nature of death and the possibility of overcoming it artificially. His views, which were widely ridiculed by the faculty and by his fellow-students, hinged on the essentially mechanistic nature of life; and concerned means for operating the organic machinery of mankind by calculated chemical action after the failure of natural processes. In his experiments with various animating solutions, he had killed and treated immense numbers of rabbits, guinea-pigs, cats, dogs, and monkeys, till he had become the prime nuisance of the college. -
The Nyarlathotep Papers
by Larry DiTillio and Lynn Willis with Geoff Gillan, Kevin A. Ross, Thomas W. Phinney, Michael MacDonald, Sandy Petersen, Penelope Love Art by Lee Gibbons, Nick Smith, Tom Sullivan, Jason Eckhardt Design by Mark Schumann, Mike Blum, Thomas W. Phinney, Yurek Chodak, Shannon Appel Project and Editorial by Lynn Willis Interior Layout by Shannon Appel and Meghan McLean Cover Layout by Charlie Krank Copyreading by Janice Sellers, Alan Glover, Rob Heinsoo Chaosium is Lynn Willis, Charlie Krank, Dustin Wright, Fergie, William Jones, Meghan McLean, Nick Nacario, and Andy Dawson Chaosium Inc. 2010 The Clear Credit Box Larry DiTillio wrote the first draft of Chapters One through Six, except as noted below. The conception, plot, and essential Masks of Nyarlathotep Fourth Edition execution are entirely his, and remain a is published by Chaosium Inc. roleplaying classic. Lynn Willis rewrote the succeeding drafts, originating the his- torical background, introducing race as a Masks of Nyarlathotep Fourth Edition theme, inserting or adjusting certain char- is copyright © 1984, 1989, 1996, 2001, 2006, 2010 acters, writing the introductory chapter, by Chaosium Inc. and most of the advice, asides, incidental jokes, etc., and as an afterthought added All rights reserved. the appendix concerning what might be done with shipboard time. In the introduc- Call of Cthulhu® is the registered trademark of Chaosium Inc. tory chapter, Michael MacDonald wrote the original version of the sidebar concern- ing shipboard travel times and costs. Similarities between characters in Masks of Nyarlathotep Thomas W. Phinney set forth the back- Fourth Edition and persons living or dead are ground chronology of the campaign, and strictly coincidental. -
Lovecraft Country
LOVECRAFT COUNTRY LovecraftCountry_i-viii,1-376_3p_MB1118.indd 1 11/18/15 12:06 PM ALSO BY MATT RUFF The Mirage Bad Monkeys Set This House in Order: A Romance of Souls Sewer, Gas & Electric: The Public Works Trilogy Fool on the Hill LovecraftCountry_i-viii,1-376_3p_MB1118.indd 2 11/18/15 12:06 PM LOVECRAFT COUNTRY • A NOVEL • MATT RUFF HARPER An Imprint of HarperCollinsPublishers LovecraftCountry_i-viii,1-376_3p_MB1118.indd 3 11/18/15 12:06 PM Copyright lovecraft country. Copyright © 2016 by Matt Ruff. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address Harper Collins Publishers, 195 Broadway, New York, NY 10007. Harper Collins books may be purchased for educational, business, or sales promotional use. For information, please e- mail the Special Markets Department at [email protected]. first edition Designed by Jaime Putorti Copyright for images: cajoer/Shutterstock, Inc. Library of Congress Cataloging- in- Publication Data has been applied for. ISBN: 978- 0-06- 229206- 3 16 17 18 19 20 ov/rrd 10 9 8 7 6 5 4 3 2 1 LovecraftCountry_i-viii,1-376_3p_MB1118.indd 4 11/18/15 12:06 PM Dedication FOR HAROLD AND RITA •• LovecraftCountry_i-viii,1-376_3p_MB1118.indd 5 11/18/15 12:06 PM LovecraftCountry_i-viii,1-376_3p_MB1118.indd 6 11/18/15 12:06 PM LOVECRAFT COUNTRY LovecraftCountry_i-viii,1-376_3p_MB1118.indd 7 11/18/15 12:06 PM LovecraftCountry_i-viii,1-376_3p_MB1118.indd 8 11/18/15 12:06 PM LOVECRAFT COUNTRY •• JIM CROW MILE— A unit of measurement, peculiar to colored motor- ists, comprising both physical distance and random helpings of fear, paranoia, frustration, and outrage.