Visitor Guide © Lorenzo
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Zibby Garnett Travel Fellowship Report by Daisy Graham Textile
The Zibby Garnett Travel Fellowship Report by Daisy Graham Textile Conservation Placement at the Palais Galliera: Musée de la mode de Paris. 12th June 2017 – 3rd August 2017. 1 Contents Introduction…………………………………………..……………….……….……..5 Study Trip…………………………………………………………………..……..….5 Budget…………………………………………………………….…..………………6 Paris……………………………………………………………………………..……6 Palais Galliera: Musée de la mode de Paris……………………………………….….7 Arriving in Paris……………………………………………………………...……..11 Beginning the Placement…………………………………………………….……...12 Conserving Costume: the evening jacket…………………………………………...13 Conserving costume: the Eleonora dress……………………………………………14 Working in the Conservation Studio…………………………………………..……17 Opportunities and External Visits…………………………………………….…….19 Visit to Musée de la Vie romantique (Museum of Romantic Life)…………..……..19 Opening of “Costume Espagnols Entre ombre et lumière (Spanish Costume, between light and dark)” at La Maison Victor Hugo……………….………………………...20 Opening of “Christian Dior: Couturier des Rêves.……………….……………...….21 Trip to Angers…………………………...…………………………………………..24 Acknowledgments and thanks………………………...…………………………….26 2 List of Figures Figure 1: Map of France Figure 2: Eiffel Tower Figure3: Palais Galliera, main building Figure 4: Map of Paris. Figure 5: Recent exhibitions curated by the Palais Galliera. Figure 6: Working in the conservation studio Figure 7: Fondation Hellenqiue. Figure 8: The evening jacket on display Figure 9: The Eleonora dress on display Figure 10: Using melinex to shape the support Figure 11: Couching one of the supports in place Figure 12: Taking a pattern of the pocket Figure 13: The "rodeo trick” Figures 14 and 15: Eleonora dress left sleeve lining before and after conservation Figure 16 and 17: The front lining of the Eleonora dress before and after conservation Figure 18: Conserving the pleats Figure 19: Working on the jacket Figure 20: Musée de la Vie Romantique. -
Press Kit Shangri-La Hotel, Paris
PRESS KIT SHANGRI-LA HOTEL, PARIS CONTENTS Shangri-La Hotel, Paris – A Princely Retreat………………………………………………..…….2 Remembering Prince Roland Bonaparte’s Historic Palace………………………………………..4 Shangri-La’s Commitment To Preserving French Heritage……………………………………….9 Accommodations………………………………………………………………………………...12 Culinary Experiences…………………………………………………………………………….26 Health and Wellness……………………………………………………………………………..29 Celebrations and Events………………………………………………………………………….31 Corporate Social Responsibility………………………………………………………………….34 Awards and Talent..…………………………………………………………………….…….......35 Paris, France – A City Of Romance………………………………………………………………40 About Shangri-La Hotels and Resorts……………………………………………………………42 Shangri-La Hotel, Paris – A Princely Retreat Shangri-La Hotel, Paris cultivates a warm and authentic ambience, drawing the best from two cultures – the Asian art of hospitality and the French art of living. With 100 rooms and suites, two restaurants including the only Michelin-starred Chinese restaurant in France, one bar and four historic events and reception rooms, guests may look forward to a princely stay in a historic retreat. A Refined Setting in the Heart of Paris’ Most Chic and Discreet Neighbourhood Passing through the original iron gates, guests arrive in a small, protected courtyard under the restored glass porte cochere. Two Ming Dynasty inspired vases flank the entryway and set the tone from the outset for Asia-meets-Paris elegance. To the right, visitors take a step back in time to 1896 as they enter the historic billiard room with a fireplace, fumoir and waiting room. Bathed in natural light, the hotel lobby features high ceilings and refurbished marble. Its thoughtfully placed alcoves offer discreet nooks for guests to consult with Shangri-La personnel. Imperial insignias and ornate monograms of Prince Roland Bonaparte, subtly integrated into the Page 2 architecture, are complemented with Asian influence in the decor and ambience of the hotel and its restaurants, bar and salons. -
Les Sapins De Noël Des Créateurs 2009 (52:00) (1) 「クリエイターたちのクリスマスツリー 2009」 (52分)(その1)
Exercices avec VOD VOD 学習テキスト LES SAPINS DE NOËL DES CRÉATEURS 2009 (52:00) (1) 「クリエイターたちのクリスマスツリー 2009」 (52分)(その1) Sommaire 目次 P 1 --------- Concept 番組コンセプト P 1 – P 3 --------- Contenu ヴィデオの内容 P 3 – P 4 --------- Exercices (Élémentaire) 練習問題(初級) P 4 – P 7 --------- Exercices (Intermédiaire) 練習問題(中級) P 7 – P 9 --------- Exercices (Avancé) 練習問題(上級) P 9 – P12 --------- Corrigés 解答 Concept 番組コンセプト « Les Sapins de Noël des créateurs 2009 » est une émission spéciale de fin d'année sur la 14e édition de l’événement qui s'est déroulée du 9 au 14 décembre 2009 à la Cité de l'Architecture et du patrimoine à Paris. Christian Lacroix et Marie-Christiane Marek présentent les sapins conçus par les plus grands noms de la mode, du design et de l'architecture, qui seront ensuite vendus aux enchères au profit des enfants malades et analphabètes. C'est aussi l'occasion de passer en revue les défilés et les égéries qui ont marqué l'an 2009. 12 月 9 日から 14 日までパリの建築・遺産博物館で開かれた「第 14 回クリエイターたちのクリ スマスツリー」を紹介する年末特別番組です。クリスチャン・ラクロワとマリ=クリティアーヌ・ マレクがファッション、デザイン、建築界の大物たちが作った一点物のツリーを紹介しますが、 それらは病気や文盲の子供たちのためにオークションにかけられます。また、2009 年シーズン を彩ったファッションショーのハイライトシーンやトップモデルたちも紹介されます。 Contenu 内容 Durée totale de la vidéo : 52 mn 時間:52分 La vidéo se découpe ainsi ヴィデオの構成: le générique : タイトルクレジット (00:00 – 00:45) le mot d’accueil de l’animatrice Marie-Christiane Marek qui présente ensuite Christian Lacroix, à l’honneur de la 14 e édition de Sapins de Noël des créateurs オープニング。司会者マリ= クリスティアーヌ・マレクの冒頭挨拶と「第14回クリエイターたちのクリスマス」特別ゲス ト、クリスチャン・ラクロワの紹介 (00:46 – 01:35) Fiche Apprenants : -
Novel of a Wardrobe Parisian Chic from the Belle Epoque
PRESS KIT NOVEL OF A SEPTEMBER 2013 WARDROBE PARISIAN CHIC FROM THE BELLE EPOQUE TO THE 1930S CARNAVALET EXHIBITION INFORMATIONS MUSEUM- 17 OCTOBER www.carnavalet.paris.fr HISTORY OF 2013 TO 16 PARIS MARCH 2014 Anonyme Femme à l’écharpe Huile sur bois 1900 © Musée Carnavalet / Roger-Viollet 0 CONTENTS Press release ......................................................................................................................... 2 Intention of the exhibition ....................................................................................................... 3 Exhibition path ....................................................................................................................... 4 The beginnings, family influences and the first steps of Alice in sewing ....................................................................................... 5 The Parisian fashion scene in the neighborhood of the Place Vendome and Rue de la Paix ....................................................... 6 At Chéruit, Alice Alleaume, first saleswoman ............................................................................................................................... 7 30 years, Alice Alleaume, Parisienne fashion .............................................................................................................................. 9 Timeline ............................................................................................................................... 10 Specifications of the exhibition ........................................................................................... -
Collect N°14 Dorchester Collection
coDORCHElSTER ClOLLECeTION ct N° 14 autumn - winter 2 014 collect N°14 dorchester collection... 03 Bear witness to the ways Dorchester Collection’s iconic properties express their celebrated cultural contexts and engage with local creative talent. This is what we delve into here in these pages across London, Ascot, Paris, Geneva, Milan, Rome, Beverly Hills and Los Angeles, with Hotel Eden in Rome having joined Dorchester Collection this year. All of these are truly exciting destinations, and Dorchester Collection hotels act as concentrated focal points in these epicentres of culture, like small communities, that become enriched with every event and every guest they welcome. Yaffa Assouline collect N°14 dorchester collection... 05 Christopher Cowdray Chief Executive Officer of Dorchester Collection A WORD from hen I joined Dorchester Collection, we were W five hotels, which all operated individually. Today, we are focused on Dorchester Collection as one entity, having evolved from being a group to becoming a collection. The challenge has been to find the right properties to fit into our portfolio; they must be ‘trophy hotels’ that provide a perfect setting for the high-level quality products, personal services and memorable guest experiences that remain constant throughout Dorchester Collection. Our latest addition, the 121-room Hotel Eden, suits such criteria flawlessly; its landmark status, her - itage and individuality complement the style and locations of our other nine hotels in the UK, France, Switzerland, Italy and the US. It is one of the world’s most majestic and iconic hotels in a truly superb setting. Overlooking the seven hills of the Eternal City, this presence in Rome, one of the major epi - centres of classicism, creates synergies with our Hotel Principe di Savoia in Milan. -
ICOM Costume Newsletter 2017:1
ICOM Costume News 2017 ICOM Costume News 2017 March 2017 INTERNATIONAL COSTUME COMMITTEE COMITÉ INTERNATIONAL DU COSTUME Letter from the Chair 1 (19) ICOM Costume News 2017 Annual Meeting June 26-29, 2017 In London PRELIMINARY PROGRAM: ICOM COSTUME COMMITTEE LON- DON, JUNE 26-29 Sunday, June 25, 3:00 – 5:00 Board Meeting, Bukharan realm from early 20th century till mid- (place to be announced) 20th century.” 11:15AM: Angelika Riley, Hamburg, “A German Sunday, June 25: evening reception and regis- Wardrobe (1937-1947)” tration (place and time to be announced) 11:30AM: Maria Cristina Volpi, Rio de Janeiro, “The Memoirs of a Brazilian Fan” Monday, June 26: London College of Fashion, 11:45AM: Dr. Adelheid Rasche, Nuremberg, “Re- 20 John Prince’s Street, London W1G OBJ mind: (Hi)stories from the First Public German Dress Collection” 12:00Noon: Questions and discussion 12:15 – 1:30PM LUNCH ON YOUR OWN 1:30PM: Dr. Mirjana Menković, Belgrade, “Contri- butions to the Understanding of Socialist Fashion: Yugoslav State Protocol and Western Fashion (1952-1961)” 1:45PM: Konstantina Hlaváčková, Prague, “The History Kept Secret” 2:00PM: Clara Nchcama, Madrid, “Fashion to the People: Costumes of Majos from the Costume Museum, or How a Dress is the Best Reflec- Website tion of a Time” 2:15PM: Alexandra Kim, Toronto, “‘Then to sew- 8:30AM: Registration and Audio-Visual check ing’ Clothing the Family in Nineteenth-century 9:00AM: Welcome and announcements Upper Canada” 9:15AM: Alexandra Palmer, Toronto, “Telling Ta- les: Corrections and New Directions” 2:30PM: Questions and discussion 9:30AM: Ildiko Simonovics, Budapest, “In Search of a Legend – Life and Work of Klara Rotschild” 3:00PM Afternoon break and refreshments 9:45AM: Chryssa Kapartziani and Myrsini Pichou, Athens, “The Narrative Power of Dress During 3:30PM: Dr. -
Global Powers of Luxury Goods 2020 the New Age of Fashion and Luxury Contents
Global Powers of Luxury Goods 2020 The new age of fashion and luxury Contents Foreword 3 Quick statistics 4 The new age of fashion and luxury 5 Top 10 highlights 17 Top 100 24 Geographic analysis 31 Product sector analysis 37 New entrants 42 Fastest 20 43 Study methodology and data sources 45 Endnotes 47 Contacts 50 Foreword Welcome to the seventh edition of Global Powers of Luxury Goods. At the time of writing, the COVID-19 pandemic has inflicted many losses: human, social and economic. What we are now experiencing is an unprecedented moment of crisis in modern history. However, it is during uncertain times that companies often come up with new ideas, converting the crisis into an opportunity, and adopting a long-term vision of future challenges. This prolonged disruptive situation is creating profound changes in consumer behavior and how companies are responding to these changes—prompting a debate about the future of the fashion and luxury industry. There is a general feeling of rethinking luxury and driving it in new directions, considering which business models will be feasible and more relevant in the new normal. Tradition and responsiveness, two elements that have always characterized luxury companies, will both be required to face great challenges in the post-COVID environment. We see the pandemic acting as a divider between the old way of doing business and the new scenario that is taking shape, characterized by changing consumer behavior. Hence, in this report, we talk about a new age for fashion and luxury and will explore the main trends that will drive the industry in the coming months. -
Mariage : Catalogue De L'exposition. Musée Galliera, Paris, 13
MARIAGE Musée Galliera. Musée de la Mode de la Ville de Paris MARIAGE Exposition du 16 avril au 29 août 1999 PARIS musées EDITIONS ASSOULINE COMITÉ D'HONNEUR Jean Tiberi, maire de Paris Hélène Macé de Lépinay, adjoint au maire chargé des Affaires culturelles Édouard de Ribes, président de Paris-Musées COMITÉ D'ORGANISATION Jean Gautier, directeur des Affaires culturelles de la Ville de Paris Aimée Fontaine, directeur de Paris-Musées COMMISSARIAT Catherine Join-Diéterle, commissaire général, directeur du musée Galliera, musée de la Mode de la Ville de Paris Anne Zazzo, commissaire scientifique, conservateur du Patrimoine COMMISSARIAT ADMINISTRATIF Sylvie Glaser-Chuard, secrétaire général SERVICE COMMUNICATION Philippe Fort, attaché de presse SCÉNOGRAPHIE Stéphane Plassier, assisté de Cédric Martineaud La mode, on le sait, est toujours taillée dans le tissu de l'histoire et de la civilisation. Éphémères mais pourtant essentiels, vêtements et accessoires sont les séduisants témoins de nos modes de vie et les instruments de tous nos rituels. Rien de moins inattendu apparemment que la robe de mariée tradi- tionnelle — blancheur virginale, voile, bouquet : tout semble dit... Et pourtant les parures nuptiales, aujourd'hui rassemblées dans les murs du palais Galliera, nous convient à une véritable archéologie du mariage, croisant significations religieuses, culturelles et sociales, à travers les plis des étoffes, le choix des cou- leurs, les fantaisies et les particularismes. Comme tout exercice de style, la robe de mariée est aussi, pour les arti- sans et les créateurs auxquels cette exposition rend hommage, prétexte à invi- tation, rupture, détournement. Façon pour eux de nous dire, s'il en était besoin, qu'au fond le mariage est tout, sauf conformisme. -
^ for Immediate Release
^ For immediate release LACMA acquires couture collection spanning approximately 130 years of fashion history Images captions on page 3 (Los Angeles-January 8, 2013) The Los Angeles County Museum of Art (LACMA) has significantly added to its twentieth-century fashion collection with the acquisition of 158 examples of fashion by couture designers dating from 1880 to 2008, made possible by dedicated museum supporter Ellen A. Michelson. Nearly fifty major fashion designers are represented in this acquisition, including Cristóbal Balenciaga, Jean Dessès, Christian Dior, Hubert de Givenchy, Christian Lacroix, Jeanne Lanvin, Yves Saint Laurent, Alexander McQueen, Jean Patou, Paul Poiret, and Paco Rabanne. The collection is especially strong in the work of Coco Chanel, Madame Grès, and Madeleine Vionnet—three icons of French fashion whose distinctive creations are of unquestionable artistic merit. LACMA’s holdings of Vionnet have been additionally strengthened by the recent acquisition of the Betty Kirke Pattern Archives of Madeleine Vionnet, a gift of Betty Kirke. The collection of 158 pieces of day and eveningwear is the latest in a series of recent gifts from Michelson, who was also a major donor toward the acquisition of the eighteenth- and nineteenth-century European costume collection in 2008—much of which was displayed in the acclaimed exhibition Fashioning Fashion: European Dress in Detail, 1700–1915; in 2010 Michelson also made possible the acquisition of twenty-eight rare examples of eighteenth–and nineteenth-century European menswear and accessories. Selections from both of those collections form the basis for the planned 2016 LACMA exhibition Reigning Men: From the Macaroni to the Metrosexual, a groundbreaking historical survey of menswear. -
Paris Fashion /2013)
PARIS FASHION /2013) Press file “Paris art and culture” (2012 Paris and fashion have been closely linked for more than a century. The birthplace of the most prestigious couture houses, haute couture fashion still takes centre stage in Paris during the twice yearly Fashion Week shows, not to mention the sales in January and July. Paris is also home to numerous designers with a typically Parisian signature. They create tomorrow’s trends and their creations can be found in a variety of shops, from department stores to more confidential boutiques. There has been a spate of shop openings recently, with all-new flagship stores on the Champs-Elysées, in Saint- Germain-des Prés, near the Opéra and in the Marais district. Young designers are making their mark alongside major brands, especially in up-and-coming districts such as the northern part of the Marais, often referred to as the ‘haut Marais’, south Pigalle and along the Canal Saint-Martin in the 10th arrondissement. IN FOCUS La Cité de la mode et du design (centre for fashion and design) Spring / Following the transformation of the industrial buildings of the former Magasins Summer 2012 “Paris art and culture” “Paris Généraux on the banks of the Seine, the Cité de la mode et du design will officially open in spring/summer 2012. The fashion Institute has already taken up residence here and will be followed by private-hire spaces for fashion shows, shops, restaurants and exhibition areas. The complex will be entirely devoted to fashion and design. A number of events have already taken place here, including the Salon du vintage, the Chic Art Fair devoted to contemporary art and design and several catwalk shows. -
Application of Accidental Cutting Methodology
EURAU ALICANTE / RETROACTIVE RESEARCH 228 Construction of Non - existent, Unknown, Surprising, Creative Volumes using Flat Patterns. Application of Accidental Cutting Methodology. Iszoro Zak, Eva1+2 1. Universidad Rey Juan Carlos, Faculty Social and Legal Sciences, Dep Education, Language, Culture and Arts, Madrid, Spain. [email protected] 2. ESDM - Escuela Superior de Diseño de Madrid, Project Department, Madrid, Spain. [email protected] On certain occasions, creative pattern cutting, and a particular processes of volume genesis are fed method - Accidental Cutting (which exclusively by technical processes. is the intellectual property of the The elevation of the technical process author - an architect - of this article). as integral to the creative process in the The method is focused on obtaining field of material and volumetric research original and previously unknown has been experienced by prestigious volumes from abstract patterns and designers who were also architects, without a volumetric reading, which or had studied architecture: Paco has applications in fashion and other Rabanne, Gianfranco Ferré, Tom fields, including architectural design. Ford, Pierre Cardin, Pierre Balmain, Gianni Versace and Josep Font, among others. In this sense, from Key words: interdisciplinarity, there comes the Serendipity, Experimental Pattern possibility of influencing and modifying Cutting, Creative Pattern Cutting, a foreign field. In this paper, the focus Experimental Design, Experimental is on a very specific area: experimental Pedagogy. EURAU ALICANTE / RETROACTIVE RESEARCH 230 1. Architects - fashion (Torriente, 2011). Vogue magazine, after architects to dedicate themselves to the passing of Josep Font, who was become prestigious fashion designers designers and the the creative director of the Del Pozo and architects simultaneously (Seeling, three-dimensionality. -
Fashion Icons Presents
Trail for families and schools Trail for families MASTERPIECES FROM THE COLLECTION OF T HE MUSÉE DES ARTS DÉCORATIFS, PARIS FI 50 G24 wall 18410x4230 final.pdf 1 25/09/2014 3:54 pm Fashion Icons presents ... Paris haute couture, 1947–2012 The Fashion Icons exhibition offers you a unique experience of Parisian fashion from the past sixty years, brought to Adelaide from the French national collections at Musée des Arts Décoratifs in Paris. You will take a special journey through the world of haute couture (pronounced ‘oat koo-tour’), a world of changing styles, glamour, elegance and luxury. The works have been arranged chronologically, decade by decade, beginning with the earliest from the late 1940s, through to the 2000s. Yohji Yamamoto, Ensemble: long skirt and jacket, ready-to- wear, Autumn–Winter 2003, houndstooth wool, silk chiffon; Les Arts Décoratifs, Fashion and Textiles collection, gift of Yohji Yamamoto, 2006. Photo: Les Arts Décoratifs, Paris / Jean Tholance. All rights reserved cover left detail: Comme des Garçons, Dress, ready-to-wear, Autumn–Winter 2012, topstitched and glued polyester felt; Les Arts Décoratifs, Fashion and Textiles collection, purchased with the aid of Louis Vuitton, 2012 cover right detail: Valentino, Evening ensemble: cape and dress with train, haute couture, Autumn–Winter 2007, silk organdy cape, dress of crepe and silk satin by Ostinelli; Les Arts Décoratifs, Fashion and Textiles collection, gift of Valentino, 2008. Photo: Les Arts Décoratifs, Paris / Jean Tholance. All rights reserved FI 50 G24 wall 18410x4230 final.pdf 1 25/09/2014 3:54 pm What is haute couture? Haute couture is French for ‘high’ or elegant dressmaking.