The Many Faces of God's Family
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Barroco Mineiromineiro
BarrocoBarroco MineiroMineiro Prof. Percival Tirapeli, Instituto de Artes da UNESP Mapa da Estrada Real, por onde escoava o ouro encontrado pelos bandeirantes paulistas em 1692. O Caminho Velho iniciava NO Rio de Janeiro depois partia do porto de Parati pelo Estado de São Paulo passando por São João del Rei até Ouro Preto. O Caminho Novo iniciava no Rio de Janeiro passando por Juiz de Fora até Ouro Preto. O Caminho do Diamante ia do Rio de Janeiro passando por Ouro Preto, Serro até Diamantina. Adro da Igreja do Bom Jesus de Matosinhos. Congonhas/ MG. Séc. XVIII – XIX. Profeta Jeremias. 1802/05 Adro da Igreja do Bom Jesus de Matosinhos. Aleijadinho. Congonhas/MG. Profeta Daniel Adro da Igreja do Bom Jesus de Matosinhos. Aleijadinho. Congonhas/MG. Profeta Habacuc. Igreja do Bom Jesus de Matosinhos. Congonhas/MG. Profeta Jonas. Igreja do Bom Jesus de Matosinhos. Congonhas/MG. Passo da ceia. Madeira policromada por Mestre Ataíde. Aleijadinho. Congonhas/ MG. 1795/09. Anjo da Amargura. Passo do Horto. Madeira policromada. Aleijadinho. Congonhas/ MG. 170 cm x 200 cm x 50 cm Cristo no Horto das Oliveiras. Detalhe do Passo do Horto. Madeira policromada por Mestre Ataíde. Aleijadinho. Congonhas/MG. 142 cm x 123 cm x 82 cm. Reedificação da fachada em pedra da Matriz de Santo Antônio, 1717 a 1779. Ouro Branco/MG. Altar mor. Início do séc. XVIII. Igreja Matriz de Santo Antônio. Ouro Branco/MG. Sabará, onde Fernão Dias encontrou as pedras semi-preciosas em 1692. Capela Nossa Senhora do Ó em Sabará, 1720. Retábulo da capela mor, 1720. Estilo nacional português. -
Automating 3D Reconstruction Pipeline by Surf-Based Alignment
AUTOMATING 3D RECONSTRUCTION PIPELINE BY SURF-BASED ALIGNMENT Maur´ıcio Pamplona Segundo, Leonardo Gomes, Olga Regina Pereira Bellon, Luciano Silva* IMAGO Research Group, Universidade Federal do Parana,´ Brazil ABSTRACT Pairwise registration: it places all Iss in a same coordinate In this work, we automate a 3D reconstruction pipeline system. To this end, Iss pairs with overlapping regions using two SURF-based approaches. The first approach uses are aligned by a variant of the Iterative Closest Point al- SURF correspondences to pre-align multiple 3D scans from a gorithm (ICP) [4] until there is a path of aligned images same object without requiring manual labor. The second ap- between every Iss pair. proach uses SURF correspondences to calibrate high resolu- Global registration: Pulli’s algorithm [8] is employed to ho- tion color images to 3D scans in order to improve the texture mogeneously spread the error of the previous stage over quality of the final 3D model. Both approaches succeeded the entire model to obtain a better global alignment. in more than 95% of the test cases and were able to auto- matically identify incorrect results. Our pipeline has been Integration: a single volumetric model is created from the widely used in several projects of cultural heritage and the set of aligned Iss [6], and holes are filled using the dif- proposed improvements are very important to allow its use in fusion algorithm [9]. large collections. The proposed approaches were favorably Mesh generation: the Marching Cubes algorithm [10] is compared to other methods and have been successfully ap- employed to create manifold meshes. -
Aleijadinho's 'Prophets' As Capoeiristas
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2008-03-19 A Call for Liberation: Aleijadinho's 'Prophets' as Capoeiristas Monica Jayne Bowen Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art Practice Commons BYU ScholarsArchive Citation Bowen, Monica Jayne, "A Call for Liberation: Aleijadinho's 'Prophets' as Capoeiristas" (2008). Theses and Dissertations. 1346. https://scholarsarchive.byu.edu/etd/1346 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. A CALL FOR LIBERATION: ALEIJADINHO’S PROPHETS AS CAPOEIRISTAS by Monica Jayne Bowen A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of Visual Arts Brigham Young University April 2008 Copyright © 2008 Monica Jayne Bowen All Rights Reserved BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Monica Jayne Bowen This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. Date Martha M. Peacock, Chair Date Mark J. Johnson Date C. Mark Hamilton BRIGHAM YOUNG UNIVERSITY As chair of the candidate’s graduate committee, I have read the thesis of Monica Jayne Bowen in its final form and have found that (1) its format, citations, and bibliographical style are consistent and acceptable and fulfill university and department style requirements; (2) its illustrative materials including figures, tables, and charts are in place; and (3) the final manuscript is satisfactory to the graduate committee and is ready for submission to the university library. -
African World Heritage Fund Quarterly Review
AFRICAN WORLD HERITAGE FUND QUARTERLY REVIEW (@) Marrakech, Morocco OCTOBER – DECEMBER 2016 AWHF, 1258 LEVER ROAD, HEADWAY HILL, MIDRAND, 1685, SOUTH AFRICA – WWW.AWHF.NET 1. HIGHLIGHTS 1. 20th AWHF BOARD MEETING The 20th AWHF Board meeting was held in Marrakech, Morocco on 6th December 2016. The meeting was hosted by the Ministry of Culture in Morocco. The AWHF would like to thank the Government of Morocco for the valuable support to the Fund. We also thank the Director of Cultural Heritage, Mr. Abdellah Alaoui and his team for their tireless efforts towards a successful meeting. Members of the AWHF Board of Trustees 20th AWHF Board Meeting in process 2. WORLD HERITAGE PRIVATE SECTOR ENGAGEMENT AWHF concluded the series of events celebrating the 10th Anniversary on 7th- 8th December in Marrakech, Morocco. The event followed immediately after the 20th Board meeting and gathered more than 150 guests which included Ministers (Angola, Gabon, Morocco, Rwanda), Government Officials (Burkina Faso, Cape Verde, Senegal, South Africa, Tanzania), representative of Private Sector and international organizations (ICCROM, GIZ) and Board of Trustees members under the theme, MARRAKECH 2016: Private sector engagement in the preservation of African Heritage. After an engaging workshop, the participants showed their commitment to AWHF through pledges amounting to $270,000 USD. Pledges for long term support were also noted from Ministers, UNESCO and the African Union. AWHF Ministerial representation from Africa & Members of awarded His Majesty the King Mohammed VI and the the AWHF Board of Trustees Minister of Culture of Morocco for their outstanding contribution to the conservation and promotion of Africa’s heritage. -
Aleijadinho Notes
Aleijadinho (1738-1814) 1738 Aleijadinho ("Little Cripple;" aleijado > Portuguese = cripple) is the professional name by which Antônio Francisco Lisboa was born in Vila Rica (later changed to Ouro Preto, "dark gold") in the state of Minas Gerais (General Mines), Brazil. To locate Ouro Preto on a map of Brazil, click here: => Brazil map. His father was a Portuguese carpenter and architect, Manoel Francisco Lisboa. His mother, Izabel, was a black slave, who was given her freedom at the birth of her son, little Aleijadinho. 1738-1765 The boy suffered a terrible disease in childhood (Portuguese: zamparina), which caused his limbs to be atrophied throughout his entire life. Due to this handicap, his slaves (Maurício, Agostinho, Januário) held the tools he used to create his sculptures. His education consisted in music, Latin, reading, writing, design, and architecture. 1766 The Order of St. Francis of Assisi hired him to build the church of São Francisco de Assis. This church was his masterpiece, and it was built in the baroque-rococo style. 1777 His disease (leprosy?) caused him to lose the use of both hands. When he continued working and sculpting despite this terrible disability, especially for a sculptor, he was given the nickname of Aleijadinho 1777-1812 Rich patrons throughout the state of Minas Gerais awarded him with many commissions. His best works dates from this period. Among them are Carmelite churches in Sabará and Ouro Preto, the façade of São Francisco de Assis da Penitência in Ouro Preto, the sanctuary of Bom Jesus de Matozinhos (also in the state of Minas Gerais). -
Bilingual Education in Burkina Faso an Alternative Approach for Quality Basic Education
Bilingual Education in Burkina Faso An Alternative Approach for Quality Basic Education The book This book presents the history, conceptual foundations, accomplishments and chal- lenges of an educational innovation in Burkina Faso: that of bilingual education. This bilingual education system is designed as a continuum comprised of three levels: early-learning centers for preschool-age children (3 to 6 years), bilingual primary schools for children aged 7 to 11 years and multilingual middle schools for children aged 12 to 16 years. The new system is in keeping with the spirit of Burkina Faso’s education reform law of 30 July 2007. Bilingual education seeks to enable children to acquire a minimum level of edu- cation that gives them the basic knowledge and the tools they need to understand and improve their immediate environment. It is characterized by the use of national languages as both a medium and subject of instruction, the introduction of practical and productive activities, citizenship education, close ties to the local community, study and appreciation of the national culture, involvement of the local population in the design, planning and execution of school programs, and shortening of the duration of schooling by one to two years. Education in Africa Bilingual education in Burkina Faso started with a pilot experiment at the primary level, which ran from 1994 to 1998. It has since been expanded and extended to other Bilingual Education levels of education. Eight national languages are used in complementarity with French. in Burkina Faso The author Paul Taryam Ilboudo was born in 1949 in Nomgana, Burkina Faso. -
Bibliografia Sobre Antônio Francisco Lisboa, O Aleijadinho
Bibliografia sobre Antônio Francisco Lisboa, o Aleijadinho Acervo das bibliotecas do IPHAN: Biblioteca Aloisiso Magalhães (http://biblioam.wordpress.com), Biblioteca Noronha Santos ([email protected]) e Biblioteca do IPHAN - Minas Gerais ([email protected]) ALEIJADINHO e Mestre Piranga. São Paulo: Pinacoteca, 2002. ANDRADE, Mário de. Aspectos das artes plásticas no Brasil. São Paulo: Martins, 1965. ANDRADE, Mário de. O Aleijadinho e Alvares de Azevedo. Rio de Janeiro: RA, 1935. ANTONIO Francisco Lisboa, o Aleijadinho. Salvador: Museu de Arte Sacra; UFBA, 2002. ANTONIO Francisco Lisboa, o Aleijadinho: o que vemos e o que sabemos. Itu: Museu Republicano, 2001. ATOS dos apóstolos com as imagens dos passos da cruz de Aleijadinho. Rio de Janeiro: Ricci, 1978. AVILA, Affonso. Iniciação ao barroco mineiro. São Paulo: Nobel, 1984. BANDEIRA, Manuel. Crônicas da província do Brasil. São Paulo: Cosac & Naify, 2006. BARBOSA, Marcos. Congonhas Bíblia de cedro e de pedra. Minas Gerais: AC & M, 1986. BARDI, Pietro Maria. História da arte brasileira. São Paulo: Melhoramentos, 1975. BARROSO FILHO, Francisco. Museu Aleijadinho. Ouro Preto: Museu Aleijadinho, 1977. BRETAS, Rodrigo Jose Ferreira. Antonio Francisco Lisboa, o Aleijadinho. Rio de Janeiro: MEC/DPHAN, 1951. (Publicações do Patrimônio Histórico e Artístico Nacional, 15) BRETAS, Rodrigo Jose Ferreira. Passos da paixão, o Aleijadinho. Rio de Janeiro: Alumbramento, 1984. BURY, John Bernard. Arquitetura e arte no Brasil colonial. São Paulo: Nobel, 1991. BURY, John. Arquitetura e arte no Brasil Colonial. Brasília, DF: Iphan/Programa Monumenta, 2006. CARVALHO, Benjamin de. Duas arquiteturas no Brasil. Rio de Janeiro: Civilização Brasileira, 1961. CARVALHO, Teofilo Feu de. O Aleijadinho, Antonio Francisco Lisboa. -
PORTER, JAMES A. (JAMES AMOS), 1905- James A
PORTER, JAMES A. (JAMES AMOS), 1905- James A. Porter papers, 1867-2009 (bulk 1920-1995) Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Porter, James A. (James Amos), 1905- Title: James A. Porter papers, 1867-2009 (bulk 1920-1995) Call Number: Manuscript Collection No. 1139 Extent: 45.5 linear feet (93 boxes), 2 oversized papers boxes and 1 oversized papers folder (OP), 1 bound volume (BV), AV Masters: 1 linear foot (1 box and LP1) and 14.5 MB born digital material (81 files) Abstract: Papers of African American artist and art historian James A. Porter including correspondence, personal papers, artwork, writings, Howard University files, artist and subject files collected by Porter, photographs, and audiovisual material, as well as some papers of wife Dorothy Porter Wesley and daughter Constance Porter Uzelac. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Series 7: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Series 9: Access to processed born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library (the Rose Library). -
2020 Membership Letter Burkinabé Agricultural Expert
FALL FUNDRAISER FUELS PROJECTS IN FASO 2020 VOL. 1 by Caroline Chambre Hammock, '02-'04 — IN THIS ISSUE HUMANITARIAN RELIEF FUND P. 3 2019 AWARD FOR PEACE P. 5 JULA ON YOUTUBE p. 7 PATRICE YAMEOGO FBF's Fall 2019 Fundraiser raised nearly $28,000 in donations! P. 8 EVACUATED PCVS FBF’s fall fundraising campaign for 2019 was met with generous support STORIES from members and friends. In addition to membership dues, the campaign p. 9 received nearly $28,000 in donations, of which $15,000 was designated by HIKER'S RELATIONSHIP donors for general projects. As a result, the Projects Committee reviewed WITH THE LAND two requests for funding from existing community development partners to P. 11 continue or expand their efforts. Projects were funded as follows: Appui aux Initiatives pour la Valorisation Durable du Potentiel Local (AIVDPL) continues to work in the Zoundwéogo province of the Centre Sud region on improving crop management techniques through training and setting up on-farm demonstration plots. Over a three-year period, the project team has trained farmers from 900 households in 39 villages within the communes of Binde, Gogo and Manga. Approximately 6,300 people have been impacted by the project; each household has benefitted by growing more crops which can either be sold to generate income or be stored to improve food security. The project continues to show positive impact with strong management on CLICK HERE for a copy of your the ground, including leadership by Patrice Yameogo and on- going support and guidance by Dr. Delwendé Kiba, a leading 2020 Membership Letter Burkinabé agricultural expert. -
Kibare 009 Kibare
KibareKibare 009009 English version 1 Working Group on Non-Formal Education (WGNFE) Association for the Development of Education in Africa (ADEA) 11 P.O.BOX 692 Ouagadougou CMS 11 - Burkina Faso - Tél. : +226 25 36 58 45 - [email protected] - www.gtenf.org Working Group on Non-Formal Education (WGNFE) Association for the Development of Education in Africa (ADEA) 2 11 P.O.BOX 692 Ouagadougou CMS 11 - Burkina Faso - Tél. : +226 25 36 58 45 - [email protected] - www.gtenf.org KibareKibare 009009 1. ABOUT WGNFE The Working group on Non-formal Education (WGNFE) is one of the working groups of the Association for the Development of Education in Africa (ADEA). It was established in 1996 in Dakar by African Ministries of Education and Training, development agencies supporting education and other public and private partners. WGNFE’s vision is that “The right to quality education for all and in a lifelong learning perspective, at the service of personal and community growth, be a reality in Africa In accordance with international and regional frameworks”. In the beginning, WGNFE aimed at studying the nature and impact of diverse forms of education opened to dropouts and out-of-school children, as well as to youth and adults. Gradually, these objectives were extended to better contribute to the enhancement of education in Africa. Its range of interventions was also extended to five main areas: - Deployment of a forum of exchanges on non-formal education, at the continental level; - Identifying and disseminating promising initiatives and programs on non-formal education; - Strengthening non-formal education providers’ capacities; - Consolidating public-private partnership; - Strengthening non-formal education and civil society providers’ capacities in general; - Contributing to resource mobilization, especially financial resources. -
Gender in the Arts Le Genre Dans Les Arts
DOCUMENTATION AND INFORMATION CENTRE CENTRE DE DOCUMENTATION ET D’INFORMATION Gender in the Arts Le genre dans les arts Bibliography - Bibliographie CODICE June/Juin, 2006 Gender in the Arts – Le genre dans les arts Introduction Introduction The topic of the 2006 session of the Gender La session 2006 de l’institut du genre porte sur Institute is “Gender in the arts”. The arts have « le Genre dans les arts ». been defined according to the Larousse dictionary Les arts, définis d’après le Larousse comme étant as being “All specific human activities, based on « l’ensemble des activités humaines spécifiques, sensory, aesthetic and intellectual faculties”. In faisant appel à certaines facultés sensorielles, other words, arts relate to: music, painting, esthétiques et intellectuelles ». En d’autres theatre, dance, cinematography, literature, termes, les arts se confondent à tout ce qui se orature, fashion, advertisement etc. rapporte à : la musique, la peinture, le théâtre, la danse, le cinéma, la littérature, l’oralité, la mode, This bibliography produced by the CODESRIA la publicité etc. Documentation and Information Centre (CODICE) within the framework of this institute lists Cette bibliographie produite par le Centre de documents covering all the concepts on arts. It is documentation et d’information du CODESRIA divided into four parts: (CODICE) dans le cadre de cet institut recense - References compiled from CODICE Bibliographic des documents en prenant en considération tous data base; les concepts liés aux arts. Elle est divisée en - New documents ordered for this institute; quatre parties : - Specialized journals on the topic of gender and - Les références tirées de la base de arts; données du CODICE. -
Brazil 500 Years: Crossing Boundaries from Cabral to the Third Millennium (July 7-August 12, 2000)
DOCUMENT RESUME ED 459 116 SO 033 295 TITLE Brazil 500 Years: Crossing Boundaries from Cabral to the Third Millennium (July 7-August 12, 2000). Fulbright-Hays Summer Seminars Abroad Program, 2000 (Brazil). SPONS AGENCY Center for International Education (ED), Washington, DC. PUB DATE 2001-00-00 NOTE 506p. AVAILABLE FROM Web site: http://www.info.lncc.br/Fulbright/. PUB TYPE Guides - Classroom - Teacher (052) EDRS PRICE MF02/PC21 Plus Postage. DESCRIPTORS *Curriculum Development; Educational Environment; Foreign Countries; Higher Education; *Humanities; *Latin American History; Secondary Education; *Social Studies IDENTIFIERS *Brazil; Global Issues ABSTRACT In the year 2000, Brazil celebrated the 500th anniversary Of its discovery by the Portuguese navigator, Pedro Alvares Cabral, and subsequent settlement by the Portuguese and African, Western, and Asian immigrants. The seminar commemorating these events was designed for U.S. secondary and post-secondary teachers and curriculum specialists of the social sciences and the humanities who seek to understand, teach, do research, and update their knowledge of Brazil. The participants have created curriculum units for this report. The seminar devoted special attention to contemporary issues, comparing the development of Brazil since early European colonization with the challenges of the globalized world of the next millennium. This report begins with the itinerary and a list of the participants. Curriculum projects in the report are: "The Scope of Privatization in Brazil" (Edward H. Allen); "The Changing Status of Women in Brazil: 1950-2000" (Rose-Marie Avin); "The Educational System and the Street Children of Brazil" (Timothy J. Bergen, Jr.); "Brazil 500 Years: Crossing Boundaries from Cabral to the Third Millennium" (Kathy Curnow); "Summer 2000 Fulbright-Hays Project.