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Makers-Of-Modern-Sindh-Feb-2020
Sindh Madressah’s Roll of Honor MAKERS OF MODERN SINDH Lives of 25 Luminaries Sindh Madressah’s Roll of Honor MAKERS OF MODERN SINDH Lives of 25 Luminaries Dr. Muhammad Ali Shaikh SMIU Press Karachi Alma-Mater of Quaid-e-Azam Mohammad Ali Jinnah Sindh Madressatul Islam University, Karachi Aiwan-e-Tijarat Road, Karachi-74000 Pakistan. This book under title Sindh Madressah’s Roll of Honour MAKERS OF MODERN SINDH Lives of 25 Luminaries Written by Professor Dr. Muhammad Ali Shaikh 1st Edition, Published under title Luminaries of the Land in November 1999 Present expanded edition, Published in March 2020 By Sindh Madressatul Islam University Price Rs. 1000/- SMIU Press Karachi Copyright with the author Published by SMIU Press, Karachi Aiwan-e-Tijarat Road, Karachi-74000, Pakistan All rights reserved. No part of this book may be reproduced in any from or by any electronic or mechanical means, including information storage and retrieval system, without written permission from the publisher, except by a reviewer, who may quote brief passage in a review Dedicated to loving memory of my parents Preface ‘It is said that Sindh produces two things – men and sands – great men and sandy deserts.’ These words were voiced at the floor of the Bombay’s Legislative Council in March 1936 by Sir Rafiuddin Ahmed, while bidding farewell to his colleagues from Sindh, who had won autonomy for their province and were to go back there. The four names of great men from Sindh that he gave, included three former students of Sindh Madressah. Today, in 21st century, it gives pleasure that Sindh Madressah has kept alive that tradition of producing great men to serve the humanity. -
Honour Killing in Sindh Men's and Women's Divergent Accounts
Honour Killing in Sindh Men's and Women's Divergent Accounts Shahnaz Begum Laghari PhD University of York Women’s Studies March 2016 Abstract The aim of this project is to investigate the phenomenon of honour-related violence, the most extreme form of which is honour killing. The research was conducted in Sindh (one of the four provinces of Pakistan). The main research question is, ‘Are these killings for honour?’ This study was inspired by a need to investigate whether the practice of honour killing in Sindh is still guided by the norm of honour or whether other elements have come to the fore. It is comprised of the experiences of those involved in honour killings through informal, semi- structured, open-ended, in-depth interviews, conducted under the framework of the qualitative method. The aim of my thesis is to apply a feminist perspective in interpreting the data to explore the tradition of honour killing and to let the versions of the affected people be heard. In my research, the women who are accused as karis, having very little redress, are uncertain about their lives; they speak and reveal the motives behind the allegations and killings in the name of honour. The male killers, whom I met inside and outside the jails, justify their act of killing in the name of honour, culture, tradition and religion. Drawing upon interviews with thirteen women and thirteen men, I explore and interpret the data to reveal their childhood, educational, financial and social conditions and the impacts of these on their lives, thoughts and actions. -
Sympathy and the Unbelieved in Modern Retellings of Sindhi Sufi Folktales
Sympathy and the Unbelieved in Modern Retellings of Sindhi Sufi Folktales by Aali Mirjat B.A., (Hons., History), Lahore University of Management Sciences, 2016 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of History Faculty of Arts and Social Sciences © Aali Mirjat 2018 SIMON FRASER UNIVERSITY Summer 2018 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Aali Mirjat Degree: Master of Arts Title: Sympathy and the Unbelieved in Modern Retellings of Sindhi Sufi Folktales Examining Committee: Chair: Evdoxios Doxiadis Assistant Professor Luke Clossey Senior Supervisor Associate Professor Bidisha Ray Co-Supervisor Senior Lecturer Derryl MacLean Supervisor Associate Professor Tara Mayer External Examiner Instructor Department of History University of British Columbia Date Defended/Approved: July 16, 2018 ii Abstract This thesis examines Sindhi Sufi folktales as retold by five “modern” individuals: the nineteenth- century British explorer Richard Burton and four Sindhi intellectuals who lived and wrote in the late nineteenth and twentieth centuries (Lilaram Lalwani, M. M. Gidvani, Shaikh Ayaz, and Nabi Bakhsh Khan Baloch). For each set of retellings, our purpose will be to determine the epistemological and emotional sympathy the re-teller exhibits for the plot, characters, sentiments, and ideas present in the folktales. This approach, it is hoped, will provide us a glimpse inside the minds of the individual re-tellers and allow us to observe some of the ways in which the exigencies of a secular western modernity had an impact, if any, on the choices they made as they retold Sindhi Sufi folktales. -
Paper Template
International Journal of Arts, Culture, Design & Language Kambohwell Publishers Enterprises Vol. 6, Issue 05, PP. 01-10, May 2019 wwww.kwpublisher.com Block Printing in Sindh, AJRAK and other Contemporaray Products Asra Jan, Bhai Khan Shar Abstract— The purpose of the study is to record the oldest printing firmly believe that the shawl draped on the figure of printing technique hand-block printing and preserve its the priest-king is Ajrak and trefoil motif is actually kakar3 1 evergreen product Ajrak which is the traditional textile of pattern but this theory is debatable as no printing evidence has Sindh. To find out the reasons of abandoning this traditional been discovered yet (Bilgrami 1990, p.19). craft and to witness the difference in block printing done before and now. Different towns of Sindh were visited and eleven artisans (Ajrak-maker/block-printer and block-maker) were interviewed and a questionnaire was filled. The results illustrate that they are suffering from many problems but one of the major problem is lack of clean water which is badly affecting their business. It was also observed that traditional Ajrak formats and patterns are disappearing as only one or two patterns are mostly used nowadays. Whereas the machine block printing has somehow also affected the traditional craft. Despite all the problems they are still so passionate about this craft that they are training their children as well but there are certain evidences that Ajrak-making may not remain a family business anymore as it may be transferred to outsiders in future. However, they have also invented different contemporary products using various types of fabrics and patterns in hand-block printing according to the demand of the Figure 1. -
Curriculum Vitae
CURRICULUM VITAE Dr. Adnan Pitafi E-mail: [email protected] RESEARCH INTEREST & FOCUS Broader Research Interest: Entrepreneurial Intentions, Entrepreneurial Passion, Social Entrepreneurship, Entrepreneurial Education, Career Decisions and Planning, Role of Social Media, Technology Adoption Models. EDUCATION . PhD (Management Science and Engineering), University of Science & Technology of China, Hefei, Anhui, China . M. Eng (Industrial Engg: and Management), Mehran UET, Jamshoro, Sindh, Pakistan . M. Eng (IT), Mehran UET, Jamshoro, Sindh, Pakistan . MBA (Business Administration), University of Sindh, Jamshoro, Sindh, Pakistan . Bachelor of Engineering (Mechanical), Mehran UET, Jamshoro, Sindh, Pakistan . Intermediate/College (Pre-Engineering), B.I.S.E Hyderabad, Sindh, Pakistan . Matriculation/High School (Science), B.I.S.E Hyderabad, Sindh, Pakistan EMPLOYMENT (SUMMARY) Academic Summary: 09-2014 – 07-2017 PhD Research Scholar University of Science & Technology of China, Hefei, Anhui, China 08-2013/08-2014 M. E Research Scholar Mehran University of Engg: & Technology, Jamshoro, Pakistan 21-03- 2011 Assistant Professor Sukkur Institute of Business Administration, Sukkur, Pakistan 07-2010/11-2010 Faculty Member HiAST, Autobhan Road, Hyderabad, Pakistan 01-2010/03-2010 Faculty Member University of Sindh, Hyderabad, Pakistan 2007 Assistant Chief/SRO PCST, MoST, Government of Pakistan, Islamabad 10-2005/10-2006 Lecturer Isra University, Hyderabad, Pakistan Corporate/Professional Summary: 03-2010/06-2010 Mgr. Corporate Sales Bata Pakistan Limited, Karachi, Pakistan 02-2008/06-2009 Area Sales Manager Nestle Pakistan Limited, Hyderabad, Pakistan 06-2007/02-2008 Zone Manager Chevron Pakistan Limited, Hyderabad, Pakistan Adnan Pitafi Curriculum vitae - 1 - ACADEMIC EMPLOYMENT Assistant Professor (BPS-19), Sukkur Institute of Business Administration, www.iba-suk.edu.pk (Joined: 21/03/2011) Sukkur, Sindh, Pakistan . -
Shahadat and the Evidence of the Sindhi Marthiya
285 PART III Relations between Shiʿism and Sufism in other Literary Sufi Traditions 285 286 7 Sufism and Shiʿism in South Asia: Shahādat and the Evidence of the Sindhi marṡiya Michel Boivin In one of the first Sindhi-English dictionaries published in 1879, the word marṡiyo615is translated as follows: ‘An elegy or dirge, particularly one sung during the Muhorrum’.616 In Arabic, the marṡiya is an elegy composed to lament the passing of a beloved person and to celebrate his merits. When did the word enter the Sindhi language? Unfortunately, it is not possible to answer but the spread of the marṡiya in Sindhi literature didn’t start before the 18th century. This paper addresses a double issue. On the one hand, it wishes to introduce the marṡiyas from the countryside. What does that mean? In South Asia, the marṡiya is associated with the court culture of the main states that have flourished in the ruins of the Mughal empire. The leading school of marṡiyas growth in Lucknow, the then capital of the state of Awadh in North India. As a matter of fact, the marṡiyas composed by poets such as Mīr Babar ʿAlī Ānīs (1216–1290/1802–1874) were considered as the ultimate reference for the writing of these elegies in the whole Indian subcontinent. Another centre for the production of marṡiya literature was the State of Hyderabad, in Dekkan. The marṡiyas schools of Hyderabad and Awadh both used Urdu, which was then 615 Although the right word in Sindhi is the masculine marṡiyo, I shall use the Persian and Urdu form marṡiya (Arabic, marthiyya) which is increasingly predominant even in Sindhi literature. -
Sindhiyat in India
Chapter 2 Sindhiyat in India Apart from other individual and centers of activities which must be many and diverse, the two institutions in India, Sindhi Academy and Indian Institute of Sindhology, seem to reflect the overall Sindhiyat in India. For any well-wisher the signs are encouraging. The human spirit is working. In fact human spirit never stops its work, whatever the adversities. To the extent I have gone through the activities for Sindhi language in India and abroad, in spite of the fact that compared to Pakistan’s Sindhis there are ‘few’ Sindhis in India and abroad, I tend to feel as if 1947 had not only separated Hindus from Muslims but the mind of the Sindhi language from its body as well. * What follows is what Sindhi Academy tells about itself and its activities: Sindhi Academy Introduction The Sindhi Academy was established by the erstwhile Delhi Administration now Govt.of NCT of Delhi as an autonomous organisation in the year 1994 for propagation, promotion and development of Sindhi language, literature and culture as an integral part of composite culture of Union Territory of Delhi. Ever since its inception the Academy has been playing a catalytic role in the proliferation of the Sindhi literary and cultural activities in the sphere of music, folk dances, seminars, symposia, short story, poetry, novel, literary criticism, drama etc. Our goal is to achieve all-round development of Sindhi language, literature and culture in the Union Territory of Delhi. During the last few years, the Academy has assumed a significant role and status of premier organisation in the field of Sindhi language, literature and culture. -
10-Saeed Ahmed Soomro (D2018-E)
Kalachi Research à s Kalachi Research à s Saeed Ahmed Soomro James Joyce and so on. No ma:er what form of wri#ng$ poetry or prose, formal or informal, whatever the approach of the writ- Intertextual Influence of the Quran er$ su jec#ve or o jec#ve whatever their purpose$ educa#ve or on the Poetry of Shah Abdul Laf Bhitai informa#ve or simply entertaining, their wor.s are directly or indirectly in6uenced y the wor.s of those writers who preceded Abstract: them or y the corpus of .nowledge and literature which was Intertextuality is all about texts influencing the creation and interpre- tation of other texts. The close study of the poetry of Shah Abdul Latif Bhitai, there in or efore their era. Sha.espeare2s history plays li.e Rich- the renowned Sindhi poet, reveals that it is influenced by a number of religious ard II and Henry IV are simply the drama#c reproduc#ons of and literary texts. Among the literary texts that have shaped the thought and great historical events and portrayal of poli#cal figures of Europe content of Latif’s poetry are Risalo of Shah Abdul Karim of Bulri and Masnavi par#cularly Britain and the adjacent countries. Some of his plays of Molana Jalaluddin Rumi and the religious text that has influenced his poet- are clearly in6uenced y some other literary wor.s as the plot of ry more than any other is that of the Holy Quran. The philosophy of the Quran his play Antony and Cleopatra is ased on Thomas North's trans- lends Shah jo Risalo, the collection of Latif’s poetry, a truly mystic light. -
Ajrak Printing
Vol-3 Issue-2 2017 IJARIIE-ISSN(O)-2395-4396 AJRAK PRINTING: A TESTIMONY TO ANCIENT INDIAN ARTS AND CRAFTS TRADITIONS Ms Anshu Singh Choudhary, Asst Prof, Amity School of Fashion Design & Technology, Amity University Madhya Pradesh Abstract Textile traditions in India date back to the Indus Valley civilization. Indian textiles were traded in the Arab kingdoms, Egypt and East Africa. Textiles are deeply tangled with the identity of Gujarat and its people. They reveal the innate aesthetics of artisans and their associations with the natural environment. Using a combination of dying, weaving and printing, the craftsmen in Gujarat come up with the amazing materials. Block printing is a very old textile craft of Gujarat. The craftsmen are specialized in using wooden blocks to handprint complicated patterns on the yardage. One such block printing craft is Ajrakh. This printing skill came to Gujarat from Sindh. Dhamadka village in Kutch is the chief centre for this fine art of resists printing and mordant dyeing. It is one of the oldest types of block printing on textiles still practised in parts of Gujarat and Rajasthan in India, and in Sindh in Pakistan. Textiles printed in this manner are hand -printed using natural dyes on both sides by a lengthy and time-consuming process of resist printing. Keywords: Printing, Ajrak, motif, dyeing, blocks Introduction The legacy of the Indus Valley Civilisation “Ajrakh” is a block-printing style. It is an ancient block- printing method that originated in the Sindh and Kutch. The word 'ajrakh' itself denotes a number of different concepts. According to some sources, ajrakh is Arabic word which means blue, which is one of the chief colours in this art form. -
Sindhi Nationalism During One Unit Julien Levesque
From Student Organizations to Ethnic Parties: Sindhi Nationalism during One Unit Julien Levesque To cite this version: Julien Levesque. From Student Organizations to Ethnic Parties: Sindhi Nationalism during One Unit. Jürgen Schaflechner; Christina Oesterheld; Ayesha Asif. Pakistan: Alternative Imag(in)ings of the Nation-State, Oxford University Press, pp.247-286, 2020, 9780190701314. halshs-02464306 HAL Id: halshs-02464306 https://halshs.archives-ouvertes.fr/halshs-02464306 Submitted on 22 Mar 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Julien Levesque, “From Student Organizations to Ethnic Parties: Sindhi Nationalism during One Unit”, in Jürgen Schaflechner, Christina Österheld & Ayesha Asif (eds.), Pakistan: Alternative Imag(in)ings of the Nation-State, Karachi: Oxford University Press, 2020, p. 247- 286, ISBN: 9780190701314 Chapter 8 FROM STUDENT ORGANIZATIONS TO ETHNIC PARTIES: SINDHI NATIONALISM DURING ONE UNIT Julien Levesque Introduction For us Sindhis with One Unit continuing, democracy, with its adult franchise or other things, has no meaning. Do away with this initial wrong first, and then talk of democracy and all the higher values. […] My crime throughout has been [to state the following demand]: Restore us our provincial autonomy. -
Sindh Through History and Representations: French
SINDH through History SINDH and Representations French Contributions to through History Sindhi Studies i Edited by Michel Boivin and Representations The book aims to make available to English readers internationally research studies carried French Contributions to out by French scholars and advanced students. The topics cover the main periods of Sindh's Sindhi Studies history, literature, architecture and anthropology and the authors seek to provide a wide-ranging and comprehensive survey of Sindh's legacy. The work provides a fresh perspective on Sindhi culture, and its interaction with the legacies of other provinces of South Asia. Contributors Michel Boivin ^^Snnabelle Collinet Frangoise Cousin Laurent Gayer Dominique-Sila Khan Pierre Lachaier Frangoise Mallison Claude Markovits Delphine Maucort OXFORD ISBN 978-0-19-547503-6 UNIVERSITY PRESS www.oup.com www.oup.com/pk RS 550 OXJORD SINDH THROUGH HISTORY AND RfPRESENTATIONS FRENCH CONTRIBUTIONS TO SINDHI STUDIES EDITED BY MICHEL BOIVIN . OXFORDUNIVERSITY PRESS OXFORDUNIVERSITY PRESS Great Clarendon Street, Oxford ox2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by_ publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto with offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Turkey Ukraine Vietnam t Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oxford University Press 2008 The moral rights of the author have been asserted First published 2008 All rights reserved. -
Ongar: a Source of Chert in Lower Sindh (Pakistan) and Its Bronze Age Exploitation
Ongar: a Source of Chert in Lower Sindh (Pakistan) and Its Bronze Age Exploitation Paolo Biagi Department of Asian and North African Studies, Ca’ Foscari University, Venice, Ca’ Cappello, San Polo 2035, I - 30125 Venezia, Italy e-mail: [email protected] Elisabetta Starnini School of Humanistic Sciences, Department of Historical Studies, University of Torino, via S. Ottavio 20, I - 10124 Torino, Italy e-mail: [email protected] Abstract: This paper summarizes the results of twenty-six years of fieldwork carried out by the Italian Archaeological Expedi- tion in Sindh in search for chert sources, and documenting their exploitation in prehistory at least since the Acheulian Palaeo- lithic to the Bronze Age, Indus Civilization mining areas and workshops. The explorations focused on three main chert sources: the Rohri Hills, Ongar, Daphro and Bekhain Hills, and Jhimpir. They are not the only ones known to date in Sindh that were in- tensively exploited especially during the development of the Indus Civilization. The economic importance of chert exploitation in the Indus Civilization has often been underestimated by most archaeologists. This fact is evident when reading the published narratives about its handicraft, trade and production, although there is little doubt that this raw material played a fundamental role in the economy of the Indus cities, also as main alternative to metal for making well-defined tools for specific handicrafts. The importance of chert exploitation is testified indeed by the impressive archaeological evidence left behind. It consists of chert mines, chipping floors and blade/bladelet workshops, whose preservation is unfortunately challenged by present-day in- dustrial works still underway.