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Here Is No Doubt 2020 Has Been One of the Most Challenging Years for People on This Planet
26-28 november 2020 I S L E O F S K Y E www.seall.co.uk seall festival of small halls 2020 | Page 2 Page 3 | wwww.seall.co.uk/small-halls/tickets WE ARE the SEALL Festival of Small Halls, a premier winter festival celebrating community, culture and traditional music on Skye WE BRING big music to small halls and some of the most iconic places on the Isles of Skye and Raasay WE WON the 2019 MG Alba Scottish Traditional Music Award for best community project for our 2018 inaugural festival WE CELEBRATE our unique Island culture around Scotland’s National Day with concerts and a St Andrew’s Night Big Cèilidh WE SHOWCASE Scotland’s best traditional musicians in some of the most remote and beautiful rural locations in the UK WE DELIVER an amazing programme of concerts, workshops and sessions to communities and visitors WE ARE SEALL One of Scotland’s leading rural performing arts promoters WE LOOK FORWARD TO WELCOMING YOU seall festival of small halls 2020 | Page 4 A FEW WORDS ABOUT 2020 By engaging some of Scotland’s most remote rural On Saturday 28 November, the highly popular Small Halls Big communities in a winter celebration of the traditional music Cèilidh will take place live-streamed from the Sligachan Hotel in and heritage of the Highlands and Islands, the SEALL Festival of honour of Scotland’s national day. This year’s event is also part of Small Halls focuses on the importance of the community hall as a the philanthropic St Andrew’s Fair Saturday Festival and will raise space in which to gather and unite. -
View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
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Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on. -
Download Brochure
Spring/Summer 2020 www.limetreetheatre.ie BOX OFFICE: 061 953 400 FLIP FOR BELLTABLE BOOK ONLINE: www.limetreetheatre.ieEVENTS MIC A5 generic advert.qxp_Memeber year Book advert 13/11/2018 09:16 Page 1 #HelloMIC Mary Immaculate College Cyclone Rep presents Shakespeare Sessions MON 13TH - FRI 17TH JANUARY Date Title Times Mon 13th Hamlet 9.45am & 1pm Tue 14th King Lear 9.45am & 1pm SEE WHAT MIC HAS TO OFFER YOU Wed 15th Romeo & Juliet 9.45am & 1pm SOLD OUT MIC is a university level College of Education and the Liberal Arts, serving the Thu 16th Merchant of Venice 9.45am SOLD OUT needs of a growing and diverse student population of just over 5,000 students. Thu 16th Romeo & Juliet 1pm MIC’s flourishing learning community is distinguished by highly responsive Duration: 120 minutes. To make a booking or for more information, contact student supports and excellence in learning and research. Cyclone Rep directly by email: [email protected] or call 021 2355356. MIC CAMPUS, LIMERICK MIC, ST PATRICK’S CAMPUS, THURLES • BA in Contemporary and Applied • BA in Education, Business Studies and Theatre Studies: (MI001) Accounting: (MI009) • Bachelor of Arts: (MI002) (now with • BA in Education, Business Studies and expanded subject offering) Religious Studies: (MI010) • Bachelor of Education – Primary • BA in Education, Irish and Religious Kristyn Fontanella Dance presents Teaching: (MI005/006) Studies: (MI011) • BA in Early Childhood Care and • BA in Education, Irish and Business Education: (MI007) Studies: (MI012) IN LiMBO • B.Ed. in Education and Psychology: ** New for entry 2019: BA in Education, ST (MI008) Mathematics and Gaeilge: (MI013) SAT 1 FEBRUARY | 8pm Tickets: €18/€15 Mature Learner Programmes: Postgraduate Programmes: • Foundation Certificate for MIC also offers a wide range of Mature Learners postgraduate qualifications up to and • Teacher Education Access Course including Masters and Doctoral degrees in for Mature Learners the Liberal Arts and Education. -
Medlemsmagasin Nr06
KELTISK PROFIL Arkivkatalog fra nr. 6 (mars 1998) til nr. 14 (mars 2000) MÅNDENS ALBUM: Keltisk profil MUSIQUE DU QUEBÉC MUSIQUE DU QUEBÉC 4-99 Chansons a 4-100 Carême et Mardi Cappella - Les Gras - Michel Faubert Charbonniers de l’Enfer CD’en til denne spesielle Michel Faubert er en stor fem mannns sterke vokal- kanadisk sanger med mar- gruppa, som oversatt kaller kant moden og særpreget seg «Kølbrennere i helve- stemme. Denne CD’en te», påkaller atskillige super- med typisk fusjonspreg i lativer! For det første er det arrangementet ble mottatt den mest forunderlige, med begeistring av kritike- 4-98 Le Bruit Court Dans La Ville - munnrappe og friske vokal- re. Det er først og fremst Andre Marchand, Lisa Ornstein, gruppa vi har hørt! Reper- Faubert sin vakre, litt me- toaret er for det meste san- lonkolske stemme som gjør Norman Miron ger med forsanger og etter- denne CD’en til en fest å følgende koring. En del av høre på. Månedens CD i keltisk profil vi har valgt sangene er også dansemu- til å representere tradisjonen fra Quebéc, sikk, men der nesten alle in- strumenter er skrellet vekk, er et storsalgent album som i sin utsøkte så nær som iherdig fotstep- enkelhet gir en fortreffelig tolking av denne ping, munnharpe og tam- spesielle keltiske tradisjonen. burtromme på noen kutt. De prominente vokale kull- brennerne fra helvete, er Trioen utgjøres av André Marchand, gitar, ellers samtlige representert Lisa Ornstein fele og Norman Miron akkord- på øvrige CD’er på disse si- dene: Michel Bordeleau og ion, alle pionerer på denne folkemusikksce- 4-101 L’Echo des bois - André Marchand er med- Michael Faubert nen. -
Tradition and Innovation in Irish Instrumental Folk Music
TRADITION AND INNOVATION IN IRISH INSTRUMENTAL FOLK MUSIC by ANDREW NEIL fflLLHOUSE B.Mus., The University of British Columbia, 1990 B.Ed., The University of British Columbia, 2002 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA August 2005 © Andrew Neil Hillhouse, 2005 11 ABSTRACT In the late twentieth century, many new melodies were composed in the genre of traditional Irish instrumental music. In the oral tradition of this music, these new tunes go through a selection process, ultimately decided on by a large, transnational, and loosely connected community of musicians, before entering the common-practice repertoire. This thesis examines a representative group of tunes that are being accepted into the common- practice repertoire, and through analysis of motivic structure, harmony, mode and other elements, identifies the shifting boundaries of traditional music. Through an identification of these boundaries, observations can be made on the changing tastes of the people playing Irish music today. Chapter One both establishes the historical and contemporary context for the study of Irish traditional music, and reviews literature on the melodic analysis of Irish traditional music, particularly regarding the concept of "tune-families". Chapter Two offers an analysis of traditional tunes in the common-practice repertoire, in order to establish an analytical means for identifying traditional tune structure. Chapter Three is an analysis of five tunes that have entered the common-practice repertoire since 1980. This analysis utilizes the techniques introduced in Chapter Two, and discusses the idea of the melodic "hook", the memorable element that is necessary for a tune to become popular. -
Diego Laverde
Diego Laverde Course: This is an invitation to explore and expand your repertoire of Latin American music, focused in the Colombian and Venezuelan harp playing. Play individual melodies, learn the main rhythmical struc- tures, supported by another instrument, “el Cuatro”, played by the tutor. Teaching will be delivered by ear but at the end of the course, he will be given written notation of the melodies as well some audio files. Biography: From Bogotá, Colombia , Diego has been playing the "Lla- nera"(low land) harp since 1982 nad has played in several Colombian and Latin American groups. This partivcular harp design is the product of the European influence and has been adopted in a beautifl area between Colombia and Venezuala called "Los Llanos (the plains). In Colombia, he taught in various music academies and was director of the Folkloric group of the Central University of Bogotá. He has toured the world as a musician with the Ballet Fol- klorico Colombiano. Since coming to the united Kingdom, he has been involved in different festivals as a perfor- mer and teacher around England, Scotland, Wales and some countries on the Continent: Edinburgh Harp Festival, Scotland (2003, 2006), Stamford Harp Festival, England (2003, 2004, 2005, 2010), Carnaval del Pueblo, England (2003 and 2004), Mosenberg and Lauterbach Harp Festivals, Germany (2005,2006,2010), Clarsach Society, London Branch Harp Weekend Sept. 2006, Spring String Weekend, Knighton North Wales March 2007, Seduced By Harps, Lommel, Belgium 2009, Royal Albert Hall and Queen Elizabeth Hall, mit seiner Band: “Ensamble Criollo”, Sup- porting Buena Vista Social Club and Salsa Celtica (2009,2010), Glastombury Festival, als Teil der Georgy Pope Band (2010). -
Connecticut Academy of Irish Music
Courses ofered in January, 2013: Connecticut Courses will be ofered from Academy of Irish Welcome to the outstanding instructors at both Music Connecticut Academy of the beginner and intermediate/ Irish Music advanced levels on a variety of traditional instruments: The Connecticut Academy of Irish Music, established by • Fiddle Director and fiddler Jeanne • Tin whistle Freeman, seeks to encourage • Flute young people and adults to • Mandolin explore the joys of learning • Banjo and playing traditional Irish • Guitar and Celtic music. Group • Concertina lessons will be ofered on a • Button accordion variety of instruments to children and adults for a 12- There will also be opportunities week session beginning in to play in mixed groups (youth late January, 2013. Classes ceili band, and mixed instrument will meet on Sunday sessions led by an instructor). afternoons at the Wethersfield Academy for the Registration begins in December, Arts in Old Wethersfield 2012. For more information and located at 431 Hartford to register, please contact Avenue. Director Jeanne Freeman at (860) 810-4852, or visit her website at Connecticut Academy of Irish Music www.jeannefreemanmusic.com Located at: Wethersfield Academy for the Arts for more information please contact Director Jeanne Freeman: (860) 810-4852 www.jeannefreemanmusic.com Claudine Langille - Claudine (tenor banjo, mandolin, Ben Gagliardi – Ben (concertina) is a multi- Jeanne Freeman – Jeanne (fiddle) is one of New guitar) is best known for her playing, singing, and instrumentalist and rising star -
Music & Dance Workshops
Kilcar Fleadh, Co. Donegal CEARDLANNA CEOIL AGUS DAMHSA MUSIC & DANCE WORKSHOPS TH st Monday 28 July – Friday 1 August 2014 Fidil / Fiddle, Bosca Ceoil / Accordion, Feadóg / Tin Whistle, Giotár / Guitar, Damhsa / Dancing, Fiddle Stephen & Claire Gallagher–Kilcar: having played together for many years in sessions, on stage and in various projects, have developed a repertoire and form that respects both their styles. Both are well respected fiddlers among their peers. Both Stephen and Claire teach annually at the Cairdeas na bhFidileírí fiddle summer school in Glencolmcille and they show huge respect for passing on the music of the area to ensure it continues and remains a strong focus in the locality Peter Carr – Kilcar. A fine fiddle player, and a musician of great ability. Peter is the Grandson of world famous fiddle player Francie Dearg Byrne. Peter has taught fiddle at the Kilcar Fleadh workshops and the Cairdeas na bhFidileírí fiddle summer school in Glencolmcille in the past. We are delighted to have him join us for the Kilcar Fleadh 2014. http://youtu.be/9bQpPEq6R8Q Tin Whistle Teresa Lavin hails from Carrowmore-Lacken, a small musical area in Mayo. Her grandfather Philip Lavin, a renowned flute player, introduced her to traditional Irish music at the age of 4. Since then Treasa has won numerous titles at provincial and All Ireland levels.She has performed Irish music worldwide at numerous concerts and festivals and has worked with many recording musicians including her brother Padraic Lavin (Osna). Treasa is highly regarded by her fellow traditional musicians for her distinctive lilting style. Guitar Derek Williamson with an in-depth understanding of both Scottish and Irish Trad style. -
[Title of the Collection]
Archives of Irish America, Tamiment Library, New York University Mick Moloney Collection of Irish American Music and Popular Culture AIA31.2 Series A: Interviews & Private Performances (including practice & recording sessions) Folder Date Baker, Duck (guitar). Recording session and interview in Philadelphia, PA for the Jul 23, 1978 1979 Kicking Mule release, ―Irish Reels, Jigs, Hornpipes and Airs.‖ (Two CDs – Total length: 00:13:57) Brittingham, Frank (pub owner). Interview recorded in Brittingham’s Irish Pub and May 15, 1991 Restaurant, Lafayette Hill, PA. Brittingham discusses his personal history and his pub, a venue for Irish music in the Philadelphia area. (Two CDs – Total length: 01:04:17) Britton, Tim (uilleann pipes). Recording session at Mick Moloney’s home, 5321 Jan 29, 1977 Germantown Ave., Philadelphia, PA. for the 1979 Rounder release, ―Light Through the Leaves‖. (One CD – Length: 00:18:36) Britton, Tim (uilleann pipes). Recording session and interview in Philadelphia, PA. Jan 3, 1980 (Four CDs – Total length: 00:42:28) Burke, Joe ―Banjo‖ (banjo and voice, b. 1946, Johnstown, Co. Kilkenny, d. Dec, Feb 18, 1977 2003, Albany, New York). Interview at the Bunratty Pub, Bronx, NY. Burke provides biographical and musical information for the sleeve notes of his 1977 Shanachie recording with fiddler Johnny Cronin. (One CD – Length: 00:19:53) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo). Interview in Cleveland, OH. Byrne Apr 27, 1980 discusses his personal and musical experiences in Ireland and Cleveland. (One CD – Length: 00:52:10) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo), McCaffrey, Tom (fiddle, b. -
Boston Irish March 2020
Vol. 1, Issue 1 March 2020 BostonIrish.com Parade-goers enjoyed the sights and sounds of the St. Patrick’s Day Parade along Broadway in South Boston in 2019. This year’s parade in Southie starts at 1 p.m. on Sunday, March 15. See more on Page 2. Photo by Steven Senne/AP * Annual Percentage Yield (APY) of WINcentive Savings is .10% APY and is accurate as of 1/1/19. APY is subject to change without notice. Must be a member in good standing of City of Boston Credit Union to open WINcentive Savings. Only one WINcentive Savings account Now you can build your savings allowed per member. Business and trust accounts or other non-consumer accounts are not eligible. Unlimited deposits allowed, but per calendar year prize pool entries are earned by month-over-month balance increases with each $25 deposit increase equal to one (1) entry with the following maximum entries per drawing period - maximum number of entries per and have a chance to WIN! month equals 4, maximum number of entries per quarter equals 12 and maximum number of entries per year equals 48. Account holder is only eligible to win once per drawing pool period. ® At least one account holder must be 18 years or older. Account must be open and active to With WINcentive Savings*, a prize-linked savings account offered by win any prize during drawing period. Early withdrawal penalites apply; first withdrawal $10 fee, City of Boston Credit Union you can watch your savings grow and have the second withdrawal $25 fee, third withdrawal account closure is required with no penalty. -
Blas International Summer School of Irish Traditional Music and Dance
Blas International Summer School of Iris h Traditional Music and Dance Iris h World Academy of Music and Dance University of Limerick FIDDLE TUTORS JOHN CARTY John Carty is one of Ireland’s finest traditional musicians having been awarded the Irish Television station, TG4’s Traditional Musician of the Year in 2003. He joins previous acclaimed winners Matt Molloy (Chieftains flautist), Tommy Peoples (Master Fiddler), Mary Bergin (whistle player, Dordan), Máire Ní Chathasaigh (Harpist) and Paddy Keenan (Uilleann Piper), all of whom are considered to be the leading exponents of their instruments within the Irish tradition. Carty already has three solo fiddle albums, two banjo albums, two group albums and a sprinkling of recorded tenor guitar and flute music recordings under his belt so it’s little wonder he should have joined such elusive ranks. John is a tutor at the Irish World Academy. www.johncartymusic.com Blas International Summer School of Iris h Traditional Music and Dance Iris h World Academy of Music and Dance University of Limerick EILEEN O’BRIEN Eileen is the bearer of a musical dynasty which can be traced back through generations on both sides of her family, the legendary, O’Brien family from Newtown, Nenagh and her mother’s family, the Seerys from Dublin who were founder members of C.C.E. Eileen’s father, Paddy O’Brien established the B/C accordion-playing style in the 1950’s. His innovative style both as a musician and a prolific composer continues to have a profound influence on Irish traditional music. Eileen carries this musical tradition forward through performance, teaching and composition.