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Barroco E Rococó Nas Igrejas De Ouro Preto E Mariana / Myriam Andrade De Oliveira, Adalgisa Arantes Campos

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Barroco E Rococó Nas Igrejas De Ouro Preto E Mariana / Myriam Andrade De Oliveira, Adalgisa Arantes Campos BARROCO E ROCOCÓ NAS IGREJAS DE OURO PRETO E MARIANA Baroque and Rococo in the Churches of Ouro Preto and Mariana Myriam A. Ribeiro de Oliveira e Adalgisa Arantes Campos 2 IMÔNIO R AT P DO OS R OTEI IPHAN R Catedral de Nossa Senhora da Assunção em Mariana. Tarja do altar-mor. Cathedral of Nossa Senhora da Assunção in Mariana. Molding of main altar. APRESENTAÇÃO Foreword Altares cheios de velas (...) Altars crowded with candles (...) Sinos. Procissões. Promessas. Bells. Processions. Vows. Anjos e santos nascendo Angels and saints being born Em mãos de gangrena e lepra. In hands of gangrene and leprosy. Cecília Meireles Cecília Meireles Myriam Andrade Ribeiro Myriam Andrade Ribeiro de de Oliveira e Adalgisa Arantes Oliveira and Adalgisa Arantes Campos nos oferecem um Campos present us with a rich rico painel do acervo cultural panel of the cultural heritage de Ouro Preto e Mariana. of Ouro Preto and Mariana. São detalhados os aspectos The most important aspects mais importantes de seus of their religious monuments monumentos religiosos, are detailed as well as as características dos the characteristics of the 5 emblemáticos artistas do emblematic artists of Baroque barroco e rococó mineiros, and Rococo from Minas Gerais bem como as tradições locais and preserved local traditions. preservadas. A minuciosa The thorough research goes pesquisa alcança a descoberta as far as the discovery of de pinturas de Mestre Athaíde paintings by Master Athaíde ANA I em Congonhas, encobertas sob in Congonhas, covered by AR M camadas de repinturas desde layers of paint from as far as E meados do século passado, e de the middle of the last century; RETO duas novas imagens atribuídas à as well as two new images P URO primeira fase de Aleijadinho na attributed to the first phase of O DE Igreja das Mercês de Cima em Aleijadinho in the Church of Ouro Preto. Mercês de Cima in Ouro Preto. GREJAS I NAS Luiz Fernando de Almeida Luiz Fernando de Almeida Presidente do Iphan President of Iphan OCOCÓ R E Dezembro 2011 December 2011 ARROCO B Baroque and Rococo in the Churches of Ouro Preto and Mariana Baroque and Rococo in the Churches CRÉDITOS Credits Presidenta da República do Brasil President of Brasil DILMA ROUSSEFF DILMA ROUSSEFF Ministra de Estado da Cultura Minister of Culture ANA DE HOLLANDA ANA DE HOLLANDA Presidente do Instituto do President of the National Historic and Artistic Patrimônio Histórico e Artístico Nacional Heritage Institute LUIZ FERNANDO DE ALMEIDA LUIZ FERNANDO DE ALMEIDA Diretoria do Iphan Iphan Direction ANDREY ROSENTHAL SCHLEE ANDREY ROSENTHAL SCHLEE CÉLIA MARIA CORSINO CÉLIA MARIA CORSINO CLÁUDIO MARQUES (INTERINO) CLÁUDIO MARQUES (ACTING) MARIA EMÍLIA NASCIMENTO SANTOS MARIA EMÍLIA NASCIMENTO SANTOS Coordenação editorial Editorial coordination SYLVIA MARIA BRAGA SYLVIA MARIA BRAGA Edição Editor CAROLINE SOUDANT CAROLINE SOUDANT Copidesque e preparação Copy desk and preparation MAÍRA MENDES GALVÃO MAÍRA MENDES GALVÃO Revisão Revision GILKA LEMOS GILKA LEMOS Versão para o inglês English version MAÍRA MENDES GALVÃO /PAULA ZIMBRES MAÍRA MENDES GALVÃO /PAULA ZIMBRES Revisão do inglês e versão das legendas English revision and legends MAÍRA MENDES GALVÃO /PAULA ZIMBRES MAÍRA MENDES GALVÃO /PAULA ZIMBRES Design gráfico Graphic design CRISTIANE DIAS CRISTIANE DIAS Diagramação Layout development FERNANDO HORTA FERNANDO HORTA Fotos Photos CAIO REISEWITZ; NELSON KON; SYLVIA BRAGA; CAIO REISEWITZ; NELSON KON; SYLVIA BRAGA; ARQUIVOS DO IPHAN E DA AUTORA IPHAN AND AUTHOR’S ARCHIVES Glossário de iconografia Iconographic glossary FÁTIMA JUSTINIANO FÁTIMA JUSTINIANO Ilustrações Illustrations FERNANDO MADEIRA FERNANDO MADEIRA Mapas MAPS SABRINA LOPES/FRED LOBO SABRINA LOPES/FRED LOBO www.iphan.gov.br | www.cultura.gov.br O48 Oliveira, Myriam Andrade Ribeiro de. Barroco e Rococó nas igrejas de Ouro Preto e Mariana / Myriam Andrade de Oliveira, Adalgisa Arantes Campos. – Brasília, DF : Iphan / Programa Monumenta, 2010. 2 v. (180; 160 p.) : il. color. ; 13 x 22 cm. – (Roteiros do Patrimônio ; 10) ISBN : 978-85-7334-179-9 (v. 1) 978-85-7334-178-2 (v. 2) 1. Barroco - arquitetura. 2. Rococó - arquitetura. 3. Ouro Preto – Minas Gerais. 4. Mariana – Minas Gerais. I. Campos, Adalgisa Arantes. II. Título. III. Série. CDD 726.51 SUMÁRIO Contents ROTEIRO DAS IGREJAS DE OURO PRETO Itinerary of the churches in Ouro Preto CAPELA DO PADRE FARIA 9 Chapel of Padre Faria IGREJA DE SANTA EFIGÊNIA 19 Church of Santa Efigênia MATRIZ DE NOSSA SENHORA DA CONCEIÇÃO 27 Mother Church of Nossa Senhora da Conceição (ANTÔNIO DIAS) (Antônio Dias) MATRIZ DE NOSSA SENHORA DO PILAR 39 Mother Church of Nossa Senhora do Pilar IGREJA DE NOSSA SENHORA DO ROSÁRIO DOS PRETOS 53 Church of Nossa Senhora do Rosário dos Pretos IGREJA DE NOSSA SENHORA DO CARMO 59 Church of Nossa Senhora do Carmo IGREJA DE SÃO FRANCISCO DE ASSIS 71 Church of São Francisco de Assis IGREJA DE SÃO JOSÉ 83 Church of São José IGREJA DE NOSSA SENHORA DAS MERCÊS DE BAIXO 87 Church of Nossa Senhora das Mercês de Baixo IGREJA DE NOSSA SENHORA DAS MERCÊS DE CimA 93 Church of Nossa Senhora das Mercês de Cima IGREJA DO BOM JESUS DE MATOSINHOS 97 Church of Bom Jesus de Matosinhos IGREJA DE SÃO FRANCISCO DE PAULA 101 Church of São Francisco de Paula OUTRAS CAPELAS 105 Other chapels ROTEIRO DAS IGREJAS DE MARIANA Itinerary of the churches in Mariana CAPELA DE SANTANA 115 Chapel of Santana CATEDRAL DE NOSSA SENHORA DA ASSUNÇÃO 119 Cathedral of Nossa Senhora da Assunção IGREJA DE SÃO PEDRO DOS CLÉRIGOS 133 Church of São Pedro dos Clérigos IGREJA DE SÃO FRANCISCO DE ASSIS 137 Church of São Francisco de Assis IGREJA DE NOSSA SENHORA DO CARMO 145 Church of Nossa Senhora do Carmo IGREJA DE NOSSA SENHORA DO ROSÁRIO 151 Church of Nossa Senhora do Rosário IGREJA DE NOSSA SENHORA DAS MERCÊS 157 Church of Nossa Senhora das Mercês IGREJA DE NOSSA SENHORA DOS ANJOS 161 Church of Nossa Senhora dos Anjos OUTRAS CA PELAS 165 Other Chapels BibLIOGRAFIA 169 Bilbliography MAPAS 170 Maps Capela do Padre Faria em Ouro Preto. Fachada. Chapel of Padre Faria in Ouro Preto. Façade. OURO PRETO CAPELA DO PADRE CHAPEL OF PADRE FARIA FARIA Rua Padre Faria, s/n. Padre Faria Street. Tel.: (31) 3551 4661 Phone: (31) 3551 4661 Visitação: terça a domingo, das 8h30 às Visiting hours: Tuesday to Sunday, from 8:30 16h30 am to 16:30 pm Segundo informação According to information do Santuário Mariano1, on the Santuário Mariano1, a primitiva capela foi the primitive chapel was construída em princípios built in the beginning of do século XVIII, pelo padre the 13th century by miner minerador João de Faria and priest João de Faria Fialho, procedente de São Fialho, originated from São Paulo e fundador do arraial Paulo and founder of the que ficou conhecido pelo hamlet that became known seu nome. Inicialmente as his namesake. Initially dedicada a Nossa Senhora dedicated to Our Lady of do Carmo, mudou Carmel, it later changed posteriormente para Nossa to Our Lady of Birth and Senhora do Parto e enfim finally Our Lady of the 9 Nossa Senhora do Rosário, Rosary, when that devotion’s quando nela se instalou a brotherhood settled there in irmandade dessa devoção, the third or fourth decade of na terceira ou quarta década the 18th century. do século XVIII. Instituted in 1719 in the ANA I Instituída em 1719 na Mother Church of Antônio AR M E Matriz de Antônio Dias, Dias, the Brotherhood of a Irmandade de Nossa Our Lady of the Rosary RETO Senhora do Rosário integrava originally integrated blacks P URO originalmente pretos e O and whites. An internal DE brancos. Uma cisão interna rupture brought the blacks GREJAS I NAS 1. Frei Agostinho de Jesus. Santuário 1. Frei Agostinho de Jesus. Santuário OCOCÓ R Mariano. Mariano. Rio de Janeiro: Instituto Estadual Rio de Janeiro: Instituto Estadual E do Patrimônio Cultural (INEPAC), 2008. do Patrimônio Cultural (INEPAC), 2008. (primeira edição século XVIII) (first edition 18th century) ARROCO B Baroque and Rococo in the Churches of Ouro Preto and Mariana Baroque and Rococo in the Churches levou, entretanto, os pretos about, however, to the à construção de nova Igreja construction of a new Church do Rosário no Alto da Cruz, of Rosário at Alto da Cruz, mais conhecida como Santa largely known as Santa Efigênia. A partir de 1733, Efigênia. Since 1733, the a irmandade, que passou brotherhood, that became a ser chamada de Rosário thn known as Rosário dos dos Brancos, empreendeu Brancos (Rosary of the a reedificação da primitiva Whites), started to rebuild Capela do Padre Faria, the primitive Chapel of dando-lhe a configuração Padre Faria, and gave them que ainda guarda nos dias the configuration it still atuais. Duas datas inscritas, retains to this day. Two dates uma no sino do campanário inscribed in the campanile (1750) e a outra na base bell (1750) and in the plinth da cruz pontifical do adro of the pontifical cross in (1756), atestam a conclusão the churchyard (1756) das obras de construção. attest to the conclusion of O cruzeiro monumental construction works. e a torre baixa isolada2 The monumental cross à direita da construção and the isolated low steeple2 dão um toque original à to the right of the building simplicidade arquitetônica afford an original touch to 10 dessa capela, cuja planta the architectural simplicity composta de nave, capela- of this chapel, which nave, mor e sacristia transparece main chapel and sacristy plenamente no exterior. Essa plan transpires fully from simplicidade contrasta com a the outside. This simplicity is suntuosa decoração interna, contrasted to the sumptuous executada na fase áurea do inside decoration, done in barroco joanino na região3. the golden phase of joanino Há uma perfeita harmonia Baroque in the region3.
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