151 Vol XV11 MM 9.Pmd

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Registered with the Reg. No. TN/PMG (CCR) /814/06-08 Registrar of Newspapers Licence to post without prepayment for India under R.N.I. 53640/91 Licence No. WPP 506/06-08 Rs. 5 per copy (Annual Subscription: Rs. 100/-) WE CARE FOR MADRAS THAT IS CHENNAI INSIDE Short N Snappy Any green in the blueprint? MADRAS City changed and unchanged Madras Week programme MUSINGS In Nanmangalam forest Vol. XVII No. 09 August 16-31, 2007 Government to the rescue of whats illegal (By A Special Correspondent) he Government of Tamil What in reality the Ordi- What! No curd rice...?! TNadu gave a shot in the nance has done is to protect the Its haute cuisine now! arm to all those violating build- high profile violators of building ing rules and land use specifica- safety rules and FSI regulations, Isnt this something? tions on July 27th. In a sweep- and in particular the illegal Our very own thair saadham ing move, it promulgated an buildings that have come up in making it to billboards, find- Ordinance that allowed the sta- TNagars shopping area which ing a slot for itself in the tus quo on illegal buildings for a were slated for demolition. All midst of all that fancy global year. The Ordinance sought to legal actions, such as demolition cuisine/food festivals brou- To be seen at Nanmangalam haha. maintain the status quo on and the imposition of regulatory unauthorised constructions for fines, have now come to a stop. Whod have thought...? l Among the dominant plant species are Kayampoo (Memecylon a year, notwithstanding any It is worth reminding readers umbellatum), Virali (Dodonea viscosa), Marakalan (Catunaregam Now, if you belong to the gen- spinosa), and Eugenia bracteata. The Reserve Forest is also a habitat eration that grew up on judgement, decree or order of that the State government is for Jackals, Grey-naped hare, Monitor lizard, Sitas lizard and a school lunches of thair- any court! not alone in this. The Delhi saadham-dotted-with-pickle It also said all notices issued Government too has taken variety of bird species. Birds like Little brown dove, Jungle wren- babbler, Small minivet, Indian robin, Stone curlew, White-eyed in little single-tiered tiffin by any authority for initiating shelter behind a similar excuse buzzard, Common Indian nightjar and Indian great horned owl (in carriers (those were the dino- action against unauthorised de- and the Tamil Nadu Govern- the picture above) are noteworthy. During winter, several birds, saur days before hot packs velopment shall be deemed to ment has obviously taken a leaf like the Brahminy starling, Chestnut-tailed starling and Rosy and cute containers, you have been suspended and no from the countrys capital. see), you cannot but help starling, can be sighted in great numbers. The insect life is quite punitive action shall be taken There is a strong belief prolific, many unnoticed being nocturnal and/or camouflaged well. glowing just a bit. for a year among those shocked by this Notable among them are eight-inch-long praying mantises resem- Imagine, we were so in (Yes, I The reason given was that bling grass leaves, and ant-lions, beautifully coloured crickets, jewel know, yet another dated the Justice Mohan Committee (Continued on page 4) beetles, spiders, butterflies and moths. The water in the ravines word that betrays your time- holds frogs and turtles. (Also see page 7.) slot), and didnt know it. is, anyway, reviewing the Town Instead, we used the dishs and Country Planning Act and, name when accusing some- in the light of that, several new one of a certain lack of pa- recommendations will emerge Lets all add to this nache or savvy-dom. which will need to be imple- Another image with the dish mented. Therefore, all such vio- playing centre-stage. lations can be taken care of in celebration of Madras Dinner time. A grandmother the light of the Committees re- (or someone equally vener- port with retrospective effect. able) sits, facing a semi-circle The Government has cited t is now clear that Madras centring on the city as its sub- decided to organise a series of of youngsters. Their hands protection of hawkers interests IDay has come to stay as an ject. The sudden arrival of talks in order to commemorate are stretched out, palms up- as the main reason for the Ordi- annual event in Chennais so- Salman Rushdie with Padma the citys founding and this turned. Scooping perfect nance. It claims that they would cial calendar. It is difficult to be- Lakshmi in tow for one of these changed the event from Madras little mounds of thair have been the worst affected had saadham from a big vessel in lieve that it was just three years talks created quite a flutter. But Day to Madras Week. Natu- front of her, she places them the High Courts recent judge- ago that the Editor of Madras that was largely it. It was felt rally, this enlarged the scope of bang in the middle of each ments on demolition of illegal Musings and a few other jour- that such an event needed to be the celebrations. The corporate palm. And the children eat, structures been put into effect. nalists who are heritage and his- houses of the city came forward mesmerised by her stories The Citizens consumer and tory enthusiasts got together to By A Special to participate. The Taj Group of into finishing dinner minus civic Action Group (CAG), celebrate the founding of this Correspondent Hotels was the first to come any fuss. which had successfully chal- city by Francis Day, Andrew forward and offered to host a The dish has certainly come a lenged the indiscriminate Cogan, Beri Thimmappa and broadbased with hotels, shops, couple of the talks. An exhibi- long way fancy packing, regularisation of unauthorised Nagabathan, none of whom is establishments and organi- tion of photographs of Carnatic advertised by stars, and given constructions earlier, is of the remembered anywhere in the sations getting involved. The musicians of the past was held a name thats a play on its old view that the clause about pro- metropolis. city needed to wear a festive at the Piano Lounge of the ho- one. tection of hawkers interests is a In 2005, Madras Day was a look and feel festive for it to be tel. Closely following it came But, inside, the same familiar sham, as no court order has ever a proper birthday. friend. low key event with a couple of the Park Hotel which hosted asked for eviction of hawkers. Heritage Walks, a few quiz con- Chennai Heritage, publi- the first of the talks. The restau- Not all makeovers change the essential soul. On the other hand, in terms of tests and a couple of talks shers of Madras Musings, rant-cum-boutique Chamiers court judgements, there is a And thank God for that. chipped in offering its venue for Committee that is looking into The Madras Week Programme: Page 5. Ranjitha Ashok the interests of hawkers. (Continued on page 8) CMYK 2 MADRAS MUSINGS August 16-31, 2007 GOKHALE HALL OUT OF BOUNDS he Young Mens Indian days, water, though a little ing deity made of two rubber T Association is following murky, no doubt owing to the tyres, a plastic bucket and the the time-tested route for build- cleaning, emerged. It was just branch of a tree in order to ing a case for the demolition of that the CMWSSB is a Cha- warn motorists that road works historic Gokhale Hall on Arme- otic Metro but Wilfully Strong are ahead. Once the PDB has nian Street. The Man from Ma- and Silent Body that moves in crossed this hurdle, he reaches dras Musings learns that eager a mysterious way its wonders to the traffic lights where a students of the Music Depart- perform, MMM discovered. bigwigs arrival has ensured ment, Madras University, on a that all traffic is thrown out of walking tour of the George In the dark gear. Then there are political Town area, were denied per- rallies, bus breakdowns, fisti- mission to enter the building. he Man from Madras cuffs between two car drivers The senior office-bearer from T Musings is certain that the whose vehicles have collided whom permission was sought Editor of this journal (or the and who have therefore de- declared over the phone that Chief as we like to think of cided to dispense justice on the the building was unsafe for en- him) is not going to like this, as spot, vendors, hand-pulled try and he did not want to be the contributions of Ziegenbalg carts and many other hurdles. held responsible for any mishap of Tranquebar and the Jesuit Which, incidentally, reminds to the students in case the edi- missionaries of Madura in the MMM of the difficulties propagation of Tamil rank high Vikramaditya went through in fice came crashing down on The state of composer Tiruvottriyur Tyagiers house in George Town. them! The students simply among his favourite subjects. his prime to fetch the egg in But why is it that when all which the demons source of contented themselves with challenged in Court, but was ences. Now what about the standing outside this endan- other statues dotting the Ma- strength was stored which, if dismissed on the grounds that citys own, presently celebrat- rina are always in a blaze of gered structure. What im- th not released, he, the demon, the demolition had already ing its 150 year, asked the light, thanks to the new spot- would eat the girl whom pressed them most was the vis- happened and so nothing could wag.
Recommended publications
  • A Study on How the North Madras Films Are Portrayed in Tamil Cinema and Its Impact on Common Audience

    A Study on How the North Madras Films Are Portrayed in Tamil Cinema and Its Impact on Common Audience

    International Journal of Research in Engineering, Science and Management 500 Volume-2, Issue-10, October-2019 www.ijresm.com | ISSN (Online): 2581-5792 A Study on how the North Madras Films are Portrayed in Tamil Cinema and its Impact on Common Audience J. John Felix Student, Department of Visual Communication, Loyola College, Chennai, India Abstract: The original home town of labours where they are settled in north madras (royaburam) during the Chennai floods accommodated the most. in the late 70s and 80s most of the places (2015) royaburam is one of the places in north madras which in north madras are slums. then government announced the slum was not affected by Chennai floods, there was no water logging clearance board act at the year 1971. After many years unemployment became a very rare condition because 9 out of 10 or stagnation, because of the well-constructed and executed people were employed and the education level has been drastically infrastructure of the area and also there was uninterrupted improved in the past 20 years. in Tamil cinema north madras and electricity, water & milk facility. this area is also home to one north madras peoples are portrayed in darker way like gangster, of the cities oldest railway stations. as the Chennai city uneducated, drug dealer. thus the film ends up to the audience that continues to expand its boundaries north madras continues to and makes them believe and assume that north madras it is the the place where the city began. same way shown in the film. the researcher in this study aims to find what is the audience impact on the films.
  • Spectacle Spaces: Production of Caste in Recent Tamil Films

    Spectacle Spaces: Production of Caste in Recent Tamil Films

    South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012.
  • 1 in the High Court of Judicature at Madras Dated

    1 in the High Court of Judicature at Madras Dated

    1 IN THE HIGH COURT OF JUDICATURE AT MADRAS DATED: 22.02.2018 CORAM THE HON'BLE MS.INDIRA BANERJEE, CHIEF JUSTICE and THE HON'BLE MR. JUSTICE ABDUL QUDDHOSE O.S.A.No.63 of 2018 and CMP.Nos.3492 & 3493 of 2018 M/s.Lyca Productions, rep. by its Producer Mr.Subash Karan, No.55, Block – B, 4th Floor, Vijayaraghava Road, T.Nagar (Near Vani Mahal) Chennai – 600 017. .. Appellant vs 1.J.Manimaran, Proprietor of M/s.J.S.Screens, Having office at Nok.12, Angalaparameswari 4th street, M.G.R. Nagar, Chennai – 600 078. 2.M/s.Tamil Film Producer Council, rep. by its Secretary, No.14/26, Yogambal Street, T.Nagar, Chennai – 600 017. 3.M/s.Film & Television Producers Guild of South India, rep. by its Secretary, No.19, Jagadeeswaran Street, T.Nagar, Chennai – 600 017. 4.Censor Board of Film Certification, Shastri Bhavan, No.35, Haddows Road, Chennai – 600 006. http://www.judis.nic.in 2 5.M/s.UFO Digital Cinema, No.53, Arunachalam Street, Police Quarters, Triplicane, Chennai – 600 004. 6.M/s.PXD, Prasad Extreme Digital Cinema Network Private Limited, No.28, Arunachalam Road, Saligramam, Chennai – 600 093. 7.M/s.QUBE, No.42, Dr.Ranga Road, Mylapore, Chennai – 600 004. .. Respondents Appeal filed under Order XXXVI, Rule 9 of Original Side Rules read with Clause 15 of Letters Patent against the order dated 19.2.2018 passed in O.A.No.72 of 2018 in C.S.No.65 of 2018 on the file of this Court. For Appellants .
  • Police Matters: the Everyday State and Caste Politics in South India, 1900�1975 � by Radha Kumar

    Police Matters: the Everyday State and Caste Politics in South India, 19001975 by Radha Kumar

    PolICe atter P olice M a tte rs T he v eryday tate and aste Politics in South India, 1900–1975 • R a dha Kumar Cornell unIerIt Pre IthaCa an lonon Copyright 2021 by Cornell University The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https:creativecommons.orglicensesby-nc-nd4.0. To use this book, or parts of this book, in any way not covered by the license, please contact Cornell University Press, Sage House, 512 East State Street, Ithaca, New ork 14850. Visit our website at cornellpress.cornell.edu. First published 2021 by Cornell University Press Library of Congress Cataloging-in-Publication Data Names: Kumar, Radha, 1981 author. Title: Police matters: the everyday state and caste politics in south India, 19001975 by Radha Kumar. Description: Ithaca New ork: Cornell University Press, 2021 Includes bibliographical references and index. Identifiers: LCCN 2021005664 (print) LCCN 2021005665 (ebook) ISBN 9781501761065 (paperback) ISBN 9781501760860 (pdf) ISBN 9781501760877 (epub) Subjects: LCSH: Police—India—Tamil Nadu—History—20th century. Law enforcement—India—Tamil Nadu—History—20th century. Caste— Political aspects—India—Tamil Nadu—History. Police-community relations—India—Tamil Nadu—History—20th century. Caste-based discrimination—India—Tamil Nadu—History—20th century. Classification: LCC HV8249.T3 K86 2021 (print) LCC HV8249.T3 (ebook) DDC 363.20954820904—dc23 LC record available at https:lccn.loc.gov2021005664 LC ebook record available at https:lccn.loc.gov2021005665 Cover image: The Car en Route, Srivilliputtur, c. 1935. The British Library Board, Carleston Collection: Album of Snapshot Views in South India, Photo 6281 (40).
  • Dr.T.Prabhu 2016

    Dr.T.Prabhu 2016

    Curriculum Vitae Dr.T.Prabhu 2016 Assistant Professor, Department of English, Dr.Ambedkar Govt. Arts College Vyasarpadi Chennai 600 039 Email- [email protected] Mobile-09994219296 Dr.T.Prabhu Assistant Professor, Department of English, Dr.Ambedkar Govt. Arts College Vyasarpadi Chennai 600 039 Email- [email protected] Mobile-09994219296 Years of Experience : 5 years DOB: 22/01/1984 Additional Responsibilities held Nodal Officer - AISHE at SS Govt. Arts College, Tiruttani : Coordinator - RUSA Coordinator - College Website Member - College NAAC Committee Research Experience Area of Research : Indigenous Studies Course Title of the Research Works Research Guide Ph.D „Memory‟, „History‟ and „Identity‟: Restoration of Native (2009-13) Sensibility in the Indigenous Epistemology Dr.S.Armstrong Prof. and Head M.Phil Restoration of Indigenous Identity in the Late 19th and Early Dept. of English (2007-08) 20th Century Tamilakam Univ. of Madras Chennai M.A Louis Dumont‟s Dichotomy between Purity and Pollution in Dr.G.M.James (2005-07) Select Dalit Novels Head, Dept. of English Loyola College Chennai Research Projects S.No Title of the Project Funding Agency Period Amount Sanctioned 1. Bhārathakathai as Oral History: Mahābāratha UGC 2014-16 Rs.2,75,000 Performances in Tiruvallur District of Tamil (Minor Research Nadu Project) 2. Elements of Oral History in the Mahabaratha TANSCHE 2014-15 Rs.1,00,000 Therukoothu: Folk Performances during the (Minor Research Draupathi Amman Festival in Tiruttani Project) Publications 1. “Proxemics: Some Challenges and Strategies in Non-verbal Communication”. IUP Journal of Soft skills Vol. IV No. 3, September 2010. ISSN 0973-8479.
  • Tamil Cinema

    Tamil Cinema

    Centre for the Study of Communication and Culture Volume 28 (2009) No. 4 IN THIS ISSUE Tamil Cinema Perianayagam Jesudoss Salesian Pontifical University, Rome AQUARTERLY REVIEW OF COMMUNICATION RESEARCH ISSN: 0144-4646 Communication Research Trends Table of Contents Volume 28 (2009) Number 4 http://cscc.scu.edu Editor’s Introduction . 3 Published four times a year by the Centre for the Study of Tamil Cinema . 4 Communication and Culture (CSCC), sponsored by the 1. Introduction . 4 California Province of the Society of Jesus. A. Cinema as an aesthetic art . 4 Copyright 2009. ISSN 0144-4646 B. Indian cinema . 5 C. Cinema in Tamil Nadu . 5 Editor: William E. Biernatzki, S.J. 2. Origins of Tamil Cinema . 6 Managing Editor: Paul A. Soukup, S.J. A. Language . 6 B. Drama . 7 C. Music in Tamil drama . 7 Subscription: D. Loud voice culture in Tamil cinema . 8 Annual subscription (Vol. 28) US$50 3. History of Tamil Cinema . 8 A. Extent of Tamil cinema . 8 Payment by check, MasterCard, Visa or US$ preferred. B. A brief history of Tamil cinema . 9 For payments by MasterCard or Visa, send full account C. Technology and industry . 10 number, expiration date, name on account, and signature. D. Kollywood: Center of the Tamil cinema industry . 11 Checks and/or International Money Orders (drawn on 4. Film Distribution . 12 USA banks; for non-USA banks, add $10 for handling) 5. Cinema Production as Cultural Commodity should be made payable to Communication Research in Tamil Nadu . 13 Trends and sent to the managing editor 6. Consumption . 14 Paul A.
  • Spoofs and the Politics of the Film Image's Ontology in Tamil Cinema

    Spoofs and the Politics of the Film Image's Ontology in Tamil Cinema

    Spoofs and the Politics of the Film Image’s Ontology in Tamil Cinema * Constantine V. Nakassis All Film Spoofs, No Spoof Films Commercial Tamil cinema has long been a travesty of itself, its textuality woven from so many citational allusions, homages, and self-parodies; and yet, until recently there was no such recognized genre of the spoof film, only “comedy tracks” trailing in the shadows of the grandiose hero and his more serious narrative, parodying his potent image here and there, most often through scenes of comically inverted or failed heroism (Nakassis 2010:209–221). In 2010, this was seen to have changed, with the release of a surfeit of spoof films—Venkat Prabhu’s Goa, Simbudevan’s Irumbu Kottai Mirattu Singam, and, most importantly for this paper, C. S. Amudhan’s aptly titled Thamizh Padam, or ‘Tamil Movie.’1 And then of course, there was that unwitting spoof hero, the self-proclaimed “Power Star,” Dr. S. Srinivasan, who entered the scene in 2011 with his unbel- ievably absurd, yet ambiguously self-serious, film (Lathika) and public persona (figure 1).2 Industry insiders and film enthusiasts often explain this seeming par- adox that Tamil cinema is all spoof with no spoofs by pointing to the self- seriousness of the industry—that is, that it can’t take a joke; or alter- natively by pointing to its cultural and historical particularity—that is, that “spoofs” are a foreign genre. But what is so notable is that the ind- ustry has long made jokes at its own expense. Think, for example, of Nagesh’s memorable comedy track from Sridhar’s classic 1964 romantic comedy Kadhalikka Neeramillai (‘No Time for Love’), which turns on Nagesh’s nascent film production: a parody of the film producer, Nagesh * Constantine V.
  • XYZ Informant and Tamil Film Producers

    XYZ Informant and Tamil Film Producers

    COMPETITION COMMISSION OF INDIA Case No. 07 of 2018 In Re: XYZ Informant And Tamil Film Producers Council Address: 606, Anna Salai, Film Chamber Compound, Thousand Lights West, Thousand Lights Chennai, Tamil Nadu - 600006 Opposite Party No. 1 Office Bearers of TFPC Address: 606, Anna Salai, Film Chamber Compound, Thousand Lights West, Thousand Lights Chennai, Tamil Nadu – 600006 Opposite Party No. 2 Executive Committee of TFPC Address: 606, Anna Salai, Film Chamber Compound, Thousand Lights West, Thousand Lights Chennai, Tamil Nadu - 600006 Opposite Party No. 3 Telugu Film Chamber of Commerce Address: Dr. D. Ramanaidu Building, Film Nagar, Jubilee Hills Hyderabad - 500096 Opposite Party No. 4 Office Bearers of TFCC Address: Dr. D. Ramanaidu Building, Film Nagar, Jubilee Hills Opposite Party No. 5 Hyderabad - 500096 Case No. 07 of 2018 1 Executive Committee of TFCC Address: Dr. D. Ramanaidu Building, Film Nagar, Jubilee Hills Hyderabad - 500096 Opposite Party No. 6 CORAM Mr. Ashok Kumar Gupta Chairperson Ms. Sangeeta Verma Member Mr. Bhagwant Singh Bishnoi Member Appearances: For the Informant Ms. Aishwarya Gopalakrishnan and Ms. Gayatri Pradhan, Advocates For the Opposite Party No. 1 Mr. Aaditya Vijaykumar and Mr. Aneesh Sadhwani, Advocates For the Opposite Party No. 4 Mr. Vaibhav R Venkatesh, Advocate along with Mr. K L Damodar Prasad, Secretary of TFCC Order under Section 27 of the Competition Act, 2002 1. The present Information has been filed against Tamil Film Producers Council (TFPC) (‘OP-1), its office bearers (OP-2) and Executive Committee (OP-3), and Telugu Film Chambers of Commerce (TFCC) (OP-4), its office bearers (OP-5), and Executive Committee (OP-6), alleging inter alia contravention Case No.
  • Movie Promotional Strategies in Tamil Film Industry-The Contemporary Access

    Movie Promotional Strategies in Tamil Film Industry-The Contemporary Access

    International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-8, Issue-11S, September 2019 Movie Promotional Strategies in Tamil Film Industry-the Contemporary Access Mahesh.V.J, Gigi.G.S, P.Uma Rani ABSTRAC-; Movie Industry of India had many ups and screened in London in 1914 and this movie was made in downs since 19th century. Some movies succeed with high box Marthi language. The number of production companies office collection records, while some were not. Some movies takes increased in early 1920s and mythological and historical attention with high promotions while some movies not even films from epic Mahabharata and Ramayana were noticed by the viewers. Movie viewers have variety of choices on types of movie like realistic, imaginary, fiction and commercial dominated and welcomed by Indian audience. Hollywood movies. Taking all of them to movie theatre need well planned had an entry during early 1920s and could highly satisfy strategies. As we know like every other service, movies also need audience of Indian movies by offering them action oriented Marketing. Movie making houses need to understand the films. marketing strategies need to be framed and reframed in respect to the nature of movies. II. SOUTH INDIAN MOVIE INDUSTRY The present research, ‘Movie promotional strategies in Tamil film industry-the contemporary approach’, deals with Cinema of South India is combined of five different film promotional aspects of the Tamil Film Industry in recent times. industries of South India; Kannada, Malayalam, Tamil, The present study reveals that promotional strategies being Telugu and Tulu and they are based on Bengaluru, Kochi, followed in Tamil movies creating great impact on movie Chennai, Hyderabad and Mangalore respectively.
  • The Religions and Peoples of India

    The Religions and Peoples of India

    THE RELIGIONS AND PEOPLES OF INDIA T4787 Program Direction and Academic Content to be provided by: Dr. Mladen Turk and Dr. Sondra Simpson Visit the links provided to the items in blue for additional information. Sunday TWIN CITIES Departure. Meet (9:00 a.m.) your UMAIE representative at the United Airlines ticket January 1 counter, Minneapolis-St. Paul International Airport, Terminal 1-Lindbergh, for departure to Chennai with connecting service to Lufthansa German Airlines in Chicago and Frankfurt. Check baggage through to Chennai. See complete group flight details under the Flight Schedule section. CHICAGO Departure. Assemble (2:15 p.m.) at the Lufthansa German Airlines ticket counter, Chicago O’Hare International Airport, Terminal 1, for departure to Chennai with connecting service in Frankfurt. Check baggage through to Chennai. See complete group flight details under the Flight Schedule section. Monday FRANKFURT Arrival. Upon arrival at Frankfurt International Airport proceed to connecting gate for January 2 departure to Chennai. See complete group flight details under the Flight Schedule section. Tuesday CHENNAI Arrival. Arrive (12:05 a.m.) at Chennai International Airport, Anna International Terminal, January 3 and transfer by private motorcoach, with local assistant, to the HOTEL LE REPOSE* for check-in. Breakfast (9:00 a.m.) at hotel followed by visit (10:00 a.m.) to local Tambaram markets. Lunch (1:00 p.m.) at hotel. Transfer (3:15 p.m.) to MADRAS CHRISTIAN COLLEGE (MCC) for orientation and lecture on the History of MCC led by Principal, Dr. R.W. Alexander Jesudasan, followed by walking tour of the campus and dinner at MCC Campus.
  • TAMIL CINEMA Tamil Cinema

    TAMIL CINEMA Tamil Cinema

    TAMIL CINEMA Tamil cinema (also known as Cinema of Tamil Nadu, the Tamil film industry or the Chennai film industry) is the film industry based in Chennai, Tamil Nadu, India, dedicated to the production of films in the Tamil language. It is based in Chennai's Kodambakkam district, where several South Indian film production companies are headquartered. Tamil cinema is known for being India's second largest film industry in terms of films produced, revenue and worldwide distribution,[1] with audiences mainly including people from the four southern Indian states of Tamil Nadu, Kerala, Andra Pradesh, and Karnataka. Silent films were produced in Chennai since 1917 and the era of talkies dawned in 1931 with the film Kalidas.[2] By the end of the 1930s, the legislature of the State of Madras passed the Entertainment Tax Act of 1939.[3] Tamil cinema later had a profound effect on other filmmaking industries of India, establishing Chennai as a secondary hub for Telugu cinema, Malayalam cinema, Kannada cinema, and Hindi cinema. The industry also inspired filmmaking in Tamil diaspora populations in other countries, such as Sri Lankan Tamil cinema and Canadian Tamil cinema.[6] Film studios in Chennai are bound by legislation, such as the Cinematography Film Rules of 1948,[7] the Cinematography Act of 1952,[8] and the Copyright Act of 1957.[9] Influences Tamil cinema has been impacted by many factors, due to which it has become the second largest film industry of India. The main impacts of the early cinema were the cultural influences of the country. The Tamil language, ancient than the Sanskrit, was the medium in which many plays and stories were written since the ages as early as the Cholas.
  • Poetics of Praise and Cinematic Encompassment

    Poetics of Praise and Cinematic Encompassment

    Poetics of Praise and Cinematic Encompassment * Constantine V. Nakassis -- For John Bernard Bate (1960–2016) -- 1 Pure Tamil, Mass Hero The nineteenth century saw a transformation of politics and its ethnolin- guistic imaginary in the Madras Presidency. Colonial philological research into the relatedness of what became known as the Dravidian language family (Ellis 1816 [1849]; Caldwell 1856; Trautmann 1997, 2006; Mitchell 2009) proved that the south Indian languages—Tamil, Telugu, Kannada, Malayalam, as well as other, so-called tribal languages (Badaga, Toda, etc.)—came from a different genetic stock from the north Indian languages (viz. Indo-Aryan/European)—namely, Sanskrit and its congeners and da- ughter languages—and that its speakers, as later scholars in particular opined, were of a different ethno-racial and culture-historical population. Toward the final decades of the nineteenth century, Indian scholars such as U. Ve. Swaminatha Iyer (1855–1942) and C. W. Thamotharampillai (1832–1901) collected and anthologized (“discovered”), and thus made publicly available, the poems, epics, and grammars of Tamil antiquity— the so-called Sangam literature (~300 CE) (Shulman 2016:299ff.). Alongside this renaissance, as Sumathi Ramaswamy (1997) has detailed, was a resur- gence of Saivism—figured as distinct from north Indian, Aryan, Brahmin- ical Hinduism—as well as, at the beginning of the twentieth century, the non-Brahmin movement, a consortium of elite, upper-caste non-Brahmin Tamils who protested the Brahmin monopoly on colonial positions of power (Pandian 2007). Into the twentieth century, these different threads came to be art- iculated and transformed through the so-called Dravidian movement, a * Constantine V.