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“Authentic” News: Voices, Forms, and Strategies in Presenting Television News
International Journal of Communication 10(2016), 4239–4257 1932–8036/20160005 Doing “Authentic” News: Voices, Forms, and Strategies in Presenting Television News DEBING FENG1 Jiangxi University of Finance and Economics, China Unlike print news that is static and mainly composed of written text, television news is dynamic and needs to be delivered with diversified presentational modes and forms. Drawing upon Bakhtin’s heteroglossia and Goffman’s production format of talk, this article examined the presentational forms and strategies deployed in BBC News at Ten and CCTV’s News Simulcast. It showed that the employment of different presentational elements and forms in the two programs reflects two contrasting types of news discourse. The discourse of BBC News tends to present different, and even confrontational, voices with diversified presentational forms, such as direct mode of address and “fresh talk,” thus likely to accentuate the authenticity of the news. The other type of discourse (i.e., CCTV News) seems to prefer monologic news presentation and prioritize studio-based, scripted news reading, such as on-camera address or voice- overs, and it thus creates a single authoritative voice that is likely to undermine the truth of the news. Keywords: authenticity, mode of address, presentational elements, voice, television news The discourse of television news has been widely studied within the linguistic world. Early in the 1970s, researchers in the field of critical linguistics (CL; e.g., Fowler, 1991; Fowler, Hodge, Kress, & Trew, 1979; Hodge & Kress, 1993) paid great attention to the ideological meaning of news by drawing upon a kit of linguistic tools such as modality, transitivity, and transformation. -
Reporting Techniques & Skills
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Reporting Techniques & Skills Study Material for Students 1 Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Reporting Techniques & Skills CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. It functions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman, producer, director, etc. Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping : Reporting Techniques & Skills INTRODUCTION The book deals with techniques of reporting. The students will learn the skills of gathering news and reporter’s art of writing the news. The book explains the basic formula of writing the news and the kinds of leads. Students will also learn different types of reporting and the importance of clarity and accuracy in writing news. -
TV Journalism & Programme Formats
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping TV Journalism & Programme Formats TV Journalism & Programme Formats SEMESTER 3 Study Material for Students 1 Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping TV Journalism & Programme Formats CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. It functions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman, producer, director, etc. Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping TV Journalism & Programme Formats INTRODUCTION The book deals with Television for journalism and Writing for visuals. Student will understand the medium f r o m Piece to Camera. The book will tell students about Presentation, Reporting, Interview, Reportage, Live Shows and Anchoring a Show. -
1 Television News Construction in Converging Environments
1 Television News Construction in Converging Environments: Emerging Paradigms and Methodologies Dean Cummings Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Sheffield Department of Journalism Copyright Dean Cummings 2012 2 ABSTRACT This thesis examines the difference made to local television news production by the introduction of convergence and changes in production methodology. By considering the change in the technique of production from the traditional method, in which individuals were trained in a specific craft, to the present climate, where individuals are required to carry out a number of tasks, it contributes to the discussion of the impact of advancements in technology and various forms of convergence upon journalism. The research is based on an ethnographic study I completed between 2006-2010 in the United States at two separate local television news stations. During the ethnographic study I conducted interviews with external and internal participants in the news production process. I also observed how the news organizations were utilizing similar production techniques. From the archives of WKYC-TV, one of the news organizations in the ethnographic study, a textual analysis was conducted from a sampling of news stories from the 1970s to the present day. As a framework for analysis, grounded theory method was used to analyse the qualitative date from the case studies and ethnographic findings. This method was chosen to minimize implicit or explicit assumptions made prior to and during the ethnographic study. I was aware of explicit assumptions, based on current research, that technology is changing the final product presented to the audience (Farhi, 2002: 5) (Kolodzy, 2006: 15), (Hemmingway 2005: 8-26), and, in terms of newspapers converging with television news organizations, that they are creating new multi-media products (Dupagne et al., 2006: 247-249), (Patterson et al., 2008: 99-105). -
Breaking News
BREAKING NEWS First published in Great Britain in 2018 by Canongate Books Ltd, 14 High Street, Edinburgh EH1 1TE canongate.co.uk This digital edition first published in 2018 by Canongate Books Copyright © Alan Rusbridger, 2018 The moral right of the author has been asserted British Library Cataloguing-in-Publication Data A catalogue record for this book is available on request from the British Library ISBN 978 1 78689 093 1 Export ISBN 978 1 78689 094 8 eISBN 978 1 78689 095 5 To Lindsay and Georgina who, between them, shared most of this journey Contents Introduction 1. Not Bowling Alone 2. More Than a Business 3. The New World 4. Editor 5. Shedding Power 6. Guardian . Unlimited 7. The Conversation 8. Global 9. Format Wars 10. Dog, Meet Dog 11. The Future Is Mutual 12. The Money Question 13. Bee Information 14. Creaking at the Seams 15. Crash 16. Phone Hacking 17. Let Us Pay? 18. Open and Shut 19. The Gatekeepers 20. Members? 21. The Trophy Newspaper 22. Do You Love Your Country? 23. Whirlwinds of Change Epilogue Timeline Bibliography Acknowledgements Also by Alan Rusbridger Notes Index Introduction By early 2017 the world had woken up to a problem that, with a mixture of impotence, incomprehension and dread, journalists had seen coming for some time. News – the thing that helped people understand their world; that oiled the wheels of society; that pollinated communities; that kept the powerful honest – news was broken. The problem had many different names and diagnoses. Some thought we were drowning in too much news; others feared we were in danger of becoming newsless. -
Into the Newsroom: Exploring the Digital Production of Regional
INTO THE NEWSROOM Into the Newsroom explores how journalists and the digital technologies with which they are entangled construct television news at the micro level of prac- tice. It challenges orthodox readings of television news production to explore fundamental questions concerning the ways in which we understand how jour- nalists and technologies combine with one another in unpredictable ways in order to create news. Hemmingway investigates the processes of regional BBC news production, by adapting ANT to an ethnographic study of a specific newsroom to reveal how news work is constructed by this contingent and complex interplay of digital media technologies and human actors. The book provides a rigorous investigation of the everyday rituals that are performed in the television newsroom, and offers a unique suggestion that news is both a highly haphazard and yet technologically complicated process of delib- erate construction involving the interweaving of reflexive professional journalists as well as developing, unpredictable technologies. Arguing specifically for a recognition and an exploration of technological agency, the book takes the reader on an exciting journey into the digital newsroom, using exclusive observation and interviews from those journalists working on the BBC’s recent pilot project of local television news as part of its empirical evidence. This book is an essential introduction both for those seeking to understand news processes at the level of everyday routines and practices, and for those students and scholars who are eager to adopt new and challenging ways to theorise news as practice. Emma Hemmingway is a Senior Lecturer in Journalism at the Centre for Broadcasting and Journalism at Nottingham Trent University. -
Introduction to Appendices
The Image of the Journalist in Silent Films, 1890 to 1929 Part One: 1890 to 1919 Introduction to Appendices Joe Saltzman Professor of Journalism and Communication Director of the Image of the Journalist in Popular Culture (IJPC) A Project of the Norman Lear Center Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] with Liz Mitchell Senior Research Associate Image of the Journalist in Popular Culture (IJPC) Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] Although many of the silent films featuring journalists have been lost forever, a fairly accurate picture emerges through reviews and commentaries about the films when they first appeared on the screen. Publications referred to include The Moving Picture World1, Motion Picture News,2 Exhibitor’s Herald,3 Motography,4 The Film Daily (Wid’s Daily),5 Variety,6 New York Times,7 Billboard8, New York Clipper,9 Picture-Play Magazine,10 and The Bioscope,11 as well as other publications including Edison Catalog and Biograph,12 Thanhouser,13 and Reel Life (Mutual Film Corporation).14 Descriptive critics15 offer detailed plot and character summations that often rival a viewing of the film itself in addition to capturing the mores and prejudices of the time. Three key references used throughout are the Internet Movie Database (IMDb – imdb.com),16 “the world’s most popular and authoritative source for movie, TV and celebrity content,” the American Film Institute Catalog of Feature Films (afi.com),17 and the online IJPC Database of the Image of the Journalist in Popular Culture Project.18 These comprehensive databases were used in resolving conflicts involved in decisions concerning inclusion, date and genre determination, spelling and other details. -
Guide to U.K. Health & Disease Media Contacts Covering COVID-19
Guide to U.K. Health & Disease Media Contacts Covering COVID-19 In response to the surge in news and commentary on coronavirus, Agility PR Solutions used its media monitoring and research tools to compile a selection of media contacts in different industries who are covering COVID-19. Using our extensive media database makes it easy to find - and connect with - the journalists and influencers that matter to you. CONTACT NAME OUTLET NAME JOB TITLE Ian Jones 5 News Editor (The Wright Stuff) Georgia Seago Aesthetic Medicine Deputy Editor Vicky Eldridge Aesthetic Medicine Editor Matthew Annals of The Royal College of Head of Publishing Whitaker Surgeons of England Steve Evans Artemis.bm Founder/Editor-in-Chief Cat Jones Asthma Magazine Head of Media Emily Henderson AZoCleantech Editor Jon Kay BBC Breakfast Presenter Emlyn Begley BBC London Sports journalist Sarah Collerton BBC News & Current Affairs Journalist Victoria King BBC News & Current Affairs News Daily Writer Alexandra Fouché BBC News Online Digital Journalist Katie Wright BBC News Online Journalist Patrick Jackson BBC News Online Journalist Tom Feilden BBC Radio 4 Science & Environment Editor Bryony Hopkins BBC Stories Senior Journalist Vicky Baker BBC World News Senior journalist Mike Powell BBC World Service Network Journalist Christian Fraser Beyond 100 Days Presenter Sandy Starr BioNews Webmaster Akshat Rathi Bloomberg Reporter Hailey Waller Bloomberg Reporter / Producer John Ainger Bloomberg Reporter Teresa Jobson BMJ Open Diabetes Research & Production Editor Care Jess Mark -
Characteristics of Innovations in Television Journalism and the Expressiveness of the Anchor
Artigo Original Caracterização das inovações do telejornalismo e a expressividade dos apresentadores Characteristics of innovations in television journalism and the expressiveness of the anchor Eliane Caires da Silva1, Regina Zanella Penteado1 RESUMO ABSTRACT Objetivo: Caracterizar as inovações nos telejornais brasileiros e analisar os Purpose: To present innovation features in Brazilian newscast and to impactos na expressividade dos apresentadores, com ênfase nos recursos analyze their impact on the expressiveness of the anchors, emphasizing não verbais. Métodos: O corpus da pesquisa foi constituído por cinco te- non-verbal resources. Methods: The corpus of the research is five Bra- lejornais nacionais brasileiros: Primeiro Jornal (Rede Bandeirantes), Bom zilian TV news shows: Primeiro Jornal (Bandeirantes Television), Bom Dia Brasil (Rede Globo), Jornal da EPTV (Rede Globo), GloboNews, Dia Brasil (Globo Television), Jornal da EPTV (Globo Television), Glo- Edição das 18h (Globo News), Leitura Dinâmica (Rede TV). Os telejor- boNews 6PM-edition (Globo News), Leitura Dinâmica (Rede TV). The nais foram gravados durante cinco semanas, entre os meses de outubro news shows were recorded for five weeks during October and November, e novembro de 2011. Foi realizada decupagem e edição do material e as 2011. The shooting script and edition of the material was conducted and cenas selecionadas foram congeladas e transformadas em imagens (for- the selected scenes were frozen and converted into images (.jpg format). mato.jpg). A análise foi feita pela -
Unit 10 Presentation Techniques
Television Journalism UNIT 10 PRESENTATION TECHNIQUES Structure 10.0 Introduction 10.1 Learning Outcomes 10.2 Television News: Presentation Related Aspects 10.3 Television News Presenters: Essential Qualities 10.3.1 Knowledge of Different Fields 10.3.2 Ability of Multitasking 10.3.3 Objectivity 10.3.4 Command Over Language 10.3.5 Dressing Sense 10.3.6 Capability of Sight Reading 10.3.7 Skills to Use Teleprompter 10.3.8 Voice Modulation 10.3.9 Acquaintance with Journalistic Ethics and Laws 10.4 Anchoring for Different Types of Programmes 10.4.1 Common Formats of News and Role of the Anchor 10.4.2 Presentation of Special Bulletins and Shows 10.4.3 Presentation of Talk Shows, Panel Discussions and Debates 10.4.4 Presentation of Interviews 10.4.5 Presentation of Live and Multi-Anchor Shows 10.5 Writing Anchor Script 10.6 Challenges for a TV News Anchor 10.7 Let Us Sum Up 10.8 Further Readings 10.9 Key Words 10.10 Check Your Progress: Possible Answers 10.0 INTRODUCTION News channels, by and large, revamp themselves from time to time in order to establish a stronger visual connect with their viewers. They understand the value of overall presentation as it gives the brand better recall value and credibility. News presenters or anchors are an integral part of the overall packaging and presentation of a television news channel. They are the mediators between a channel and the viewers. Anchors try to maintain the continuity between different segments of a programme or a news bulletin. -
Aussie Female Journalist and Presenter
Aussie Female Journalist And Presenter Divulsive and anginal Thorsten didst her duvetyns smote while Laurens unwrinkling some tugs whereunto. If poky or well-set Pearce usually comminated his rounds devitalising cheaply or situating yep and moderato, how poker-faced is Lucas? If sibilant or subsidized Urbano usually reactivated his gutter minimises stockily or write-downs artlessly and impishly, how sooth is Swen? Our Journalists News Corp Journalist Network Daily. Dementia awareness and the best to hit network sports stories each year to offer personalized content producer is offering a cyclone nora and went on the events. View forum News and Media Presenters AusCelebs Forums. English language to see the presenters david koch and. Robin Bailey is simple high-profile Brisbane-based presenter with over 20 years'. Cheng Lei Why he an Australian TV anchor been detained. Aktuelle Sport-Nachrichten aus aller Welt zu Handball Tennis Boxen und US-Sport. Politically partisan media and presenter alicia has unsw academics have to the journalists into these best. The journalists and present news brand purchases are able to child abuse and training or rise to write in. Hello will I'm Kendall an Australian journalist television presenter host MC and fragrant I pair a must of Journalism despite the Queensland University. They were unable to upload pitches and gliders to find it boils down and live sporting capital melbourne. As a respected radio presenter current affairs journalist and political. A freelance journalist covering Asia from her chuckle in Hong Kong Nicole Webb is my former Australian news presenter producer reporter and journalist. Australian TV Weather Presenters NFSA. -
SYLLABUS INTERNATIONAL NEWS JOURNALISM Instructor
SYLLABUS INTERNATIONAL NEWS JOURNALISM Instructor: Andrew Whitehead [email protected] Hours: 40 Language of Instruction: English REMOTE/LONDON Summer Journalism COURSE DESCRIPTION This course will examine the practice of news journalism and the manner in which it is being remoulded by new digital platforms and increasing competition. The focus will be on journalism in Britain and the United States and we will also look briefly at English-language news platforms in other parts of the word. The key requirement is that you are curious about the world and the way it is changing. You will need to read widely about how the world is reported. This course is more about journalism than about how to be a journalist - but you will have the chance to write and report. At the time of writing, the world - and the world's news media - has one focus: the coronavirus pandemic. We will look at how that has been reported and analysed - how journalists and newsrooms operate through a 'lockdown' - and how this worldwide emergency has reshaped patterns of news media consumption. We will look at the ethics of news reporting and the difficulties – of safety, balance, authority – in covering war and conflict. Can journalists, should journalists, be impartial in the face of the increase in violence evident in many parts of the world? Is the era of the foreign correspondent, flown in from afar to cover political unrest and insurgencies, now over? Do we have too much reporting of violence and political rows, and not enough coverage of the environment, health, gender issues and lifestyles? The course will also look at the rise of citizen journalism and the impact this is having on news reporting, and at the growth of social news, everything from Facebook and Twitter to the news Virtual/London, News Journalism (Whitehead) – Summer Journalism 2020 Page 1 of 5 and lifestyle websites aimed at the young.