Gender in the Arts Le Genre Dans Les Arts

Total Page:16

File Type:pdf, Size:1020Kb

Gender in the Arts Le Genre Dans Les Arts DOCUMENTATION AND INFORMATION CENTRE CENTRE DE DOCUMENTATION ET D’INFORMATION Gender in the Arts Le genre dans les arts Bibliography - Bibliographie CODICE June/Juin, 2006 Gender in the Arts – Le genre dans les arts Introduction Introduction The topic of the 2006 session of the Gender La session 2006 de l’institut du genre porte sur Institute is “Gender in the arts”. The arts have « le Genre dans les arts ». been defined according to the Larousse dictionary Les arts, définis d’après le Larousse comme étant as being “All specific human activities, based on « l’ensemble des activités humaines spécifiques, sensory, aesthetic and intellectual faculties”. In faisant appel à certaines facultés sensorielles, other words, arts relate to: music, painting, esthétiques et intellectuelles ». En d’autres theatre, dance, cinematography, literature, termes, les arts se confondent à tout ce qui se orature, fashion, advertisement etc. rapporte à : la musique, la peinture, le théâtre, la danse, le cinéma, la littérature, l’oralité, la mode, This bibliography produced by the CODESRIA la publicité etc. Documentation and Information Centre (CODICE) within the framework of this institute lists Cette bibliographie produite par le Centre de documents covering all the concepts on arts. It is documentation et d’information du CODESRIA divided into four parts: (CODICE) dans le cadre de cet institut recense - References compiled from CODICE Bibliographic des documents en prenant en considération tous data base; les concepts liés aux arts. Elle est divisée en - New documents ordered for this institute; quatre parties : - Specialized journals on the topic of gender and - Les références tirées de la base de arts; données du CODICE. - And finally, a list of Internet sites on arts. - Les nouveaux documents commandés pour cet institut ; The documents are in English or in French and - Les titres de revues spécialisées traitant are available at the Documentation centre where du genre et des arts ; other more specific searches in relation to each - Et enfin, une liste de sites Internet participant topic could be offered. portant sur les arts. The participants in the Institute can have access Les documents sont soit en anglais et soit en to the documents by referring to the staff of the français et sont accessibles au niveau du centre Documentation centre. de documentation et d’information du CODESRIA où d’autres recherches plus spécifiques en rapport CODICE avec le thème chaque participant pourront être offertes. Les participants à l’Institut pourront y accéder en se référant au personnel du CODICE. Le CODICE Gender Institute / Institut sur le genre : 2006 2 Gender in the Arts – Le genre dans les arts Part/Partie I : CODICE Data /WORKS OF ART/ /ART/ /ARTISTIC CREATION/ /AFRICA/ Base – Base de données du CODICE 7. MUTHONI, Wanjira Gakuru Women in Action : a Socio-Economic Survey of 1. PALMER, Monte; TRAPP, Frank Women As Seen by Black Francophone Women Les Etats-Unis et le Térrorisme au Proche-Orient Writers In: Revue de Politique Internationale, Vol 950, In: Journal of Eastern African Research and 1989, p.14-17 Development, Vol 19, 1989, p.172-186 /INTERNATIONAL POLITICS/ /TERRORISM/ /WOMEN'S STATUS/ /LITERATURE/ /BLACKS/ /PRESS/ /ADVERTISING/ /UNITED STATES/ /SOCIAL ASPECTS/ /ECONOMIC ASPECTS/ /PROCHE-ORIENT/ /FRENCH-SPEAKING AFRICA/ /CARIBBEAN/ 2. ROLSTON, Bill 8. CLIST, Bernard Mothers, Whores and Villains: Images of Women A Critical Reappraisal of the Chronological in Novels of the Ireland Conflict Framework of the Early Urewe Iron Age Industry In: Race and Class, Vol 31, No. 1, July-September In: Muntu : Revue Scientifique et Culturelle du 1989, p.41-58 CICIBA, No. 6, 1er Semestre 1987, p.35-62 /VIOLENCE/ /SOCIAL CONFLICTS/ /POLITICAL /ARCHAEOLOGICAL SITES/ /METALLURGY/ PROBLEMS/ /MOTHER/ /WOMEN/ /IRELAND/ /ARCHAEOLOGY/ /TANZANIA/ /KENYA/ /UGANDA/ /BURUNDI/ /RWANDA/ 3. KERR, David Community Theatre and Public Health in Malawi 9. PELEAU, Bernard In: Journal of Southern African Studies, Vol. 15, Etude des Liaisons des Images d'une B.D. N° 3, April 1989, p. 469-485 In: Journal of Humanities, No. 3, Décembre 1989, p.56-108 /PERFORMINGS ARTS/ /DRAMATIC PARTS/ /THEATRE/ /COMMUNITIES/ /PUBLIC HEALTH/ /LITERATURE/ - /COMICS/ /DEVELOPMENT STRATEGY/ /RURAL AREAS/ 10. TALA, Kashim Ibrahim 4. BIAO, Armindo Jorge Aesthetics from an African Perspective : a Case of Le Jouir du Jouer the Mbag'alum of the Mezam People In: Sociétés: Revue des Sciences Humaines et In: Revue Science et Technique : Serie Sciences Sociales, No. 27, 1990, p.21-25 Humaines, Vol 5, No. 1-2/3-4, 1987-1988, p.101- 106 /SEXUALITY/ /BASIC NEEDS/ /SOCIAL PSYCHOLOGY/ /THEATRE/ / /AESTHETICS/ /ARTISTIC CREATION/ /MUSIC/ /DANCE/ /CULTURE/ /CAMEROON/ 5. GONZALEZ, Valérie Notes sur l'Emigration des Hispano-Maures en 11. MAPOMA, Mwesa I. Afrique du Nord et ses Conséquences dans l'Art A Gimpse at the Use of Music in Traditional Industriel Local Medicine Among the Bantu : a Case of Healing In: Africa Development/Afrique et Among the Bemba Speaking People of Zambia. Développement, Vol XIII, No. 3, 1988, p.33-44 In: Muntu : Revue Scientifique et Culturelle du CICIBA, No. 8, 1988, p.117-123 /ART/ /CIVILIZATION/ /CULTURE/ /MUSLIMS/ /MIGRATION/ /SPAIN/ /NORTH AFRICA/ /TRADITIONAL MEDECINE/ /RELIGION/ /MUSIC/ /TRADITION/ /ZAMBIA/ 6. MATUKANGA, Mbalu Le Language de la Plastique Africaine 12. CHARNI BENSAID, Zeineb Contemporaine et ses Problèmes La Femme Tunisienne : une Histoire dans In: Cahiers Zaïrois de Recherche en Sciences L'Histoire Humaines, Vol 1, No. 1, 1989, p.89-98 In: Sociétés, No. 28, 1990, p.43-47 /WOMENS/ /FREEDOM/ /DEMOCRACY/ /LITERATURE/ /TRADITION/ /TUNISIA/ Gender Institute / Institut sur le genre : 2006 3 Gender in the Arts – Le genre dans les arts 13. CRAVEN, David /TRADITIONAL CULTURE/ /CULTURAL CHANGE/ The State of Cultural Democracy in Cuba and /ACCULTURATION/ /ARCHITECTURE/ /THEATRE/ Nicaragua During the 1980s /MUSIC/ /LITERATURE/ /RELIGION/ /ART/ In: Latin American Perspectives, Issue 66 Vol 17, /AFRICA/ /NIGERIA/ No. 3, 1990, p.100-119 Call No. ***05.02.01/IHE/2779 ISSN: 0094-582X 19. BJÖRKMAN, Ingrid /DEMOCRACY/ /CULTURE/ /SOCIAL CLASSES/ 'Mother, Sing for Me' : People's Theatre in Kenya /SOCIALISM/ /ART/ /NICARAGUA/ /CUBA/ London: Zed Books, 1989.- 107p. 14. BAROU, Jacques /THEATRE/ /DRAMATIC ARTS/ /LITERATURE/ Immigrés Africains Devant la Caméra /CULTURE/ /SOCIETY/ /KENYA/ /KAMIRüTHU/ In: Journal des Africanistes, Tome 60, No. 1, Call No. *** 05.05.03/BJO/2802 1990, p.141-151 20. MLAMA, Perina Muhando /IMMIGRANTS/ /REFUGEES/ /ETHNOLOGY/ Culture and Development : the Popular Theatre /TRADITION/ /SOCIAL CONFLICTS/ /FILMS/ Approach in Africa /SENEGAL/ /FRANCE/ Uppsala: The Scandinavian Institute of African Studies, 1991.- 219p. 15. DESAI, Guauray Theather as Praxis : Discursive Strateges in /THEATRE/ /CULTURE/ /CULTURAL African Popular Theater DEVELOPMENT/ /CULTURAL ANIMATION/ In: African Studies Review, Vol 33, No. 1, April /DANCE/ /AFRICA/ 1990, p.65-92 Call No. ***05.05.03/MLA/3045 /THEATRE/ /SOCIAL IMPLICATIONS/ /POLITICAL 21. REYNOLDS, Pamela POWER/ /DEVELOPMENT/ /AFRICA/ Dance Civet Cat : Child Labour in the Zambezi Valley 16. JEWSIEWICKI, Bogumil London: Zed Books, 1991.- XXXI-176p. Le Langage Politique et les Arts Plastiques en Afrique /CHILD LABOUR/ /FAMILY/ /SOCIETY/ In: Canadian Journal of African StudiesRevue /AGRICULTURE/ /FARMS/ /HOUSEHOLD INCOME/ Canadienne des Etudes Africaines, Vol 22, No. 1, /ZIMBABWE/ - /TONGO/ /OMAY/ 1988, p.1-10 Call No. *** 13.09.02/REY/3582 /ARTISTIC CREATION/ /ART/ /POLITICS/ 22. FROST, Janet Owens /AFRICA/ Making Connections. Teaching Anthropology of the Third World in New Mexico 17. MATLOSA, Khabele In: Women's Studies International Forum, Vol 14, CODESRIA, Dakar No. 4, 1991, p.295-303 The Struggle for Academic Freedom and Autonomy of Institutions of Higher Learning in /ANTHROPOLOGY/ /SOCIAL SCIENCES/ Lesotho : State of the Art /TEACHING/ /WOMEN/ /EDUCATIONAL FILMS/ Dakar: CODESRIA, November 1990.- 17P. /DEVELOPING COUNTRIES/ Conference: Symposium on Academic Freedom Research and the Social Responsibility of the 23. BEGNAL, Kate Intellectual in Africa, Kampala Uganda, 26-29 Knowing Difference Internationalizing a Women November 1990. and Literature Course In: Women's Studies International Forum, Vol 14, /ACADEMIC FREEDOM/ /HUMAN RIGHTS/ No. 4, 1991, p.285-294 /FREEDOM/ /UNIVERSITIES/ /HIGHER EDUCATION INSTITUTIONS/ /STATE/ /LESOTHO/ /WOMEN/ /LITERATURE/ /EDUCATION OF WOMEN/ - /WOMEN WRITERS/ /FEMINISM/ 18. IHEKWEAZU, Edith, ed. Readings in African Humanities : Traditional and 24. DE TOFFOL, Marie-Hélène Modern Culture Arts Africains Contemporains Enugu: Fourth Dimension Publishing, 1985.- In: Afrique Contemporaine, No. 157, Janvier-Mars 301p. 1991, p.63-69 Gender Institute / Institut sur le genre : 2006 4 Gender in the Arts – Le genre dans les arts /ARTS/ /FOLK ART/ /ARTISTS/ /VOCATIONAL 31. CHIFUNYISE, Stephen SCHOOLS/ /AFRICA/ - /CONTEMPORARY ART/ Trends in Zimbabwean Theatre Since 1980 /TRADITIONAL ART/ In: Journal of Southern African Studies, Vol 16, No. 2, June 1990, p.276-289 25. BINET, Jacques Peinture Sénégalaise à l'Arche de la Fraternité /THEATRE/ /CULTURE/ /TRENDS/ /ZIMBABWE/ In: Afrique Contemporaine, No. 157, Janvier-Mars 1991, p.70-71 32. CREHAN, Stewart Patronage, the State and Ideology in Zambian /PAINTS AND VARNISHES/ /ART/ /EXHIBITIONS/ Theatre. - In: Journal of Southern African Studies, /ARTISTS/ /SENEGAL/ Vol 16, No. 2, June 1990, p.290-306 26. OZOH, Hilary C. /THEATRE/ /STATE/ /IDEOLOGIES/ /FOLK Some Critical Factors in
Recommended publications
  • Abstract African and African
    ABSTRACT AFRICAN AND AFRICAN AMERICAN STUDIES HILL, ERNESS A. B.A. SPELMAN COLLEGE, 1998 REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART. THE MACONDE AND THE SHETANI Advisor: Dr. Mustafah Dhada Thesis dated December, 2000 This thesis examines to what extent the shetani icon in Maconde Art has been elevated to the status of deity; and what powers it has been endowed with to transform the lives of its "worshippers." The investigation was based on the observation that, although not a recognized 'god' in the traditional Maconde form of worship, nor that of Mozambique, the shetani’s appearance in Mozambican art was consistent and abundant. The investigative approach used was a comparative analysis of three internationally known Mozambican artists, two of which are Maconde. The researcher found that with all three artists, the shetani was an obvious element in their artistic renderings and in each instance, their individual lives, though not unique, were charged with suffering and unhappiness. The conclusion drawn from this investigation suggests that, although created by a Maconde for the purpose of patronage, the shetani icon has become a 'deity' not only for the Maconde, but for Mozambicans, as well. While not 'worshipped' in the sense that Westerners worship, it has been endowed with powers that transform the lives of those who identify with it. At the very least, it has been endowed with the power to promote their artistic abilities with a view to catalyzing greater creativity. REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART, THE MACONDE AND THE SHETANI A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY ERNESS A.
    [Show full text]
  • Burundi Bibliographie 2020
    FRANÇOIS LAGARDE B U R U N D I BIBLIOGRAPHIE 2020 THE UNIVERSITY OF TEXAS AT AUSTIN 15 janvier 2021 !1 Présentation Sur le modèle des précédentes, cette bibliographie recense les publications portant, en tout ou en partie, sur le Burundi qui ont paru pendant l’année 2020. Ces écrits, matériels ou électroniques, incluent les livres, les chapitres de livre, les articles, les travaux universitaires (PhD, Master), les rapports des instituts de recherche, des organisations internationales et des ONG mais pas d’articles de presse. Les citations sont classées par discipline (Histoire, Population, Agriculture, Économie, Santé Publique, Politique, Droit, Éducation, Sciences, Arts) et par sujet (par exemple, discipline: Population; sujets: Enfance; Femmes; Migration; Ethnicité). La search key fait fonction d’index. Les publications référencées sont -à la louche- anglophones (85%), francophones (10%), et allophones (5%). On ne trouve aucune citation en kirundi dans les bases de données électroniques, petite ou grandes, excepté pour de rares œuvres bilingues. Il existe une publication en kirundi mais elle n’est pas cataloguée. Cette situation hyper diglossique, héritage colonial, est-elle inquiétante? Un pays publie son savoir, sa pensée, dans des langues que les locals ne parlent presque pas1. Ces écrits sont fabriqués dans des pays lointains, pour les livres papier, ce qui rend la réception burundaise chère, sinon inaccessible. Internet et l’open acces sauvent la donne en facilitant un accès au savoir. Ceci dit, que la recherche burundaise soit publiée en langue seconde, en langue étrangère, n’est pas un crime, c’est l’habitus d’une profession. C’est un fait de société nécessaire.
    [Show full text]
  • Biotechnology of Neglected and Underutilized Crops Biotechnology of Neglected and Underutilized Crops Shri Mohan Jain · S
    Shri Mohan Jain · S. Dutta Gupta Editors Biotechnology of Neglected and Underutilized Crops Biotechnology of Neglected and Underutilized Crops Shri Mohan Jain · S. Dutta Gupta Editors Biotechnology of Neglected and Underutilized Crops 1 3 Editors Shri Mohan Jain S. Dutta Gupta Department of Agricultural Sciences Department of Agricultural University of Helsinki and Food Engineering Helsinki Indian Institute of Technology Kharagpur Finland Kharagpur India ISBN 978-94-007-5499-7 ISBN 978-94-007-5500-0 (eBook) DOI 10.1007/978-94-007-5500-0 Springer Dordrecht Heidelberg New York London Library of Congress Control Number: 2013934379 © Springer Science+Business Media Dordrecht 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law.
    [Show full text]
  • Unctad Annual Report 2013 United Nations One Goal Prosperity for All
    UNITED NATIONS CONFERENCE ON TRADE AND DEVELOPMENT UNITED NATIONS UNCTAD UNCTAD ANNUAL REPORT UNCTAD UNCTAD ANNUAL REPORT 2013 UNITED NATIONS ONE GOAL PROSPERITY FOR ALL UNCTAD ANNUAL REPORT 2013 | 1 UNCTAD AT A GLANCE 3 pillars of work: Consensus building, research and analysis, technical cooperation 5 main programmes of work: Globalization and development strategies; investment and enterprise development; international trade in goods and services, and commodities; technology and logistics; Africa, the least developed countries (LDCs) and special programmes 50 years of promoting the development-friendly integration of developing countries into the world economy 194 member States 476 staff members from 106 countries Secretary-General: Mr. Mukhisa Kituyi (Kenya), since September 2013 Deputy Secretary-General: Mr. Petko Draganov (Bulgaria), since May 2009 Headquarters: Geneva, Switzerland $70m total regular budget for 2013 $31m extrabudgetary funds for technical cooperation with contributions from developing countries accounting for almost 41 per cent of total contributions to trust funds (see annex C for further information) . To find out more about UNCTAD, please visit http://unctad.org. 2 | UNCTAD ANNUAL REPORT 2013 CONTENTS UNCTAD at a glance ............................................................................................2 Foreword by Mr. Mukhisa Kituyi, Secretary-General of UNCTAD ........................4 1. About UNCTAD ......................................................................... 7 2. Informing decision-making
    [Show full text]
  • Ethnomathematics and Education in Africa
    Copyright ©2014 by Paulus Gerdes www.lulu.com http://www.lulu.com/spotlight/pgerdes 2 Paulus Gerdes Second edition: ISTEG Belo Horizonte Boane Mozambique 2014 3 First Edition (January 1995): Institutionen för Internationell Pedagogik (Institute of International Education) Stockholms Universitet (University of Stockholm) Report 97 Second Edition (January 2014): Instituto Superior de Tecnologias e Gestão (ISTEG) (Higher Institute for Technology and Management) Av. de Namaacha 188, Belo Horizonte, Boane, Mozambique Distributed by: www.lulu.com http://www.lulu.com/spotlight/pgerdes Author: Paulus Gerdes African Academy of Sciences & ISTEG, Mozambique C.P. 915, Maputo, Mozambique ([email protected]) Photograph on the front cover: Detail of a Tonga basket acquired, in January 2014, by the author in Inhambane, Mozambique 4 CONTENTS page Preface (2014) 11 Chapter 1: Introduction 13 Chapter 2: Ethnomathematical research: preparing a 19 response to a major challenge to mathematics education in Africa Societal and educational background 19 A major challenge to mathematics education 21 Ethnomathematics Research Project in Mozambique 23 Chapter 3: On the concept of ethnomathematics 29 Ethnographers on ethnoscience 29 Genesis of the concept of ethnomathematics among 31 mathematicians and mathematics teachers Concept, accent or movement? 34 Bibliography 39 Chapter 4: How to recognize hidden geometrical thinking: 45 a contribution to the development of an anthropology of mathematics Confrontation 45 Introduction 46 First example 47 Second example
    [Show full text]
  • Jihadism in Africa Local Causes, Regional Expansion, International Alliances
    SWP Research Paper Stiftung Wissenschaft und Politik German Institute for International and Security Affairs Guido Steinberg and Annette Weber (Eds.) Jihadism in Africa Local Causes, Regional Expansion, International Alliances RP 5 June 2015 Berlin All rights reserved. © Stiftung Wissenschaft und Politik, 2015 SWP Research Papers are peer reviewed by senior researchers and the execu- tive board of the Institute. They express exclusively the personal views of the authors. SWP Stiftung Wissenschaft und Politik German Institute for International and Security Affairs Ludwigkirchplatz 3­4 10719 Berlin Germany Phone +49 30 880 07-0 Fax +49 30 880 07-100 www.swp-berlin.org [email protected] ISSN 1863-1053 Translation by Meredith Dale (Updated English version of SWP-Studie 7/2015) Table of Contents 5 Problems and Recommendations 7 Jihadism in Africa: An Introduction Guido Steinberg and Annette Weber 13 Al-Shabaab: Youth without God Annette Weber 31 Libya: A Jihadist Growth Market Wolfram Lacher 51 Going “Glocal”: Jihadism in Algeria and Tunisia Isabelle Werenfels 69 Spreading Local Roots: AQIM and Its Offshoots in the Sahara Wolfram Lacher and Guido Steinberg 85 Boko Haram: Threat to Nigeria and Its Northern Neighbours Moritz Hütte, Guido Steinberg and Annette Weber 99 Conclusions and Recommendations Guido Steinberg and Annette Weber 103 Appendix 103 Abbreviations 104 The Authors Problems and Recommendations Jihadism in Africa: Local Causes, Regional Expansion, International Alliances The transnational terrorism of the twenty-first century feeds on local and regional conflicts, without which most terrorist groups would never have appeared in the first place. That is the case in Afghanistan and Pakistan, Syria and Iraq, as well as in North and West Africa and the Horn of Africa.
    [Show full text]
  • Symposia Conference Book
    icd institute for cultural diplomacy The 2013 Symposia on Cultural Diplomacy “The Potential for Cultural Diplomacy in Supporting National and International Governance” (Berlin, Ankara, Istanbul, Bucharest, Rome, Washington, D.C., New York City, Brussels, London; May-August 2013) The International Symposia on Cultural Diplomacy 2013 “The Potential for Cultural Diplomacy in Supporting National and International Governance” (Berlin, Ankara, Istanbul, Bucharest, Rome, Washington, D.C., New York City, Brussels, London; May-August 2013) Table of Contents Introduction The International Symposia on Cultural Diplomacy 2013 is now 5 years old Introduction ........................................................................................... 2 and has become the world’s largest event in the field of Cultural Diplomacy. The sixth Symposia took place in 2013 and included large-scale events tak- Conference Summaries ing place in different major capital cities in cooperation with governments, leading academic institutions and civil society organizations throughout the Symposium on Cultural Diplomacy in the Mediterranean ........... 3 months of May - July 2013. Symposium on Cultural Diplomacy in Germany ........................... 5 Symposium on Cultural Diplomacy in the Levant ......................... 7 The focus of the 2013 symposia was to explore the potential for cultural di- Symposium on Cultural Diplomacy & Human Rights..................... 9 plomacy to successfully support national and international governance; and Symposium on Cultural
    [Show full text]
  • A Framework for Cultural Heritage Digital Libraries
    2010 Heather Lea Moulaison ALL RIGHTS RESERVED A FRAMEWORK FOR CULTURAL HERITAGE DIGITAL LIBRARIES IN THE DEVELOPING WORLD: ACCESS TO NON-TEXTUAL INFORMATION FOR NON-LITERATE PEOPLE IN MOROCCO By HEATHER LEA MOULAISON A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Communication, Information and Library Studies written under the direction of Michael E. Lesk, Ph.D. and approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey January, 2010 ABSTRACT OF THE DISSERTATION A Framework for Cultural Heritage Digital Libraries in the Developing World: Access to Non-Textual Information for Non-Literate People in Morocco By HEATHER LEA MOULAISON Dissertation Director: Michael E. Lesk The purpose of this study is to investigate the role that Digital Libraries (DLs) can play in the transmission of information for non-literate people in the developing world. People from oral cultures are well-positioned to exploit DLs as a way of accessing audio- visual (A/V) documents if the DL is properly adapted. Cultural heritage documents created by researchers during fieldwork may be audio, video, or images that can be sources of national pride for non-literate citizens; these documents could be stored in a cultural heritage DL (CHDL) for online access by non-literate citizens. The primary methodology employed in this study is a review of relevant literature. National culture and universal usability contribute to cultural usability, the human aspects of DL use being explored. Machine aspects of DLs are investigated within the Library and Information Science (LIS) framework, with an emphasis on theories of organization of information and information retrieval, and a complementary discussion of the read/write Web.
    [Show full text]
  • People's Democratic Republic of Algeria
    People's Democratic Republic of Algeria Ministry of Higher Education and Scientific Research Mentouri University Constantine Faculty of Letters and Foreign Languages Department of English Code- Switching in the Conversation of Salespersons and Customers in Ain Smara Market (Clothes Section) Thesis submitted to the department of English in partial fulfillement of the requirements of the Master Degree in Applied language Studies Candidate: Supervisor: Zerroug Nassima Dr. Lakehal Ayat Karima 2009 – 2010 Dedications In the name of God, most merciful, most compassionate. This work is dedicated to: My dear mother who has supported me a lot in my life. My father without whom I would not be who I am. All my family, particularly my sister Amel who shared the hard moment with me and encouraged me to go further. My sister Djalila and all my all brothers: Moncef, Skander, Faouzi, Mohsen and Chemseddine. - i - Acknowledgements I would like to express my sincere thanks to my supervisor Dr Lakehal Ayat who guided this research and who has generously given her time and expertise to better my work. I am very grateful for her invaluable observations, for her precious advice that she has given me, for her encouragement, support and especially tenderness because she has really treated I like her daughter. A special thank to Dr Ahmed Sid and Dr Athamna for helping me with sources. I would also to express my thanks to all my friends: Nassima, Nedjoua, Zahoua, Ibtissem, Meriem, Nora, Sara, Zineb, Hanane, Souhila and especially to Nouri Nassira for her friendship, knowledge and support to overcome all the obstacles that I faced in this dissertation.
    [Show full text]
  • Cape Verde Business Mission Fact Sheets
    Cape Verde Business Mission Fact Sheets: 1 Table of contents: Opportunities in Cape Verde .......................................................................................................... 4 General Introduction ....................................................................................................................... 4 Country Facts .................................................................................................................................. 5 Economic Facts: .............................................................................................................................. 5 Economic Facts ............................................................................................................................... 6 GDP Growth, annual percentage change (IMF).......................................................................... 7 Economic Situation ......................................................................................................................... 7 Foreign Aid ..................................................................................................................................... 8 Foreign Investment ......................................................................................................................... 9 Trade ............................................................................................................................................. 10 Foreign Relations: ....................................................................................................................
    [Show full text]
  • A Walk Through the Gallery 5
    A WALK THROUGH THE GALLERY MARGARET PLASS The new African Gallery has been designed to exhibit, simply and honestly, a selection of sculptures from our permanent collections. Proudly we present them as works of art; where possible they are arranged in tribal groups for convenience and comparative study. They are labeled briefly and clearly. Here are the materials from which our visitors may form a just view of the special characteristics and merits of Negro art. For more than half a century our Museum has been enriched by acces- sions of African sculpture, mainly by purchase and partly by gifts, to the end that our permanent collections are the largest and most varied in style in America. The following descriptive notes are not to be construed as an attempt at a catalogue of the exhibition; the serious student may have access to fully documented formal catalogues should he apply to the Museum staff. In Dr. Coon's introduction he has given us the anthropological and ethno- grapbical background of the people who produced this art, working within the framework of their tribal traditions. Here in this book, with their photographs, are small synopses of what we know of these sculptures, and what we guess. We all have conscious, and sometimes unconscious, difficulty in understanding such works of art; the philosophical barrier that lies in the way of full appreciation is almost too difficult to hurdle. Many writers have tried to explain the magico-religious significance, the strength and directness of African art; few have succeeded. Perhaps these notes are mere hints and suggestions, but we hope that they may sometimes be stimulating as well as factual.
    [Show full text]
  • Algeria, 1962-1984
    INFORMATION TO USERS This reproduction was made from a copy of a manuscript sent to us for publication and microfilming. While the most advanced technology has been used to pho­ tograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. Pages in any manuscript may have indistinct print. In all cases the best available copy has been filmed. The following explanation of techniques is provided to help clarify notations which may appear on this reproduction. 1. Manuscripts may not always be complete. When it is not possible to obtain missing pages, a note appears to indicate this. 2. When copyrighted materials are removed from the manuscript, a note ap­ pears to indicate this. 3. Oversize materials (maps, drawings, and charts) are photographed by sec­ tioning the original, beginning at the upper left hand comer and continu­ ing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or in black and white paper format.* 4. Most photographs reproduce acceptably on positive microfilm or micro­ fiche but lack clarity on xerographic copies made from the microfilm. For an additional charge, all photographs are available in black and white standard 35mm slide format.* *For more information about black and white slides or enlarged paper reproductions, please contact the Dissertations Customer Services Department. T T A /T T Dissertation vJ l V l l Information Service University Microfilms International A Bell & Howell Information Company 300 N.
    [Show full text]