Music from Final Fantasy® Vi, Vii and X
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Gamer Symphony Orchestra Spring 2010
About the Gamer Symphony Orchestra The University of Maryland’s In the fall of 2005, Michelle Eng decided she wanted to be in Gamer Symphony Orchestra an orchestral group that played video game music. With four others http://umd.gamersymphony.org/ from the University of Maryland Repertoire Orchestra, she founded GSO to achieve that dream. By the time of the ensemble’s first public performance in the spring of 2006, its size had quadrupled. Today, GSO provides a musical and social outlet to over 100 members. It is the world’s first college-level ensemble solely dedicated to video game music as an emerging art form. Aside from its concerts, the orchestra also runs “Deathmatch for Charity,” a video game tournament in the spring. All proceeds benefit Children’s National Medical Center in Washington, D.C., via the “Child’s Play” charity (www.childsplay.org). --------------------------------------------------------------------------------- We love getting feedback from our fans! Please feel free to fill out this form and drop it in the “Question Block” on your way out, or e-mail us at [email protected]. If you need more room, use the space provided on the back of this page. Spring 2010 How did you hear about the Gamer Symphony Orchestra? University of Maryland Memorial Chapel Saturday, Dec. 12, 3 p.m. What arrangements would you like to hear from GSO? Other Conductors comments? Anna Costello Kira Levitzky Peter Fontana (Choral) Please write down your e-mail address if you would like to receive messages about future GSO concerts and events. Level Select Oh-Buta Mask Original Composer: Shogo Sakai Mother 3 (2006) Arranger: Christopher Lee and Description: Oh, Buta-Mask, "Buta" meaning "Pig" in Japanese, is composed of two battle themes from Mother 3. -
Link to Article
San Diego Symphony News Release www.sandiegosymphony.org Contact: April 15, 2016 Stephen Kougias Director of Public Relations 619.615.3951 [email protected] To coincide with Comic-Con, San Diego Symphony Presents: Final Symphony: The Ultimate Final Fantasy Concert Experience; Thurs July 21; 8PM The Legend of Zelda: Symphony of the Goddesses – Master Quest; Friday, July 22; 8PM Concerts to be performed at Downtown’s Jacobs Music Center – Copley Symphony Hall; tickets on sales now. Final Symphony: The Ultimate Final Fantasy Concert Experience, the concert tour featuring the music of Final Fantasy VI, VII and X will make its debut this summer stopping in San Diego on Thursday, July 21 with the San Diego Symphony performing the musical score live on stage. Following sell-out concerts and rave reviews across Europe and Japan, Final Symphony takes the celebrated music of composers Nobuo Uematsu and Masashi Hamauzu and reimagines it as a fully realized, orchestral suites including a heart-stirring piano concerto based on Final Fantasy X arranged by composer Hamauzu himself, and a full, 45-minute symphony based on the music of Final Fantasy VII. “We’ve been working hard to bring Final Symphony to the U.S. and I’m absolutely delighted that fans there will now be able to see fantastic orchestras perform truly symphonic arrangements of some of Nobuo Uematsu and Masashi Hamauzu’s most beloved themes,” said producer Thomas Böcker. “I’m very excited to see how fans here react to these unique and breathtaking performances. This is the music of Final Fantasy as you’ve never heard it before.” Also joining will be regular Final Symphony conductor Eckehard Stier and talented pianist Katharina Treutler, who previously stunned listeners with her virtuoso performance on the Final Symphony album, recorded by the world famous London Symphony Orchestra at London’s Abbey Road Studios, and released to huge critical acclaim in February 2015. -
S Uuri Av Ajaisjuhlak on Sertti
Juhlakonsertti Muumimuseon avautumisen, Tampere-talon uudistumisen ja Ke 9.8.2017 Tove Janssonin syntymäpäivän kunniaksi. Tampere-talo A concert to celebrate the opening of the Moomin museum, the renovated Tampere Hall, vocalists and choir children’s orchestra, the for suite musical Moominvalley from Tales orkesterille, lapsikuorolle solisteille ja -sarja lapsi Näkymätön Valtonen: Jonne The Grand Opening Gala Concert avajaisjuhlakonsertti Suuri and the birthday of Tove Jansson. Jonne Valtosen (s. 1976) Näkymätön lapsi -sarja orkesterille, lapsikuorolle ja solisteille (2017). Perustuu Tove Janssonin samannimiseen novellikokoelmaan. Tales from Moominvalley musical suite composed by Jonne Valtonen (born 1976) for the orchestra, children’s choir, and vocalists (2017). Based on a collection of short stories by Tove Jansson. Musiikki / Music: Jonne Valtonen Kapellimestari / Conductor: Santtu-Matias Rouvali Ohjaus ja dramaturgia / Direction and dramaturgy: Marika Vapaavuori Nelli Nyman, sopraano / soprano Maria Ylipää, sopraano / soprano Tero Harjunniemi, tenori / tenor Kristian Lindroos, baritoni / baritone Tampere Filharmonia / Tampere Philharmonic Orchestra Poikakuoro Pirkanpojat / Pirkanpojat Boys’ Choir Joona Pulkkinen, sello / cello Minna Tervamäki, tanssi / dance Kertojat / Narrators: Jarmo Koski & Armi Toivanen Tuotanto / Production: Tampere-talo & Tampere Filharmonia / Tampere Hall & Tampere Philharmonic Orchestra Tampere Filharmonian tilausteos ja kantaesitys. Commissioned and premiered by Tampere Philharmonic Orchestra. © Lehtikuva / Reino Loppinen Juhlakonsertti Muumimuseon avautumisen, Tampere-talon uudistumisen ja Ke 9.8.2017 Tove Janssonin syntymäpäivän kunniaksi. Tampere-talo A concert to celebrate the opening of the Moomin museum, the renovated Tampere Hall, vocalists and choir children’s orchestra, the for suite musical Moominvalley from Tales orkesterille, lapsikuorolle solisteille ja -sarja lapsi Näkymätön Valtonen: Jonne The Grand Opening Gala Concert avajaisjuhlakonsertti Suuri and the birthday of Tove Jansson. -
London's Symphony Orchestra
London Symphony Orchestra Living Music Sunday 7 May 2017 7pm Barbican Hall SHOSTAKOVICH SYMPHONY NO 15 Mussorgsky arr Rimsky-Korsakov Prelude to ‘Khovanshchina’ Tchaikovsky Violin Concerto INTERVAL London’s Symphony Orchestra Shostakovich Symphony No 15 Sir Mark Elder conductor Anne-Sophie Mutter violin Concert finishes approx 9.10pm Generously supported by Celia & Edward Atkin CBE 2 Welcome 7 May 2017 Welcome Living Music Kathryn McDowell In Brief A warm welcome to this evening’s LSO concert at BMW LSO OPEN AIR CLASSICS 2017 the Barbican, where we are joined by Sir Mark Elder for an all-Russian programme of works by Mussorgsky, The London Symphony Orchestra, in partnership with Tchaikovsky and Shostakovich. BMW and conducted by Valery Gergiev, performs an all-Rachmaninov programme in London’s Trafalgar The concert opens with the prelude to Mussorgsky’s Square on Sunday 21 May, the sixth concert in the opera Khovanshchina, in an arrangement by fellow Orchestra’s annual BMW LSO Open Air Classics Russian composer, Rimsky-Korsakov. Then we are series, free and open to all. delighted to see Anne-Sophie Mutter return as the soloist in Tchaikovsky’s Violin Concerto, before lso.co.uk/openair Sir Mark Elder concludes the programme with Shostakovich’s final symphony, No 15. LSO WIND ENSEMBLE ON LSO LIVE I hope you enjoy the performance. I would like to take this opportunity to welcome Celia and The new recording of Mozart’s Serenade No 10 Edward Atkin, and to thank them for their generous for Wind Instruments (‘Gran Partita’) by the LSO support of this evening’s concert. -
Opinnäytetyö FINAL V4 130509
PELIKONSOLILTA SINFONIAORKESTERILLE Chris Hülsbeckin pelimusiikin sovitukselliset haasteet Jonne Valtonen Opinnäytetyö Toukokuu 2009 Muusikin koulutusohjelma Säveltäjän suuntautumisvaihtoehto Pirkanmaan ammattikorkeakoulu 2 TIIVISTELMÄ Pirkanmaan ammattikorkeakoulu Musiikin koulutusohjelma Säveltäjän suuntautumisvaihtoehto VALTONEN, JONNE: Pelikonsolilta sinfoniaorkesterille: Chris Hülsbeckin pelimusiikin sovitukselliset haas- teet Opinnäytetyö 41 sivua + 2 liitettä Toukokuu 2009 ______________________________________________________________________ Opinnäytteeni käsittelee Symphonic Shades -pelimusiikkikonserttia, joka esitettiin Sak- san Kölnissä 23.8.2008. Konsertin esittivät Kölnin Radio-orkesteri ja Prahan FILMhar- moninen kuoro. Konsertin lähtökohtana toimi Chris Hülsbeckin pelikonsoleille ja koti- tietokoneille säveltämä pelimusiikki. Konsertin kappaleista sovitin yksitoista ja orkestroin kaikki neljätoista. Käyn läpi työs- kentelyni eri vaiheet, pelimusiikin historiaa, terminologiaa sekä niitä ongelmia ja haas- teita, joita pelimusiikkia sovittaessani esiintyi. Tutkielmassa tultiin siihen johtopäätökseen, että sovittaminen vaatii huomattavaa tai- teellista ja sävellyksellistä panosta. Kappaleen reharmonisaatio (uudelleensoinnutus) on vasta yksi osa lopullista sovitusta. Reharmonisaation lisäksi tarvitaan uusia tekstuureja, rytmejä, melodioita sekä luontevia siirtymiä mahdollisten eri osien välille. Sovittaessa ja orkestroitaessa liikutaan hyvin henkilökohtaisella tasolla, sillä jokaiseen haasteeseen on tarjolla lukuisia eri ratkaisumalleja. -
Benyamin Nuss
KAMMERMUSIK FUNKHAUS KONZERTE PHANTASTISCHE WELTEN MUSIK AUS DEM UNIVERSUM DER KONSOLEN SENDETERMIN MI 14. APRIL 2021, 20.04 UHR WDR 3 KONZERT PROGRAMM NOBUO UEMATSU/ MASASHI HAMAUZU SHIRO HAMAGUCHI Final Fantasy XIII: Lost Odyssey Suite Improvisation: The Promise/ I. Prologue Dust to Dust II. A Sign Of Hope III. A Mighty Enemy Appears BENYAMIN NUSS Hoffnung NAOSHI MIZUTA/ Uraufführung BENYAMIN NUSS Final Fantasy XI: NOBUO UEMATSU/ Sanctuary of Zi’Tah BENYAMIN NUSS Uraufführung Final Fantasy VII: Aeriths Theme HIDEKI SAKAMOTO/ BENYAMIN NUSS BENYAMIN NUSS Bungo to Arukemisto: Improvisation Kairan Deux miniatures März 2021 Theme of the Director Uraufführung YOKO SHIMOMURA/ MASASHI HAMAUZU BENYAMIN NUSS Saga Frontier II: Final Fantasy XV: Missgestalt Somnus BENYAMIN NUSS / Klavier NOBUO UEMATSU/ JONNE VALTONEN Blue Dragon: SENDUNG My Tears and the Sky Mittwoch, 14. April 2021, 20.04 Uhr, WDR 3 Konzert ZUM NACHHÖREN IM WDR 3 KONZERTPLAYER Benyamin Nuss PHANTASTISCHE WELTEN 1987 stand der kleine japanische Spieleentwickler Square kurz vor dem Konkurs und suchte nach einer zündenden Idee für ein erfolg- reiches Computerspiel. Die Firma Enix hatte ein Jahr vorher das populäre Rollenspiel »Dragon Quest« auf den Markt gebracht. Die Idee des Game-Designers Hironobu Sakaguchi, ein Videospiel zu entwickeln, das zwar auf »Dragon Quest« basieren würde, aber dessen Konzepte maßgebend erweitern und ausbauen sollte, war die Geburt einer Gaming-Ära: »Final Fantasy«. Square traf damit den Nerv der Zeit und das Spiel wurde letztendlich nicht nur in Japan zu einem Bestseller. Benyamin Nuss wächst mit Videospielen auf, die neben der Musik seine zweite Leidenschaft werden. »Schon mein Vater hat immer Gameboy gespielt, wodurch ich sehr früh selbst zum Computerspie- len kam und viele Konsolen durchprobierte«, erzählt er in einem In- terview. -
Concert Program
THE UNIVERSITY OF MARYLAND’S GAMER SYMPHONY ORCHESTRA HTTP://UMD.GAMERSYMPHONY.ORG/ SPRING CONCERT 2009 Dekelboum Concert Hall Clarice Smith Performing Arts Center Saturday, May 9th, 3PM CONCERT PROGRAM “Hikari” Hikaru Utada, Yoko Shomomura Kingdom Hearts Arranger: Alex Song “Hikari” is the main theme song of the Japanese release of Square’s Kingdom Hearts, an action role-playing game featur- ing characters from Disney films and from Square’s Final Fantasy games. The piece delicately opens with two phrases from the high and low voices, which are then joined by the entire orchestra for the main theme. After a brief interlude consisting of solos from the French horn, oboe, clarinet, and bassoon, the music takes on a march-like feel and later climaxes with a final, resonant chord. “SSBM: Final Destination” Tadashi Ikegami Super Smash Brothers Melee Arranger: Christopher Lee The end stage of Super Smash Bros. Melee is just one big platform where the player fights Master Hand and Crazy Hand, the game’s “gods,” depicted as disembodied white gloves. This arrangement features Melee’s “Final Destination” theme, as well as the game’s menu music. A version of the Final Destination theme originally appeared as the credit music in “Super Smash Bros.” for the Nintendo 64. Both themes are remixed many times in Brawl, the sequel to Melee. Metal Gear Solid Medley Harry-Gregson Williams, et al. Metal Gear Solid, MGS 2: Sons of Liberty, MGS 3: Snake Eater Arranger: Gerald Tagunicar The main protagonist, Solid Snake, is a Special Forces stealth operative who repeatedly faces super-weapons of mass destruction, known as Metal Gear. -
The Dallas Symphony Orchestra Presents: Beethoven at 250
The Dallas Symphony Orchestra Presents: Beethoven at 250 January 22 and 23, 2020 Dear Fellow Educators, Ludwig van Beethoven lived a life driven by an unquenchable need to make music. On this, the 250th anniver- sary of his birth, the Dallas Symphony celebrates his legacy: music that still delights, challenges, and moves us. Consumed by a towering genius, he lived a life that was complex, inspired, unique, and difficult. But even when he was young, it was clear that he would leave a lasting impact. At the age of 17, Beethoven made his first trip to Vienna, the city that would become his home. There, he was quickly immersed in the life of Europe’s cultural capital, and played the piano for none other than Mozart. Mozart’s prediction: “You will make a big noise in the world.” At the dawn of the 19th century, the world was changing. The French Revolution had rocked Europe, Napoleon was rising to power, and every aspect of human life seemed to shift. It was an age of change in ideas, the arts, science, and the structure of society itself. Musically, Beethoven led the charge into a new century by replacing established Classical ideals with a wave of Romanticism, valuing imagination and emotion over intellect and reason. Music has never been the same since, and his many musical innovations paved the way for countless composers after him. Some of his string quartets, in fact, prompted one man to remark, “Surely you do not consider these works to be music?” Beethoven replied, “Oh, they are not for you, but for a later age.” He was right. -
Heart of Gaming Fr 24. August 2018
HEART OF FR 24. AUGUST 2018 MUSIK AUS COMPUTER- GAMING UND VIDEOSPIELEN PROGRAMM FR 24 8 18 HEART OF GAMING 20.00 UHR KÖLNER PHILHARMONIE Greg Edmonson/Eric Schmidt (Arr.) Jason Graves Part 1: Reunion A Survivor Is Born (Suite) aus: Uncharted 2 aus: Tomb Raider Austin Wintory Garry Schyman/Paul Bateman Apotheosis Bioshock Suite aus: Journey Alberto Menchen, Violine solo Inon Zur/Paul D. Taylor (Arr.) Gareth Coker/Gareth Coker & Fallout Suite David Peacock (Arr.) Ori And The Blind Forest Richard Jacques Athens Harbour Chase Jesper Kyd/Benoit Grey (Arr.) aus: James Bond 007: Blood Stone Ezio’s Family Concert Suite aus: Assassin’s Creed II Chris Hülsbeck/Jonne Valtonen (Arr.) Gun Young An, Sopran solo The Great Giana Sisters Suite Takeshi Furukawa Masashi Hamauzu Finale II: Escape Missgestalt für Klavier solo aus: The Last Guardian aus: SaGa Frontier 2 Hideki Sakamoto/Benyamin Nuss (Arr.) Benyamin Nuss Klavier Kairan für Klavier solo WDR Rundfunkchor aus: Bungo to Alchemist WDR Funkhausorchester Evan Christ Leitung PAUSE Maxi Gstettenbauer Moderation In Zusammenarbeit mit Soundtrack Cologne SENDETERMIN WDR 4 SO 30. SEPTEMBER 2018, 19.04 UHR DAS KONZERT WIRD AUF WDR-FUNKHAUSORCHESTER.DE IM VIDEO-LIVESTREAM ÜBERTRAGEN 3 LIEBE KONZERT- BESUCHERINNEN UND HEART OF KONZERTBESUCHER, GAMING können Sie sich ein Leben ohne Musik vor- stellen? Ohne die Klänge, die uns inspirieren, zum Lachen bringen und zu Tränen rühren? Ich persönlich kann es nicht. Als leidenschaftlicher Saxofonist ist Musik essenzieller Teil meines Lebens. Ich weiß, welche Kraft sie hat und dass sie uns in all unseren Sinnen anspricht. Musik gehört für mich einfach dazu – besonders auch zu Computer- und Videospielen. -
Bruckner's Ninth
John Storgårds, conductor Friday, November 30, 2018 at 10:30AM Ingrid Fliter, piano Saturday, December 1, 2018 at 8:00PM MENDELSSOHN Piano Concerto No. 1 in G minor, op. 25 (1830-1831) (1809-1847) Molto allegro con fuoco - Andante - Presto; Molto allegro e vivace Ingrid Fliter, piano INTERMISSION BRUCKNER Symphony No. 9 in D minor (1891-1894) (1824-1896) Feierlich, Misterioso Scherzo: Bewegt, lebhaft Adagio: Langsam, feierlich ACKNOWLEDGMENTS The 2018/2019 Classical Series is presented by World Wide Technology and The Steward Family Foundation. John Storgårds and Ingrid Fliter are the Essman Family Foundation Guest Artists. The concert of Friday, November 30, is underwritten in part by a generous gift from Mr. Robert L. Williams. The concert of Saturday, December 1, is underwritten in part by a generous gift from Dr. Cora E. Musial. Pre-concert conversations are sponsored by Washington University Physicians. 19 PROGRAM NOTES BY TIM MUNRO Outwardly, Felix Mendelssohn and Anton Bruckner could not be more different. Mendelssohn, a refined, cosmopolitan, bookish German, born into wealth. Bruckner, an unsophisticated, pious, conservative Austrian, born into a humble home. Mendelssohn, a child prodigy composer and performer, whose musical voice is present from the very first notes of his teenaged Octet. And Bruckner, a late- bloomer who did not find his unique style until well into middle age. Each is represented here by strikingly different works. Mendelssohn’s sparkling First Concerto is concise, crowded with drama. Bruckner’s towering final symphonic cathedral is epic, uncompromising. Yet, scratch the surface and these two are twinned. Both were old-fashioned in their time. -
L'evoluzione Della Relazione Uroborica Fra Videogioco E Musica: Il Singolare Caso Di Transculturalità Dell'industria Videoludica Giapponese
Corso di Laurea magistrale in Economia e Gestione delle Arti e delle Attività culturali Dipartimento di Filosofia e Beni culturali Tesi di Laurea L'evoluzione della relazione uroborica fra videogioco e musica: il singolare caso di transculturalità dell'industria videoludica giapponese Relatore: Giovanni De Zorzi Correlatrice: Maria Roberta Novielli Laureando: Enrico Pittalis Numero di Matricola: 871795 Anno accademico 2018/2019 Sessione Straordinaria Ringrazio Valentina, la persona più preziosa, senza cui questo lavoro non sarebbe stato possibile. Ringrazio i miei relatori, i professori Giovanni De Zorzi e Maria Roberta Novielli, che mi hanno guidato lungo questo percorso con grande serietà. Ringrazio i miei amici per i tanti consigli, confronti e spunti di riflessione che mi hanno dato. Ringrazio il Dott. Tommaso Barbetta per avermi incoraggiato ed aiutato a trovare gli obiettivi e il Prof. Toshio Miyake per avermi suggerito dei materiali di approfondimento. Ringrazio il Prof. Marco Fedalto per avermi dato importantissimi consigli. Ringrazio i miei genitori per avermi sostenuto nelle mie scelte, anche le più stravaganti. Glossario: - Anime: termine con cui si fa riferimento alle serie televisive animate prodotte in Giappone, spesso adattamenti televisivi di romanzi brevi o manga, talvolta videogiochi. - Arcade: prestito linguistico dall’inglese, termine con cui ci si riferisce alle “Macchine da gioco”, costituita fisicamente da un videogioco posto all'interno di un cabinato di grandi dimensioni operabile a monete o gettoni, che normalmente viene posto in postazioni pubbliche come sale giochi, bar, talvolta cinema e centri commerciali. L’Etimologia è incerta, probabilmente derivante da “Arcata” facente riferimento storicamente a lunghi viali sotto i portici dei borghi, dove si trovavano le botteghe e luoghi dediti al divertimento. -
Stiftelsen Cancercentrum Karolinska 815201-3804
Ankom Stockholms läns landsting 2012 -06- 1 2 Dnr..^.i2i)6--0S33 Årsredovisning för STIFTELSEN CANCERCENTRUM KAROLINSKA 815201-3804 Räkenskapsåret 2011-01-01 - 2011-12-31 S EN CANCERCE 8 ScS NTRUM KAROLINSKA 1(9) Förvaltningsberättelse IllÄ får ^-d avgiva redovisning över sin förvarning av av flmarBf'103^ ^.f4 landstingsfullmäktige vid Stockholms läns landsting med andamål att i nära sSfö?dS k,Lmsk ^rimentell cancerforskning. Stiftelsen molskäl^ e?JlWm inom sjukhusets område. Stiftelsen skall ÄlgÄ laboratonum, utb.ldn.ngsutrymmen samt övriga loka.er som behövs året örja SSÄi-ISI / L5 r ?estått av direktor Ulf Lagerström (ordförande), professor Bo KFSÄ^ W- finansministeV Erik Asbrint professor Sti e,SenS ti,,k0mSt) chefs,äkare Pete Mmt d^r^^^SJ nd ^ t ^ ? ' ' Rönnerfalk KriSS^J? i® *! !t; ^rsättare har varit professorerna Catharina Larsson och Roger Henriksson. Styrelsen har till sig adjungerat professor Tina Dalianis och civilingenjör Claes Lindblom. , , ^S2SiJSÄ^y bK rettSmav ^Presidium.1 detta har ingått Ulf Lagerström (ordförande), Bo Nordenskjöld och Ulrik Ringborg. Presidiet har fortlöpande diskuterat frågor rörande CCK, retJar f^?1^1? ??,Ht 4 sammanträden. En central fråga har varit konsekvenser för CCK når NKS (Nya Karolinska Sjukhuset i Solna) blir en realitet. En tidsförskjutning till 2016-17 är nu fallet I maj månad togs ett beslut i Stockholms Läns Landsting att omstrukturera sjukvårdsorganisationeh i länet. Ett delmål är att skapa det nya universitetssjukhuset som skall bli en struktur för translationell medicin. Cancer skall vara ett tema och för detta skall etableras ett Comprehensive Cancer Centre som beräknas omfatta 30% av den totala verksamheten. Utrymme för cancerforskning planeras i NKS motsvarande den som idag finns i CCK-byggnaden.