Medlemsmagasin Nr06
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Scottish and Irish Elements of Appalachian Fiddle Music
Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 3-1995 Scottish and Irish Elements of Appalachian Fiddle Music Matthew S. Emmick Butler University Follow this and additional works at: https://digitalcommons.butler.edu/ugtheses Part of the Ethnomusicology Commons, and the Musicology Commons Recommended Citation Emmick, Matthew S., "Scottish and Irish Elements of Appalachian Fiddle Music" (1995). Undergraduate Honors Thesis Collection. 21. https://digitalcommons.butler.edu/ugtheses/21 This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. BUTLER UNIVERSITY HONORS PROGRAM Honors Thesis Certification Matthew S. Emmick Applicant (Name as It Is to appear on dtplomo) Scottish and Irish Elements of Appalachian Fiddle M'-Isic Thesis title _ May, 1995 lnter'lded date of commencemenf _ Read and approved by: ' -4~, <~ /~.~~ Thesis adviser(s)/ /,J _ 3-,;13- [.> Date / / - ( /'--/----- --",,-..- Commltte~ ;'h~"'h=j.R C~.16b Honors t-,\- t'- ~/ Flrst~ ~ Date Second Reader Date Accepied and certified: JU).adr/tJ, _ 2111c<vt) Director DiJe For Honors Program use: Level of Honors conferred: University Magna Cum Laude Departmental Honors in Music and High Honors in Spanish Scottish and Irish Elements of Appalachian Fiddle Music A Thesis Presented to the Departmt!nt of Music Jordan College of Fine Arts and The Committee on Honors Butler University In Partial Fulfillment of the Requirements for Graduation Honors Matthew S. Emmick March, 24, 1995 -l _ -- -"-".,---. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
[Title of the Collection]
Archives of Irish America, Tamiment Library, New York University Mick Moloney Collection of Irish American Music and Popular Culture AIA31.2 Series A: Interviews & Private Performances (including practice & recording sessions) Folder Date Baker, Duck (guitar). Recording session and interview in Philadelphia, PA for the Jul 23, 1978 1979 Kicking Mule release, ―Irish Reels, Jigs, Hornpipes and Airs.‖ (Two CDs – Total length: 00:13:57) Brittingham, Frank (pub owner). Interview recorded in Brittingham’s Irish Pub and May 15, 1991 Restaurant, Lafayette Hill, PA. Brittingham discusses his personal history and his pub, a venue for Irish music in the Philadelphia area. (Two CDs – Total length: 01:04:17) Britton, Tim (uilleann pipes). Recording session at Mick Moloney’s home, 5321 Jan 29, 1977 Germantown Ave., Philadelphia, PA. for the 1979 Rounder release, ―Light Through the Leaves‖. (One CD – Length: 00:18:36) Britton, Tim (uilleann pipes). Recording session and interview in Philadelphia, PA. Jan 3, 1980 (Four CDs – Total length: 00:42:28) Burke, Joe ―Banjo‖ (banjo and voice, b. 1946, Johnstown, Co. Kilkenny, d. Dec, Feb 18, 1977 2003, Albany, New York). Interview at the Bunratty Pub, Bronx, NY. Burke provides biographical and musical information for the sleeve notes of his 1977 Shanachie recording with fiddler Johnny Cronin. (One CD – Length: 00:19:53) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo). Interview in Cleveland, OH. Byrne Apr 27, 1980 discusses his personal and musical experiences in Ireland and Cleveland. (One CD – Length: 00:52:10) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo), McCaffrey, Tom (fiddle, b. -
The Development of an Archive of Explicit Stylistic
CONCLUSIONS I trust I am offering to my countrymen an acceptable present: the gift has novelty, at least, to recommend it. Though Ireland has been long famed for its poetry and music, these subjects have never yet been treated of historically. I do not pretend to have done completely, what has lain so long undone: no doubt, many sources of information still remain unopened, and many documents unconsulted. However, I have marked out a path, which may facilitate the pursuit of those who shall hereafter follow me.1 It may be ironic to conclude this latest study of Irish traditional music with the words that Joseph Cooper Walker used to open what is regarded as the first book on the subject, yet the sentiment is shared. In many ways, the best of what both studies have achieved is to draw attention to the vastness of that which still remains unknown. Similarly to Walker, the focus of this study is not on comprehensiveness but on the investigation of a pathway that may be useful beyond the scope of this thesis. The fundamental objective of this research was to develop and refine a process through which an archive of explicit stylistic data could be constructed and then to determine what practical outcomes would emerge from working with explicit stylistic data in this way. One of the more interesting results of the project was that from conversations with other musicians and academics I found that the basic idea of codifying and using stylistic knowledge was not new. Kristiina Ilmonen, the former director of the Folk Music Department at the Sibelius Academy in Helsinki, told me that she uses the term ‘treasure box’, to describe the mental space where her musical knowledge is stored and from which she can select elements of it for use in performance. -
Medlemsmagasin Nr06
KELTISK PROFIL Arkivkatalog fra nr. 15 (mai 2000) til nr. 23 (september 2001) MÅNEDENS ALBUM: Keltisk profil KEVIN O’CONNOR SEÃN WHELAN 4-257 From the Chest - Kevin O’Connor 4-258 End of Autumn - Seán Whelan 4-126 MÅNEDENS ALBUM I KELTISK PROFIL BESTÅR AV EN MAIPAKKE MED DISSE CD’ENE TIL EN RABATTERT SPESIALPRIS PÅ KR 278, (SPAR KR 58,-) Kevin O’Connor er en forførende men søm- «End of Autumn» er et litt annerledes irsk merlig felespiller, som danser ømt og lyrisk folkemusikk album der Seán Whelan sitt gi- rundt melodiene som bølger fram i flo og tarspill har en sentral rolle i et harmonisk fjære, selv om melodiene skifter i vindstyrke mollstemt lydbilde som veksler mellom dis- og tempo. Kevin tar oss med på en omfat- tinkt solo gitarspill til arrangementer i sam- tende og variert meloditur til Irland, Skott- spill med fløyte, fele, accordion, cello, kon- land, Asturias i det nordlige Spania, Bretag- trabass, mandolin, bouzouki og bodhran og ne og til Virginia i USA. Han har med seg et perkusjon i melodier som reels, jigs, slip jigs, omfattende mannskap på ferden; Paul Kel- polkas, slow airs og flere rolige melodier av ly på mandolin, fele, banjo og bouzouki, Emer harpekomponisten O’Carolan. I tillegg kom- Mayock på fløyte, fele og blikkfløyte, Tre- mer noen sigøynermelodier fra andre ste- vor Hutchinson på kontrabass og den høy der enn Irland. annerkjente Tony McManus på gitar, Sea- mus Brett spiller harpischord, piano, key- Seán Whelan spiller akkustisk gitar, spansk board og bandoneon, Max Busch på uille- gitar og sammen med bouzouki, mandolin ann pipes, Verena Commins knappe akkord- og akkustisk bassgitar blir det et domine- ion, Robbie Harris djembe, bodhran, hand rende strengebasert helakkustisk lydbilde. -
Frankie-Gavin.Pdf
Frankie Gavin “…All I want to do is make a difference, a big difference…” by Simon Haines e Dannan are McDonagh and Charlie Piggott. undisputedly one of Dolores Keane joined for their Dthe most famous Irish debut album to become the first of traditional groups of recent many lead singers. Between then years, who since their inception and 2003, the band underwent in the 70s have been extremely many line-up changes, but always influential the world over. From included Frankie Gavin on fiddle the outset, at their heart has and flute, Alec Finn on bouzouki, been the redoubtable Frankie an accordion player (Jackie Daly, Gavin, who has earned a Mairtin O’Connor and Aidan reputation for himself as a Coffey to name but three) and mighty fiddler, flautist and all an amazing singer (like Mary round musical genius. Black, Dolores Keane and Maura O’Connell among others). Known to many as “the prince of Irish fiddlers”, even amongst his During their time together, De Photo - Tom Collins contemporaries he is considered Dannan became stars of Irish De Dannan c.1974 - Alec Finn, Johnny McDonagh, Charlie Piggott, Dolores Keane and Frankie as one of the greats. Frankie music, not just in Ireland and can’t recall where “the prince” title Britain, but in the USA, and other countries where there were Irish originated from, but he does seem and in collaboration with famous the interplay between them and communities. The band played to like it. And rather than being names in the wider world of music, its resulting arrangements being for the American bicentennial “the king” he feels that, “there’s including Stefane Grappelli, The quite unique. -
Music 18068 Songs, 47.6 Days, 99.18 GB
Music 18068 songs, 47.6 days, 99.18 GB Name Time Album Artist A. F. U. (Naturally Wired) 4:31 Ou812 Van Halen A.B.C. 3:52 Coolin' At The Playground Ya' Know! Another Bad Creation ABC 2:56 The Ultimate Collection The Jackson 5 Abi Gezundt (A Bee Gezindt) 2:48 The King Of Hi-De-Ho 1934-1937 Cab Calloway Abigail Beecher 2:25 The EP Collection Freddy Cannon Abilene 2:15 Billboard Top Country Hits - 1963 George Hamilton IV About You (Feat. Will.I.Am and Nina Sim... 4:05 The Breakthrough Mary J. Blige Above the Rim 3:38 Hootie Mack Bell Biv DeVoe Abracadabra 3:39 Now That's What I Call The 80s Steve Miller Abracadabra 5:06 Steve Miller Band Abscretions 7:03 Music, Inc. Big Band Music Inc. Absolutely Nothing's Changed 3:43 Twenty Four Seven Tina Turner AC 3e 7:1010000 Days Tool Acapulco 1922 2:42 Definitive Hits Herb Alpert Accidentally In Love 3:09 Shrek 2 Counting Crows Accidently On Purpose 2:23 Best of Vol. 1: Hardcore Honky George Jones According To You (Top 40 Edit) 3:20 Promo Only Mainstream Radio December Orianthi Ace in the Hole 2:35 50 Number Ones Disc 1 George Strait Ace in the Hole 5:44 One Trick Pony Paul Simon Ace Of Hearts 3:06 Here In The Real World Alan Jackson Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Aching, Breaking, Heart 2:49 Best of Vol. -
Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S. -
The Definitive Voice of Irish Music Worldwide
THE DEFINITIVE VOICE OF IRISH MUSIC WORLDWIDE WWW.IRISHMUSICMAGAZINE.COM Issue No. 288 October 2019 Price €4.95. £3.50 (Stg) Follow us on Facebook @www.facebook.com/TRADIMM SEAMIE O' DOWD THE RIVER DRIVERS YOUR GUIDE TO IRISH MUSIC IN IRELAND, EUROPE, BRITAIN, NORTH AMERICA INSIDE THIS EDITION CONTENTS 3 18 COVER STORY 18 JOHN DOYLE’S PATH OF STONES Seán Laffey talks to John Doyle about his new www.irishmusicmagazine.com album The Path of Stones and the road he’s taken Issue No. 288 October 2019 to get there. FOREWORD FEATURES 22 SIBÉAL HERE’S TO THE Seán Laffey is in conversation with Sibéal Ní Chasaide. Sibéal is a new and exciting voice with a deep love of INNOVATORS sean nós singing and her debut album Sibéal is out now on Universal Music. his month we have interviews with two of Celtic music’s leading guitar 24 LIVE AT THE HAWK’S WELL Tplayers, John Doyle and Seamie 22 Best known as a guitarist and singer, Seamie O’Dowd O’Dowd, both of whom have made has shown amazing versatility over his long career, and tremendous contributions to traditional his seemingly effortless ability to slot into a wide range music, both incidentally live in Sligo, a of musical settings is truly remarkable, writes Mark Lysaght. centre for music of all stripes. 26 DIMMING OF THE DAY FROM UAINE It took almost half a century for guitars Donegal born fiddler Bríd Harper has a new album on to be accepted into traditional music, route. However, this is no solo album as Grainne McCool thanks in no small measure to the found out when she caught up with Bríd. -
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Festival Highlights Frankie Gavin & Máirtín O’Connor out with salsa groups, including Son14 and Sonora La Calle. In 2001 the band visited John Joe Kelly plus special guest Karan Casey Cork to play the Jazz Festival. Huge crowds turned up to listen and dance to them at Like Mike, John Joe was born and raised in Manchester to Irish The Vineyard. Their success grew with a hectic touring schedule with 2005 tours of parents. He began playing the bodhrán at the age of seven, and | SAT.4TH | ST FIN BARRES CATHEDRAL | 5PM | ?20 Béal Tuinne | FRI.3RD | THE PAVILION | 8PM | ?20 the UK and Canada followed as well as one off shows in Germany, Belgium, Greece rapidly established himself as a force of nature on the instrument. Frankie Gavin & Máirtín O’Connor plus special guest Karan Casey come together for a and Italy. In 2006 they released their fourth studio album,‘El Camino’ (The Road).The He won the All-Ireland championship an astonishing six times, and Béal Tuinne came together to perform songs based on the poems unique concert at St Fin Barres Cathedral. Evening Standard described their forth album, ‘The tight Cuban piano and percussion then turned professional in his teens. He has toured the world with of the late Caobhín Ó Cinneide.The songs describe life and events kick off an exuberantly good-time salsa track that seamlessly weaves in a Scottish reel on Flook and Michael McGoldrick, and recorded with a host of stellar names. in Baile an Mhuraigh, at the western end of the Dingle peninsula. -
The Harp in Jazz and American Pop Music Megan A. Bledsoe A
The Harp in Jazz and American Pop Music Megan A. Bledsoe A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2012 Reading Committee: Donna Shin, Chair Valerie Muzzolini Gordon Áine Heneghan Program Authorized to Offer Degree: Harp Performance Bledsoe - DMA Harp Performance ©Copyright 2012 Megan A. Bledsoe 2 Bledsoe - DMA Harp Performance University of Washington Abstract The Harp in Jazz and American Pop Music Megan A. Bledsoe Chair of the Supervisory Committee: Assistant Professor of Flute Donna Shin, Chair Instrumental Performance, School of Music The harp has endured a tenuous relationship with the genres of jazz and American popular music throughout history. While a few harpists have enjoyed successful and significant careers in these fields, the harp is largely absent from mainstream jazz and American pop. The purpose of this dissertation is to ascertain a definitive cause for such exclusion and use this information to identify a feasible path toward further integration of the harp in jazz and American pop music. This paper examines the state of the harp in jazz and American pop from various angles, including historical perspective, analytical assessment, and a study which compares harpists’ improvisational abilities to those of their mainstream jazz instrumentalist counterparts. These evaluations yield an encompassing view of the harp’s specific advantages and detriments in the areas of jazz and American pop. The result of this research points to a need for specialization among harpists, particularly in defining new styles. It is evident that harpists’ careers generally necessitate a working knowledge of various styles of music. -
L'identité Musicale Irlandaise
L’identité Musicale Irlandaise Erick Falc’Her-Poyroux To cite this version: Erick Falc’Her-Poyroux. L’identité Musicale Irlandaise. Linguistique. Université Rennes 2, 1996. Français. tel-00613334 HAL Id: tel-00613334 https://tel.archives-ouvertes.fr/tel-00613334 Submitted on 4 Aug 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. L’IDENTITÉ MUSICALE IRLANDAISE Erick Falc’her-Poyroux Thèse de Doctorat Université Rennes 2, 1996 Sous la direction de Jean Brihault Membres du jury : - Bernard Escarbelt (Président) - Paul Brennan - Jean Brihault - Richard Deutsch An Dianav a rog ac’hanoun (L’inconnu me dévore ) Thomas Dobrée (“ Tour des Irlandais ”, Nantes) Do Christa, mo cheoil tú ! 2 Remerciements Tomás, Mary, Sinéad & Fionnuaghala O’Sullivan ; Áine Moriarty, Séamus Griffin & Nathan; Donal Moroney, Susan von der Geest & Laura. Bridie & Tim Moroney. Seán Moriarty (R.I.P.) & Mary. The Hanafins & the Gallaghers, Miltown, the O’Reillys, Killorglin, and all the people of Killorglin & Miltown Co. Kerry. Rozenn Dubois, Jean-Pierre Pichard et tous les acteurs du Festival Interceltique de Lorient. Les enseignants des Centres d’Etudes Irlandaises des universités de Lille III et Rennes II, et plus particulièrement Catherine Maignant, Richard Deutsch & Jean Brihault.