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SACRED SPACES and OBJECTS: the VISUAL, MATERIAL, and TANGIBLE George Pati
SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati BRAUER MUSEUM OF ART | APRIL 13 — MAY 8, 2016 WE AT THE BRAUER MUSEUM are grateful for the opportunity to present this exhibition curated by George Pati, Ph.D., Surjit S. Patheja Chair in World Religions and Ethics and Valparaiso University associate professor of theology and international studies. Through this exhibition, Professor Pati shares the fruits of his research conducted during his recent sabbatical and in addition provides valuable insights into sacred objects, sites, and practices in India. Professor Pati’s photographs document specific places but also reflect a creative eye at work; as an artist, his documents are also celebrations of the particular spaces that inspire him and capture his imagination. Accompanying the images in the exhibition are beautiful textiles and objects of metalware that transform the gallery into its own sacred space, with respectful and reverent viewing becoming its own ritual that could lead to a fuller understanding of the concepts Pati brings to our attention. Professor Pati and the Brauer staff wish to thank the Surjit S. Patheja Chair in World Religions and Ethics and the Partners for the Brauer Museum of Art for support of this exhibition. In addition, we wish to thank Gretchen Buggeln and David Morgan for the insights and perspectives they provide in their responses to Pati's essay and photographs. Gregg Hertzlieb, Director/Curator Brauer Museum of Art 2 | BRAUER MUSEUM OF ART SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati George Pati, Ph.D., Valparaiso University Śvetāśvatara Upaniṣad 6:23 Only in a man who has utmost devotion for God, and who shows the same devotion for teacher as for God, These teachings by the noble one will be illuminating. -
In the Kingdom of Nataraja, a Guide to the Temples, Beliefs and People of Tamil Nadu
* In the Kingdom of Nataraja, a guide to the temples, beliefs and people of Tamil Nadu The South India Saiva Siddhantha Works Publishing Society, Tinnevelly, Ltd, Madras, 1993. I.S.B.N.: 0-9661496-2-9 Copyright © 1993 Chantal Boulanger. All rights reserved. This book is in shareware. You may read it or print it for your personal use if you pay the contribution. This document may not be included in any for-profit compilation or bundled with any other for-profit package, except with prior written consent from the author, Chantal Boulanger. This document may be distributed freely on on-line services and by users groups, except where noted above, provided it is distributed unmodified. Except for what is specified above, no part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by an information storage and retrieval system - except by a reviewer who may quote brief passages in a review to be printed in a magazine or newspaper - without permission in writing from the author. It may not be sold for profit or included with other software, products, publications, or services which are sold for profit without the permission of the author. You expressly acknowledge and agree that use of this document is at your exclusive risk. It is provided “AS IS” and without any warranty of any kind, expressed or implied, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. If you wish to include this book on a CD-ROM as part of a freeware/shareware collection, Web browser or book, I ask that you send me a complimentary copy of the product to my address. -
Twists As Pose & Counter Pose
Twists as pose and counter pose Open and closed twists General guidelines After back arches do open to closed twists After lengthy forward bends do closed to open twists List of Twists Even Parivritta vajrasana (kneeling) Open Bharadvajrasana 1 and 2 (half virasana half baddha) Parivritta ardha padmasana (sitting half lotus) Parivritta padmasana (sitting full lotus) Parivritta janu sirsasana (janu sitting twist) Marischyasana 1 and 2 Parivritta upavistha konasana prepreparation (wide leg sitting twist) Trikonasana (also from prasarita padottanasana and from table position twist each way) Parsva konasana Ardha chandrasana Parsva Salamba sirsasana (long legged twist in head balance) Parsva dwi pada sirsasana (legs bent at knees twist in head balance) Parsva urdhva padmasana sirsasana (lotus in head balance) Parsva sarvangasana (over one hand in shoulder balance) Parsva urdhva padmasana in sarvangasana (lotus over one hand in shoulder balance) Jatara parivartanasana 1 and 2 (supine twist legs bent or straight, also one leg bent one straight) Jatara parivartanasana legs in garudasana (supine twisting in eagle legs) Thread the needle twist from kneeling forward Dandasana (sitting tall and then twisting) Closed Pasasana (straight squat twist) Marischyasana 3 and 4 Ardha matsyendrasana 1, 2 and 3 Paripurna matsyendrasana Full padmasana supine twist (full lotus supine twist) Parivritta janu sirsasana (more extreme sitting janu twist, low) Parivritta paschimottanasana (extreme low twist in paschi sitting) Parivritta upavistha konsasana (full extreme -
Redalyc.Visiting a Hindu Temple: a Description of a Subjective
Ciencia Ergo Sum ISSN: 1405-0269 [email protected] Universidad Autónoma del Estado de México México Gil-García, J. Ramón; Vasavada, Triparna S. Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations Ciencia Ergo Sum, vol. 13, núm. 1, marzo-junio, 2006, pp. 81-89 Universidad Autónoma del Estado de México Toluca, México Disponible en: http://www.redalyc.org/articulo.oa?id=10413110 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations J. Ramón Gil-García* y Triparna S. Vasavada** Recepción: 14 de julio de 2005 Aceptación: 8 de septiembre de 2005 * Rockefeller College of Public Affairs and Policy, Visitando un Templo Hindú: una descripción de la experiencia subjetiva y algunas University at Albany, Universidad Estatal de interpretaciones preliminares Nueva York. Resumen. Académicos de diferentes disciplinas coinciden en que la cultura es un fenómeno Correo electrónico: [email protected] ** Estudiante del Doctorado en Administración complejo y su comprensión requiere de un análisis detallado. La complejidad inherente al y Políticas Públicas en el Rockefeller College of estudio de patrones culturales y otras estructuras sociales no se deriva de su rareza en la Public Affairs and Policy, University at Albany, sociedad. De hecho, están contenidas y representadas en eventos y artefactos de la vida cotidiana. -
Temple Calendar
Year : SHAARVARI MARGASIRA - PUSHYA Ayana: UTTARA MARGAZHI - THAI Rtu: HEMANTHA JANUARY DHANU - MAKARAM SUN MON TUE WED THU FRI SAT Tritiya 8.54 D Recurring Events Special Events Tritiya 9.40 N Chaturthi 8.52 N Temple Hours Chaturthi 6.55 ND Daily: Ganesha Homam 01 NEW YEAR DAY Pushya 8.45 D Aslesha 8.47 D 31 12 HANUMAN JAYANTHI 1 2 P Phalguni 1.48 D Daily: Ganesha Abhishekam Mon - Fri 13 BHOGI Daily: Shiva Abhishekam 14 MAKARA SANKRANTHI/PONGAL 9:30 am to 12:30 pm Tuesday: Hanuman Chalisa 14 MAKARA JYOTHI AYYAPPAN 5:30 pm to 8:30 pm PUJA Thursday : Vishnu Sahasranama 28 THAI POOSAM VENKATESWARA PUJA Friday: Lalitha Sahasranama Moon Rise 9.14 pm Sat, Sun & Holidays Moon Rise 9.13 pm Saturday: Venkateswara Suprabhatam SANKATAHARA CHATURTHI 8:30 am to 8:30 pm NEW YEAR DAY SANKATAHARA CHATURTHI Panchami 7.44 N Shashti 6.17 N Saptami 4.34 D Ashtami 2.36 D Navami 12.28 D Dasami 10.10 D Ekadasi 7.47 D Magha 8.26 D P Phalguni 7.47 D Hasta 5.39 N Chitra 4.16 N Swati 2.42 N Vishaka 1.02 N Dwadasi 5.23 N 3 4 U Phalguni 6.50 ND 5 6 7 8 9 Anuradha 11.19 N EKADASI PUJA AYYAPPAN PUJA Trayodasi 3.02 N Chaturdasi 12.52 N Amavasya 11.00 N Prathama 9.31 N Dwitiya 8.35 N Tritiya 8.15 N Chaturthi 8.38 N 10 Jyeshta 9.39 N 11 Mula 8.07 N 12 P Ashada 6.51 N 13 U Ashada 5.58 D 14 Shravana 5.34 D 15 Dhanishta 5.47 D 16 Satabhisha 6.39 N MAKARA SANKRANTHI PONGAL BHOGI MAKARA JYOTHI AYYAPPAN SRINIVASA KALYANAM PRADOSHA PUJA HANUMAN JAYANTHI PUSHYA / MAKARAM PUJA SHUKLA CHATURTHI PUJA THAI Panchami 9.44 N Shashti 11.29 N Saptami 1.45 N Ashtami 4.20 N Navami 6.59 -
List of Hatha Yoga Postures, English and Sanskrit
Hatha Yoga Postures List English and Sanskrit Names Indexed by Type and Textbook Descriptions My Yoga and Chi Kung Class Exercises List By Michael P. Garofalo, M.S. Valley Spirit Yoga, Red Bluff, California Adho Downward Voc Adho Mukha Vrksasana Balancing on Hands, Handstand HBalP LoY287, YS361 Adho Mukha Svanasana Downward Facing Dog PP, Res, Mod3 Loy110, YtIY90, BSYB108, HYI30, AHY482, YA224, YS360 Agni Sara or Bidalasana Cat KP, BB BSYF128, HYI116, AHY193, YS376 Agni Sara Sunbird, Cat/Cow Variation KP BSYF132, AHY194 Agnistambhasana Fire Log, Two Footed King Pigeon SitP YS362 Ahimsa Not Harming, Non-Violence, Not Killing, Yama Voc Akarna Dhanurasana Shooting Bow Pose SitP YS362 Alanasana Lunge, Crescent Lunge StdP, BB BSYF166, HYI38 Alternate Nostril Breathing Nādī Shodhana Prānāyāma SitP LoY445-448, HYI16 Anantasana Side Leg Lift, Vishnu’s Serpent Couch LSP LoY246, YtIY87 Anjaneyasana Lunge, Low or High Lunge StdP, StdBalP YS364 Anji Stambhasana SitP Apanāsana Knees to Chest SupP BSYF182, HYI180 Aparigraha Noncovetousness, Not Greedy, Yama Voc Ardha Half, Partial, Modified Voc Ardha Baddha Padmottanasana Half Bound Lotus Intense Stretch Pose StdP, StdBalP YS365 Ardha Chandrasana Half Moon Balancing StdP, StdBalP LoY74, YtIY30, BSYF94, HYI74, YS366 Ardha Navasana Boat Modified SitP LoY111 Ardha Matsyendrasana I Lord of the Fishes Spinal Twist TwP, Mod4, SitP LoY259, YtIY74, BSYF154, HYI128-131, YS367 Ardha Padmasana Half Cross Legged Seated SitP YtIY54 Ardha Salabhasana Half Locust PP, BB, Mod4 LoY99, YtIY92, BSYF136, HYI110, AHY297, YA218 Ardha Uttanasana Half Forward Fold, Monkey StdP YS368 Asana Posture, Position, Pose Voc Ashta Chandrasana High Lunge, Crescent StdP, StdBalP YS368 Hatha Yoga and Chi Kung Class Postures List By Michael P. -
Yoga Exercise Increases Chest Wall Expansion and Lung Volumes in Young Healthy Thais
THAI JOURNAL OF PHYSIOLOGICAL SCIENCES Volume 19 (No.1, April 2006) Page 1-7 www.tjps.org ISSN 0857 – 5754 Original Article YOGA EXERCISE INCREASES CHEST WALL EXPANSION AND LUNG VOLUMES IN YOUNG HEALTHY THAIS Chanavirut R, Khaidjapho K, Jaree P, and Pongnaratorn P Department of Physical Therapy, Faculty of Associated Medical Sciences, Khon Kaen University, Khon Kaen 40002, Thailand Yoga, a method of breathing and chest expansion exercise, has been reported to improve respiratory function in healthy and respiratory diseases. The present study tested the hypothesis that short-term Yoga exercise increased chest wall expansion and lung volumes in young healthy Thais. Fifty-eight healthy young volunteers (20.1±0.6 years of age) were randomly allocated into Yoga training (n=29) and control (n=29). Five positions of Hatha Yoga (Uttita Kummersana, Ardha Matsyendrasana, Vrikshasana, Yoga Mudra, and Ushtrasana) were assigned because of their dominant effects on chest wall function. The Yoga practice was 20 min/session and 3 sessions/week for 6 weeks. The matching control subjects were designed and stayed free without Yoga exercise in a similar period. Before and after training lung expansion was measured by a standard tape at three levels: upper (sternal angle), middle (rib 5), and lower (rib 8). Lung volumes (tidal volume, FEV1, FEV25-75%, and FVC) were measured by a standard spirometer. Compared to pre-training, Yoga exercise significantly increased (p<0.05) chest wall expansion in all levels (upper 3.2±0.1 versus 4.4±0.1 cm, middle 5.0±0.1 versus 5.9±0.1 cm, lower 5.9±0.2 versus 6.8±0.1 cm), FEV1 (2.5±0.1 versus 2.8±0.1 L), FEV25-75% (4.1±0.2 versus 4.8±0.2 L/sec), and FVC (2.5±0.1 versus 2.8±0.1 L). -
The Sacred Mahakala in the Hindu and Buddhist Texts
Nepalese Culture Vol. XIII : 77-94, 2019 Central Department of NeHCA, Tribhuvan University, Kathmandu, Nepal The sacred Mahakala in the Hindu and Buddhist texts Dr. Poonam R L Rana Abstract Mahakala is the God of Time, Maya, Creation, Destruction and Power. He is affiliated with Lord Shiva. His abode is the cremation grounds and has four arms and three eyes, sitting on five corpse. He holds trident, drum, sword and hammer. He rubs ashes from the cremation ground. He is surrounded by vultures and jackals. His consort is Kali. Both together personify time and destructive powers. The paper deals with Sacred Mahakala and it mentions legends, tales, myths in Hindus and Buddhist texts. It includes various types, forms and iconographic features of Mahakalas. This research concludes that sacred Mahakala is of great significance to both the Buddhist and the Hindus alike. Key-words: Sacred Mahakala, Hindu texts, Buddhist texts. Mahakala Newari Pauwa Etymology of the name Mahakala The word Mahakala is a Sanskrit word . Maha means ‘Great’ and Kala refers to ‘ Time or Death’ . Mahakala means “ Beyond time or Death”(Mukherjee, (1988). NY). The Tibetan Buddhism calls ‘Mahakala’ NagpoChenpo’ meaning the ‘ Great Black One’ and also ‘Ganpo’ which means ‘The Protector’. The Iconographic features of Mahakala in Hindu text In the ShaktisamgamaTantra. The male spouse of Mahakali is the outwardly frightening Mahakala (Great Time), whose meditatative image (dhyana), mantra, yantra and meditation . In the Shaktisamgamatantra, the mantra of Mahakala is ‘Hum Hum Mahakalaprasidepraside Hrim Hrim Svaha.’ The meaning of the mantra is that Kalika, is the Virat, the bija of the mantra is Hum, the shakti is Hrim and the linchpin is Svaha. -
Visiting a Hindu Temple
EDUCATIONAL INSIGHT Visiting a Hindu Temple A Beginner’s Guide Brihadeeswarar: A massive stone temple in Thanjavur, e they luxurious palaces, rustic warehouses, Tamil Nadu, built by Raja simple halls or granite sanctuaries, Hindu Raja Chola ten centuries ago B temples are springing up all over the and still vibrant today. The world, numbering in the hundreds of thousands. capstone, weighing 80 tons, Yet outside of India and a few places like Sri is the largest in India. Lanka, Nepal and Bali, what happens inside these temples remains a mystery—to young This special Educational generations of Hindus as well as to curious Insight was inspired by newcomers. It’s all a bit intimidating at first. and produced expressly This Insight is designed to answer the common for the Hindu Mandir questions that arise: Why are temples Executives’ Conference important? What are the customs and protocols, the dos and don’ts? What attitudes should one hold inside? Do all those rituals ATI O C N U A D have a meaning? What is the priest L E chanting? All these musings and more I N S S T are addressed here to help newcomers— I G H both Hindus and non-Hindus—enjoy and benefit from their temple visits. dinodia.com Quick Start… Dress modestly, no shorts or short skirts. Remove shoes before entering. Be respectful of God and the Gods. Bring your problems, prayers or sorrows but leave food and improper manners outside. Do not enter the shrines without invitation or sit with your feet pointing toward the Deities or another person. -
Yoga Mimamsa Vol 27 No 1&2 Pages 75-80 1998
Yoga Mimamsa Vol 27 No 1&2 pages 75-80 1998 -------------------------------------------------------------------------------- Therapy Based on Yogic Principles and Techniques. (1) Mrs. J. P. Oak* Dr. M. V. Bhole** Abstract : Training in yogic physical culture meant for people of average health was found to be very slow in producing effect in cases like Neurotic Depression and Inguinal Hernia. Individualized need-based yogic education programme together with psychological guidance and counseling and recognizing the responses to yoga techniques were found to be more useful in giving quick & better results in respect of relief from various symptoms. Developing awareness of 'what is happening' in the body along with 'let-go' feeling was found to give better and deeper relaxation than the 'doing' aspect of the asanas. ' Neurotic Depression' -------------------------------------------------------------------------------- * Research Assistant (Psychology), Scientific Research Department, Kaivalyadhama S. M. Y. M. Samiti, Lonavla-Responsible for treatment, collection of data and clinical interviews of the patient; ** Joint Director of Research, Kaivalyadhama, S. M. Y. M. Samiti, Lonavla-Responsible for planning the line of treatment and evolving the yogic principles therein. -------------------------------------------------------------------------------- Part One-Report by the Authors History-A 21 years old unmarried female patient with the Following comlaints came for consultation and yogic treatment, if possible. Chief Complaints : 1. Fear of moving alone on roads, outside home and office. 2. Loss of self confidence. 3. Developing temporary and overall interest in life, black- outs while walking on roads in the company of friends and relatives. 4. Depression. 5. General phobia. 6. Feeling of loneliness and insecurity. Associated Complaints : 1. Loss of appetite, Indigestion and gases. 2. Acidity. -
2.Hindu Websites Sorted Category Wise
Hindu Websites sorted Category wise Sl. No. Broad catergory Website Address Description Reference Country 1 Archaelogy http://aryaculture.tripod.com/vedicdharma/id10. India's Cultural Link with Ancient Mexico html America 2 Archaelogy http://en.wikipedia.org/wiki/Harappa Harappa Civilisation India 3 Archaelogy http://en.wikipedia.org/wiki/Indus_Valley_Civil Indus Valley Civilisation India ization 4 Archaelogy http://en.wikipedia.org/wiki/Kiradu_temples Kiradu Barmer Temples India 5 Archaelogy http://en.wikipedia.org/wiki/Mohenjo_Daro Mohenjo_Daro Civilisation India 6 Archaelogy http://en.wikipedia.org/wiki/Nalanda Nalanda University India 7 Archaelogy http://en.wikipedia.org/wiki/Taxila Takshashila University Pakistan 8 Archaelogy http://selians.blogspot.in/2010/01/ganesha- Ganesha, ‘lingga yoni’ found at newly Indonesia lingga-yoni-found-at-newly.html discovered site 9 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Ancient Idol of Lord Vishnu found Russia om/2012/05/27/ancient-idol-of-lord-vishnu- during excavation in an old village in found-during-excavation-in-an-old-village-in- Russia’s Volga Region russias-volga-region/ 10 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Mahendraparvata, 1,200-Year-Old Cambodia om/2013/06/15/mahendraparvata-1200-year- Lost Medieval City In Cambodia, old-lost-medieval-city-in-cambodia-unearthed- Unearthed By Archaeologists 11 Archaelogy http://wikimapia.org/7359843/Takshashila- Takshashila University Pakistan Taxila 12 Archaelogy http://www.agamahindu.com/vietnam-hindu- Vietnam -
Puja: Expressions of Hindu Devotion. Guide for Educators. INSTITUTION Smithsonian Institution, Washington, DC
DOCUMENT RESUME ED 439 992 SO 030 951 AUTHOR Ridley, Sarah TITLE Puja: Expressions of Hindu Devotion. Guide for Educators. INSTITUTION Smithsonian Institution, Washington, DC. Arthur M. Sackler Gallery. PUB DATE 1996-00-00 NOTE 41p.; Accompanying videotape and three posters not available from ERIC. AVAILABLE FROM Office of Public Affairs, Arthur M. Sackler Gallery/Freer Gallery of Art, MRC 707, Smithsonian Institution, Washington, DC 20560 ($26). For full text: http://www.asia.si.edu/pujaonline. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Cultural Context; Foreign Countries; Global Education; Indians; Middle Schools; Multicultural Education; Non Western Civilization; Religion Studies; *Religious Cultural Groups; Secondary Education; Social Studies IDENTIFIERS Hindu Art; *Hinduism; India ABSTRACT This teaching packet serves as a unit by itself or as part of preparation unit for a visit to the Arthur M. Sackler Gallery to see the exhibition "Puja: Expressions of Hindu Devotion." Focusing on Hindu religious objects found in an art museum, the packet suggests connections between art and world studies themes. In addition, these highly symbolic objects provide much material for discussion of the creation of images, whether in two or three dimensions, in speech, or in music. In this way, study of the objects provides a springboard for creativity in art, language arts, and music. This guide explains that puja is the act of showing reverence to a god, or to aspects of the divine, through invocations, prayers, songs, and rituals. An essential part of puja for the Hindu devotee is making a spiritual connection with a deity (often facilitated through an element of nature, a sculpture, a vessel, a painting, or a print).