Dreamitaly0709:Layout 1

Total Page:16

File Type:pdf, Size:1020Kb

Dreamitaly0709:Layout 1 INSIDE: The Artistic Village of Dozza 3 Private Guides in Ravenna 5 Bicycling Through Ferrara 6 Where to Stay in Bologna 8 Giorgio Benni Giorgio giasco, flickr.com giasco, Basilica di San Vitale MAMbo SPECIAL REPORT: EMILIA-ROMAGNA Bologna: dream of City of Art ith its appetite for art, Bologna’s ® Wcontributions to the good life are more than gustatory. Though known as the “Red City” for its architecture and politics, I found a brilliant palette of museums, galleries, churches and markets, with mouth-watering visuals for every taste. ITALYVolume 8, Issue 6 www.dreamofitaly.com July/August 2009 City Museums For a splash of Ravcnna’s Ravishing Mosaics 14th-century sculp- ture start at the fter 15 centuries, Ravenna’s lumi- across the region of Emilia-Romagna. Fontana del Nettuno A nous mosaics still shine with the With only a day to explore, I’m grate- in Piazza Maggiore. golden brilliance of the empires that ful that local guide Verdiana Conti Gianbologna’s endowed them. These shimmering Baioni promises to weave art and bronze god — Fontana Nettuno sacred images reveal both familiar and history into every step. locals call him “the giant” — shares the unexpected chapters in Italian history water with dolphins, mermaids and while affirming an artistic climate that We meet at San Apollinaire Nuovo on cherubs. Close by, Palazzo Comunale’s thrives today. Via di Roma. A soaring upper floors contain the Collezioni basilica, its narrow side Comunale d’Arte, which includes opu- Ravenna attracted con- aisles open to a broad lent period rooms and works from the querors from the north nave where three tiers 14th through 19th centuries. Put your and east during the of mosaic panels draw wallet away. Bologna’s city museums fifth through eighth my attention. There’s are free so you can return to savor centuries. That period’s majesty in the well-pro- paintings such as Ludivico Carracci’s vibrant blend of Roman, portioned architecture, Santa Caterina d’Allesandro or the full Ostrogoth and flickr.com Antiquite Tardive, but the mosaics are the length portrait of a 17th-century Mosaic in Basilica di San Apollinaire Byzantine cultures has main event. aristocrat by Artemisia Gentileschi — drawn the aesthetically-minded to a Baroque artist who counted the Ravenna ever since. No wonder when Commissioned by Theodoric the Great, Medici family among her patrons. Dante Alighieri was banished from who reigned in Ravenna from 493 to (www.comune.bologna.it/iperbole/ Florence in 1302, he spent his last years 526, the church blends the beliefs of MuseiCivici/) here. that ruler’s Arian Christianity with the Catholic theology of Rome. Justinian’s On the same floor, the Museo Morandi is About 56 miles east of Bologna, this rule followed and he added Byzantine dedicated to the paintings and prints of eminently walkable city was a stop on influences for a vivid mix of visual this contemporary of de Chirico, Pollack the Roman road that still traces a path continued on page 4 continued on page 2 Lord Byron lived in Ravenna between 1819 and 1821. Art in Bologna continued from page 1 Tucked into shopping arcades Bologna’s commercial g and Chagall. A lifelong Bolognese, of the city’s portico-covered streets. frescoes, sculptures and stained glass Giorgio Morandi composed still lifes (www.pinacotecabologna.it) represents four centuries of Emilian and landscapes using minimal color, art. One controversial scene from often utilizing simple bottles and pitch- Small but airy, the Villa delle Rose, an Dante Alighieri’s Inferno has incited ers. Subject of a 2009 exhibition at the 18th-century private home, sits among unsuccessful terrorist plots, so don’t Metropolitan Museum of Art in New gardens above Via Saragozza, 230. In plan to carry large bags when you York, Morandi intended his work “to 2008, private galleries and MAMbo col- visit. touch the depth, the essence of things.” laborated to fill the intimate rooms so The artist’s studio at Via Fondazza, 36 is the tempo changed ever few months. Step onto the cobbled river stones in slated to open to the public in the fall the pleasant Piazza San Domenico and of 2009. (www.museomorandi.it) Even if there’s no exhibition at the view the marble and brickwork villa, take bus 20 up columns that recall the end of the The Museo d’Arte Moderna Via Indipendenza to plague. Inside, the church of San di Bologna, known as the covered 17th-cen- Domenico is the final resting place of MAMbo, rises tall and tury walkway where its namesake saint. His ornate tomb sleek in a former bakery at the fit and the faithful includes sculptures by a young Via Don Minzoni, 14, a 10- climb under 666 arch- Michelangelo. Other chapels contain minute walk from Piazza es to Santuario della works done by an honor roll of Italian Maggiore. Opened in Madonna di San Luca. artists dating back to the 15th century. 2007, the collection is Stop along the way at Take a trip behind the altar to see the Matteo Monti being reorganized with MAMbo Villa Spada to see an inlaid choir stalls and a small museum. 20th-century works but extensive textile col- July/August 2009 July/August will continue to focus on Italian art hot lection (www.comune.bologna.it/ Sometimes overlooked beside the larg- 2 off the easel, the video camera, the iperbole/museotappezzeria/), or just er San Giacomo Maggiore, the oratory of found-object assemblage and any other inside the Porta Saragozza where the San Cecilia is a simple rectangular media used in 21st-century artwork. Beate Vergine di San Luca includes the space lined with wall paintings of the This city museum does charge for spe- artistic history of the Sanctuario saint’s life. Ten panels rotate counter cial exhibitions, but look for free peeks (www.museomadonnasanluca.it) clockwise in this church on Via at the intriguing permanent collection. When you reach the top of the hill, you Zamboni, 15 that also hosts musical Then browse the bookstore or break can continue your art sojourn in events. bread at Ex Forno del Pano Café where Bologna’s churches. www.dreamofitaly.com local art aficionados gather. Each step toward the (www.mambo-bologna.org) Holy Art monastic complex of Santo Stefano adds to the enchant- Prefer classic art? The Pinacoteca Home to a celebrated 11th- ment. Clay faces stare from Nazionale di Bologna holds works dating century icon of the Madonna the Palazzo Bologini and his- from the 13th century, often drawn and Child, as well as exem- toric porticos angle toward from religious communities in the plary side altars by the stones of the triangular region. Located for the last 200 years Bolognese painters, the piazza. Finally, step into the on Via delle Belle Arti, 56, modern reno- Santuario della Madonna di flickr.com Gabriele, interwoven courtyards, gar- vations allow visitors to experience the San Luca is also a wonderful dens and four remaining works from many vantage points. The place to survey the city churches in the ancient golden age of Bologna is well repre- below. maze that hold the treasures sented, with works by all three Carracci of Santo Stefano. A museum brothers as well as Guido Reni. The Back in the city center, don’t displays many objects pre- collection also includes Italian masters judge San Petronio by its served after a 20th-century Giotto, Raphael, Tintoretto and unfinished façade. Bologna’s restoration and each unique Parmigianino. There is an entry fee, but largest church, though not its space merges centuries of the museum is well worth the short cathedral, fills one side of the architecture and worship. Il Cama, flickr.com Il Cama, stroll from Piazza Maggiore along one Piazza Maggiore. An array of San Petronio Words can’t really describe Each September, Ravenna hosts a and along both busy and quiet streets, galleries reflect the city’s cultural complexion. this Benedictine marvel. It’s a must- when she’s not doing her own artwork. beauty, Piazza Santo Stefano is the see. (http://hyppo.com/u/caldarese/) perfect location for the Antiquario Città di Bologna. On the third weekend of Some churches do have entry fees, but Bongiovanni Gallerie fits neatly in the each month, tables laden with art, jew- there’s no charge in the city’s private Galleria Acouaderni, in a passageway of elry, linens and glass goods crowd galleries. the old Jewish quarter just off Via beside antique furniture brought by Rizzoli, 36. Fresh ideas, such as a group European vendors. Check the city’s Bologna’s Galleries show of works done with light, hang nine regularly-scheduled markets such on the walls. Interested in as Kurbis on Via del Tucked into shopping arcades and emerging artists, the Monte for handicrafts along both busy and quiet streets, gallery often presents and Mercato di Vintage Bologna’s commercial galleries reflect shows and installations at Piazza Verdi for the city’s cultural complexion. that have an architectural clothing. component. Arte e Arte appears tiny, but this corner (www.galleriabon The Mercato di Mezzo is space in Galleria Falcone-Borsellino (two giovanni.com) flickr.com truth82, artisanal in a culinary blocks from Piazza Maggiore) shows Antiquario way. Stalls line the important international artists, such as Architecture is also in evidence at Freak Renaissance-era byways near Piazza Jim Dine, Clive Barker and Christo. Their Andò, though the era is quite different. Maggiore with most open by 7 a.m. top Italian talents include new names, Note the claustrophobic circular stair- every day except Sunday. Colorful such as Nanni Valentini and the better- case in this former monastery on Via continued on page 8 known Giorgio Morandi and Marino delle Moline, 14.
Recommended publications
  • André Derain Stoppenbach & Delestre
    ANDR É DERAIN ANDRÉ DERAIN STOPPENBACH & DELESTRE 17 Ryder Street St James’s London SW1Y 6PY www.artfrancais.com t. 020 7930 9304 email. [email protected] ANDRÉ DERAIN 1880 – 1954 FROM FAUVISM TO CLASSICISM January 24 – February 21, 2020 WHEN THE FAUVES... SOME MEMORIES BY ANDRÉ DERAIN At the end of July 1895, carrying a drawing prize and the first prize for natural science, I left Chaptal College with no regrets, leaving behind the reputation of a bad student, lazy and disorderly. Having been a brilliant pupil of the Fathers of the Holy Cross, I had never got used to lay education. The teachers, the caretakers, the students all left me with memories which remained more bitter than the worst moments of my military service. The son of Villiers de l’Isle-Adam was in my class. His mother, a very modest and retiring lady in black, waited for him at the end of the day. I had another friend in that sinister place, Linaret. We were the favourites of M. Milhaud, the drawing master, who considered each of us as good as the other. We used to mark our classmates’s drawings and stayed behind a few minutes in the drawing class to put away the casts and the easels. This brought us together in a stronger friendship than students normally enjoy at that sort of school. I left Chaptal and went into an establishment which, by hasty and rarely effective methods, prepared students for the great technical colleges. It was an odd class there, a lot of colonials and architects.
    [Show full text]
  • Lectionary Texts for March 21, 2021 • Fifth Sunday in Lent
    Lectionary Texts for March 21, 2021 •Fifth Sunday in Lent - Year B Jeremiah 31:31-34 • Psalm 51:1-12 or Psalm 119:9-16 • Hebrews 5:5-10 • John 12:20-33 Jeremiah 31:31-34 Jeremiah, 6th century Mosaic Basilica of San Vitale, Ravenna, Italy The focal point of a large mosiac in the Basilica of San Vitale in Ravenna, Italy, depicts the Hospitality of Abraham and the Sacrifice of Isaac (see page 4.) Above and to the left is the mo- saic of Jeremiah while above and to the right is Moses. These scenes and people are connected by the theme of covenant. God had promised Abraham a son, and Abraham was willing to sacrifice him; in return God blessed Abraham with many descendants. On Mount Sinai God told Moses to obey and keep His covenant; the Israelites will be His treasured possession. Jeremiah was promised a new covenant, more intimate and more personal than the one with Moses: “… I will write it in their hearts; and I will be their God, and they shall be my people.” Continued Lectionary Texts for March 21, 2021 •Fifth Sunday in Lent - Year B • Page 2 One of eight structures in Ravenna collectively designated as a UNESCO World Heritage Site, the Basilica of San Vitale (see page 4) is an important example of early Christian Byzantine art and architecture. The church was begun in 526 and completed in 547. The structure has an octagonal plan, combining Roman elements, such as the dome and shape of doorways, with Byzantine elements, such as the polygonal apse, narrow bricks, and an early example of flying buttresses.
    [Show full text]
  • Presentazione Del Progetto Ducato Estense
    UN MILIARDO PER LA CULTURA: IL PIANO DEL MINISTERO DEI BENI E DELLE ATTIVITA’ CULTURALI E DEL TURISMO. Il Piano Cultura e Turismo proposto dal Ministro Dario Franceschini approvato dal Comitato Interministeriale per la Programmazione Economica stanzia un miliardo di euro del Fondo Sviluppo e Coesione 2014 – 2020 per la realizzazione di 33 interventi di tutela e valorizzazione del patrimonio culturale e di potenziamento del turismo culturale distribuiti su tutto il territorio nazionale. Per il progetto “Ducato Estense”, incluso nel Piano del Ministero, è previsto un finanziamento di 70 milioni di euro di cui 69 milioni per la realizzazione di canteri di restauro e di interventi di riqualificazione e un 1 milione per la definizione e promozione del brand estense. IL PROGETTO DUCATO ESTENSE: LE LINEE GENERALI. Il Progetto “Ducato Estense”, che coinvolge le province di Ferrara, Modena, Reggio Emilia e Lucca, ha come principali obiettivi la realizzazione di interventi strutturali per il restauro di beni architettonici estensi (con priorità per beni danneggiati dal sisma del 2012) e di interventi di riqualificazione come, ad esempio, il miglioramento dell’accessibilità per persone con difficoltà motorie, la realizzazione di piste ciclabili, di spazi dedicati alla didattica, all’accoglienza del pubblico e per la sistemazione di aree urbane e di aree verdi. Il progetto, che prevede l’apertura di 26 cantieri, coinvolge 74 comuni nei cui territori sono stati individuati e censiti 250 beni immobili direttamente connessi alla committenza estense o
    [Show full text]
  • The Neonian Baptistery in Ravenna 359
    Ritual and ReconstructedMeaning: The Neonian Baptisteryin Ravenna Annabel Jane Wharton The pre-modern work of art, which gained authority through its extension in ritual action, could function as a social integrator. This essay investigates the figural decoration of the Orthodox Baptistery in Ravenna, in an effort to explain certain features of the mosaic program. If the initiation ritual is reenacted and the civic centrality of the rite and its executant, the bishop, is restored, the apparent "icon- ographic mistakes" in the mosaics reveal themselves as signs of the mimetic re- sponsiveness of the icon. By acknowledging their unmediated character, it may be possible to re-empower both pre-modern images and our own interpretative strategy. The Neonian (or "Orthodox") Baptistery in Ravenna is the preciated, despite the sizable secondary literature generated most impressive baptistery to survive from the Early Chris- by the monument. Because the artistic achievement of the tian period (Figs. 1-5).1 It is a construction of the late fourth Neonian Baptistery lies in its eloquent embodiment of a or early fifth century, set to the north of the basilican ca- new participatory functioning of art, a deeper comprehen- thedral of Bishop Ursus (3897-96?) (Fig. 1).2 The whole of sion of the monument is possible only through a more thor- the ecclesiastical complex, including both the five-aisled ba- ough understanding of its liturgical and social context. The silica and the niched, octagonal baptistery, appears to have first section of this essay therefore attempts to reconstruct been modeled after a similar complex built in the late fourth the baptismal liturgy as it may have taken place in the century in Milan.3 Within two or three generations of its Neonian Baptistery.
    [Show full text]
  • Landscape of the Great Land Reclamation
    ra st ai BOLZANO·TRENTO·MANTOVA VENEZIA M i d o ROVIGO·PADOVA Villanova P Marchesana Landscape of the great land reclamation Bosaro Guarda o Ro - Copparo - Ostellato Crespino P F Veneta Fiume ium Berra e P Serravalle o Polesella ia GORINO FERRARESE Albersano Po di Venez Guarda Alberone Cologna Ferrarese 1 Ponte Punzetti Oasi Ariano Mulino del Po Ferrarese Zerbinate Oasi Stellata Bosco di Pilastri Ro Santa Malcantone Massenzatica Giustina FERRARA Coccanile Contane Ponti Oasi Isola Zocca Oasi Spagna Bonello Pepoli Oasi Bosco Ravalle Monticelli MesolaPineta di S. Giustina di Porporana Cesta Mesola Sabbioni Ambrogio S. Biagio Porporana Salvatonica Ruina Ponte S. Pietro Dune Fossili di Fossadalbero Mezzogoro Massenzatica Gavello Burana Oasi Isola Pescara FE206 Camatte Bianca P Casaglia Zenzalino o d Francolino P i G Francolino Italba o no Settepolesini c Oasi Isola d ca Saletta i o Ospitale Copparo G d Bianca Jolanda e o l Corlo Bosco r l Diamantina o a di Savoia Torbiera Mesola D Bondeno o Scortichino Pontelagoscuro n z Tamara Caprile e Correggio l Oasi Bacini Pontelangorino l Santa Gradizza Oasi Valle a Boara Zuccherificio Brazzolo Dindona Bianca Vigarano Oasi Goro Ponte Pieve Barco Gran Bosco Malborghetto Baura FE211 Oasi S. Bianca Rodoni di Boara 5 Fossalta Pomposa della Mesola Cassana Sabb. Formignana Oasi Bacini Pontemaodino Boschetti Vigarano Sabb. Gherardi Zuccherificio Pomposa Mizzana S. Pietro S. Vittore di Valle oleonico Giralda Sacca di Goro p Mainarda Porotto Viconovo a Gorino MODENA e Contrapò Albarea Pontegradellarares Ferrarese
    [Show full text]
  • 3 Italian Opera Composers June 2020
    Italian Culture June 2020 Dear Italian Culture Friends I thought that it might be interesting to look this week at the work of three Italian Opera Composers who later composed some liturgical works. In the case of two of the composers, we invariably think of their operatic output. These are Giuseppe Verdi and Gioachino Rossini. The third of them, Cherubini, also wrote a number of operas before turning to liturgical music In 1831 Rossini travelled to Spain with a friend, a banker named Alexandre Aguado, owner of Chateau Margaux, famous for its Bordeaux wine (claret). While he was there, he was commissioned by Fernández Varela, a state councillor, to write a setting of the liturgical text, the Stabat Mater. Although he began the work in 1831, it was not until 1841 that the final form was completed. It was premiered on Holy Saturday 1833 in the Chapel of San Felipe el Real in Madrid but this was the only performance of that version. The choice of Holy Saturday was appropriate as the work tells part of the story of the previous day, Good Friday, and perhaps it was the rush to complete it in time for that first performance which caused Rossini’s dissatisfaction with that version and caused him to continue to revise it. In fact, the first version was not solely the work of Rossini. It was a twelve-part piece of which Rossini had written Parts 1 and 5-9. His friend, Giovanni Tadolini, had written the rest but Rossini claimed it as his own work. Rossini, the product of a musical family from Pesaro, on the Adriatic coast - his father was a trumpeter and his mother a singer - had published his first composition at the age of 18 and the next year he was contracted to write operas and manage theatres in Naples.
    [Show full text]
  • Ferrara Di Ferrara
    PROVINCIA COMUNE DI FERRARA DI FERRARA Visit Ferraraand its province United Nations Ferrara, City of Educational, Scientific and the Renaissance Cultural Organization and its Po Delta Parco Urbano G. Bassani Via R. Bacchelli A short history 2 Viale Orlando Furioso Living the city 3 A year of events CIMITERO The bicycle, queen of the roads DELLA CERTOSA Shopping and markets Cuisine Via Arianuova Viale Po Corso Ercole I d’Este ITINERARIES IN TOWN 6 CIMITERO EBRAICO THE MEDIAEVAL Parco Corso Porta Po CENTRE Via Ariosto Massari Piazzale C.so B. Rossetti Via Borso Stazione Via d.Corso Vigne Porta Mare ITINERARIES IN TOWN 20 Viale Cavour THE RENAISSANCE ADDITION Corso Ercole I d’Este Via Garibaldi ITINERARIES IN TOWN 32 RENAISSANCE Corso Giovecca RESIDENCES Piazza AND CHURCHES Trento e Trieste V. Mazzini ITINERARIES IN TOWN 40 Parco Darsena di San Paolo Pareschi WHERE THE RIVER Piazza Travaglio ONCE FLOWED Punta della ITINERARIES IN TOWN 46 Giovecca THE WALLS Via Cammello Po di Volano Via XX Settembre Via Bologna Porta VISIT THE PROVINCE 50 San Pietro Useful information 69 Chiesa di San Giorgio READER’S GUIDE Route indications Along with the Pedestrian Roadsigns sited in the Historic Centre, this booklet will guide the visitor through the most important areas of the The “MUSEO DI QUALITÀ“ city. is recognised by the Regional Emilia-Romagna The five themed routes are identified with different colour schemes. “Istituto per i Beni Artistici Culturali e Naturali” Please, check the opening hours and temporary closings on the The starting point for all these routes is the Tourist Information official Museums and Monuments schedule distributed by Office at the Estense Castle.
    [Show full text]
  • Periodic Report 2006
    State of Conservation of World Heritage Properties in Europe SECTION II Recommendation: That this property be inscribed on the World Heritage List on the basis of criteria ITALY (i), (ii), (iii), and (iv): The complex of Early Christian religious Early Christian Monuments of monuments in Ravenna are of outstanding Ravenna Significance by virtue of the supreme artistry of the mosaic art that they contain, and also because of the crucial evidence that they provide of artistic and Brief description religious relationships and contacts at an important Ravenna was the seat of the Roman Empire in the period of European cultural history. 5th century and then of Byzantine Italy until the 8th century. It has a unique collection of early Christian Committee Decision mosaics and monuments. All eight buildings – the Mausoleum of Galla Placidia, the Neonian Bureau (June 1996): The Bureau recommended the Baptistery, the Basilica of Sant'Apollinare Nuovo, Committee to inscribe the nominated property on the Arian Baptistery, the Archiepiscopal Chapel, the the basis of criteria (i), (ii), (iii) and (iv) considering Mausoleum of Theodoric, the Church of San Vitale that the site is of outstanding universal value being and the Basilica of Sant'Apollinare in Classe – were of remarkable significance by virtue of the supreme constructed in the 5th and 6th centuries. They show artistry of the mosaic art that the monuments great artistic skill, including a wonderful blend of contain, and also because of the crucial evidence Graeco-Roman tradition, Christian iconography and that they provide of artistic and religious oriental and Western styles. relationships and contacts at an important period of European cultural history.
    [Show full text]
  • History of Architecture: Chapters I-XIX
    vii TABLE OF CONTENTS. PAGE PRELIMINARY MATERIAL (separate file) LIST OF ILLUSTRATIONS (Figures 1–157) xi CHAPTER I. PRIMITIVE AND PREHISTORIC ARCHITECTURE 1 CHAPTER II. EGYPTIAN ARCHITECTURE 6 CHAPTER III. EGYPTIAN ARCHITECTURE, Continued 16 CHAPTER IV. CHALDÆAN AND ASSYRIAN ARCHITECTURE 28 CHAPTER V. PERSIAN, LYCIAN, AND JEWISH ARCHITECTURE 35 CHAPTER VI. GREEK ARCHITECTURE 43 viii CHAPTER VII. GREEK ARCHITECTURE, Continued 60 CHAPTER VIII. ROMAN ARCHITECTURE 74 CHAPTER IX. ROMAN ARCHITECTURE, Continued 88 CHAPTER X. EARLY CHRISTIAN ARCHITECTURE 110 CHAPTER XI. BYZANTINE ARCHITECTURE 120 CHAPTER XII. SASSANIAN AND MOHAMMEDAN ARCHITECTURE—ARABIAN, MORESQUE, 135 PERSIAN, INDIAN, AND TURKISH CHAPTER XIII. EARLY MEDIÆVAL ARCHITECTURE IN ITALY AND FRANCE 155 CHAPTER XIV. EARLY MEDIÆVAL ARCHITECTURE IN GERMANY, GREAT BRITAIN, AND SPAIN 172 CHAPTER XV. GOTHIC ARCHITECTURE 182 CHAPTER XVI. GOTHIC ARCHITECTURE IN FRANCE 196 ix CHAPTER XVII. GOTHIC ARCHITECTURE IN GREAT BRITAIN 218 CHAPTER XVIII. GOTHIC ARCHITECTURE IN GERMANY, THE NETHERLANDS, AND SPAIN 237 CHAPTER XIX. GOTHIC ARCHITECTURE IN ITALY 254 RENAISSANCE AND LATER ARCHITECTURE CHAPTERS XX–XXVIII, WITH FIGURES 158–229 (separate file) APPENDIX (separate file) GLOSSARY (separate file) INDEXES (separate file) xi LIST OF ILLUSTRATIONS. A few illustrations include links to larger versions. Figure 24 has been reformatted for this e-text; it was printed vertically, with the Plan below the Section. Figure 138 is shown as printed. THE authorship of the original drawings is indicated by the initials affixed: A. = drawings by the author; B. = H. W. Buemming; Bn. = H. D. Bultman; Ch. = Château, L’Architecture en France; G. = drawings adapted from Gwilt’s Encyclopædia of Architecture; L. = Lübke’s Geschichte der Architektur; W.
    [Show full text]
  • Ravenna Tourist Information 1
    refinedcomposition that decorates the Neonian RAVENNA UNIQUE CITY, Baptistery is inspired by cultured Greek tradition, resumed also in the Arian Baptistery WORLD HERITAGE ; the majesty of the Basilica of Sant’Apollinare Ravenna is a showcase of art, history and culture of the Nuovo reveals its origins as a palatine church, first order. The city has ancient origins and a glorious built by Theodoric the Great, king of the Ostrogoths; past; from the 5th to the 8th centuries it was the capital more than one hundred charming little birds lead of the Western Roman Empire, of King Theodoric of the you into the intimate atmosphere of the Chapel Goths and of the Byzantine empire in Europe. of Sant’Andrea , where a triumphant Christ is A considerable patrimony has been passed down to us celebrated; the majestic Mausoleum of Theodoric from that magnificent period. Ravenna is, above all, a , with its enormous monolithic roof covering; the city of mosaics. Its ancient walls conserve mankind’s Basilica of San Vitale , the greatest treasure of the richest heritage of mosaics dating from the 5th and early Christian era, contains a portrait of the imperial 6th centuries. For this reason its early Christian and Byzantine court; outside the city the elegant Basilica Byzantine buildings have been recognised by Unesco of Sant’Apollinare in Classe exalts Christ and TUTTIFRUTTI as world heritage. Sant’Apollinare, the first bishop and church father, in The simple external shell of the Mausoleum of Galla the mosaic of the apse. RAVENNA Placidia conceals an infinite sky of stars; the WORLD HERITAGE Assessorato al Turismo Servizio Turismo e Attività Culturali Comune di Ravenna Tourist Information Office Piazza San Francesco / Piazza Caduti per la Libertà 48121 Ravenna - Italy tel.
    [Show full text]
  • Palazzi & Palladio in Northeast Italy
    ROMtravel – World Cultures Tour Let our experts be your guides Palazzi & Palladio in Northeast Italy May 8 – 19, 2017 This trip, featuring Resource Person Ken Hotels Bartlett, will show you the wonderful sights of Bologna Hotel Corona D’Oro 5 nights Northeast Italy that so many miss! Verona Due Torre Hotel 3 nights We will see beautiful palaces, including Day 6 Bologna – Verona Before leaving Bologna, we’ll see the Mira Hotel Villa Franceschi 3 nights the Gonzaga family’s impressive Palazzo Archiginnasio with its anatomical theatre, and Ducale in Mantua, the Palazzo dei Diamante Resource Person in Ferrara with its façade covered in marble Palazzo Poggi, both part of one of Europe’s oldest universities. Later, visit the Madonna Dr. Kenneth Bartlett is “diamonds”, and Parma’s Palazzo della di San Luca and transfer to Verona. Professor of History & Pilotta. Renaissance Studies at In the Veneto, we’ll discover the work of Day 7 Mantua Day trip to Mantua, visiting the duke’s Victoria College, Andrea Palladio, perhaps Europe’s most apartments in the Palazzo Ducale, Basilica di University of influential architect. In the 16th century he Sant’Andrea, Palazzo d’Arco, and Palazzo Te. Toronto. He is author designed the Villa La Rotonda, an Day 8 Valpolicella & Verona of A Short History of architectural icon epitomizing Palladian style, This morning will be a treat: a Valpolicella the Italian Renaissance, the Palazzo Chiericati in Vicenza, and many winery visit, villa tour and wine tasting with The Civilization of the others. lunch. After, a walking tour of Verona, Italian Renaissance and The English in Italy: Giotto’s ground-breaking frescoes in the including the Roman Arena and castle.
    [Show full text]
  • Bologna Welcome Confidential Catalogue
    Bologna Welcome Confidential Catalogue Bologna Welcome Srl Piazza Maggiore, 1/e T +39 051 65 83 190 [email protected] 40124 Bologna F +39 051 65 83 132 bolognawelcome.com Index Intro Bologna Welcome Incoming Travel Agency 3 E-commerce 4 Bologna Welcome for MICE events 5 Marconi Express 6 Getting to Bologna 7 Visitor Center 10 Bologna Welcome Card 11 How to consult the catalogue 12 Tour 2-hour guaranteed 14 2-hour on request 29 Half-Day guaranteed 47 Half-Day on request 52 Full-Day guaranteed 66 Coming soon 72 Packages Bologna Welcome Srl Piazza Maggiore, 1/e T +39 051 65 83 190 [email protected] 40124 Bologna F +39 051 65 83 132 bolognawelcome.com Bologna Welcome Incoming Travel Agency Who we are We respond quickly to requests for Bologna Welcome Incoming Travel Agency is an incoming tour operator specialized in marketing the tourist destination of Bologna and its territory. The agency manages the entire tourism services chain and assists clients throughout the whole organizational process. Transportation Accommodation: Motor tours: The agency consists of two units: 5-star, 4-star, museums, factories • Business unit resorts, holiday and test-drives • Leisure unit farms, etc. Music tours and Food & Wine tours: Cultural and tickets for the tastings, cooking historical tours Italian opera classes… Outdoor activities: Incentive and team Itineraries and trekking, biking building school tour tours packages Bologna Welcome Srl Piazza Maggiore, 1/e T +39 051 65 83 190 [email protected] 40124 Bologna F +39 051 65 83 132 bolognawelcome.com E-commerce Our leisure products How to purchase our products All the tourist offer of Bologna Welcome is available on the e-commerce platform, created in collaboration with the Trekksoft Company, which allows tourists to plan or buy the packages or experiences they want.
    [Show full text]