Main Venues│Aichi Arts Center, Nagoya City Art Museum, Nagoya City（ Shikemichi and Endoji）, Toyota City（ Toyota Municipal Museum of Art and other venues in the vicinity of Toyotashi station）

IMAZU Kei, Long-Term Memory, 2019, Roppongi Crossing 2019: Connexions, Mori Art Museum, Tokyo (Japan), Courtesy of ANOMALY

Japan’s largest international art festival kicks off again with 4 main venues in Aichi Prefecture. Many concerns are shared around the world However, Humans are capable of lending a sion) that can break through these problems. (emotion and information) with jō (compas- today. At the source is anxiety—the anxiety hand and offering solidarity to others in need They say that the etymology of the word “art” sion). This is precisely the original de nition of an uncertain future, and the anxiety of on the spur of the moment, even if their can be traced to the Latin word ars and of “art.” From Aichi, a leading region in the feeling unsafe and vulnerable to danger. traditions and ideals are different or it is corresponds to the Greek word techne. manufacturing industry, and a unique Uncertainty makes people anxious, makes against their rationally conceived interests. “Art” referred generally to the “skill (ars) of society that is at once a metropole and on them gure that it is more reasonable to Though the problems facing humanity today commanding knowledge and methods the periphery, Aichi Triennale 2019 explores treat gray matters as black and white, and have their causes in jō (emotion and informed by classical knowledge.” We must the middle grounds of various oppositions, understand the world in terms of oppositions. information), it is this very same jō (compas- develop the skills (ars) for taming jō to recapture the lost original domain of art. B2 B1 2F

Art Plaza

Cafe Shop A35 Accessway Access Bridge to Oasis 21 to Oasis 21 A52a →P7 A18b A60a A64 A66 A69 →P7

Forum A52c →P7 Main Theater A52b Large A50 A51 Rehearsal A61 A63 A65 A67 →P7 →P7 Mini →P7 Room Theater

Art Space X A34b A34a

8F 10F 12F A30 A28 Restaurant A31 A29 A14 A12 A11 A27 Rooftop A15 A13 A70 →P7 Art Space A A32 A26 Garden A10 A71 →P7 A33 A25 Observation Corridor A16 A17 A02 A09 A80 ～ A93 →P7 A18a

A40a UP A60b →P7 A24 A01a A08 A01b A03 A18c A22 A04 A19 A20 A06 A07 A40b A21 A23 A05

Address 1-13-2, Higashi-sakura, Higashi-ku, Nagoya, 461-8525 Open 10:00-18:00 (Fri.-20:00, 9/14(sat)-21:00) Last entry is 30min. before closing time. Closed Every Monday (Except for Public Holidays)

Gateway to Aichi Triennale 2019, with greatest number of works and performances of any edition thus far

Enter a brilliant world of art, painted by James Bridle. However, many with the official app in hand visitors will enter the venue via Oasis 21, which connects to various locations including Aichi Arts Center, one of the main venues, is a subway Sakae Station, Hisaya-odori Station, large-scale cultural facility that includes the and Meitetsu Sakaemachi Station. Awaiting Aichi Prefectural Museum of Art and the Aichi viewers in the atrium, with a height of 20m, is Prefectural Art Theater, capable of accommo- a huge installation and stage created by Pia dating large, medium, and small concerts and Camil. After taking the elevator to the 10th performances. Located in the liveliest, central oor of the Aichi Prefectural Art Museum, area of Nagoya City, it is surrounded by where there is a ticket counter and informa- government of ces, department stores, tion desk, the audience will be immersed in broadcasting stations, television tower, and the world of contemporary art. James BRIDLE, Drone Shadow 006, 2013, photo courtesy of Steve Stills high-rise of ces of banks and securities companies. There is no visible evidence today What “Taming Y/Our Regina José Galindo produced works in collects “last testaments” left for loved ones that the city was bombarded more than 60 Passion” means to artists collaboration with Aichi’s many Latin at the end of life, rendering visible traces of times during World War II and approximately American immigrants. the hesitation inherent to this process. one third of it was destroyed. Dora García’s work at the entrance gives a After being exposed to the gestures and Heather Dewey-Hagborg shows a controver- premonition of what might await viewers. The expressions of each of Ugo Rondinone’s sial work on the issue of the exploitation of Wide-ranging contemporary works of Amanda Martinez, Murayama Goro, clowns, viewers encounter Claudia Martínez biometric information by corporations and art with the theme of Imamura Yohei and Anna Witt appear at rst Garay’s installation consisting of many small others. After a small but dramatic installation “Taming Y/Our Passion” autonomous and machine-like, but also items relating to Peru. Tanaka Koki presents by Ceal Floyer and the dynamic drawings of convey a persistently continued physical an installation based on the concept of the Bunya Yukari, viewers encounter a huge For those walking aboveground, the rst work presence. Noting that the number of foreign quasi-family. three-dimensional object by exonemo. Suge encountered may be the shadow of drone workers in Japan has reached a record high, Syunichi’s work is simple, yet delivers an New relationships between amazing experience to all. Following this, media and the arts visitors descend to the 8th oor, where video work by Yuan Goang-Ming overows with Nagata Kosuke and Ishiba Ayako, both of political anxiety. Park Chan-kyong and Lim whose works extend the possibilities of Minouk present works on the theme of “passion” photography, feature the fascination of the between North and South Korea. There are many trompe l’oeil painting and the intrigue of works by people actively expanding journalism, interpretation. Ito Gabin reveals relationships such as the US non-pro t news organization CIR, between media art and immersion, presenting known for its investigative reporting, and the works that encourage discussion. dividual inc. works previously featured in the exhibition Pia CAMIL, Telón de Boca, 2018, Photo: Ramiro Chaves SAWADA Hana, Gesture of Rally #1804, 2018, Bouncing Sounds of an Invisible Ball (solo), courtesy of Museo Universitario del Chopo Gallery PARC, Kyoto, Japan, Photo: Hyogo Mugyuda, Courtesy of Gallary PARC

2 “Freedom of Expression” held in 2015. Aoi invite viewers to think about what it Stuart Ringholt's enormous clock, an object means to be a “concerned party.” The works that de es common sense; Walead Beshty’s Being a concerned party in of Javier Téllez, who works with people with work, which is transformed in the process of today’s information society illnesses, and of Candice Breitz, who explore presentation; and Sawada Hana’s tenacious the conditions under which empathy is re-examination of what images reect, and Also on view are Pangrok Sulap's innovative generated, can be viewed in a similar way. the confusion that results from them, offer woodcuts that convey the power to overcome The works of Tania Bruguera and KatoTsubasa diverse interpretations of what “Taming Y/Our dif culties and overturn adverse situations. compellingly show that the mind and body are Passion” means. The paintings of Miriam Cahn and Fujiwara contradictory and cannot easily becontrolled. IMAMURA Yohei (Making a print at his solo exhibition, live printing) Photo: Kei Okano

The International Contemporary Art Exhibition starts here

A01a,b Dora GARCÍA A02 exonemo A03 Amanda A04 Regina MARTINEZ José GALINDO The audience becomes entangled in Since the dawn of the Internet, These sculptures, which appear to Galindo stages performances dealing Garcia’s performance the Romeos, draw exonemo has created and presented be mechanically carved but are actually with human rights, gender discrimination, inspiration from a Cold War strategy works that deal with the Net itself. made by hand, visually represent the and the harassment intrinsic to social designed by East Germany spymaster. Specializing in distinctive hacking-like diversity of music. Viewers can enjoy power structures. While her style The posters are a key element of the methodologies, they exhibit works interpreting the rhythms and patterns exposes these realities and condemns performance to inform the audiences and stage performances in the real world. found throughout her works, which violence and abuses of power, her works of the possibility of encountering utilize the most archaic techniques convey a generous gaze directed the Romeos. possible and show an interest in simple toward humankind. science and the natural world.

A05 Anna WITT A06 Ugo RONDINONE A07 Claudia A08 NAGATA Kosuke MARTÍNEZ GARAY In this video work, actors playing Clowns in psychedelic costumes Martinez Garay’s artistic practice is Focusing on how our interpretations typical of ce workers maintain forced, carry out 45 actions that one person concerned with socio-political issues are largely de ned by language and professional smiles for 60 minutes. performs within a 24-hour period, related to Peruvian history. She focuses media, Nagata creates his works dealing Witt is known for works that emphasize such as dreaming, passing gas, on how colonialism has inuenced the with the uncertainty and diversity human body movements in a social wishing, and telling lies. use of tools from everyday life, creating of perception. Here he presents context, as de ned by political or What are their facial expressions an installation featuring plain and yet photographs that utilize computer- economic logic. and poses trying to tell us? subtle tragic motifs. based image processing, and video work dealing with the “translation” of languages and cultures.

A09 ISHIBA Ayako A10 MURAYAMA Goro A11 TANAKA Koki A12 ITO Gabin By intervening only slightly in shots Murayama takes a strong interest in Tanaka explores the question of In recent years, as “immersive media art” of commonplace daily items, the biological patterns of cell division “whether multiple people can share has expanded in popularity beyond the Ishiba creates photographic works that and proliferation, and is known for past, present, or even future art world to the general public, the engender a sense of visual incongruity paintings seemingly created experiences or events as their own” question “Is XXX art?” is frequently and unease. Looking at her works, autonomously or systematically in through various methodologies discussed. Ito takes a strong interest in which resemble trompe-l’œil paintings, accordance with rules he sets himself. such as video, installation, text, and people’s resistance to and/or acceptance the viewer comes to comprehend the Meanwhile, in a contrasting body of work, curating public talks and gatherings of art, and has created a magazine-style mechanisms used to trick he is developing pieces expressing which he plans and executes. installation that examines relationships the eye and mind. resistance to machine recognition. between immersion and art.

A13 Heather A14 dividual inc. A15 Ceal FLOYER A16 BUNYA Yukari DEWEY-HAGBORG This startup will exhibit a new version Floyer is known for works enabling Bunya creates drawings rooted Dewey-Hagborg is known for works of their TypeTrace, which renders visible viewers to recognize gaps between in ne art, music, and architecture. that stimulate debate on unauthorized as “digital vestiges” people’s typing words and their meanings through Like improvised musical use of biological data, such as cells or patterns, such as going back and slight modi cations of familiar, performances, these drawings DNA extracted without permission correcting, hesitating and so forth. everyday situations. Viewers do balance orderly regularity with relaxed for commercial or academic purposes, They are currently accepting involuntary double takes and lines that expand freely and and these works have sparked “last words,” messages people would recalibrate their perceptions of the create spatiality in the work. controversy around the world regarding like displayed at the end of their lives, world, with fascinating results. issues of privacy and surveillance. which must be typed in 10 minutes.

A17 SUGE Syunichi A18a,b,c James BRIDLE A19 IMAMURA Yohei A20 YUAN Goang-Ming Suge is a writer, educator, and Bridle is an artist, technologist, and Silkscreen-printed images normally Yuan uses drones and equipment of researcher who explores new forms of journalist specializing in elds such as have no thickness, but when his own making to create video artistic expression employing human cognitive science and arti cial the process is repeated pieces in which images of perceptive faculties. Those who intelligence. He is known for works that, ten thousand times, ink layering daydream-like beauty conceal encounter Suge’s work, which effortlessly rather than promoting new advances produces a three-dimensional relief questions concerning reality. catches the eye and piques curiosity with excessive enthusiasm, sounds the resembling a topographic map. His works reveal political turmoil and with arrangements of lines and shapes, alarm on the inherent risks of technologies. The results of his mind-bogglingly uncertainties that lurk as will see the world in a new light. He presents two works here. time-intensive practice are if hidden in cracks in our world. truly breathtaking.

A21 PARK Chan-kyong A22 The Center for A23 After “Freedom of A24 Stuart RINGHOLT Park produces works that Investigative Reporting Expression?” philosophically interpret issues faced by CIR is an American nonpro t news Freedom of Expression? was held Ringholt explores human psychology North and South Korea, the history of organization established in 1977. While in 2015, motivated by a serious sense and emotions from the perspective Asian art and wars, and the continent’s most reporting takes the form of a written of crisis concerning threats to freedom of compression and reduction. religious heritage. He focuses on the for video report created by the organization of speech and expression in Japan. For example, a clock representing United States’ relationship to all of that launched the investigation, CIR Here, works refused exhibition the world, which is compressed to 18 East Asia, including the Korean presents the material it obtains in various at various venues since 2015 are hours a day, philosophically inquires peninsula and Japan, and on the forms of expression, from animation and displayed alongside those into our a way of life and the magnitude negative legacy of the Cold War era. drama to hip-hop music and apps. Six featured in the original exhibition. of time’s effects on living things and of the Center’s nest works are exhibited. the environment.

A25 Walead BESHTY A26 Pangrok Sulap A27 Javier TÉLLEZ A28 LIM Minouk Beshty is an artist who shows how Composed of roughly ten members Focusing on socially marginalized Lim explores topics such as the materials and information, including artists, musicians, social communities, such as immigrants potential of communities that transcend transmitted through existing social activists, and more. Through woodblock and people with mental illness, the framework of the nation state, systems and industrial structures, prints, they draw attention to issues Téllez produces video works that or the power of solidarity between change through processes such as faced by indigenous communities and powerfully reect Their social and political individuals. In particular, she frequently migration and transformation. While the various local communities, and speak conditions. This new work focuses refers to jō (emotions of love or sympathy) techniques he employs are strikingly out against political decadence. on the current exodus from Venezuela shared among people of nations that bold, the resulting two works shown to Peru and Ecuador. have been torn apart by history and the here are elegant and beautiful. ideological operations of the media.

A29 SAWADA Hana A30 Tania BRUGUERA A31 Miriam CAHN A32 FUJIWARA Aoi Sawada creates works that investigate, Bruguera stages performances and Cahn produced a watercolor series Fujiwara produces paintings of diverse from a number of angles, small creates installations aimed at in the late 1980s dealing with conicts explosions, drawing from visual effects unidenti able objects that appear fostering social change. between aesthetics and ethics regarding employed in Japanese anime. in printed materials or photographs She exposes the dynamics and nature the atomic bomb, and oil paintings She has family members who were on image-sharing websites. Mystery of political power, and addresses global depicting buildings, animals and affected by the 2011 Great East Japan piles upon mystery as the volume of data issues of migration, censorship, and plants, and refugees in ight. Earthquakand is an artist with a vital grows, to compellingly surreal effect. repression through participatory works. She raises questions about the uncertainty message based on rst-hand experience, of our times and the way human beings her work informed by real-life disasters, react to dif cult circumstances. conicts, and social phenomena.

A33 Candice BREITZ A34a,b KATO Tsubasa A35 Pia CAMIL A40a Art Playground Breitz focuses on the “attention Kato is known for projects in local In the installation shown here, TALK economy”of our media-saturated era, communities whose existence is music band T-shirts were exchanged Art Playgrounds with ve different in which technologies designed to threatened by forces including with Camil’s friends and passers-by, themes will be set up at ve exhibition engage people’s interest and emotions natural disasters and urban and the collected garments were sewn venues as places where visitors can are considered more important than development. His works evoke the together into a single giant textile. exercise their creativity. Here, the actual content of information. fragility and ephemerality of The work hints at economic and with the theme of “talking,” visitors can While adopting a critical stance, temporary communities, and the trading systems underlying the band discuss their impressions of works her video works have a powerful alternating tensions and releases T-shirts as vehicles for cultural, together so as to interpret and universal appeal. of communication. social, and personal information. them more deeply.

A40b Art Playground PLAY 【MAPA PICTOGRAM】 Art Playgrounds with ve different themes will be set up at ve exhibition venues as places where visitors can exercise Information Restroom Lockers Entrance their creativity. “Play” is a park where visitors can create playground equipment Ticket Counter Wheelchair Accessible Restroom Shop Shuttle Car Stand without speci ed uses from cardboard and with it freely. Nursing Room Elevator AED Bus Stop

All images are for reference only.

3 Address 2-17-25, Sakae, Naka-ku, Nagoya 460-0008 Open 9:30-17:00 (Fri.-20:00) Last entry is 30 min. before closing time. Closed Every Monday (Except for Public Holidays) and 9/17 (Tue)

2F To save our society from intolerance N01 USUI Yui N02 IMAZU Kei As a woman living in Japanese society, Imazu creates sketches with Photoshop Usui creates objects and installations and CAD by spatially arranging that question the position of women in and layering image data derived from N08 N07 modern and contemporary history. media such as classical masterpieces Based on profound observation, her of painting and photos on the Internet, work explores gender imbalances, and uses them as the basis for oil women and labor, and issues of life paintings on canvas. N10 N09 and reproduction. Her work brings together historical, N06 cultural, and contemporary social issues and themes into one cohesive world. N11 N03 FUJII Hikaru N04 Mónica MAYER Auditorium Fujii is known for video installations Mayer is a pioneer of feminist art in involving detailed research and Mexico. Since 1978 she has been eldwork on historical and social presenting different iterations of matters. His critical and challenging the Clothesline, a powerful total to methodology includes organizing make gender inequities visible. workshops where specialists from Library diverse elds and other participants re-enact past events and exchange opinions during discussions.

N05 MASUMOTO Keiko N06 pascALEjandro Alejandro JODOROWSKY and 1F Masumoto developed an interest in Pascale MONTANDON-JODOROWSKY purely decorative “tea ceremony pascALEjandro refers to collaborations vessels with no practical purpose,” between lmmaker Alejandro Jodorowsky and began producing ceramics with and artist Pascale Montandon- forms that dismantle the hierarchical Jodorowsky. Here they present a letter relationship between the utensil itself archive of “Psychomagic,” the therapy and the motifs that decorate it. technique Jodorowsky has developed She works with long-established over the course of 40 years. N03 traditionaltechniques while compellingly exploring exible, contemporary ideas.

AOKI Miku Tania N02 N07 N08 N01 N04 When she was 18 years old, Aoki’s PÉREZ CÓRDOVA mother informed her that she had Pérez Córdova is known for been born through an arti cial installations that combine everyday insemination procedure. Since then N05 materials with seemingly she has produced works that focus impossible occurrences. Various on forms of purposely engineered life, techniques, materials, and ows of including herself, such as installations, time are harmoniously united in Cafe videos, and drawings created from these works, which involve soft lamé-thread embroidery. intermittent happenings. N12

N09 Sholim N10 Katarina ZDJELAR Sholim uses GIF animation, Zdjelar’s homeland is the former a technique used since the early Yugoslavia, a country described as days of the Internet, to create video having “seven frontiers, six republics, loops of several seconds in which ve nationalities, four languages, three human faces and landscapes are religions, two alphabets, and one state.” B1 bizarrely transformed. He humorously Addressing relationships between satirizes various topics such as religion, speech and language, she showcases the global economy, and mankind’s their complexities and tensions reliance on technology. without focusing on tragic aspects.

N11 Dora GARCÍA N12 Barthélémy The audience becomes entangled in TOGUO Garcia’s performance the Romeos, draw Toguo takes a strong interest in the inspiration from a Cold War strategy relationship between African countries designed by East Germany spymaster. and their former colonies, as well as the Permanent Collection The posters are a key element of the ow of immigrants and merchandise performance to inform the audiences between them. His work encompasses of the possibility of encountering watercolor, wood sculpture, installation, the Romeos. photography, video, performance, and other media.

N40 Art Playground CREATE Art Playgrounds with ve different themes will be set up at ve exhibition N40 venues as places where visitors can exercise their creativity. Here, you can experience “creating while thinking / thinking while creating,” the fundamental basis of creative production.

All images are for reference only.

A well-balanced arrangement of works with diverse interpretations of “Taming Y/Our Passion” A place accessible to The Nagoya City Art Museum, one of the for all regardless of gender. people of all generations Triennale’s main venues, is a masterpiece of Viewers will be powerfully moved by the famed local architect Kurokawa Kisho. On the works of Fujii Hikaru, who recreates propaganda Leafy Shirakawa Park is located just one train way from the park to the museum, encounter lms, and pascaALEjandro（ Alejandro station away from the Aichi Arts Center. There the colorful works of Barthélémy Toguo. Jodorotwsky and Pascale Montandon- are traces of people having lived here since In the works of Usui Yui and Aoki Miku, which Jodorowsky , which powerfully convey USUI Yui, shadow of a coin #5, 2016, Photo: Shinya Kigure ） the prehistoric Jomon Period, and in early deal with issues of life and reproduction, the immensities of time and space. modern times there was a high concentration perspective of mothers and daughters intersect, The masterful craftsmanship and uninhibited of temples and shrines. After World War II it and the two artists’works complement one imagination of Masumoto Keiko’s ceramics was a residential area for Occupation forces, another. Imazu Kei, who reconstructs enchants viewers young and old. The works but after being returned to the city in 1958 it paintings with a post-Internet approach, and of Dora García and Tania Pérez Córdova incur became an urban oasis for the people of Sholim, who loops contemporary satirical astounding happenings from time to time. Nagoya once again. Its approximately 90,000 images using GIF animation, share a common Common to all is the sense that careful square meters contain the Nagoya City Art stance of continuously updating frameworks observation can result in immensely enjoyable Museum, Nagoya City Science Museum, and of conventional expression. The work of works of art. Katarina Zdjelar’s work a spacious public plaza, which are always Mónica Mayer, who symbolizes the "gender generates resonance that closes this venue bustling with families and other visitors. equality" advocated by Triennale, is intended with an appropriate nish.

MASUMOTO Keiko, hair crab/akae pot, 2017, Photo: KENSE

4 Address Nagono, Nishi-ku, Nagoya 451-0042 Open 12:00-20:00 (Fri.-21:00) Last entry is 15 min. before closing time. Closed Every Monday (Except for Public Holidays)

Welcoming “Outsiders, Youngsters, and Weirdos,” as the drivers of regional revitalization are described

S01 TSUDA Michiko S02 IWASAKI Takahiro S03 LEUNG Chi Wo + S04 Song-Ming ANG and Viewers see both spaces and Iwasaki creates intricate landscapes out Sara WONG Jason MALING themselves from various perspectives, of objects including toothbrushes, Leung majored in photographic culture, The two artists began collaborating with performers appearing on screen, towels, ribbon bookmarks attached to while Wong studied architecture and in 2017, connecting through a mutual empty frames through which the scenery paperbacks, and tape. In works that landscape design. They collaborate on love of music. Believing that being beyond is visible, the viewers’ look everyday items from a distance an ongoing basis while continuing to an amateur has the potential to open own reections and video images but like a cityscape when approached, pursue their individual practices. They people’s artistic creativity, they present appearing in mirrors. The work questions the artist, born and raised in Hiroshima, present a work focuses on bystanders a participatory project that seriously but our cognitive processes or bodily conveys a powerful awareness of how and random objects that happened to light-heartedly deals with an sensations and thereby the way we the city was instantly destroyed by the nd their way into old unearthed snapshots, “impossible task.” interpret the world. force of microscopic atoms. imbued with an affection for the overlooked.

S05 GE Yulu S06 Ayşe ERKMEN S07 WASHIO Tomoyuki S08 Kyun-Chome Ge’s work explores the theme of Erkmen is known for works based on Washio, who is self-taught, creates Kyun-Chome is an artist unit individual resistance in the public space. careful interpretations of sites’ diverse work including illustration, comprised of the female-male duo Who owns public spaces? unseen characteristics and possibilities, graphic design, animation, photography, Honma and Nabuchi. Their What functions do they comprise which astound the viewer through sculpture, fashion, and murals. Here, he activities in areas with some form of and for what purpose, and how are they simple interventions in spaces. will create a large-scale mural with the social division, such as Fukushima managed? His works adopt critical and Here, she presents two works that theme of “Taming Y/Our Passion” Prefecture, Ishinomaki City, experimental approaches to these symbolize the local community in on the stage for the music program. Okinawa Prefecture, Hong Kong questions. two shopping streets in the Endoji area. and Berlin, have primarily been presented as video installations.

S09 ECHIGO Masashi S10 YUMISASHI Kanji S11 DOKUYAMA Bontaro S40 Art Playground Echigo creates installations, Yumisashi consistently deals with Dokuyama started his artistic practice INTERACT photographs, videos and sculptures in the themes of suicide and mourning. after witnessing the utter change to his Art Playgrounds with ve different which the movement of objects overlaps His mother, who had suffered hometown of Fukushima brought about themes will be set up at ve exhibition the movement of the artist’s body. mentally and physically since an by the 2011 Great East Japan Earttquake. venues as places where visitors can He is known for works triggered by earlier traf c accident, died by suicide He focuses on changes in people’s exercise their creativity. “Interact” encounters with local people and events, in 2015, powerfully affecting his work. perceptions and social structures features a research and development characterized by deepening of He has drawn attention for works caused by historical context of ce that shares ideas about local the resulting relationships. that focus on past social incidents and circumstances, and exhibits works products. and transform them into art. that enable viewers to imagine various changes. All images are for reference only.

【Rules for viewing works A historic site retaining vestiges of the Edo Period, in communities】 Areas where Triennale works are exhibited are also and a shopping district engaged in active change ordinary communities where people live and work. Parking is limited. Please use public A historic merchant district Indian instrument the tabla, will practice 10 Nagoya Station, they are well known for the transportation when possible that accepts newcomers hours a day for 40 days. Shikemichi is a street summer and the autumn, which bustle with Please refrain from acts that bother others, just to the west of the canal where the Ito numerous visitors. The shopping arcade and such as making loud noises The moat to the west of Nagoya Castle was residence is located. After a great re in 1700, nearby stores will feature works by Ayşe Please let others pass on narrow streets dug in 1610, for the purpose of transporting the road was widened by about 7 meters to Erkmen, known for gifted interpretations of the Littering is strictly prohibited food, fuel and other materials to the castle prevent res from spreading, and today It is a characteristics of places. The works of town, while also playing a defensive role. historic district offering glimpses of the era Song-Ming Ang and Jason Maling can be seen 【Precautions for venues】 Cross the Gojo Bridge from the castle keep when the castle town ourished through at Nagono Station, the Endoji area base of the Please make sure to give other people space and and go 150 meters north along the moat, and aquatictransport. In the Shikemichi and Endoji Triennale. A music program stage will be set observe good manners at small venues or businesses you will nd the residence of the Ito family, area there are multiple works by Leung Chi Wo up at Chokyu-zan Endonji Temple, the origin of Please do not cause trouble for others when viewing works wealthy merchants since the Edo Period + Sara Wong in various locations, including the Endoji name, and at the Machinaka Noen, Please follow written instructions （1603-1868）. Here in this place which was one with a rooftop of a house that enshrines and a mural by Washio Tomoyuki will appear. and staff directions for taking photos unharmed by World War II and retains the the yanegami, a deity guarding against res Also, don’t miss the simultaneous exhibition of No smoking atmosphere of the Edo Period, Tsuda Michiko and other ill fortune. Adjacent to Shikemichi, works by young, recently emerging artists of and Iwasaki Takahiro, known for their Endoji Shopping Street and Endoji Honmachi the same generation, such as Ge Yulu, No eating or drinking inside buildings

amazing installations, will exhibit their works. Shopping Street are among the city’s oldest Kyun-Chome, Yumisashi Kanji, Dokuyama Please do not touch columns, walls, Nearby U-zhaan, who plays the classical shopping streets. A 10-minute walk from Bontaro, and Echigo Masashi. or other parts of the architecture

5 【Toyota Municipal Museum of Art】 Address 8-5-1, Kozakahonmachi, Toyota, 471-0034 Open 10:00-17:30 *Last entry is 30 min. before closing time. Closed Every Monday (Except for Public Holidays) 【Venues in the vicinity of Toyotashi Station】 Open Underneath Meitetsu Toyotashi station 10:00-18:00 Toyota Municipal Museum of Art Shin-Toyo Park 10:00-18:00, Toyota Citizens' Gallery 10:00-18:00 and venues in the vicinity of Toyotashi station Kirakutei 10:00-17:00, Former Toyota Higashi High School 10:00-17:30 Last entry is 15 min. before each closing time.

Closed Every Monday (Except for Public Holidays) Meitetsu Toyota Line Toyota Meitetsu Nagoya City Toyota Municipal Museum of Art T09a Shin-Toyota Station Shin-Toyota → T08 T07 3F Kotobuki Park P2-5 ● Shin-Toyo Park T10

T02c T06a Toyotashi Station Toyotashi City Plaza Kirakutei T03b T06b T04 T-FACE

Pedestrian Deck Kitamachi 2F 2-Chome Toyota Industry and Culture Center ● Matsuzakaya Restaurant

Takahashi Setsuro Collection Toyota T40

Ryokuin Sidewalk Ryokuin Sangohkan T11 Underneath Meitetsu TOYOTA Swimming poolpoul Kozakahommachi BUDOKAN Gallery Nishimachi Toyotashi Station Kozakahommachi 6-Chome （ 1-Chome WEST 5-Chome North Former martial T09b T01 T02a arts gym） UP CONTENTS ● Kozakahommachi nishimachi T02b T03a VITS Toyota ● Convenience 1-Chome Town Store Kozakahommachi Sanaru Yobiko Toyota Citizens' Gallery 1-Chome East T05 Nakata Park Nishimachi ● 5-Chome JA Aichi Toyota Nishimachi 2-Chome ● Toyota Popular Art Center ● Juroku Bank Toyota City Visitor Center Kozakahommachi 12-Chome Bijutsukan-kita Japan Car Rental Nishimachi Nishimachi Bijutsukan-kita 4-Chome Former Toyota

6-Chome Aichi Loop Railway Loop Aichi Shiyakusho-mae ● Higashi High School Toyota City Cultural Hall Convenience Store Toyota City Hall T60 ● →P7 Underneath Meitetsu Kozakahommachi Toyotashi Station 5-Chome Kandacho Douji-en 1-Chome (Tea House) T09b Kanda Park Former Toyota Higashi High School ● Temporary Parking Lot Toyota Municipal T02b T03a Meitetsu Mikawa Line Museum of Art T02a East Entrance 1F T06a ～ T11

・ Gustav Vienna – Japan 1900* Gustav Klimt: ● T40 T61 Klimt Ruins of Koromo Castle →P7 Ticket gate T61 UP →P7

Kozakahommachi Kozakahommachi 16-Chome 2-Chome Main Entrance

Kozakahommachi 8-Chome T01 Please refer to "Rules for viewing works in communities" (P5) Library

*Gustav Klimt: Vienna – Japan 1900 requires a ticket “Kilmt Exhibition Package” or a separate admission fee. A community home to abundant art and culture

T01 tomotosi T02a,b,c ODAWARA Nodoka T03a,b WADA Yuina T04 HO Tzu Nyen tomotosi is known for works that reveal Odawara investigates, and creates (Shinkazoku) Ho carefully researches historical the hidden interstices of communities, artworks based on, the trajectory of Wada’s interest in kawaii culture has records and folklore and creates video, and involve taking actions that break Japanese public sculpture in the modern inspired her to create complex paintings installation, and theatrical works. unwritten social rules. era and during World War II. She is also with vivid colors and glittering surfaces. His works shed light on the issues His tenacious practice showcases highly acclaimed for intensive research She runs an art class, and in of modern and contemporary Asia by society’s reactions of acceptance into such topics as the arrow-shaped collaboration with her students, using cross-boundary approaches or rejection based on the sense of pillar that formerly marked the epicenter she has staged a series of projects mixed with ction and historical facts. incongruity this practice creates. of the atomic bomb blast in Nagasaki, including the Shinkazoku (New, True and and the proliferation of female nude Evolving Family) exhibition. statues in the postwar era.

T05 Anna WITT T06a,b Anna HULAČOVÁ T07 Ceal FLOYER T08 Taryn SIMON Witt takes an interest in people from Hulačová’s sculpture combines Floyer is known for making subtle Simon is a multidisciplinary artist diverse social strata, and incorporates elements of science ction with ancient interventions in familiar, everyday working in photography, text, them into her performance and mythology, East Asian thought, situations and drawing viewers’ video, and performance. video installation works. and traditional Czech culture and art. attention to gaps between words and Her projects direct our attention to She renders visible social systems She is known for works uniting a wide their agreed-upon meanings. hidden power structures, created by the logic of politics and range of contradictory elements, Viewers are delighted and frequently the precarious nature of survival, economics, and emphasizes the mixing inorganic industrial materials prompted to do double-takes and the divide between the movements of the human body that and natural, organic substances. by her poetic and elegant presentation. privileged access of the few and enable these systems to function. the limited access of the public.

T09a,b TAKAMINE Tadasu T10 Reynier Leyva NOVO T11 Studio Drift T40 Art Playground Takamine is recognized for his power Novo examines of cial documents to Studio Drift is an artist collective OUTREACH to reveal buried issues in society create photographs, videos, and established in 2007 by Lonneke Gordijn Art Playgrounds with ve different through the lens of his own personal installations dealing with people and and Ralph Nauta. They work across themes will be set up at ve exhibition experiences and physical senses, history that have begun to be forgotten a range of media, navigating venues as places where visitors can through various media including video, in Cuba, a country in the process of the boundaries of art, technology and exercise their creativity. “Outreach” installation, and stage performance. change. His works employ contemporary mankind. offers various tools and methods for In Toyota, he will present a work bound approaches to convey the presence of people to express and broadcast what to astonish both people familiar with tempestuous history and power. they want to communicate to the world. the artist and those encountering him for the rst time. All images are for reference only.

Art that thinks outside the box, disrupting conventional ways of thinking Between the visible and presents a massive “unoccupied” pedestal in installation that thoughtfully ties together the invisible the middle of the space. Toyota Citizens’ Kirakutei’s history and complex stories Gallery near the station presents Anna Witt’s unfolding across Asia. Toyota City is home to Toyota, one of the work with auto industry workers. Wada Yuina The Toyota Municipal Museum of Art, one of world’s top companies, and is known （Shinkazoku） creates participatory works that the main venues for Triennale, is a master- worldwide as an industrial capital. Japanese promote the deconstruction of conventional work by leading Japanese architect Taniguchi tomotosi, THE NEVERENDING CEREMONY, 2019 mass production of vehicles began here in family values and the creation of new families. Yoshio. Here Anna Hulačová exhibits works the late 1930s, when the automobile industry Kirakutei, a well-loved, top-class restaurant combining socialist sculpture and science ction. was what we would today call a venture and inn founded in the late Meiji Era (1868-1912), Studio Drift and Ceal Floyer enchant audiences business. Currently about 114,000 city residents was patronized by sericulture (silkworm farming) with graceful and delicate installations, albeit work in manufacturing, 85% of them in the industry before World War II, by kamikaze on different scales. Taryn Simon presents a automotive industry. Many South American pilots during the war, and by the auto industry thought-provoking series critiquing power and workers, mainly Brazilians, also live here. after the war. The current building was built authority. Reynier Leyva Novo produces largescale tomotosi unearths the sleeping heritage of between the late Taisho (1912-1926) and early monumental sculptures. At the Former Toyota this area from the premises of Meitetsu Showa (1926-1989) eras, and after three Higashi High School next to the Toyota Toyotashi Station. Odawara Nodoka, known reconstructions, was recreated in its current Municipal Museum of Art, Takamine Tadasu for her work reinterpreting modern sculpture, location. Ho Tzu Nyen presents a video turns the bottom of the school pool vertical.

WADA Yuina (Shinkazoku), Shinkazoku Exhibition by Home of Painting

6 Aichi Triennale 2019 has six popular music-oriented offerings. Aichi Arts Center will host live shows by two performers, plus the MUSIC & ARTS FESTIVAL. Shikemichi and Endoji will host Endoji Daily Live, which will showcase a different musician each day, as well as Nagono Music Festival held on expanded stages Music Program to communicate the appeal of music.

S51 Endoji Daily Live A52 Music & Arts Festival S52a,b Nagono Music Festival A series of live music performances delivered by a different musician each day. Live music and other performances by a myriad of artists will be on offer at Aichi Arts The closing event of Endoji Daily Live that promise to bring the whole shopping street A purpose-built stage decorated with a huge, specially commissioned mural by Tomoyuki Center’s three venues. This interdisciplinary festival marries music and art in a laid-back, together for an exciting nale to Endoji Daily Live. Washio sets the scene for quality music that transforms an ordinary space of a familiar welcoming vibe. : – : shopping street into an extraordinary experience. 12 00 20 00, 10/12 (Sat) at Endoji Parking Lot & Machinaka Noen Endoji 12:00 – 20:00, 9/14 (Sat) Free Admission 19:00 – 20:00 on Thu, Fri, Sat, Sun between 8/1 and 10/11 at Endoji Parking Lot, Free admission A valid international art exhibition ticket is required to enter the Aichi Prefectural Art Theater Mini Theater and Large Rehearsal Room. Admission is free to the Aichi Arts Center 2nd Floor Forum.

A50 Special Program by A51 Special Live by S50 Practice the Tabla by U-zhaan Sakanaction Junretsu Chilla: 40 Days Drumming 8/7 (Wed) – 8/11 (Sun) at Aichi Prefectural Art Theater, 9/15 (Sun) – 9/16 (Mon/public holiday) 12:00 – 20:00, 8/1 (Thu) – 9/9 (Mon) at Nagono Asyl ¥3,800 to ¥5,800 at Aichi Prefectural Art Theater, *Closed to the public on Monday except for 8/12 ¥2,500 to ¥6,500

14 performances will be staged in Nagoya City and Toyota City, with the Aichi Prefectural Art Theater as the primary venue, including cutting-edge theater works from Japan and abroad. In addition to Japan premieres of overseas works and new domestic works, Extension Projects will be presented, with lecture-style Performing Arts performances and participatory projects by Triennale artists.

A60a,b,c TAKAYAMA Akira (Port B) A61 Milo RAU (IIPM) + CAMPO A62 Nature Theater of Oklahoma + Public Speech Project Five Easy Pieces EN-KNAP Group If public speech is still effective today, where should it take Director, playwright, lm director, and journalist Milo Rau carefully Pursuit of Happiness place, and in what form? Theatrical producer Takayama Akira investigates actual incidents and reconstructs them on the stage. Based in New York, the Nature Theater of Oklahoma boasts a will open a “speech school” for four young people during the The work to be staged for Aichi Triennale 2019, concerning a case cult-like popularity for its boundary-challenging narrative Triennale. Together they will study Aristotle’s poetics and of the con nement and murder of young girls that shook Belgian performances. This work is a slapstick parody Western oratory, and practice performing pre-World War II Pan-Asianist society, is a masterwork that has won numerous awards at theater entitled Pursuit of Happiness, after one of the rights enshrined texts. How will these voices and physical presences transform festivals around the world. Based on contemporary media and in the US Constitution. The exaggerated literary style of the Nagoya's urban spaces? records and testimony from both perpetrator and victims, the dialogue satirically brings to the fore a hollowness at the core performance powerfully stirs the emotions of the audience, as of the United States of America, a nation founded on this children “re-enact” documents relating to the crime. principle. a:[Project Presentation] 8/1 (Thu) – 8/2 (Fri) at Aichi Prefectural Art Theater, ¥1,500 (→P2) 8/2 (Fri) – 8/4 (Sun) at Aichi Prefectural Art Theater, Adults ¥3,500 (→P2) 8/3 (Sat) – 8/4 (Sun)at Nagoya City Performing Arts Center, Adults ¥3,500 (→P2) b:[Video Exhibition] 8/1 (Thu) – 10/14 (Mon) at Aichi Arts Center, Free (→P2) c:[Public Speech] 10/12 (Sat) – 10/14 (Mon) in Nagoya City (TBA), Free

A63/T60 Theater Urinko+MIURA Motoi+KUWAKUBO A64 Saeborg A65 Monira AL QADIRI Ryota Afraid of Troubles - Cannot Have Luck House of L Phantom Beard Theater Urinko, a company that specializes in productions for This is the rst theatrical installation by Saeborg, who creates Monira Al Qadiri moved from Kuwait at the age of 16 to study children and youth, invites Motoi Miura (of the theater and wears latex body suits. The audience will be invited into a in Japan, and received a Ph.D. in Intermedia Art from Tokyo company Chiten) and media artist Ryota Kuwakubo to living room inhabited by creepy-cute animal characters such University of the Arts. In this performance, based on an collaborate in staging a play by Russian children’s author and as sows and hens. This simultaneously innocent and brutal episode in which a Japanese psychic told her she was playwright Samuil Marshak. Repeating the incantations performance featuring animals at the bottom of the food chain surrounded by 40 ancestral spirits, Al Qadiri will attempt to “Trouble, suffering, sadness” and “Who will have good luck?”, it will present us with probing questions about the essence of access the blanks left in Middle Eastern history. To this is a fantastical production making brilliant use of light and human life. subject she will bring both an imaginativeness inspired by shadow effects. This is a superbly allegorical performance that Japanese anime and her acute insights into the Arab world. people of all ages can enjoy. [Nagoya] 8/16 (Fri) – 8/18 (Sun） at Aichi Prefectural Art Theater, Adults ¥3,000 (→P2) 8/31(Sat) – 9/8 (Sun)*Closed on 9/2 (Mon) at Aichi Prefectural Art Theater, Adults ¥1,500 (→P2) 9/5 (Thu) – 9/8 (Sun) at Aichi Prefectural Art Theater, Adults ¥3,000 (→P2) [Toyota] 9/21(Sat) – 9/22 (Sun） at Toyota City Cultural Hall, Adults ¥2,500 (→P6)

A66 KOIZUMI Meiro A67 ICHIHARA Satoko (Q) A68 Theater Artemis + Het Zuidelijk Toneel Prometheus Bound The Bacchae−Holstein Milk Cows The Story of the Story Video artist Koizumi Meiro creates his rst full-edged theater The playwright and director Ichihara Satoko, whose plays deal Rather than being “aimed at children,” the performances of piece, which employs virtual reality technology. with human behavior and sexuality through a unique sense of Netherlands-based Theater Artemis attempt to see the world The near-future world of the work, which takes the ancient language, radically reinterprets the Greek tragegy The Bacchae through a child’s eyes. Their long-awaited rst trip to Asia with Greek tragedy Prometheus Bound as its point of departure, is as a musical. The drama involves a seemingly ordinary housewife, this popular production follows shortly after their winning the lived vicariously by participants through the senses and a half-human / half-cow born through arti cial insemination, and Silver Lion at the 2019 Venice Biennale. Radical and playful, emotions of others. When we have expanded our bodies with a Greek chorus composed of the ghosts of Holstein cattle,cows, overowing with moments both pleasurable and surreal, this VR, what lies beyond? Will we experience utopia or dystopia? focusing our attention on the border between human and animal work will unleash the imaginations of audiences from every while exploring hidden desires and boldly touching on taboos. generation.

10/10 (Thu) – 10/14 (Mon) at Aichi Prefectural Art Theater, Adults ¥2,000 (→P2) 10/11(Fri) – 10/14 (Mon) at Aichi Prefectural Art Theater, Adults ¥3,000 (→P2) 10/12 (Sat) – 10/13 (Sun) at Nagoya City Performing Arts Center, Adults ¥3,500 (→P2)

【Extension Projects】 A69 A70/T61 N60 S60 A71 Dora GARCÍA TANAKA Koki FUJII Hikaru Kyun-Chome Dominique CHEN (dividual inc.) Lecture Performance Screening / Assembly Lecture Performance / Lecture Performance / Participatory Lecture Performance The Romeos Abstracted / Family Exhibition Tour Mujō (The Heartless) Event Endoji Cricket Club (TBC) New work (title TBA) 8/3 (Sat) – 8/4 (Sun) at Aichi Prefectural Art Theater, ¥1,300 (→P2) ［Nagoya］ 9/7 (Sat) at Aichi Prefectural Museum of Art, ¥1,300 (→P2) 9/22 (Sun) at Nagoya City Art Museum, ¥1,300 (→P4) 10/5 (Sat) at Nagono Campus, ¥1,300 (→P5) 10/12 (Sat) – 10/13 (Sun) at Aichi Arts Center, ¥1,300 (→P2) ［Toyota］ 9/21 (Sat) at Toyota Municipal Museum of Art, ¥1,300 (→P2)

15 lms by 14 Japanese and overseas artists or groups will be screened at Aichi Arts Center, Art Space A from September 15 to September 29, including one new lm and three shown for the rst time in Japan. Film Program During this period, lm directors and other related persons will be featured as guests at events where they talk about the works and other topics.

A86 〈Japan Premier〉 A87 KOMORI Haruka A91 Tokai Television A92 〈Japan Premier〉 Alejandro Listening to the Air◉ Broadcasting TOMITA Katsuya JODOROWSKY (AAC/APMoA Film) Sayonara TV ◉ TENZO ◉ Psychomagic, A Healing Art ◉ 16 (Mon, public holiday) 16:00 15 (Sun) 14:00★ 22 (Sun) 14:30★ 17 (Tue) 13:30★ 20 (Fri) 17:00 21 (Sat) 11:00 25 (Wed) 13:30 23 (Mon, public holiday) 17:00 28 (Sat) 13:30 28 (Sat) 11:00 Courtesy of All-Japan Young Soto Zen © Pascale Montandon-Jodorowsky © Haruka Komori © Tokai Television Buddhist Priest Association

This lm documents the practice of “psychomagic,” a therapeutic art This documentary follows a woman who was a radio personality on The cameras of the Tokai Television documentary division track the This mid-length lm, in which the main characters are two young monks, created by Jodorowsky decades ago. The lm shows how Jodorowsky Rikuzentakata Saigai [Disaster] FM. While touching on the memories and station’s own news division. Is the resulting footage a self-portrait of TV, mixes ction and documentary. With the Tenzo Kyokun (“Instructions for has responded to each personal problem of suffering people and healed thoughts of many local residents, the camera paints an intimate portrait of and society, today? This work calls into question our relationship to TV, the Temple Chef”) by Japanese Soto Buddhism founder Dogen as a key it with his art of Psychomagic therapy over many decades. the DJ as she broadcasts these people’s voices over the radio day by day. how much of what we see is fact and how much is entertainment. text, it grapples with the meaning of faith in the current era.

A80 Basma ALSHARIF A81 Kathryn BIGELOW A82 CHOI Seung-Ho A83 〈New Work〉 Ouroboros ◉ Detroit ◉ Criminal Conspiracy Company Matsuo A Day in the Aichi

16 (Mon, public Holiday) 13:30 18 (Wed) 16:00 18 (Wed) 13:30 21 (Sat)★ 17 (Tue)16:30 26 (Thu) 17:00 22 (Sun) 17:30 27 (Fri) 29 (Sun)★

Ouroboros Film Still, 2017, Screen time will be announced Courtesy of the Artist and © 2017 SHEPARD DOG, LLC. on the of cial website. Galerie Imane Farés. ALL RIGHTS RESERVED. © KCIJ Newstapa © Company Matsuo

A84 Claire DENIS A85 HIROSE Nanako A88 Milo RAU A89a Leni RIEFENSTAHL High Life（ PG12）◉ His Lost Name ◉ The Congo Tribunal ◉ Olympia Part One: Festival of Nations ◉ 24 (Tue) 18:00 23 (Mon, public holiday)11:00★ 15 (Sun) 11:00 19 (Thu) 13:30 28 (Sat) 17:30 24 (Tue)15:30 25 (Wed) 15:30

© 2018 PANDORA FILM - © 2019“His Lost Name” Cooperated by INTERNATIONAL ALCATRAZ FILMS Production Committee © Fruitmarket / Lang lm VISUAL CORPORATION, LTD.

A89b Leni RIEFENSTAHL A90 TODA Hikaru A93 〈Japan Premier〉 Olympia Part Two: Of Love & Law◉ YOSHIGAI Nao 【A80～93】 Festival of Beauty Grand Bouquet ◉ ◉ Date: September 15 (Sun) – September 29 (Sun) 19 (Thu) 16:30 22 (Sun) 11:00★ 15 (Sun) 16:30★ Venue: Art Space A, 12F, Aichi Art Center : 25 (Wed) 18:15 24 (Tue) 13:30 16 (Mon, public holiday) 11 00／ Ticket: A valid international art exhibition ticket 11:20／11:40 (One-Day Pass / Passport) 23(Mon, public holiday) 15:00／ 15:20／15:40 grants the holder to enter. Cooperated by INTERNATIONAL 28 (Sat) 15:30／15:50／16:10 ◉：Language or subtitles in English VISUAL CORPORATION, LTD. © Nanmori Films © Nao YOSHIGAI ★：Screening and a special guest talk

7 NAGOYA AREA TOYOTA AREA

To Kyoto / Subway Meijo Osaka Line Aichi Loop Meitetsu Nagoya Castle Railway Toyota Line To Kozoji To Nagoya

T Nagoya Area (left map) Dekimachi- TOYOTA MUNICIPAL dori MUSEUM OF ART Station Shin-Toyota Shiyakusho Meitetsu Seto Line Station VENUES IN THE VICINITY OF T-FACE Station Toyotashi TOYOTASHI STATION（P6）

Subway Tsurumai Line SHIKEMICHI Sotobori- ENDOJI（P5） ● dori Kirakutei S Art Lab Aichi Matsuzakaya

Toyota Citizens' Gallery Nagoya Station

Subway Sakura-dori Line TPAC Sakura- ● dori Subway Kokusai Marunouchi Hisaya- Nagoya City Nagoya Center Station odori Performing Station Station Station Arts Center Former Toyota Higashi Toyota High School Nagoya TV Tower City Cultural Hall P

AICHI ARTS Toyota Municipal CENTER（P2） Museum of Art Sakaemachi A Station Sunshine Subway Higashiyama Line Sakae P Nishiki- dori To Okazaki Meitetsu Fushimi Sakae Oasis 21 Mikawa Line Station Station To Chiryu

Hirokoji- dori

NAGOYA CITY ●Nagoya City ART MUSEUM（P4） N ●Toyota City

Yabacho Station

Wakamiya- odori Osu Kannon Staion

Toyota Area (upper right map) To Tokyo Egawa Hori Fushimi- Otsu- Hisaya- *Please refer to the official App or website for more Line River dori dori odori information about the access to the venues

Access to each venue of the Aichi Triennale from Nagoya station Access to Toyota city from Nagoya City Art Museum No service on Monday (except public holidays)

5 min. / subway Higashiyama line Sakae 3-minute walk Aichi Arts Center 9-minute walk Sakae train station station 50 min. / Nagoya City Art Museum subway Tsurumai line and Meitestsu Toyota line Toyotashi 15-minute walk train station train 3min. / subway Higashiyama line Fushimi 8-minute walk Nagoya City Art Museum 7-minute walk Osu Kannon Toyota Municipal station statoin Museum of Art

train 1 min. / subway Sakura-dori line Kokusai Center 5-minute walk bus stop Fushimi-cho Nagoya station station 5-minute walk 64 min. bus stop 8-minute walk bus Meitetsu Express Bijutsukan-kita Toyotashi-bound bus walk 15-minute walk Shiemichi and Endoji

3-minute Nagoya Sightseeing Route bus 16 min. bus stop walk bus Me~guru (bus stop No.11) * Shikemichi Inter-Venue Shuttle Image-wrapped inter-venue shuttle in service! 3 min. / subway 50 min. / subway Tsurumai line 15-minute Higashiyama line and Meitetsu Toyota line walk Fushimi Toyotashi ■Aichi Art Center Shikemichi / Endoji Route train station station Toyota Municipal Time ｜12：00-18：00（two departures per hour） No service on Monday（ except public holidays） 8-minute 8-minute Museum of Art walk 70 min. walk bus Meitetsu bus center bus stop Vehicles｜Welcab Hiace, Mirai（ one each） (Meitetsu Express Toyotashi-bound bus） Bijutsukan-kita Fares ｜Free（ Please show your Triennale ticket）

■Shin-Toyota Station Toyota Municipal Museum of Art Route Time ｜9：45-17：38 Access to each venue of Aichi Triennale from Aichi Arts Center （ 2 departures per hour, no service from 13:00 to 14:00） Operates only on Saturdays, Sundays and holidays 8-minute Vehicle｜Microbus *Inaccessible to wheelchair Wrapping: Harmo one vehicle , other PR activities scheduled as well 3-minute walk Sakae 2 min. / subway Higashiyama Line Fushimi walk Nagoya City Art Museum （ ） train station station Fare ｜200 yen

7 minute 4 min. / subway 5-minute walk 地下街直結- Sakura-dori line Kokusai Center walk Aichi Arts Center train Hisaya-odori station station Shikemichi and Endoji 10 min. Inter-Venue Shuttle Official app (free)

3 min. / 45 min. / 5-minute subway subway Tsurumai line 15-minute Enjoy the Triennale to the fullest! walk Sakae Meijo line Kamimaezu and Meitetsu Toyota line Toyotashi walk train station station station Only with this of cial app, you can hear easily Toyota Municipal understandable talk about the intent and points 3-minute 8-minute Museum of Art walk Sakae bus terminal in Oasis21 55 min. bus stop walk of interest of the works with the “Voice Guide”! bus / Meitetsu Express Bijutsukan-kita Official app Toyotashi-bound bus Use this app get the most out of the Triennale! Times are estimates. By taxi, it is possible to get from venue to venue in Nagoya in about 10 minutes.

Aichi Triennale 2019 Theme│Taming Y/Our Passion Period│August 1 (Thursday) to October 14 (Monday, public holiday), 2019 [75 days] Instagram│aichitriennale Facebook│AICHITRIENNALE Main Venues│Aichi Arts Center, Nagoya City Art Museum, Nagoya City (Shikemichi and Endoji), Toyota City (Toyota Municipal Museum of Art and other venues in the vicinity of Toyotashi station) Twitter│@Aichi_Triennale Inquiries The Aichi Triennale Organizing Committee (Of ce)(Triennale Section, Culture and Arts Division, Department of Community Affairs, Aichi Prefectural Government) #aichitriennale #Taming YOur Passion 【 】 For the latest information and details, Address｜Aichi Arts Center 6F 1-13-2 Higashi-sakura, Higashi-ku, Nagoya, Aichi 461-8525, Japan Tel｜+81-52-971-6111 Fax｜+81-52-971-6115 please visit the of cial website http://aichitriennale.jp/ Official web site

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