DOCSLIB.ORG

Spring 2019 / ITAL 340: Italian Through Film

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Spring 2019 / ITAL 340: Italian through Film Department of Modern and Classical Languages George Mason University Mondays and Wednesdays, 3:00 to 4:15pm, Aquia Hall 347 Prof. K. Olson, [email protected] Office: Aquia Hall 309 Office Hours: Mondays, 4:30pm to 5:30pm, and by appointment Prerequisites: ITAL 202/250; appropriate placement score; or permission of instructor. Course Description and Objectives: This course develops linguistic proficiency and historical and cultural awareness through the study of selected films from 1945 to 1972. The course is divided into a series of pre-viewing, viewing, and post-viewing activities for each film that consist of a discussion of cultural and historical backgrounds, vocabulary in context, and a grammar review. Students will be responsible for viewing the films in their entirety outside of class while guided by these assignments. Class discussion, together with regular writing assignments and presentations, are designed to foster advanced reading, writing, speaking, and listening skills, incorporating advanced-level language study in a content- based approach. At the end of this course, students are expected to communicate at the ACTFL proficiency levels for reading, speaking, listening and writing between Advanced Low and Advanced Mid-levels. Required Materials Borra, Antonello and Cristina Pausini. Italian through Film: The Classics. New Haven, CT: Yale University Press, 2007. ISBN: 0300109520 Required Films (Purchase of these films is optional. See below for online film availability via GMU library. Films also located on course reserve in the Johnson Center.) Films are listed in alphabetical order with their current distributor and Amazon listing. 1. La commare secca (The Grim Reaper). Dir. Bernardo Bertolucci, 1962. Perf. Francesco Ruiu, Giancarlo De Rosa, Vincenzo Ciccora. Criterion, 2010. DVD. https://www.amazon.com/Commare-Secca-Criterion- Collection/dp/B0006Z2NB8/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1542999906&sr=1-1 2. Divorzio all’italiana (Divorce, Italian Style). Dir. Pietro Germi, 1961. Perf. Marcello Mastroianni, Stefania Sandrelli. Criterion, 2005. DVD. https://www.amazon.com/Divorce-Italian-Style-Criterion- Collection/dp/B0007M222A/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1542999983&sr=1- 1&keywords=divorce+italian+style 3. Una giornata particolare (A Special Day). Dir. Ettore Scola, 1977. Perf. Sophia Loren and Marcello Mastroianni. Criterion, 2015. – Amazon prime / Not on Kanopy https://www.amazon.com/Special-Day-Sophia- Loren/dp/B011SDC2DK/ref=sr_1_cc_2?s=aps&ie=UTF8&qid=1543002433&sr=1-2- 2 catcorr&keywords=special+day+scola 4. Ladri di biciclette (Bicycle Thieves). Dir. Vittorio De Sica, 1948. Perf. Lamberto Maggiorani, Enzo Staiola. Criterion, 2007. DVD. https://www.amazon.com/Bicycle-Criterion-Collection-Lamberto- Maggiorani/dp/B000KRNGO0/ref=sr_1_3?s=movies-tv&ie=UTF8&qid=1543000141&sr=1- 3&keywords=bicycle+thieves 5. Mimì metallurgico ferito nell’onore (The Seduction of Mimi). Dir. Lina Wertmüller, 1972. Perf. Giancarlo Giannini, Agostina Belli, and Mariangela Melato. Kino Lorber, 2012. https://www.amazon.com/Seduction-Mimi-Kino-Classics-Blu- ray/dp/B007IHH4FC/ref=sr_1_2?s=movies-tv&ie=UTF8&qid=1543000231&sr=1- 2&keywords=mimi+metallurgico+ferito+nell%27onore 6. La notte (The Night). Dir. Michelangelo Antonioni, 1961. Perf. Jeanne Moreau, Marcello Mastroianni and Monica Vitti. Criterion Collection, 2013. DVD. https://www.amazon.com/Notte-Criterion-Collection-Marcello- Mastroianni/dp/B00DZP1BUU/ref=sr_1_2?s=movies-tv&ie=UTF8&qid=1543000576&sr=1- 2&keywords=notte+antonioni 7. Il posto (The Job; The Sound of Trumpets). Dir. Ermanno Olmi, 1961. Perf. Sandro Panseri and Loredana Detto. Criterion Collection, 2010. DVD. https://www.amazon.com/Posto-Criterion-Collection-Sandro- Panseri/dp/B000093NR1/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1543000637&sr=1- 1&keywords=posto+olmi 8. Riso amaro (Bitter Rice). Dir. Giuseppe De Santis. Perf. Vittorio Gassman, Silvana Mangano. Criterion Collection, 2016. DVD. – Amazon prime / Not on Kanopy https://www.amazon.com/Bitter-Rice-Criterion-Collection-Blu- ray/dp/B016R7C3A4/ref=sr_1_2?s=movies-tv&ie=UTF8&qid=1543000726&sr=1- 2&keywords=bitter+rice 9. Roma, città aperta (Rome, Open City). Dir. Roberto Rossellini, 1945. Perf. Aldo Fabrizi, Anna Magnani. Criterion, 2010. DVD. https://www.amazon.com/dp/B019D8BIDW?ref=sr_1_1_acs_kn_imdb_pa_dp&qid=1543000947&sr=1- 1-acs&autoplay=0 10. Il sorpasso (The Easy Life). Dir. Dino Risi, 1962. Perf. Vittorio Gassman, Jean Louis Trintignant, and Catherine Spaak. Criterion Collection, 2014. DVD. https://www.amazon.com/Sorpasso-Vittorio-Gassman/dp/B00I116MZ2/ref=sr_1_2?s=movies- tv&ie=UTF8&qid=1543001215&sr=1-2&keywords=sorpasso 11. Tre fratelli (Three Brothers). Dir. Francesco Rosi, 1981. Perf. Philippe Noiret, Michele Placido, Vittorio Mezzogiorno. – Amazon prime / Not on Kanopy https://www.amazon.com/Three-Brothers-Philippe- Noiret/dp/B06X9R3HGZ/ref=tmm_aiv_swatch_1?_encoding=UTF8&qid=1543001285&sr=1-2 12. I vitelloni (The Young and the Passionate). Dir. Federico Fellini. Perf. Franco Fabrizi, Franco Interlenghi, Alberto Sordi, Leopoldo Trieste. Criterion, 1953. DVD. https://www.amazon.com/dp/B00NTSRGDY?ref=sr_1_3_acs_kn_imdb_pa_dp&qid=1543001428&sr=1- 3-acs&autoplay=0 3 Supplementary Texts (also see Recommended Bibliography in Italian through Film) Bondanella, Peter and Federico Pacchioni. A History of Italian Cinema. Second edition. Bloomsbury Academic, 2017. Marcus, Millicent. Italian Film in the Light of Neorealism. Princeton, NJ: Princeton University Press, 1986. (available in paperback) Class Preparation and Participation: You are required to have viewed each film outside of class in preparation for class discussion. All films for this course are available in different ways: 1) on reserve in the Johnson Center; 2) online – for free – through GMU libraries (with Kanopy); 3) on Amazon Prime Video, Vudu or Netflix. In order to access these films for free via GMU libraries, go to the University Libraries homepage, click on “Search,” then “Media Collections,” and then “Video and Images Collection” (http://infowiz.gmu.edu/dbs/subjects/video). Once there, search for “Kanopy.” The location of each film is noted in the Weekly Schedule breakdown below. There are three films (Bitter Rice; A Special Day and Three Brothers) which you will have to purchase on either Amazon, Vudu or Netflix, for a nominal fee (i.e., under $5 each). Because learning a language is a sustained process that requires individual study, exposure to the target language, and involvement in communicative activities, it is essential that students study assigned material outside of class, complete exercises assigned by the instructor, attend class regularly, and participate actively in all classroom activities. Detailed instructions for class preparation for each day of the semester are included on the daily schedule. Students absent on any given day will receive a grade of zero for participation for that day. Oral Presentations: This class requires two oral presentations (taken from “Spunti per la ricerca”) to be completed by students enrolled with degree status. Please consult the schedule for your assigned date of these presentations. Oral presentations must be between two and three minutes in length, and must be submitted to the instructor two days before execution so that you might receive corrections and feedback beforehand. The instructor will provide you with a criteria sheet so that you can familiarize yourself with how you will be assessed. Weekly Homework and Compositions: This class requires short comprehension activities (“Durante e dopo la visione” – Vero o Falso? & Scelta multipla) due on Mondays and brief written compositions, between 100 and 150 words, which are due on Wednesdays (you select a prompt from the “Spunti per la scrittura” at the end of each chapter). Please consult the schedule and Blackboard for the exact assignments and due dates. Compositions can be revised for a higher grade, but this is not obligatory. Compositions must demonstrate comprehension of and engagement with the material as well as gradual improvement over the course of the semester. They must be submitted via Blackboard, and students must keep track of their submissions through the system. 4 Final Exam: This course requires a final exam. This exam includes all material assigned up to the date of the test and they involve listening comprehension, vocabulary, grammar, writing, and culture. The final exam schedule is also available online from the registrar. Please plan ahead as there are no substitute dates for the final exam. Honor Code: All written work, including exams and outside of class assignments, must be done independently. Your instructor will explicitly announce any exceptions to this policy (e.g., in the case of a group project). Please note that you are expected to write all compositions on your own, and you should not have them reviewed or corrected by another student or a more advanced speaker of the language. The use of an online translation site is considered an infraction of the Honor Code. If you work on class materials with a tutor, you should inform your instructor in advance. Students are expected to be familiar with the GMU Honor Code (available online at: http://jiju.gmu.edu/catalog/apolicies/honor.html). Any students who are unsure of any of the policies regarding independent work are responsible for requesting clarification from their instructor. Disability Accommodations: The Office of Disability Services at GMU facilitates
Recommended publications
  • Grade 5 Workbook © Copyright Oxford University Press Contents

    Grade 5 Workbook © Copyright Oxford University Press Contents

    Janet Hardy-Gould English Plus Grade 5 Workbook © Copyright Oxford University Press Contents page Unit 1 Home and away 4 Unit 2 Sports 10 Unit 3 Fantasy world 18 Unit 4 Living things 26 Unit 5 Values 34 Unit 6 World of work 42 Unit 7 Holidays 50 Unit 8 Creativity 58 Unit 9 Reading for pleasure 60 Language focus reference and practice 62 Pronunciation bank 80 Wordlist 83 Arts and STEM 94 © Copyright Oxford University Press 1 Home and away VOCABULARY Familiar words 1 Find nine more words. 3 Complete the dialogue with the words BICYCLEAG in the box. OKPHONEC L a Bye English later OPGQVUWOT poster thanks this yes KOTAB L EME ZSLUESHPA Anna Hi Jack. How are you? WTMG I R L UC Jack Fine, thanks . CETBONPTH Anna What’s this in 1 ? ARQHRDKEE 2 RVUZBOYRR Jack It’s a . Anna And what’s 3 ? b o o k 1 c r Jack It’s 4 pencil. 2 p s e 3 c mp e Anna Oh, 5 . Thanks. 4 t ch 5 b c l Jack See you 6 . 6 p n 7 t bl Anna 7 ! 8 gi l 9 b y 2 Look at the pictures and complete the 4 Look at the pictures and write sentences with the words in the box. questions and answers. Draw your own picture for numbers 4 and 5. bag bicycle boy car pen pencil 1 2 3 It’s a car . 1 It’s a . 4 5 What’s this in English? It’s a book. 2 It’s a .
  • Before the Forties

    Before the Forties

    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
  • Donne Protagoniste: Mariangela Melato E Jodie Foster

    Donne Protagoniste: Mariangela Melato E Jodie Foster

    Cinema Donne protagoniste: Mariangela Melato e Jodie Foster di Serena D’Arbela osa hanno in comune due Elio Petri, da Lina Wertmüller a sua schiavitù nel Film d’amore e attrici di tutto rispetto come Nino Manfredi a Vittorio De Sica, d’anarchia (Lina Wertmüller), la Mariangela Melato e Jodie da Luigi Comencini a Mario Mo- spavalda sottoproletaria lombarda CFoster? Ciò che hanno dentro: ol- nicelli, Florestano Vancini, Sergio di Mimì metallurgico e la snob in tre al talento, la determinazione, la Citti, Giuseppe Bertolucci, Renzo cerca d’avventura di Travolti da coscienza di sé. Entrambe hanno Arbore ed altri ancora. Fra gli stra- un insolito destino... (Wertmül- lasciato tracce indimenticabili sul- nieri, Marc Allegret, Fernando Ar- ler). Volta a volta donna qualun- lo schermo e sul palcoscenico. rabal, Claude Chabrol. Più di una que o personaggio drammatico e Mariangela, molto malata, si è cinquantina i film. ribelle, popolana sincera o vellei- spenta a 71 anni. Il compianto è Capace di reggere ruoli diversi, taria piccola borghese, vittima o stato unanime e ha provato la sua con una presenza ironica origina- sfidante, sempre spiritosa verso se grande notorietà. Una folla di amici le, con l’arte di “vivere ogni par- stessa e tagliente verso le ipocrisie ed estimatori le ha dato l’ultimo sa- te – come ricorda Pupi Avati – in della società. Giancarlo Giannini, luto a Roma, in piazza del Popolo. modo intimo” ci ha mostrato i lati spesso suo partner cinematogra- L’attrice ha conquistato il pubbli- forti e deboli della femminilità, fico, ne ricorda lo stile rigoroso e co con l’intelligenza, l’humour, la con particolare vis tragicomica.
  • International Sales Autumn 2017 Tv Shows

    International Sales Autumn 2017 Tv Shows

    INTERNATIONAL SALES AUTUMN 2017 TV SHOWS DOCS FEATURE FILMS THINK GLOBAL, LIVE ITALIAN KIDS&TEEN David Bogi Head of International Distribution Alessandra Sottile Margherita Zocaro Cristina Cavaliere Lucetta Lanfranchi Federica Pazzano FORMATS Marketing and Business Development [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] Mob. +39 3351332189 Mob. +39 3357557907 Mob. +39 3334481036 Mob. +39 3386910519 Mob. +39 3356049456 INDEX INDEX ... And It’s Snowing Outside! 108 As My Father 178 Of Marina Abramovic 157 100 Metres From Paradise 114 As White As Milk, As Red As Blood 94 Border 86 Adriano Olivetti And The Letter 22 46 Assault (The) 66 Borsellino, The 57 Days 68 A Case of Conscience 25 At War for Love 75 Boss In The Kitchen (A) 112 A Good Season 23 Away From Me 111 Boundary (The) 50 Alex&Co 195 Back Home 12 Boyfriend For My Wife (A) 107 Alive Or Preferably Dead 129 Balancing Act (The) 95 Bright Flight 101 All The Girls Want Him 86 Balia 126 Broken Years: The Chief Inspector (The) 47 All The Music Of The Heart 31 Bandit’s Master (The) 53 Broken Years: The Engineer (The) 48 Allonsanfan 134 Bar Sport 118 Broken Years: The Magistrate (The) 48 American Girl 42 Bastards Of Pizzofalcone (The) 15 Bruno And Gina 168 Andrea Camilleri: The Wild Maestro 157 Bawdy Houses 175 Bulletproof Heart (A) 1, 2 18 Angel of Sarajevo (The) 44 Beachcombers 30 Bullying Lesson 176 Anija 173 Beauty And The Beast (The) 54 Call For A Clue 187 Anna 82 Big Racket (The)
  • 7° Genova Film Festival

    7° Genova Film Festival

    7° GENOVA FILM FESTIVAL - 28 giugno/ 4 luglio 2004 proiezioni: MULTISALA AMERICA - Via Colombo, 11 presentazioni editoriali: Forum FNAC – Via XX Settembre Seminario ABCinema: Centro della creatività – Palazzo Ducale – Piazza Matteotti Tavola Rotonda – Università di Genova – Aula Magna, Via Balbi, 2 l’ingresso a tutte le proiezioni e gli incontri è gratuito Lunedì 28 Giugno Sala A Ore 21:00 Campo Lungo - Omaggio a Vittorio Mezzogiorno : Il Giocattolo di Giuliano Montaldo con Nino Manfredi (Italia, 1979, 118’). Nastro d’Argento a Vittorio Mezzogiorno - migliore attore non protagonista Presenta il film Claudio G. Fava . Seguirà buffet inaugurale. Martedì 29 Giugno Sala A Ore 16:00 Oltre il Confine - il Cinema Sudafricano 1994/2004: Un drink sulla soglia di Zola Maseko ( A drink in the Passage, Sudafrica, 2002, 26’); Le ferite di Ubuntu di Sechaba Morojele ( Ubuntu's Wounds, Usa/Sudafrica, 2002, 26’) versione originale con traduzione simultanea in italiano Ore 18:00 Campo Lungo - Omaggio a Vittorio Mezzogiorno: La condanna di Marco Bellocchio (Italia, 1991, 90’) Ore 20:30 Intermezzo D.O.C.: incontro con il Direttore e i collaboratori di FILM D.O.C ., la rivista di cinema edita da Regione Liguria e AGIS ligure A seguire presentazione del libro: David Lynch di Daniele Dottorini (ed. Le Mani) in compagnia dell’autore e dell’editore Francangelo Scapolla segue proiezione del film The Elephant Man di David Lynch (Usa, 1980, 120’) Sala B Ore 14:30 Obiettivo Liguria – concorso regionale: La città dei morti di Alessio Gambaro e Luca Garagiola (18'40");
  • Feature Films

    Feature Films

    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
  • Congratulations to the Class of 2016

    Congratulations to the Class of 2016

    the magazine of notre dame academy Also: Congratulations to the Class of 2016 summer 2016 | volume 12 | issue 2 vita! summer 2016 | volume 12 | issue 2 Message from the President inside this issue contributors “ NDA is a recipe for success, and our flavors are so bold and Editor complex, that they keep you coming back for more.” Kathryn Quinn Miller ’97 Contributing Writers Ashley Simmons ’08 Many of you know that I love to cook, and it should not shock you that working Design Amanda Quintin Design in education is also very special to me. Both cooking and teaching have a lot in Printing common. The culinary influences that make up my recipes are French, Italian, Reynolds DeWalt Mexican, and Vietnamese. Fusion cooking excites me and I find the key to a tasty Photography dish is a balance of flavors – sweet, salt, spice, and crunch. Similarly, at the heart Ryan Hutton 6 11 of Catholic education is balance. At first, this seems strange, because when you Lifetouch look at the structure of a school it is built upon compartmentalization. Students Michael Russo study math in their math class and social studies in their social studies class. The Published by the Office of Institutional Advancement classroom is a mini fiefdom that is fortified by a cavalcade of teachers who want Notre Dame Academy to rightfully protect their space. 1073 Main Street Hingham, MA 02043 The reason I love fusion cooking is because when you take the elegance of French cuisine and meld it with 781.749.5930 www.ndahingham.com the colors and flavors of Mexico, something transformative happens, and the palate dances to the beat of the mariachi.
  • Pennsylvania State Dept. of Educatin, Harrisburg. Div. of Adult Basic and Literacy Kucation Programs

    Pennsylvania State Dept. of Educatin, Harrisburg. Div. of Adult Basic and Literacy Kucation Programs

    DOCUMENT RESUME ED 342 901 CE 060 428 AUTHOR Molek, Carol TITLE Together We Learn: Family Literacy. INSTITUTION TIU Adult Education and Job Training Center, Lewistown, PA. SPONS AGENCY Pennsylvania State Dept. of Educatin, Harrisburg. Div. of Adult Basic and Literacy Kucation Programs. PUB DATE 91 NOTE 114p. PUB TYPE Reports - Descriptive (141) -- Guides - Classroom Use - Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS Adult Basic Education; Adult Literacy; *Adult Programs; *Basic Skills; Child Development; Curriculum Development; Individual Differences; Individualized Instruction; Instructional Materials; *Intergenerational Programs; Language Skills; Lesson Plans; *Literacy Education; Mathematics Skills; *Parent Child Relationship; Preschool Education; Reading Skills; Writing Skills IDENTIFIERS 353 Project; *Family Literacy ABSTRACT A project provided family literacy services in Lewistown, Pennsylvania. TAe "Together We Learn" project had four objectives:(1) promoting family literacy by using the Project PACT (Parents and Children Together) model in two 10-week sessions; (2) improving parents' basic skills so they can work better with their children; (3) assisting parents in learning appropriate expectations for children and understanding individual differences; and (4) encouraging enrolled parents to seek out other adult education training opportunities to plan the next step of their development. Success of the project was measured in the following ways: modification of the PACT curriculum; results of pre-post questionnaires; service provided to 32 adult basic education parents; favorable feedback from participating groups; and the continuation of 18 parents into other adult training. (The bulk of the document, an appendix, contains the following: sample schedule; pre-post test; public relations material; sample PACT reading lessons; and the summer curriculum.
  • The Inventory of the Richard Roud Collection #1117

    The Inventory of the Richard Roud Collection #1117

    The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills.
  • William A. Seiter ATTORI

    William A. Seiter ATTORI

    A.A. Criminale cercasi Dear Brat USA 1951 REGIA: William A. Seiter ATTORI: Mona Freeman; Billy DeWolfe; Edward Arnold; Lyle Bettger A cavallo della tigre It. 1961 REGIA: Luigi Comencini ATTORI: Nino Manfredi; Mario Adorf; Gian Maria Volont*; Valeria Moriconi; Raymond Bussires L'agente speciale Mackintosh The Mackintosh Man USA 1973 REGIA: John Huston ATTORI: Paul Newman; Dominique Sanda; James Mason; Harry Andrews; Ian Bannen Le ali della libert^ The Shawshank Redemption USA 1994 REGIA: Frank Darabont ATTORI: Tim Robbins; Morgan Freeman; James Whitmore; Clancy Brown; Bob Gunton Un alibi troppo perfetto Two Way Stretch GB 1960 REGIA: Robert Day ATTORI: Peter Sellers; Wilfrid Hyde-White; Lionel Jeffries All'ultimo secondo Outlaw Blues USA 1977 REGIA: Richard T. Heffron ATTORI: Peter Fonda; Susan Saint James; John Crawford A me la libert^ A nous la libert* Fr. 1931 REGIA: Ren* Clair ATTORI: Raymond Cordy; Henri Marchand; Paul Olivier; Rolla France; Andr* Michaud American History X USA 1999 REGIA: Tony Kaye ATTORI: Edward Norton; Edward Furlong; Stacy Keach; Avery Brooks; Elliott Gould Gli ammutinati di Sing Sing Within These Walls USA 1945 REGIA: Bruce H. Humberstone ATTORI: Thomas Mitchell; Mary Anderson; Edward Ryan Amore Szerelem Ung. 1970 REGIA: K‡roly Makk ATTORI: Lili Darvas; Mari T*r*csik; Iv‡n Darvas; Erzsi Orsolya Angelo bianco It. 1955 REGIA: Raffaello Matarazzo ATTORI: Amedeo Nazzari; Yvonne Sanson; Enrica Dyrell; Alberto Farnese; Philippe Hersent L'angelo della morte Brother John USA 1971 REGIA: James Goldstone ATTORI: Sidney Poitier; Will Geer; Bradford Dillman; Beverly Todd L'angolo rosso Red Corner USA 1998 REGIA: Jon Avnet ATTORI: Richard Gere; Bai Ling; Bradley Whitford; Peter Donat; Tzi Ma; Richard Venture Anni di piombo Die bleierne Zeit RFT 1981 REGIA: Margarethe von Trotta ATTORI: Jutta Lampe; Barbara Sukowa; RŸdiger Vogler Anni facili It.
  • Full Text (PDF)

    Full Text (PDF)

    Document generated on 09/28/2021 1:52 p.m. Séquences La revue de cinéma Palmarès des festivals ’64 Angoisse et peur Number 39, December 1964 URI: https://id.erudit.org/iderudit/51839ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this document (1964). Palmarès des festivals ’64. Séquences, (39), 63–65. Tous droits réservés © La revue Séquences Inc., 1964 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ PALMARÈS DES FESTIVALS '64 BUENOS AIRES Prix spécial du jury : Suna no onna (La Femme des dunes), de Grand Prix : I Compagni (Les Hiroshi Teshigahara (Japon). Camarades) de Mario Monicelli (Italie). Prix d'interprétation : Barbara Prix d'interprétation : Natalie Barrie dans One Potato, Two Po­ Wood dans Love with the Proper tato, de Larry Peerce (Etats-Unis), Stranger de Robert Mulligan (E- Anne Bancroft dans The Pumpkin tats-Unis), Vittorio Gassman et Eater, de Jack Cardiff (Grande Ugo Tognazzi dans / Mostri de Bretagne), Saro Urzi dans Sedotta Dino Risi (Italie). e abandonata, de Pietro Germi (Italie) et Antal Pager dans Pacsir- Prix de mise en scène : Karel ta (L'Alouette), de Laszlo Ranody Kachyna pour l'Espoir (Pologne).
  • L'arte Dell'interpretazione Attraverso Il Racconto Degli Autori Della Fotografia AIC AIC

    L'arte Dell'interpretazione Attraverso Il Racconto Degli Autori Della Fotografia AIC AIC

    AIC L'Immagin' ae RecitazionCinematografice a L'arte dell'interpretazione attraverso il racconto degli autori della fotografia AIC AIC » Pier Paolo Pasolini e Maria Callas. J II direttore della fotografia, in un film, dà qualcosa di suo, una qualità ineffabile, che non si riesce a descrive- re a parole, ma che fa riconoscere agli occhi dell'esper- to, lo stile e la qualità della prestazione. Per esempio, Tonino Delli Colli, ha un suo modo tutto particolare di riprendere gli occhi e i lineamenti del volto umano e cer- tamente io mi servo di questa sua straordinaria abilità per ricavare, dal mio punto di vista, tutta l'espressività psicologica dei personaggi. Pier Paolo Pasolini, 1971 AIC AIC ASSOCIAZIONE ITALIANA AUTORI DELLA FOTOGRAFICINEMATOGRAFICAA AIC AIC ASSOCIAZIONE ITALIANA AUTORI DELLA FOTOGRAFIA CINEMATOGRAFICA AIC Associazione Italiana Autori della Fotografia IMAGO Membro "Federazione Europea degli Autori della Fotografia Cinematografica" IMAGO AIC costituita il 13 maggio 1950 AIC Presidente Collegio Sindacale Franco Di Giacomo Sergio Salvati Sebastiano Celeste Sergio D'Offizi Angelo Filippini Alessandro Feirachios Vicepresidenti Mario Vulpiani Paolo Ferrari Alessio Gelsini Torresi Angelo Filippini Giuseppe Lanci Soci effettivi Roberto Forges Davanzati Marcello Montarsi Cesare Accetta Giovanni Galasso Maxime Alexandre Marcello Gatti Segretario generale Manfredo Archinto Alessio Gelsini Torresi Giuseppe Berardini Adolfo Bartoli Roberto Girometti Gianlorenzo Battaglia Giuliano Giustini Consiglieri Tarek Ben Abdallah Antonio Grambone