Brief Descriptions of Sites Inscribed on the World Heritage List
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A Research on the Representation of Turkish National Identity: Buildings Abroad
A RESEARCH ON THE REPRESENTATION OF TURKISH NATIONAL IDENTITY: BUILDINGS ABROAD A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF THE MIDDLE EAST TECHNICAL UNIVERSITY BY M. HALUK ZELEF IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF ARCHITECTURE SEPTEMBER 2003 Approval of the Graduate School of Natural and Applied Sciences __________________________ Prof. Dr. Canan Özgen Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy __________________________ Assoc. Prof. Dr. Selahattin Önür Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. __________________________ Assoc. Prof. Dr. Selahattin Önür Supervisor Examining Committee Members Prof. Dr. Bozkurt Güvenç ___________________________ Prof. Dr. Haluk Pamir ___________________________ Prof. Dr. Yıldırım Yavuz ___________________________ Assoc. Prof. Dr. Aydan Balamir ___________________________ Assoc. Prof. Dr. Selahattin Önür ___________________________ ABSTRACT A RESEARCH ON THE REPRESENTATION OF TURKISH IDENTITY BUILDINGS ABROAD Zelef, M. Haluk Ph.D., Department of Architecture Supervisor: Assoc. Prof. Dr. Selahattin Önür September 2003, 264 pages This thesis is the result of an attempt to record, classify and develop an understanding of the motivations and dynamics in the design and realization of the buildings -
Greening the Agriculture System: Morocco's Political Failure In
Greening the Agriculture System: Morocco’s Political Failure in Building a Sustainable Model for Development By Jihane Benamar Mentored by Dr. Harry Verhoeven A Thesis Submitted in Partial Fulfilment of the Requirements for the Award of Honors in International Politics, Edmund A. Walsh School of Foreign Service, Georgetown University, Spring 2018. CHAPTER 1: INTRODUCTION ............................................................................................................ 2 • THE MOROCCAN PUZZLE .................................................................................................... 5 • WHY IS AGRICULTURAL DEVELOPMENT IMPORTANT FOR MOROCCO? .............................. 7 • WHY THE PLAN MAROC VERT? .......................................................................................... 8 METHODOLOGY ................................................................................................................... 11 CHAPTER 2: LITERATURE REVIEW ................................................................................................ 13 • A CONCEPTUAL FRAMEWORK FOR “DEVELOPMENT”....................................................... 14 • ROSTOW, STRUCTURAL ADJUSTMENT PROGRAMS (SAPS) & THE OLD DEVELOPMENT DISCOURSE ......................................................................................................................... 19 • THE ROLE OF AGRICULTURE IN DEVELOPMENT .............................................................. 24 • SUSTAINABILITY AND THE DISCOURSE ON DEVELOPMENT & AGRICULTURE ................ -
Barroco Mineiromineiro
BarrocoBarroco MineiroMineiro Prof. Percival Tirapeli, Instituto de Artes da UNESP Mapa da Estrada Real, por onde escoava o ouro encontrado pelos bandeirantes paulistas em 1692. O Caminho Velho iniciava NO Rio de Janeiro depois partia do porto de Parati pelo Estado de São Paulo passando por São João del Rei até Ouro Preto. O Caminho Novo iniciava no Rio de Janeiro passando por Juiz de Fora até Ouro Preto. O Caminho do Diamante ia do Rio de Janeiro passando por Ouro Preto, Serro até Diamantina. Adro da Igreja do Bom Jesus de Matosinhos. Congonhas/ MG. Séc. XVIII – XIX. Profeta Jeremias. 1802/05 Adro da Igreja do Bom Jesus de Matosinhos. Aleijadinho. Congonhas/MG. Profeta Daniel Adro da Igreja do Bom Jesus de Matosinhos. Aleijadinho. Congonhas/MG. Profeta Habacuc. Igreja do Bom Jesus de Matosinhos. Congonhas/MG. Profeta Jonas. Igreja do Bom Jesus de Matosinhos. Congonhas/MG. Passo da ceia. Madeira policromada por Mestre Ataíde. Aleijadinho. Congonhas/ MG. 1795/09. Anjo da Amargura. Passo do Horto. Madeira policromada. Aleijadinho. Congonhas/ MG. 170 cm x 200 cm x 50 cm Cristo no Horto das Oliveiras. Detalhe do Passo do Horto. Madeira policromada por Mestre Ataíde. Aleijadinho. Congonhas/MG. 142 cm x 123 cm x 82 cm. Reedificação da fachada em pedra da Matriz de Santo Antônio, 1717 a 1779. Ouro Branco/MG. Altar mor. Início do séc. XVIII. Igreja Matriz de Santo Antônio. Ouro Branco/MG. Sabará, onde Fernão Dias encontrou as pedras semi-preciosas em 1692. Capela Nossa Senhora do Ó em Sabará, 1720. Retábulo da capela mor, 1720. Estilo nacional português. -
Roman Algeria, the Sahara & the M'zab Valley 2022
Roman Algeria, the Sahara & the M’Zab Valley 2022 13 MAR – 2 APR 2022 Code: 22203 Tour Leaders Tony O’Connor Physical Ratings Explore Ottoman kasbahs, Roman Constantine, Timgad & Djemila, mud-brick trading towns of the Sahara, Moorish Tlemcen, & the secret world of the Berber M'Zab valley. Overview Join archaeologist Tony O'Connor on this fascinating tour which explores Roman Algeria, the Sahara & the M'Zab Valley. Explore the twisting streets, stairs, and alleys of the Ottoman Kasbah of Algiers and enjoy magnificent views across the city from the French colonial Cathedral of Notre-Dame d'Afrique. Wander perfectly preserved streets at the UNESCO World Heritage sites of Roman Djémila and Timgad, empty of visitors and complete with stunning mosaics, full-size temples, triumphal arches, market places, and theatres. At Sétif gaze upon one of the most exquisite mosaics in all of the Roman world – The Triumph of Dionysus. Engage with Numidian Kings at the extraordinary tombs of Medracen and the 'Tomb of the Christian' along with the ambitions of Cleopatra and Mark Antony at their daughter’s former capital of Caesarea/Cherchell. Explore the Roman 'City of Bridges', Constantine, encircled by the dramatic gorge of Wadi Rummel. Wander the atmospheric ruins of the Roman towns of Tipaza and Tiddis: Tipaza overlooks the Mediteranean, while Tiddis perches on a hillside, overlooking the fertile lands of Constantine. Walk the Algerian 'Grand Canyon' at El Ghoufi: a centre of Aures Berber culture, Algerian resistance to French colonial rule, inscriptions left behind by the engineers of Emperor Hadrian himself, and photogenic mud-brick villages clustering along vertiginous rocky ledges. -
Regional Oral History Off Ice University of California the Bancroft Library Berkeley, California
Regional Oral History Off ice University of California The Bancroft Library Berkeley, California Richard B. Gump COMPOSER, ARTIST, AND PRESIDENT OF GUMP'S, SAN FRANCISCO An Interview Conducted by Suzanne B. Riess in 1987 Copyright @ 1989 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West,and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between the University of California and Richard B. Gump dated 7 March 1988. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
A Passion for Palaeontology September 22, 2012-March 17, 2013
BACK COVER PAGE COVER PAGE Bearing Witness Inside the ROM Governors A dark chapter in ROM NEWSLETTER OF THE Cambodia’s history ROM GOVERNORS The Institute for Contemporary FALL/WINTER 2 012 Summer at the ROM has been a whirlwind of activity. Culture (ICC) presents Observance Exciting new initiatives such as Friday Night Live and our and Memorial: Photographs from family weekend programming have been extremely popular S-21, Cambodia, featuring over 100 and we have seen many new visitors and partners come photographs developed from original through our doors. Also hugely successful has been our negatives abandoned by the Khmer Special thanks to Susan Crocker and INSIDER groundbreaking exhibition Ultimate Dinosaurs: Giants from Rouge in January 1979, at the S-21 secret John Hunkin, Ron Graham, the Gondwana, which pioneers the use of Augmented Reality prison in Phnom Penh, Cambodia. Honourable William C. Graham and and includes the largest dinosaur ever mounted in Canada. Curated by Photo Archive Group, and Cathy Graham, Deanna Horton, Dr. Carla Shapiro from the Munk School Richard W. Ivey, and Sarah and Tom This month, it is a great pleasure to welcome Robert Pierce of Global Affairs, University of Toronto, Milroy for their generous support of this as the new chairman of the Board of Governors. As a this exhibition calls attention to the exhibition. For information on how you long-time volunteer, Board member for more than 12 years, atrocities in Cambodia in the 1970s can support Observance and Memorial and supporter of the ROM, Rob has served in a leadership or to make a donation to the ICC, BIG and human rights issues. -
Spectator Guide
spectator guide Information in this guide is correct as of the date of publication. The Foundation "Directorate of the 2nd European Games 2019" may update and supplement this version. For more information go to www.minsk2019.by CULTURAL OLYMPIAD CULTURAL 2nd EUROPEAN GAMES MINSK 2019 01. GREETINGS 02. FLAME OF PEACE 03. SPORTS 04. COMPETITION SCHEDULE 1-1 HI, FRIENDS! I am Lesik, mascot of the 2nd European Games MINSK 2019. I invite you to Minsk to the main European sports celebration in 2019! MINSK 2019 will bring together the finest athletes to promote Olympic values and unite all nations of Europe in a fair contest. The Games will be a mix of the centuries-old Belarusian culture and ideals of the sporting movement. I have prepared a lot of nice bright vytsinankas for the Games. Vytsynanka is the traditional Belarusian paper craft which has been chosen as a symbol of GREETINGS the Games. The 2nd European Games logo is a colourful fern flower. Legends tell that the fern flower blossoms on the summer night of Ivan Kupala. The lucky ones to find it will have all their dreams come true. Athletes from all over Europe will gather in Minsk in June 2019 to follow their dreams and compete for the priceless trophy. It is not only triumphs, record-breaking results and splendid shows that make this celebration bright – but your smiles, too. MINSK 2019 is for everyone! Your emotions will breathe life into the stadiums and sports arenas. Your support will encourage the best athletes of Europe to be faster, stronger and higher. -
The Neonian Baptistery in Ravenna 359
Ritual and ReconstructedMeaning: The Neonian Baptisteryin Ravenna Annabel Jane Wharton The pre-modern work of art, which gained authority through its extension in ritual action, could function as a social integrator. This essay investigates the figural decoration of the Orthodox Baptistery in Ravenna, in an effort to explain certain features of the mosaic program. If the initiation ritual is reenacted and the civic centrality of the rite and its executant, the bishop, is restored, the apparent "icon- ographic mistakes" in the mosaics reveal themselves as signs of the mimetic re- sponsiveness of the icon. By acknowledging their unmediated character, it may be possible to re-empower both pre-modern images and our own interpretative strategy. The Neonian (or "Orthodox") Baptistery in Ravenna is the preciated, despite the sizable secondary literature generated most impressive baptistery to survive from the Early Chris- by the monument. Because the artistic achievement of the tian period (Figs. 1-5).1 It is a construction of the late fourth Neonian Baptistery lies in its eloquent embodiment of a or early fifth century, set to the north of the basilican ca- new participatory functioning of art, a deeper comprehen- thedral of Bishop Ursus (3897-96?) (Fig. 1).2 The whole of sion of the monument is possible only through a more thor- the ecclesiastical complex, including both the five-aisled ba- ough understanding of its liturgical and social context. The silica and the niched, octagonal baptistery, appears to have first section of this essay therefore attempts to reconstruct been modeled after a similar complex built in the late fourth the baptismal liturgy as it may have taken place in the century in Milan.3 Within two or three generations of its Neonian Baptistery. -
Dreamitaly0709:Layout 1
INSIDE: The Artistic Village of Dozza 3 Private Guides in Ravenna 5 Bicycling Through Ferrara 6 Where to Stay in Bologna 8 Giorgio Benni Giorgio giasco, flickr.com giasco, Basilica di San Vitale MAMbo SPECIAL REPORT: EMILIA-ROMAGNA Bologna: dream of City of Art ith its appetite for art, Bologna’s ® Wcontributions to the good life are more than gustatory. Though known as the “Red City” for its architecture and politics, I found a brilliant palette of museums, galleries, churches and markets, with mouth-watering visuals for every taste. ITALYVolume 8, Issue 6 www.dreamofitaly.com July/August 2009 City Museums For a splash of Ravcnna’s Ravishing Mosaics 14th-century sculp- ture start at the fter 15 centuries, Ravenna’s lumi- across the region of Emilia-Romagna. Fontana del Nettuno A nous mosaics still shine with the With only a day to explore, I’m grate- in Piazza Maggiore. golden brilliance of the empires that ful that local guide Verdiana Conti Gianbologna’s endowed them. These shimmering Baioni promises to weave art and bronze god — Fontana Nettuno sacred images reveal both familiar and history into every step. locals call him “the giant” — shares the unexpected chapters in Italian history water with dolphins, mermaids and while affirming an artistic climate that We meet at San Apollinaire Nuovo on cherubs. Close by, Palazzo Comunale’s thrives today. Via di Roma. A soaring upper floors contain the Collezioni basilica, its narrow side Comunale d’Arte, which includes opu- Ravenna attracted con- aisles open to a broad lent period rooms and works from the querors from the north nave where three tiers 14th through 19th centuries. -
The Muslim 500 2011
The Muslim 500 � 2011 The Muslim The 500 The Muslim 500 � 2011 The Muslim The 500 The Muslim 500The The Muslim � 2011 500———————�——————— THE 500 MOST INFLUENTIAL MUSLIMS ———————�——————— � 2 011 � � THE 500 MOST � INFLUENTIAL MUSLIMS · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · All rights reserved. No part of this book may be repro- The Muslim 500: The 500 Most Influential Muslims duced or utilised in any form or by any means, electronic 2011 (First Edition) or mechanic, inclding photocopying or recording or by any ISBN: 978-9975-428-37-2 information storage and retrieval system, without the prior · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · written permission of the publisher. Views expressed in The Muslim 500 do not necessarily re- Chief Editor: Prof. S. Abdallah Schleifer flect those of RISSC or its advisory board. Researchers: Aftab Ahmed, Samir Ahmed, Zeinab Asfour, Photo of Abdul Hakim Murad provided courtesy of Aiysha Besim Bruncaj, Sulmaan Hanif, Lamya Al-Khraisha, and Malik. Mai Al-Khraisha Image Copyrights: #29 Bazuki Muhammad / Reuters (Page Designed & typeset by: Besim Bruncaj 75); #47 Wang zhou bj / AP (Page 84) Technical consultant: Simon Hart Calligraphy and ornaments throughout the book used courtesy of Irada (http://www.IradaArts.com). Special thanks to: Dr Joseph Lumbard, Amer Hamid, Sun- dus Kelani, Mohammad Husni Naghawai, and Basim Salim. English set in Garamond Premiere -
Functionalism and Caprice in Stonecutting. the Case of the Nativity Chapel in Burgos Cathedral
Proceedings of the Third International Congress on Construction History, Cottbus, May 2009 Functionalism and Caprice in Stonecutting. The Case of the Nativity Chapel in Burgos Cathedral Miguel Ángel Alonso Rodríguez, Ana López Mozo, José Carlos Palacios Gonzalo, Enrique Rabasa Díaz Technical University of Madrid, Spain José Calvo-López Polytechnic University of Cartagena, Spain Alberto Sanjurjo Álvarez San Pablo-CEU University, Madrid, Spain ABSTRACT: Starting from the inaugural text of Philibert de L'Orme, stereotomic treatises and manuscripts are subject to the opposing forces of reason and fancy. The Nativity Chapel in Burgos Cathedral provides an outstanding case study on this subject. It was built in 1571-1582 by Martín de Bérriz and Martín de la Haya, using an oval vault resting on trumpet squinches to span a rectangular bay. Bed joints and rib axes are not planar curves, as usual in oval vaults. This warping is not capricious; we shall argue that it is the outcome of a systematic tracing method. As a result of this process, the slope of the bed joints increases slightly in the first courses, but stays fairly constant after the third course; this solution prevents the upper courses from slipping. Thus, in the Nativity Chapel of Burgos Cathedral, the constraints of masonry construction fostered a singular solution verging on capriccio. It is also worthwhile to remark that the warping of the joints is not easily appreciable to the eye and that the tracing process does not seem to start from a previous conception of the resulting form. All this suggests that we should be quite careful when talking about the whimsical character of Late Gothic and Early Renaissance; in some occasions, apparent caprice is the offspring of practical thinking. -
The Cambrian Explosion: a Big Bang in the Evolution of Animals
The Cambrian Explosion A Big Bang in the Evolution of Animals Very suddenly, and at about the same horizon the world over, life showed up in the rocks with a bang. For most of Earth’s early history, there simply was no fossil record. Only recently have we come to discover otherwise: Life is virtually as old as the planet itself, and even the most ancient sedimentary rocks have yielded fossilized remains of primitive forms of life. NILES ELDREDGE, LIFE PULSE, EPISODES FROM THE STORY OF THE FOSSIL RECORD The Cambrian Explosion: A Big Bang in the Evolution of Animals Our home planet coalesced into a sphere about four-and-a-half-billion years ago, acquired water and carbon about four billion years ago, and less than a billion years later, according to microscopic fossils, organic cells began to show up in that inert matter. Single-celled life had begun. Single cells dominated life on the planet for billions of years before multicellular animals appeared. Fossils from 635,000 million years ago reveal fats that today are only produced by sponges. These biomarkers may be the earliest evidence of multi-cellular animals. Soon after we can see the shadowy impressions of more complex fans and jellies and things with no names that show that animal life was in an experimental phase (called the Ediacran period). Then suddenly, in the relatively short span of about twenty million years (given the usual pace of geologic time), life exploded in a radiation of abundance and diversity that contained the body plans of almost all the animals we know today.