Xin Tang (New China)
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FOR NEWFOUNDLAND STUDIES TOTAL OF 10 PAGES ONLY MAY BE XEROXED •(Without Author's Permission) MAY 1 1 2006 INTERNATIONALIZATION OF HIGHER EDUCATION IN CHINA: FROM A HISTORICAL PERSPECTIVE by Yunpeng Sun A thesis submitted to the School of Graduate Studies in partial fulfilment of the requirements for the degree of Master of Education Faculty of Education Memorial University ofNewfoundland May 2005 St. John's Newfoundland Library and Bibliotheque et 0-494-06663-6 1+1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de !'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre reference ISBN: Our file Notre reference ISBN: NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a Ia Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder-, conserver, transmettre au public communicate to the public by par telecommunication ou par I' Internet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve Ia propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni Ia these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
The Construction of Anti-Physical Culture by Chinese Dynasts Using Confucianism and the Civil Service Examination
PHYSICAL CULTURE AND SPORT. STUDIES AND RESEARCH DOI: 10.2478/v10141-011-0004-x Be a Sedentary Confucian Gentlemen: The Construction of Anti-Physical Culture by Chinese Dynasts Using Confucianism and the Civil Service Examination Junwei Yu National Taiwan College of Physical Education, Taiwan ABSTRACT Although there has been a growing body of research that explores Chinese masculinities within imperial China, the connection between masculinity and physical culture has been neglected. In this article, the author argues that Chinese emperors used Confucianism and the civil service examination ( keju ) to rule the country, and at the same time, created a social group of sedentary gentlemen whose studiousness and bookishness were worshiped by the public. In particular, the political institution of keju played a crucial role in disciplining the body. Behavior that did not conform to the Confucian standards which stressed civility and education were considered barbaric. As a result, a wen -version of masculinity was constructed. In other words, an anti- physical culture that strengthened the gross contempt towards those who chose to engage in physical labor. KEYWORDS China, confucianism, gentleman, physical culture, civil service examination Current Western ideals of how men should behave have dominated the standard setting discourse against which other forms of masculinity are measured and evaluated. Set against the ‘macho’ stereotype circulating in the West, images of Chinese men do not conform to this type of masculinity, and the same associations of manliness do not exist. Yet pre-modern Chinese have nonetheless sought to define the normative ideal of male behavior, as this article will demonstrate. Therefore, masculinity is never a monolithic concept. -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
Congressional-Executive Commission on China
CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2017 ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION OCTOBER 5, 2017 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov VerDate Nov 24 2008 16:24 Oct 04, 2017 Jkt 000000 PO 00000 Frm 00001 Fmt 6011 Sfmt 5011 U:\DOCS\26811 DIEDRE 2017 ANNUAL REPORT VerDate Nov 24 2008 16:24 Oct 04, 2017 Jkt 000000 PO 00000 Frm 00002 Fmt 6019 Sfmt 6019 U:\DOCS\26811 DIEDRE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2017 ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION OCTOBER 5, 2017 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov U.S. GOVERNMENT PUBLISHING OFFICE 26–811 PDF WASHINGTON : 2017 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate Nov 24 2008 16:24 Oct 04, 2017 Jkt 000000 PO 00000 Frm 00003 Fmt 5011 Sfmt 5011 U:\DOCS\26811 DIEDRE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA LEGISLATIVE BRANCH COMMISSIONERS Senate House MARCO RUBIO, Florida, Chairman CHRISTOPHER H. SMITH, New Jersey, JAMES LANKFORD, Oklahoma Cochairman TOM COTTON, Arkansas ROBERT PITTENGER, North Carolina STEVE DAINES, Montana TRENT FRANKS, Arizona TODD YOUNG, Indiana RANDY HULTGREN, Illinois DIANNE FEINSTEIN, California MARCY KAPTUR, Ohio JEFF MERKLEY, Oregon TIMOTHY J. WALZ, Minnesota GARY PETERS, Michigan TED LIEU, California ANGUS KING, Maine EXECUTIVE BRANCH COMMISSIONERS Department of State, To Be Appointed Department of Labor, To Be Appointed Department of Commerce, To Be Appointed At-Large, To Be Appointed At-Large, To Be Appointed ELYSE B. -
Chapter 25 Uniform Titles Part 1
CHAPTER 25 UNIFORM TITLES Revised: October 2010 25.1. USE OF UNIFORM TITLES 25.1A. Uniform titles can be used for different purposes. They provide the means: for bringing together all catalogue entries of a work when various manifestations (e.g. editions, translations) of it have appeared under various titles; for identifying a work when the title by which it is known differs from the title proper of the item being catalogued; for differentiating between two or more works published under identical titles proper; for organizing the file. The need to use uniform titles varies from one catalogue to another and varies within one catalogue. Base the decision whether to use a uniform title in a particular instance on one or more of the following, as appropriate: 1) how well the work is known 2) how many manifestations of the work are involved 3) whether another work with the same title proper has been identified (see 25.5B) 4) whether the main entry is under title (see 21.1C) 5) whether the work was originally in another language 6) the extent to which the catalogue is used for research purposes. NOTE: Chapter 25 is optional. Although this chapter describes an instructional set of rules, use these rules according to the varying policies of the cataloging agency. LC rule interpretation: Applicability Use a uniform title unless the complete uniform title that would be assigned is exactly the same as the title proper of the item. Exceptions 1) Do not use a uniform title when the only difference is the presence of an initial article in the bibliographic title proper. -
Life, Thought and Image of Wang Zheng, a Confucian-Christian in Late Ming China
Life, Thought and Image of Wang Zheng, a Confucian-Christian in Late Ming China Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn vorgelegt von Ruizhong Ding aus Qishan, VR. China Bonn, 2019 Gedruckt mit der Genehmigung der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität Bonn Zusammensetzung der Prüfungskommission: Prof. Dr. Dr. Manfred Hutter, Institut für Orient- und Asienwissenschaften (Vorsitzender) Prof. Dr. Wolfgang Kubin, Institut für Orient- und Asienwissenschaften (Betreuer und Gutachter) Prof. Dr. Ralph Kauz, Institut für Orient- und Asienwissenschaften (Gutachter) Prof. Dr. Veronika Veit, Institut für Orient- und Asienwissenschaften (weiteres prüfungsberechtigtes Mitglied) Tag der mündlichen Prüfung：22.07.2019 Acknowledgements Currently, when this dissertation is finished, I look out of the window with joyfulness and I would like to express many words to all of you who helped me. Prof. Wolfgang Kubin accepted me as his Ph.D student and in these years he warmly helped me a lot, not only with my research but also with my life. In every meeting, I am impressed by his personality and erudition deeply. I remember one time in his seminar he pointed out my minor errors in the speech paper frankly and patiently. I am indulged in his beautiful German and brilliant poetry. His translations are full of insightful wisdom. Every time when I meet him, I hope it is a long time. I am so grateful that Prof. Ralph Kauz in the past years gave me unlimited help. In his seminars, his academic methods and sights opened my horizons. Usually, he supported and encouraged me to study more fields of research. -
Xiao Gang (503-551): His Life and Literature
Xiao Gang (503-551): His Life and Literature by Qingzhen Deng B.A., Guangzhou Foreign Language Institute, China, 1990 M.A., Kobe City University of Foreign Languages, Japan, 1996 Ph.D., Nara Women's University, Japan, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2013 © Qingzhen Deng, 2013 ii Abstract This dissertation focuses on an emperor-poet, Xiao Gang (503-551, r. 550-551), who lived during a period called the Six Dynasties in China. He was born a prince during the Liang Dynasty, became Crown Prince upon his older brother's death, and eventually succeeded to the crown after the Liang court had come under the control of a rebel named Hou Jing (d. 552). He was murdered by Hou before long and was posthumously given the title of "Emperor of Jianwen (Jianwen Di)" by his younger brother Xiao Yi (508-554). Xiao's writing of amorous poetry was blamed for the fall of the Liang Dynasty by Confucian scholars, and adverse criticism of his so-called "decadent" Palace Style Poetry has continued for centuries. By analyzing Xiao Gang within his own historical context, I am able to develop a more refined analysis of Xiao, who was a poet, a filial son, a caring brother, a sympathetic governor, and a literatus with broad and profound learning in history, religion and various literary genres. Fewer than half of Xiao's extant poems, not to mention his voluminous other writings and many of those that have been lost, can be characterized as "erotic" or "flowery". -
The Contrast of Chinese and English in the Translation of Chinese Poetry
Asian Social Science December, 2008 The Contrast of Chinese and English in the Translation of Chinese Poetry Ning Li Continuing Education College Beijing Information Science & Technology University Beijing 100076, China E-mail: [email protected] Abstract Chinese poetry is the soul of Chinese literature and Chinese culture. A good translation of a Chinese verse can promote the prevalence of Chinese culture. In the translation of Chinese poetry, translators should not only keep the characteristics of Chinese poems, but also embody the English characteristics. This article analyzed some versions of translation and proposed factors affecting the translation of Chinese poetry. Keywords: Chinese Poetry, Translation, Contrast 1. Introduction Chinese poetry is one of the most important parts in Chinese literature. Since The Book of Odes, the first poetry collection written by Confucius in the spring-autumn period was known by people, Chinese poetry has developed quickly. In the Tang Dynasty, Chinese poetry was at its peak. In this period, many immortal poems were written and had great influence on the later Dynasties. In the later Dynasties, Chinese poetry went on its development. But because of the development of other literary styles—Yuan Songs (drama created mainly in Yuan Dynasty), novels, and essays, poetry is no longer the major literary style. In this article, I’d like to talk about the contrast of Chinese and English in the translation of Tang-poems. Tang-poems has very strict phonological format. In each stanza, there are five (in quatrains) or seven (in regulated verses) words. Using limited words to express unlimited sense is the major characteristic of Chinese poetry. -
International Seminar on Silk Roads: Roads of Dialogue
INTERNATIONAL SEMINAR ON SILK ROADS: ROADS OF DIALOGUE MALACCA, MALAYSIA 4th January 1991 Organized by: Ministry of Culture, Arts and Tourism, Malaysia National University of Malaysia Ministry of Education, Malaysia Chief Minister Department. Malacca With the Cooperation of: 1 Recent Studies in China on Admiral Zheng He's Navigation Liu Yingsheng Nanjing University, China At the end of 15th century great Portuguese sailor Vasco Da Gama returned to Europe from India. In the history of navigation, the Portuguese discovery is the very beginning of the new era. But before the Portuguese came to the east the Pacific Ocean and Indian Ocean had already been a busy commercial region for a long time. Ships of China, Southeast Asia, Sub- continent, West Asia and East Africa had kept on coming and going from east to west and from west to east. Admiral Zheng He and his fleets’ navigation in the West Pacific Ocean and Indian Ocean in the early 15th century is one of greatest achievements in the history of Chinese navigation activities. In the period from the 3rd year of Yong Le 永乐 (1405) to the 8th year of Xuan De 宣 德 (1433) Zheng He sailed 7 times to Southeast Asia and in the Indian Ocean. His fleet was the biggest in the world at that time. It consisted of more than 200 ships and more than 27,800 sailors and soldiers. The study on Zheng He's navigation activity was begun at the beginning of the Qing Dynasty when Zhang Tingyu 张廷玉 and his colleagues compiled the biography of Zheng He of the Ming Shi in the 17th century. -
Appendix 4 PRESCRIPTIONS
Appendix 4 PRESCRIPTIONS AI FU NUAN GONG WAN AN YING NIU HUANG WAN Artemisia-Cyperus Warming the Uterus Pill Calming the Nutritive-Qi [Level] Calculus Bovis Pill • Ai Ye Folium Artemisiae argyi 9 g • Niu Huang Calculus Bovis 3 g • Wu Zhu Yu Fructus Evodiae 4.5 g • Yu Jin Radix Curcumae 9 g • Rou Gui Cortex Cinnamomi 4.5 g • Shui Niu Jiao Cornu Bubali 6 g • Xiang Fu Rhizoma Cyperi 9 g • Huang Lian Rhizoma Coptidis 6 g • Dang Gui Radix Angelicae sinensis 9 g • Zhu Sha Cinnabaris 1.5 g • Chuan Xiong Rhizoma Chuanxiong 6 g • Shan Zhi Zi Fructus Gardeniae 6 g • Bai Shao Radix Paeoniae alba 6 g • Xiong Huang Realgar 0.15 g • Huang Qi Radix Astragali 6 g • Huang Qin Radix Scutellariae 9 g • Sheng Di Huang Radix Rehmanniae 9 g • Zhen Zhu Mu Concha Margatiriferae usta 12 g • Xu Duan Radix Dipsaci 6 g • Bing Pian Borneolum 3 g • She Xiang Moschus 1 g AN SHEN DING ZHI WAN NOTE: Please note that this formula contains many Calming the Mind and Settling the Spirit Pill banned substances, i.e. Niu Huang, Zhu Sha, Bing • Ren Shen Radix Ginseng 9 g Pian and She Xiang. They should be replaced by Shi • Fu Ling Poria 12 g Chang Pu Rhizoma Acori tatarinowii. • Fu Shen Sclerotium Poriae pararadicis 9 g • Long Chi Fossilia Dentis Mastodi 15 g BA XIAN CHANG SHOU WAN • Yuan Zhi Radix Polygalae 6 g Eight Immortals Longevity Pill • Shi Chang Pu Rhizoma Acori tatarinowii 8 g • Shu Di Huang Radix Rehmanniae preparata 24 g • Shan Zhu Yu Fructus Corni 12 g AN SHEN DING ZHI WAN Variation (Chapter 14, • Shan Yao Rhizoma Dioscoreae 12 g Anxiety, Heart and Gall Bladder -
Discrepancies Between Zhang Tianyi and Dickens
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Zhang Tianyi’s Selective Acceptance of Charles Dickens Chunxu Ge School of Languages, Literatures and Cultures Submitted for the Degree of Doctor of Philosophy June 2019 1 Abstract This research is a comparative study on the works of Charles Dickens (1812-1870) and Zhang Tianyi 張天翼 (1906-1985). The former was one of the greatest novelists of the Victorian era; the latter, a Left-wing writer in Republican China. The study analyses five short stories from Zhang’s corpus and compares his works with ten novles of Dickens. The study argues that Dickens is one among other writers that have parallels with Zhang, through the exploration of several aspects of their works. At the beginning of the twentieth century, Dickens’s novels were introduced to China by Lin Shu. -
Reimagining Revolutionary Labor in the People's Commune
Reimagining Revolutionary Labor in the People’s Commune: Amateurism and Social Reproduction in the Maoist Countryside by Angie Baecker A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Asian Languages and Cultures) in the University of Michigan 2020 Doctoral Committee: Professor Xiaobing Tang, Co-Chair, Chinese University of Hong Kong Associate Professor Emily Wilcox, Co-Chair Professor Geoff Eley Professor Rebecca Karl, New York University Associate Professor Youngju Ryu Angie Baecker [email protected] ORCID iD: 0000-0003-0182-0257 © Angie Baecker 2020 Dedication This dissertation is dedicated to my grandmother, Chang-chang Feng 馮張章 (1921– 2016). In her life, she chose for herself the penname Zhang Yuhuan 張宇寰. She remains my guiding star. ii Acknowledgements Nobody writes a dissertation alone, and many people’s labor has facilitated my own. My scholarship has been borne by a great many networks of support, both formal and informal, and indeed it would go against the principles of my work to believe that I have been able to come this far all on my own. Many of the people and systems that have enabled me to complete my dissertation remain invisible to me, and I will only ever be able to make a partial account of all of the support I have received, which is as follows: Thanks go first to the members of my committee. To Xiaobing Tang, I am grateful above all for believing in me. Texts that we have read together in numerous courses and conversations remain cornerstones of my thinking. He has always greeted my most ambitious arguments with enthusiasm, and has pushed me to reach for higher levels of achievement.