12 Prof. Penelope

Total Page:16

File Type:pdf, Size:1020Kb

12 Prof. Penelope ART AND ARCHITECTURE AFTER THE GRACCHI Fall semester 2016 ARH 382 W 9-12 Prof. Penelope J. E. Davies DFA 2.518 232-2318 pdavies@austin. utexas.edu Office hours By appt. Course description: This seminar focuses on public art and architecture created in Rome during the last decades of the Republic (ca. 100–44 BCE), when through territorial expansion individual politicians amassed wealth on an unprecedented scale. Against a backdrop of electoral Bribery and judicial corruption, three men–Sulla, Pompey and Caesar–rose to positions of aBsolute power and helped to Bring down the government. Grading: One in-class presentation and general class participation (40%); one research paper (60%). The following Books are availaBle at UT Coop: Flower, Harriet I. (2014). The Cambridge Companion to the Roman Republic2. CamBridge: CamBridge University Press. Russell, Ben (2014). The Economics of the Roman Stone Trade. Oxford: Oxford University Press. Students with disabilities may request appropriate academic accommodations from the Division of Diversity and Community Engagement, Services for Students with DisaBilities, 471-6259. Campus Carry policy: Guns are not permitted in my office. The following is a tentative schedule of classes with recommended reading: August 24: Introduction August 31: General Background Jehne, M. (2006). Methods, Models, and Historiography. A Companion to the Roman Republic. N. Rosenstein and R. Morstein Kallet-Marx. Oxford, Wiley-Blackwell: 3–28. Bispham, E. (2006). Literary Sources. A Companion to the Roman Republic. N. Rosenstein and R. Morstein Kallet-Marx. Oxford, Wiley-Blackwell: 29–50. North, J. A. (2006). The Constitution of the Roman RepuBlic. A Companion to the Roman Republic. N. Rosenstein and R. Morstein Kallet-Marx. Oxford, Wiley-Blackwell: 256–277. Hölkeskamp, K.-J. (1993). "Conquest, Competition and Consensus: Roman Expansion in Italy and the Rise of the NoBilitas." Historia 42: 12–39. Torelli, M. (2006). The Topography and Archaeology of Republican Rome. A Companion to the Roman Republic. N. Rosenstein and R. Morstein-Marx. Oxford, Blackwell Publishing: 81–101. Smith, C. J. (2000). Early and Archaic Rome. Ancient Rome. The Archaeology of the Eternal City. J. Coulston and H. Dodge. Oxford, Oxford University School of Archaeology: 16–41. Cornell, T. J. (2000). The City of Rome in the Middle RepuBlic (c. 400–100 BC). Ancient Rome. The Archaeology of the Eternal City. J. Coulston and H. Dodge. Oxford, Oxford University School of Archaeology: 42–60. Davies, P. J. E. (2013) The Archaeology of Mid-RepuBlican Rome: The Emergence of a Mediterranean Capital. In Jane DeRose Evans, ed. Blackwell Companion to Roman Republican Archaeology. Oxford: Blackwell PuBlishing: 440-458 ------------------. (2014). Rome and Her NeighBors: Greek Building Practices In RepuBlican Rome. Blackwell Companion to Roman Architecture. R. B. Ulrich and C. Quenomeon. Oxford, Wiley–Blackwell: 27–44 SeptemBer 7: Ca. 133–90: Temples: Von Ungern-SternBerg, J. (2004). The Crisis of the RepuBlic. The Cambridge Companion to the Roman Republic. H. I. Flower. CamBridge, CamBridge University Press: 89–109. Konrad, C. F. (2006). From the Gracchi to the First Civil War (133–70). A Companion to the Roman Republic. N. Rosenstein and R. Morstein Kallet-Marx. Oxford, Blackwell Publishing: 167–189. Levick, B. (1978). Concordia at Rome. Scripta Nummaria Romana. Essays Presented to Humphrey Sutherland. London: 217-233. Nielsen, I. a. P., Birte, eds. (1992). The Temple of Castor and Pollux I. Rome, Edizioni de Luca: 87–117. Morgan, G. (1973). "Villa PuBlica and Magna Mater." Klio 55: 214–245. PensaBene, P. and A. D'Alessio (2006). L'immaginario urBano. Spazio sacro sul Palatino tardo-repuBBlicano. Imaging ancient Rome. Documentation, Visualization, Imagination. Proceedings of the Third Williams Symposium on Classical Architecture Held at the American Academy in Rome, the British School at Rome and the Deutsches Archäologisches Institut, Rome, on May 20-23, 2004. L. HaselBerger and J. Humphrey. Portsmouth, Journal of Roman Archaeology: 30–50. Tucci, P. L. (1996). "Alcuni esempi di riuso dell'antico nell'area del Circo Flaminio." Mélanges de l'Ecole française de Rome. Antiquité 108: 27–82. LTUR 1 316–320 s. v. Concordia, aedes (A. M. Ferroni) LTUR 3 240–241 s. v. Mens (Ch. Reusser) LTUR 2 249–252 s. v. Fides Populi Romani/PuBlica (Ch. Reusser) LTUR 2 269–270, s. v. Fortuna Huiusce Diei, aedes (P. Gros) LTUR 3 33–35 s.v. Honos et Virtus, aedes Mariana (D. PalomBi) LTUR 3 128–129 s.v. Iuno Sospita (in Foro Holitorio), aedes (F. Coarelli) Spoils and civic Buildings: Rickman, G. (1971). Roman Granaries and Store Buildings. CamBridge, CamBridge University Press: 97–104 LTUR 3 47 s.v. Horrea Sempronia (D. PalomBi) LTUR 4 137–138, s.v. Porticus Minucia Vetus (F. Coarelli) LTUR 4 119, s.v. Porticus (monumentum) Catuli (E. Papi) LTUR 2 264–266, s.v. Fornix Fabianus (L. Chioffi) Nicolet, C. (1976). "Le temple des Nymphes et les distriButions frumentaires à Rome." CRAI. 29-51. Virlouvet, C. (1987). La topographie des distriButions frumentaires avant la création de la Porticus Minucia Frumentaria. L'Urbs. Espace urbain et histoire. Ier siècle av. J.C. - IIIe siècle ap. J.C. Actes du colloque international, Rome, 8 - 12 mai 1985. Rome, Ecole Francaise de Rome: 175-189. Zevi, F. (1993). "Per l'identificazione della Porticus Minucius Frumentaria." Mélanges de l'Ecole française de Rome. Antiquité 105: 661–708. Zevi, F. (1994). "Ancora una nota sulla Porticus Minucia." Mélanges de l'Ecole française de Rome. Antiquité 106: 1073–1076. Coarelli, F. (1997). Il Campo Marzio. Dalle origini alla fine della Repubblica. Rome, Edizioni Quasar: 296–345. Morgan, G. (1973). "Villa PuBlica and Magna Mater." Klio 55: 214–245. Cozza, L. and P. L. Tucci (2006). "Navalia." Archeologia Classica 57: 175–201. SeptemBer 14: Ca. 133–90 cont. SeptemBer 21: Sulla and the 70s Sulla: MacKay, C. S. (2000). "Sulla and the Monuments: Studies in his PuBlic Persona." Historia 99(2): 161–210. Gruen, E. S. (1974). The Last Generation of the Roman Republic. Berkeley, University of California Press. Keaveney, A. (2005). Sulla. The Last Republican. London/New York, Routledge. Thein, A. G. (2002). Sulla's Public Image and the Politics of Civic Renewal. PhD Diss., University of Pennsylvania. De Cesare, R. in La Rocca, E., Presicce, Claudio Parisi and Lo Monaco, Annalisa, eds. (2010). I giorni di Roma. L'eta della conquista. Milan, Skira editore. 285–286. Sordi, M. (1988). Silla e lo ius pomerii proferendi. Il confine nel mondo classico: 200– 211. Amici, C. M. (2004–2005). "Evoluzione architettonica del comizio a Roma." Rendiconti della Pontificia Accademia Romana di Archeologia 77: 351–379. LTUR 1 331–332, s.v. Curia Hostilia (F. Coarelli) LTUR 3 148–153, s.v. Iuppiter Optimus Maximus Capitolinus, aedes (fasi tardo-repuBBlicane e di età imperiale) (S. De Angeli) 70s: Flower, H. I. (2004). Spectacle and Political Culture in the Roman Republic. The Cambridge Companion to the Roman Republic. H. I. Flower. CamBridge, CamBridge University Press: 322–346. Tucci, P. L. (2005). ""Where High Moneta Leads her Steps Sublime." The "TaBularium" and the Temple of Juno Moneta." Journal of Roman Archaeology 18: 6–33. Coarelli, F. (1994). "Moneta. Le officine della zecca di Roma tra RepuBBlica e Impero." AnnIstItNum 38–41: 23–66. Serafin, P. (2001). Dove erano le zecche di Roma repuBBlicana? I luoghi della moneta; le sedi delle zecche dall'antichita all'eta moderna: atti del convegno internazionale, 22–23 ottobre 1999, Milano. Milan. Tucci, P. L. (2004). Imagining the Temple of Castor and Pollux in Circo Flaminio. Res Bene Gestae: 411–425. Miles, M. M. (2008). Art as Plunder: the Ancient Origins of Debate about Cultural Property. CamBridge, CamBridge University Press: passim Giuliani, C. F. and P. Verducci (1987). L'area centrale del Foro Romano. Florence, Leo S. Olschki Editore. Beacham, R. (1999). Spectacle Entertainments of Early Imperial Rome. New Haven, Yale University Press: 1–91 Welch, K. E. (2007). The Roman Amphitheater: from its Origins to the Colosseum. CamBridge, CamBridge University Press: 30–71 Miles, M. M. (2008). Art as Plunder: the Ancient Origins of Debate about Cultural Property. CamBridge, CamBridge University Press: passim LTUR 4 153–154 s.v. Portunus, aedes (C. Buzzetti). LTUR 3 343–345 s.v. Forum Romanum (lastricati) (D. PalomBi). LTUR 3 46–47, s.v. Horrea Seiana (D. PalomBi). LTUR 1 245–246, s.v. Castor et Pollux in Circo (fasti); aedes Castoris in circo Flaminio (Vitr.) (F. Coarelli). SeptemBer 28: Pompey Seager, R. (1979, 2002). Pompey the Great: A Political Biography. Oxford, Blackwell Publishing. Frézouls, E. (1983). La construction du theatrum lapideum et son contexte politique. Théâtre et spectacles dans l'antiquité. Leiden, E. J. Brill. Sear, F. (2006). Roman Theatres: An Architectural Study. Oxford, Oxford University Press. Gagliardo, M. C. and J. E. Packer (2006). "A New Look at Pompey's Theater: History, Documentation, and Recent Excavation." American Journal of Archaeology 110(1): 93–122. Packer, J. E., J. Burge, et al. (2007). "Looking Again at Pompey's Theater: The 2005 Excavation Season." American Journal of Archaeology 111: 505–522. Gleason, K. L. (1994). "Porticus Pompeiana: A New perspective on the First PuBlic Park of Ancient Rome." Journal of Garden History 14: 13–27. Coarelli, F. (1996). Revixit ars. Arte e ideologia a Roma, dai modelli ellenistici alla tradizione repubblicana. Rome, Edizioni Quasar: 360–381. Kuttner, A. L. (1999). "Culture and History at Pompey's Museum." Transactions of the American Philological Association 129: 360–. Sauron, G. (1987). Le complexe pompéien du champ de Mars. L'Urbs. Espace urbain et histoire. Rome: 457–473. Fuchs, M. (1982). "Eine Musengruppe aus dem Pompeius-Theater." RM 89: 69–80. Tatum, J. (1999). The Patrician Tribune: Publius Clodius Pulcher, University of North Carolina Press. Von HesBerg, H. (1996). The King on Stage. The Art of Ancient Spectacle.
Recommended publications
  • ROMAN ARCHITEXTURE: the IDEA of the MONUMENT in the ROMAN IMAGINATION of the AUGUSTAN AGE by Nicholas James Geller a Dissertatio
    ROMAN ARCHITEXTURE: THE IDEA OF THE MONUMENT IN THE ROMAN IMAGINATION OF THE AUGUSTAN AGE by Nicholas James Geller A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Associate Professor Basil J. Dufallo, Chair Associate Professor Ruth Rothaus Caston Professor Bruce W. Frier Associate Professor Achim Timmermann ACKNOWLEDGEMENTS This dissertation would not have been possible without the support and encouragement of many people both within and outside of academia. I would first of all like to thank all those on my committee for reading drafts of my work and providing constructive feedback, especially Basil Dufallo and Ruth R. Caston, both of who read my chapters at early stages and pushed me to find what I wanted to say – and say it well. I also cannot thank enough all the graduate students in the Department of Classical Studies at the University of Michigan for their support and friendship over the years, without either of which I would have never made it this far. Marin Turk in Slavic Languages and Literature deserves my gratitude, as well, for reading over drafts of my chapters and providing insightful commentary from a non-classicist perspective. And I of course must thank the Department of Classical Studies and Rackham Graduate School for all the financial support that I have received over the years which gave me time and the peace of mind to develop my ideas and write the dissertation that follows. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………………ii LIST OF ABBREVIATIONS……………………………………………………………………iv ABSTRACT……………………………………………………………………………………....v CHAPTER I.
    [Show full text]
  • Calendar of Roman Events
    Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th.
    [Show full text]
  • (Michelle-Erhardts-Imac's Conflicted Copy 2014-06-24).Pages
    ROME MMXV Piety, Pagans and Popes CLST 370: Seminar Abroad in Rome 2015 From its foundation through its expansion as an empire, to the rise of the papacy, Rome has served as a showcase of political and religious power through art, architecture and urban form. This course will examine the Eternal City’s most significant architectural and urban sites, moving roughly in chronological order. We will discuss how individual monuments assume symbolic importance, how they serve as models of architectural style, and how the sites take on a “sacred” quality both inside and outside of a religious context. This course is intended to offer students an introduction to the city of Rome that is architectural, artistic, and topographic in nature. Excursions to Etruscan tombs, Assisi and Florence help put Rome in a larger cultural context. " Tentative Itinerary" Friday, May 29th! Arrival in Rome Benvenuto a Roma! Check into the Centro - Piazzale del Gianicolo (view of Rome) -A walk through Trastevere: Sta. Cecilia, church and underground domus; S. Francesco a Ripa; Sta. Maria; S. Pietro in Montorio (Bramante’s Tempietto)." Saturday, May 30th! Cerveteri - Tarquinia Etruscan Influences on Early Rome. Half-Day Trip to Cerveteri or Tarquinia followed by afternoon visit to the Villa " Giulia (Etruscan Museum). ! Sunday, May 31st! Circus Flaminius Foundations of Early Rome, Military Conquest and Urban Development. Isola Tiberina (cult of Asclepius/Aesculapius) - Santa Maria in Cosmedin: Ara Maxima Herculis - Forum Boarium: Temple of Hercules Victor and Temple of Portunus - San Omobono: Temples of Fortuna and Mater Matuta - San Nicola in Carcere - Triumphal Way Arcades, Temple of Apollo Sosianus, Porticus Octaviae, Theatre of Marcellus.
    [Show full text]
  • VERGIL in VROMA: Exploring the Capitoline Hill
    VERGIL IN VROMA: Exploring the Capitoline Hill Goals: 1. Practice methods of navigation and conversation in the MOO 2. Explore some of the educational resources in VRoma 3. Use virtual space to come to a better understanding of Roman culture and civilization through group discussion of issues surrounding a selected site. 4. Enhance understanding and appreciation of the Aeneid through exploring the epic’s connections with the city of Rome. Worksheets: 1. Quick Start Guide to the VRoma Learning Environment 2. Group Site Assignment General Instructions: Explore your assigned site completely, visiting all its rooms and examining its varied contents, including texts, objects, bots, and links Read your Site Assignment through carefully to be clear about the topics you are asked to discuss. When you have completed the assignment, save your HTML Chat Log and email a copy of it to your professor. Site Assignment: Teleport to the site by typing @go Capitoline 1. Read the materials there to get a sense of the geography and topography of the area. Why did this hill come to have such symbolic power for the Romans? Compare and contrast the use that Ovid and Horace make of this symbolism. What does Vergil use instead of the hill itself to symbolize Rome's ability to endure and prevail? 2. Then using the exit links at the bottom of the screen, move to the Temple of Jupiter Capitolinus and read about its structure, divinities, and history. What was unusual about this temple in comparison with the newer temples being built by Augustus, and why didn't the Romans want to change its structure? What links does the Jupiter in this temple have with the god portrayed by Vergil? What about the Juno in this temple? As protectress of Rome, she is certainly different from Vergil's goddess.
    [Show full text]
  • 2010 NJCL Ancient Geography Test
    Contest ID 1018 2010 NJCL Ancient Geography Test Identify the following locations from the map of Italy (page 6 of this test): 1. Rome A. 17 B. 21 C. 25 D. 27 2. Brundisium A. 6 B. 7 C. 8 D. 9 3. Ostia A. 17 B. 22 C. 24 D. 25 4. Liguria A. 28 B. 29 C. 31 D. 32 5. Croton A. 2 B. 5 C. 6 D. 25 6. Naples A. 23 B. 24 C. 25 D. 26 7. Syracuse A. 1 B. 2 C. 4 D. 6 8. Milan A. 15 B. 16 C. 18 D. 19 9. Aquilea A. 10 B. 12 C. 16 D. 18 10. Illyricum A. 28 B. 29 C. 31 D. 32 11. Ravenna A. 10 B. 11 C. 13 D. 15 12. Mt. Etna A. 1 B. 2 C. 3 D. 4 13. Pisa A. 15 B. 17 C. 21 D. 25 14. Capua A. 6 B. 23 C. 24 D. 27 15. Eryx A. 1 B. 3 C. 9 D. 25 Identify the following locations from the map of Greece (page 7 of this test): 16. Athens A. 8 B. 13 C. 14 D. 16 17. Sparta A. 2 B. 4 C. 5 D. 11 18. Thebes A. 1 B. 11 C. 15 D. 17 19. Troy A. 22 B. 23 C. 24 D. 26 20. Corinth A. 1 B. 6 C. 8 D. 10 2010 NJCL Ancient Geography, Page 1 21. Knossus A. 2 B. 4 C. 27 D. 28 22. Epidaurus A. 6 B. 8 C.
    [Show full text]
  • The Hidden Father, Francesco Albertini.Pdf
    C.PP.S. Resource Series — 34 Michele Colagiovanni, C.PP.S. THE HIDDEN FATHER Francesco Albertini and the Missionaries of the Precious Blood TABLE OF CONTENTS Page Introduction . 1 1 . Daily Life . 5 2 . From Intragna to Rome . 13 3 . The Mazzoneschis and the Albertinis . 19 4 . The Sources of His Spirituality . 25 5 . School and Society . 38 6 . An Interior Revolution . 47 7 . Family Reorganization . 60 8 . One Republic, Or Rather Two . 68 9 . Revolution In the Parish . 86 10 . A Fire Beneath the Ashes . 97 11 . The Association . 105 12. An Inflammatory Relic . 116 13 . The Revelatory Exile . 126 14 . Bastia, Corsica . 137 15 . Unshakeable . 152 16 . To Calvi: A Finished Man? . 161 17 . Deep Calls to Deep . 176 18 . Everyone Is in Rome . 183 19 . Reward and Punishment . 190 20 . The Great Maneuvers . 195 21 . Refounding . 207 22 . Women in the Field . 215 23 . An Experimental Diocese . 224 24 . A Pioneer Bishop . 233 25 . The Bishop and the Secretary . 243 26 . Death Comes Like a Thief . 252 27 . The Memory of the Just . 260 Epilogue . 262 Notes . 268 INTRODUCTION Most people familiar with Saint Gaspar know that Francesco Albertini was his spiritual director and was largely responsible for nurturing Gaspar’s devotion to the Precious Blood . Perhaps less well known is that it was Albertini, founder of the Archconfraternity of the Most Precious Blood, who wanted to see his association develop a clerical branch made up of priests who would renew the Church by spreading the devotion to the Blood of Christ . Albertini believed that Gaspar was exactly the right man to inaugurate this new venture, and he did all he could to encourage his beloved spiritual son to found the Missionaries of the Most Precious Blood 1.
    [Show full text]
  • Sulla's Tabularium
    Sulla’s Tabularium by Sean Irwin A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Architecture Waterloo, Ontario, Canada, 2010 © Sean Irwin 2010 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis examines the Tabularium in Rome. Very little is written about this building, despite its imposing size and commanding location at the juncture of the Forum Roma- num and the two crests of the Capitoline hill. It remains a cipher, unconsidered and unexplained. This thesis provides an explanation for the construction of the Tabularium consonant with the building’s composi- tion and siting, the character of the man who commissioned it, and the political climate at the time of its construction — reconciling the Tabularium’s location and design with each of these factors. Previous analyses of the Tabularium dwelt on its topo- graphic properties as a monumental backdrop for the Forum to the exclusion of all else. This thesis proposes the Tabularium was created by the dictator Lucius Cornelius Sulla as a military installation forging an architectural nexus between political and religious authority in Rome. The Tabularium was the first instance of military architec- ture behind the mask of a civic program — a prototype for Julius and Augustus Caesar’s monumental interventions in the Forum valley. iii Acknowledgments First, I wish to convey my appreciation to my parents.
    [Show full text]
  • The Goddess Mother of Money Dianne M. Juhl the Feminine Face Of
    The Goddess Mother of Money Dianne M. Juhl the feminine face of money© June 2009 The Goddess Mother of Money Money talks and she has something to say. Wisdom is rooted in her very name. In everything she is abundant, richly bountiful, profusely fertile and generative. Money, in its origins, embodies the divine feminine who desires remembrance. This Thing We Call Money If we peel back thousands of years of cultural conditioning and assumptions to take a fresh look at money, we can begin with some very basic observations. Money is not a product of nature. Money doesn’t grow on trees. Pennies don’t rain from heaven. Money is an invention, a distinctly human invention. It is a total fabrication of our genius. We made it up and we manufacture it. It is an inanimate object that has appeared in many different forms in its more than 2,500-to-3,500-year history, whether we’re talking about shells or stones or ingots of precious metals, a paper bill or a blip on a computer screen. (Twist & Barker, 2003), p. 8) This thing we call “money” is plainly a human invention. The local living economies or the national and global economies in which money circulates are a social construction. Further, money takes innumerable forms as is typical of human inventions. For example, where I live in the Paciic Northwest region of the United States, the mediums of exchange (the measure and store of wealth too) has included: shells, ish teeth, whale bone, sea otter pelts, dried salmon, eagle feathers, cedar bark baskets, produce from strawberry ields or apple orchards, and millions of board feet of timber (ir, cedar, hemlock, sequoia).
    [Show full text]
  • Arrival in Rome from Naples Via Train; Taxi from Station to Accommodations in Rome: Villa Riari, in the Trastevere (“Trans-Tiber”) Neighborhood
    History 5010: Studies in Ancient History, May 2018 (8W1) Ancient & Medieval History in Rome Instructors: Dr. Christopher Fuhrmann ([email protected]) 264 Wooten Hall, x4527 The best way to contact me is via email. Put “Italy program” somewhere in the subject line. Dr. Silvio De Santis ([email protected]) 405A Language Building Course Description. This graduate class entails an intensive study program to Rome, and is linked to a section of HIST 4262 in southern Italy; together, the whole travel portion runs from May 13/14 – June 2, 2018, with some meetings before travel commences. It offers a rich overview to the history and culture of the city of Rome, from antiquity to the present, via personal encounters with the monuments, art, and topography of the city. The itinerary and academic plan are oriented towards ancient and medieval interests, but there is scope for students to explore interests in later eras, especially the Renaissance, the nineteenth-century Risorgimento (unification of Italy), the fascist period, and modern Italy (indeed, the physical nature of Rome as it exists now insists on considering different histories together). Relevant previous coursework is recommended but not required. Knowledge of Latin or Italian is not required. This class entails preparatory work during Spring 2018, and the completion of long papers (described below) during the first five-week Summer 2018 term. The travel portion does not extend beyond Maymester (3Wk1), and students can be back in Denton in time for Summer 5Wk1 classes. Course Goals.
    [Show full text]
  • Hearken to the Sacred Geese of Juno Moneta
    HEARKEN TO THE SACRED GEESE OF JUNO MONETA Antal E. Fekete E-mail: [email protected] On April 6 last I sent an open letter Congressmen Ron Paul of Texas accusing the Chairman of the Board of Governors of the Federal Reserve, Dr. Ben Bernanke, that (1) his program of Quantitative Easing(QE) whereby the Federal Reserve banks purchase U.S. Treasury paper directly from the U.S. Treasury is not authorized by the Federal Reserve Act and is therefore unlawful; (2) even if for the sake of argument we disregard where the Fed buys its paper, the sum appears to be higher than all available Federal Reserve credit outstanding and, moreover, the F.R. banks do not have unencumbered collateral to post in order to create more to conclude these purchases. I have received an unusually large feedback in my e-mail. People want to know how I can substantiate these accusations against Dr. Bernanke. Of course I cannot say that I have caught Dr. Bernanke red-handed. All I can do is to present circumstantial evidence. I start with a statement that I am fully aware of the seriousness of my accusations, and my responsibility in making them. I do not make them frivolously. I have been contemplating to do it for decades. My reasons for postponing have to do with calculating for maximum impact. I am but an isolated individual trying to take on the incumbent of one of the most powerful offices ever created on this earth. Wrong timing may be suicidal. I first came to suspect that in injecting F.R.
    [Show full text]
  • The Roman Triumph As Material Expression of Conquest, 211-55 BCE
    Engineering Power: The Roman Triumph as Material Expression of Conquest, 211-55 BCE Alyson Maureen Roy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Sandra Joshel, Chair Eric Orlin Joel Walker Adam Warren Program Authorized to Offer Degree: History © Copyright 2017 Alyson Maureen Roy University of Washington Abstract Engineering Power: The Roman Triumph as Material Expression of Conquest, 211-55 BCE Alyson Maureen Roy Chair of the Supervisory Committee: Sandra Joshel, History This dissertation explores the intersection between the Roman triumph, architecture, and material culture. The triumph was a military parade that generals were granted for significant victories and represented the pinnacle of an elite Roman man’s career, engendering significant prestige. My interest is in the transformation of the transitory parade, into what I term “material expressions of power” including architecture, decoration, inscriptions, and coins. I assert that from the mid-third century BCE through the mid-first century BCE, material expressions of power became of central importance to elite expressions of prestige. More importantly, by tracing the process of bringing plundered material to Rome, constructing victory monuments, and decorating them with plundered art, I have determined that this process had a profound impact on the development of a luxury art market in Rome, through which elite Romans bought objects that resembled triumphal plunder, and on the development of a visual language of power that the Romans used to talk to each other about conquest and that they then exported into the provinces as material expressions of their authority.
    [Show full text]
  • Art and Politics in Republican Rome
    ART AND POLITICS IN REPUBLICAN ROME ARH 362 20240 TTH 3.30–5.00 Prof. Penelope J. E. Davies DFA 2.518 232-2518 [email protected] Office hours: Tues 3–4 Course description: This course covers the art and architecture of Republican Rome, ca. 500-44 BC, when Rome began to establish dominance in the Mediterranean and to develop an artistic tradition that would flourish into the Empire. Copious wealth from victories abroad led to massive public works such as temples, civic buildings and triumphal monuments, which articulated the competing ambitions of elite families, jostling for political prominence. Students should gain a good grounding in Republican Roman visual culture and politics, and be able to assess works of art within their political and social context. Reading: Text: Penelope J. E. Davies, Architecture and Politics in Republican Rome (Cambridge 2017). For students with little familiarity with ancient Rome, A. and N. Ramage, Roman Art, from Romulus to Constantine, provides a superficial overview. General information concerning sites in Rome can be found in L. Richardson Jr’s A New Topographical Dictionary of Ancient Rome and the more comprehensive 5-volume Lexicon Topographicum Urbis Romae edited by M. Steinby (in a variety of languages). Both of these works are available in the Classics Library Reference Room. Also useful: Axel Boethius, Etruscan and Early Roman Architecture (Pelican 1970); Amanda Claridge, Rome, An Oxford Archaeological Guide (Oxford 1998); Diana E.E. Kleiner, Roman Sculpture (Yale 1992); Frank Sear, Roman Architecture (Cornell 1983); Timothy J. Cornell, The Beginnings of Rome (Routledge 1995). Requirements and grading: Two mid-term exams (40% each); one presentation, researched and delivered in teams of 2–3 (20%).
    [Show full text]