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PORTO, PORTUGAL June 21St to 23Rd, 2001
CIRCOM REGIONAL CONFERENCE REPORT PORTO, PORTUGAL June 21st to 23rd, 2001 PRIX CIRCOM REGIONAL 2001 Copro workshops CR Conference 2001 Report on the Television Journalism Workshop file:///D|/CIRCOM/WWW/2001/1.html (1 of 2) [25.3.2003 10:48:45] CIRCOM REGIONAL This year's Annual Conference of Circom Regional was hosted by RTP, the Portuguese national broadcaster, in Porto, the 2001 European capital of culture. The city presented itself to the more than 250 participants from all over Europe at its best, providing them excellent facilities for their work and sessions, as well as cultural top-events, food and wine worth to be remembered, spotless sunshine,… The RTP staff excelled as a brilliantly efficient, as well as polite and hospitable team. file:///D|/CIRCOM/WWW/2001/1.html (2 of 2) [25.3.2003 10:48:45] CIRCOM regional . PORTO 2001 CONFERENCE REPORT Thursday, June 21, 2001 9.30 - 10.30 OPENING CEREMONY Responsible: Djalme Neves, RTP, CR Vice-President, Portugal Speakers: Lefty Kongalides, CR President, Greece Nuno Cardoso, Mayor of Porto, Portugal Dr. Pacheco Pereira, Vice-President of the European Parliament Dr. Teresa Lago, Chair of Porto 2001 - European Capital of Culture Dr. Joao Carlos Silva, President of RTP, Portugal Mr. Djalme Neves and Dr. Joao Carlos Silva initially warmly welcomed all participants and Mr. Silva shortly presented RTP, the Portuguese public service broadcaster and its activities. Mr. Nuno Cardoso, Mayor of Porto described Porto as a liberal city with a dynamic television scene. He also stated that regional television has an important role in the future of the audio- visual industry. -
About Endgame
IN ASSOCIATION WITH BLINDER FILMS presents in coproduction with UMEDIA in association with FÍS ÉIREANN / SCREEN IRELAND, INEVITABLE PICTURES and EPIC PICTURES GROUP THE HAUNTINGS BEGIN IN THEATERS MARCH, 2020 Written and Directed by MIKE AHERN & ENDA LOUGHMAN Starring Maeve Higgins, Barry Ward, Risteárd Cooper, Jamie Beamish, Terri Chandler With Will Forte And Claudia O’Doherty 93 min. – Ireland / Belgium – MPAA Rating: R WEBSITE: www.CrankedUpFilms.com/ExtraOrdinary / http://rosesdrivingschool.com/ SOCIAL MEDIA: Facebook - Twitter - Instagram HASHTAG: #ExtraOrdinary #ChristianWinterComeback #CosmicWoman #EverydayHauntings STILLS/NOTES: Link TRAILER: https://www.youtube.com/watch?v=x1TvL5ZL6Sc For additional information please contact: New York: Leigh Wolfson: [email protected]: 212.373.6149 Nina Baron: [email protected] – 212.272.6150 Los Angeles: Margaret Gordon: [email protected] – 310.854.4726 Emily Maroon – [email protected] – 310.854.3289 Field: Sara Blue - [email protected] - 303-955-8854 1 LOGLINE Rose, a mostly sweet & mostly lonely Irish small-town driving instructor, must use her supernatural talents to save the daughter of Martin (also mostly sweet & lonely) from a washed-up rock star who is using her in a Satanic pact to reignite his fame. SHORT SYNOPSIS Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate. -
Independent Productions Annual Report 2020
Independent Productions Annual Report 2020 CONTENTS Introduction 2 The Year in Review: – Television 4 – Radio 16 Other Funding 19 Other Support Activities 20 Corporate Governance 20 Financial and Commissioning Review 21 Independent Accountants’ Report 24 Schedules 25 RTÉ INDEPENDENT PRODUCTIONS ANNUAL REPORT 2020 1 INTRODUCTION From lockdowns to working from home and remote learning due to the Covid-19 pandemic restrictions, 2020 was a challenging year for everyone. As audience needs changed and evolved, RTÉ, together with the independent sector, rose to the challenge to ensure that quality Irish content was produced to inform, educate and entertain. From factual to entertainment, lifestyle, cláracha gaelige, drama, comedy and young people’s, the sector responded to unprecedented changes to daily life in Ireland and across the world to produce relevant and distinctive content. Audiences in Ireland connected with Irish content in increasing numbers across all genres, with RTÉ’s all-day share of TV viewing increasing by 1.7% to 27.2%1. RTÉ delivered 43 of the top 50 programmes on Irish television in 2020, with 14 being produced by the independent sector. Independent productions such as Ireland on Call and RTÉ’s Home School Hub played a pivotal role in meeting new audience needs and complemented News & Current Affairs content across TV, online and radio. As well as creating innovative new content and formats to meet these needs, the independent sector demonstrated great agility by adapting production models to comply with public health advice and restrictions. Series such as Ireland’s Fittest Family and Operation Transformation used best-practice production methods to ensure their safe return to screens, while new programming such as Gardening Together with Diarmuid Gavin, No Place Like Home and Open for Business reflected shifts in audience lifestyle and needs during the pandemic. -
UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Life on-air: talk radio and popular culture in Ireland Author(s) Doyle-O'Neill, Finola Editor(s) Ní Fhuartháin, Méabh Doyle, David M. Publication date 2013-05 Original citation Doyle-O'Neill, F. (2013) 'Life on-air: talk radio and popular culture in Ireland', in Ní Fhuartháin, M. and Doyle, D.M. (eds.) Ordinary Irish life: music, sport and culture. Dublin : Irish Academic Press, pp. 128-145. Type of publication Book chapter Link to publisher's http://irishacademicpress.ie/product/ordinary-irish-life-music-sport-and- version culture/ Access to the full text of the published version may require a subscription. Rights © 2013, Irish Academic Press. Item downloaded http://hdl.handle.net/10468/2855 from Downloaded on 2021-09-30T05:50:06Z 1 TALK RADIO AND POPULAR CULTURE “It used to be the parish pump, but in the Ireland of the 1990’s, national radio seems to have taken over as the place where the nation meets”.2 Talk radio affords Irish audiences the opportunity to participate in mass mediated debate and discussion. This was not always the case. Women in particular were excluded from many areas of public discourse. Reaching back into the 19th century, the distinction between public and private spheres was an ideological one. As men moved out of the home to work and acquired increasing power, the public world inhabited by men became identified with influence and control, the private with moral value and support. -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
The Public Service Broadcasting Culture
The Series Published by the European Audiovisual Observatory What can you IRIS Special is a series of publications from the European Audiovisual Observatory that provides you comprehensive factual information coupled with in-depth analysis. The expect from themes chosen for IRIS Special are all topical issues in media law, which we explore for IRIS Special in you from a legal perspective. IRIS Special’s approach to its content is tri-dimensional, with overlap in some cases, depending on the theme. terms of content? It offers: 1. a detailed survey of relevant national legislation to facilitate comparison of the legal position in different countries, for example IRIS Special: Broadcasters’ Obligations to Invest in Cinematographic Production describes the rules applied by 34 European states; 2. identifi cation and analysis of highly relevant issues, covering legal developments and trends as well as suggested solutions: for example IRIS Special, Audiovisual Media Services without Frontiers – Implementing the Rules offers a forward-looking analysis that will continue to be relevant long after the adoption of the EC Directive; 3. an outline of the European or international legal context infl uencing the national legislation, for example IRIS Special: To Have or Not to Have – Must-carry Rules explains the European model and compares it with the American approach. What is the source Every edition of IRIS Special is produced by the European Audiovisual Observatory’s legal information department in cooperation with its partner organisations and an extensive The Public of the IRIS Special network of experts in media law. The themes are either discussed at invitation-only expertise? workshops or tackled by selected guest authors. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Abbey Theatre's
Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, Chicago A NOTE FROM DIRECTOR CAITRÍONA MCLAUGHLIN Shakespeare has redefined what a great American Shakespeare theater can be—a company that defies When Neil Murray and Graham McLaren (directors of theatrical category. This Regional Tony Award-winning the Abbey Theatre) asked me to direct Roddy Doyle’s theater’s year-round season features as many as twenty new play Two Pints and tour it to pubs around productions and 650 performances—including plays, Ireland, I was thrilled. As someone who has made musicals, world premieres, family programming, and presentations from around the globe. theatre in an array of found and site-sympathetic The work is enjoyed by 225,000 audience members annually, with one in four under the age of spaces, including pubs, shops, piers, beneath eighteen. Chicago Shakespeare is the city’s leading producer of international work, and touring flyovers, and one time inside a de-sanctified church, its own productions across five continents has garnered multiple accolades, including the putting theatre on in pubs around Ireland felt like a prestigious Laurence Olivier Award. Emblematic of its role as a global theater, the company sort of homecoming. I suspect every theatre director spearheaded Shakespeare 400 Chicago, celebrating Shakespeare’s legacy in a citywide, based outside of Dublin has had a production of yearlong international arts and culture festival, which engaged 1.1 million people. The Theater’s some sort or another perform in a pub, so why did nationally acclaimed arts in literacy programs support the work of English and drama teachers, this feel different? and bring Shakespeare to life on stage for tens of thousands of their students each school year. -
The Gerry Ryan Show on 2FM and the Death of Diana, Princess of Wales a Case-Study, September 1997
The Gerry Ryan Show on 2FM and The Death of Diana, Princess of Wales A Case-Study, September 1997 "Study submitted in part fulfillment of the requirement for the award of Master of Arts Degree in Communications & Cultural Studies” NAME: Ciara Me Carrón DATE: 6th February 1998 ACKNOWLEDGMENTS I would like to express my gratitude to the staff of Dublin City University for their understanding and support throughout my course of study, especially Stephanie MacBride. Thanks also to Clare Byrne, Majella Breen, Niall Me Gowan and The Gerry Ryan Show programme team in 2FM. I would further like to acknowledge my gratitude to my family, especially my father, Billy Me Carron for their patience whilst I completed my studies. Finally, this project is dedicated to the loving memory of my mother, Anne Me Carron, who died 11th November, 1997, RIP. SYNOPSIS In the modem world, there are a proliferation of media choices available to the discerning, (and not so discerning), audience. It is a rare moment indeed when, in the crowded television, radio and print media schedules, something approaching a united front occurs, and only one subject is debated, only one topic is talked about, everywhere. The number of times this has happened could be counted on the fingers of one hand. The death of Diana, Princess of Wales was one such media moment. For those of us who were not around for the death and funeral of John F. Kennedy, this was the first media-event we experienced, in terms of the tragic death and funeral of such a world famous person. -
Gaelic Language Plans Audit - September 2020 Renewed Plans from 2018 Onwards
Gaelic Language Plans Audit - September 2020 renewed plans from 2018 onwards Contents 01 - City of Edinburgh Council Plan 2018-22 08 - North Ayrshire Council 2019-2024 02 - Cairngorms National Park Authority Plan 2018-2022 09 - Perth and Kinross Council 2018-2022 03 - Creative Scotland 2019-2022 10 - Scottish Parliament 2018-2023 04 - Glasgow City Council 2018-2022 11 - The Highland Council 2018-2023 05 - Historic Environment Scotland 2018-2023 12 - University of Aberdeen 2019-2024 06 - National Galleries Scotland 2018-2023 13 - University of Glasgow 2018-2021 07 - National Libraries of Scotland 2019-2024 14 - University of Highlands & Islands 2018-2023 City of Edinburgh Council Plan 2018-22 Strategic Priority 1 Sustainable: Gaelic is visible, encouraged and has a sustainable future within the City of Edinburgh Lead Service area and key Actions By when partners Economy, Culture Work with Scottish Government and its agencies to support their promotion of Gaelic within entrepreneurship, Economic Develpment, Culture, Bòrd 2022 and Communities and the creative, cultural and heritageindustry in Edinburgh. na Gàidhlig, VisitScotland and HIE Strategic Priority 3 Encouraged: The city’s Gaelic culture and arts are nurtured and preserved sociall and economically Lead Service area and key Actions By when partners Culture and Ensure Gaelic communities have the opportunity to access the culture website. Culture Ongoing communities Support the Gaelic community to promote access to Gaelic Cultural material for example Film locations, Arts Culture/Marketing Edinburgh Ongoing and Historical sites (eg. Makar’s Court) and continue to support local artists’ networks and arts development. Further develop partnerships with national bodies (for example EventScotland) to promote the city’s Gaelic Culture and External Relations Ongoing culture and history both nationally and internationally. -
5 Day Western Ireland and Dublin Incentive Itinerary
SAMPLE PROGRAMME Ireland WEST & DUBLIN’S FAIR CITY 60 – 85 Guests 1 WHY IRELAND AND A TOUCH OF IRELAND? . “Just for fun” – Ireland has a special magic that starts working the minute you touchdown. Barriers are broken down with the emphasis on fun & the unique Irish experience . Painless travel – no special vaccinations needed – just a capacity to drink a few pints of Guinness! . Great programme mix – lively, cultural city action combined with the “hidden Ireland” – wild romantic nature WITHOUT long bus journeys! . Ireland never says “No” – we make things happen! . Excellent standard of hotels . A Touch of Ireland – Creative DMC & expert reliable Partner with multilingual staff – we understand the demands of the corporate client. 2 WEST IRELAND – LUXURY CASTLE ACCOMMODATION Ashford Castle 5* Cong, Co. Mayo www.ashford.ie Ashford Castle in the heart of the Connemara region, is just one and a half hours from Shannon airport, on the northern shores of Lough Corrib. The countryside around it provided the scenery for the John Wayne classic, “The Quiet Man”. Ashford Castle was selected as the best hotel in Ireland in the 1989 and 1990 Egon Ronay Guide. The original Castle dates back to the 13th century. It has been splendidly restored with rich panelling, intricately carved balustrades, suits of armour and masterpiece paintings. This year the hotel has undergone major refurbishment and is looking stunning. There are 83 rooms in total in the castle offering 5* luxury. Ashford boasts two gourmet restaurants; The “George V” dining room offers traditional and continental menus, while “The Connaught Room” specialises in acclaimed French cuisine. -
ESB HALO LAUNCH Energy Solutions Page 12
issn no. 0790-7508 The newspaper for Dec 2010 / Jan 2011 www.esb.ie/em ESB HALO LAUNCH EneRGY soluTIons PAGE 12 ESBI wins Chief Executive Christmas Engineers message Ireland CPD neWS, page 03 Company of the Year Award 8ESBI was recently announced winner of the Large Company Category Bring the Light NEWS Award at the Engineers page 09 Ireland CPD Company of the Year Awards 2010 THE AWARD, which was pre- sented to ESBI by the Tánaiste and Minister for Education and Skills, Mary Coughlan TD, rec- ognises ESBI’s work in design- i n g a nd i mple me nt i n g t he P r o je c t Delivery Model (PDM) for large- Women in scale capital projects and the creation of a permanent Project Engineering Management Office (PMO) to ESBI support the ongoing develop- page 21 ment and improvement of the methodology. As part of this process, ESBI undertook an organisation-wide initiative to improve the effi- ciency and effectiveness of the delivery of large-scale capital projects in ESB. The initiative, which was informed by a strate- gic review of major capital projects previously undertaken by ESB, drew extensively on a range of CPD methodologies to instil a sustainable and consist- ent approach to project manage- In this issue ment which will ultimately sup- port the realisation of ESB’s n News ..........................02 strategic objectives and meet n Energy Solutions ..............12 the challenges of a rapidly n ESB Networks Ltd ............16 changing energy sector. n ESB Energy International .....19 A HAPPY AND PEACEFUL CHRISTMAS TO ALL n Health & Habitat