Department of Visual Communication Journal Publications & Conference

Total Page:16

File Type:pdf, Size:1020Kb

Department of Visual Communication Journal Publications & Conference Department of Visual Communication Journal Publications & Conference Proceedings Papers Published in International and National Journals S.No Author(s) Title of Paper Name of the Year of Vol.No/issue no Page Nos ISSN Journal Publication 1. Dr. E.Indira, A study of the Mobile Global Journal for 2016, Vol. 5, Issue 6, Pages 36-37 ISSN 2277- Dr. P.E. Phone Usage and Research 8160 Thomas Preferences on m Health Analysis, Dr. M. SriHari among the Expectant Mothers 2. Dr. E.Indira, Mobilising Healthcare Indian Journal of 2017 Vol. 7, Issue 8, ISSN No. 2249- Dr. P.E. through Mobile Phones: Applied Research 555X Thomas A systematic review of m Dr. M. SriHari Health projects in India 3. Dr. E.Indira, Mobile Text Messages – Indian Journal of 2017 Volume 8, Issue 4, Pgs. 563-569 ISSN No. 0976- Dr. P.E. A Silent Revolution For Public Health 0265 Thomas A Sound Antenatal Care Research & Dr. M. SriHari Development 4. Dr. E.Indira, Designing for Social Asian Journal of 2018 Vol 7, Issue 2, x Spl Pgs. 112-115 ISSN No. 2278- Media Advertising – A Multidimensional 3, 4853 New Beginning Research 5. Dr.V.Jayashree Innovation for Arts in Journal of Asian 2018 Vol.7, Issue 2 p. 860-862 ISSN:2278- Education: Enhancing Multidimensional 4853 Identity and Research (AJMR) Impact Factor: Communitarian Interest Published by SJIF = 4.708 Trans Asian UGC. approval Research Journal no. 47638. S.No Author Title of Paper Name of the Year of Vol.No/issue no Page Nos ISSN Journal Publication 6. Dr.V.Jayashree The Roots of Jainism and International of 2018 Vol.8, No.2 p. 68-82 ISSN No. Community Based Tourism in Hospitality 0976-7789 Tamil Nadu Business and Research 7. Dr. E.Indira, New Age Learning. An Research 2019 Vol.30, No.2 ISSN No: exploratory study on the Highlights 2231-2374 mobile readiness for m learning among the college students in Coimbatore, India 8. Dr.V.Jayashree To See and to be Seen: An Asian Journal of 2019 Vol 8, Spl Issue 1 p. 290-296 ISSN: 2278- attempt to Understand Gender Multi-dimensional 4853 Impact Representations in Virtual Research Factor: SJIF Image 2018 = 6.053 UGC approval no. 47638. 9. Dr.V.Jayashree The Digital Subject: Digital International 2019 Vol.8, Issue 2.1 p. 15-18 ISSN No. Media Platforms and Journal for 2249-019 Changing Viewership patterns Management and UGC Journal Social Sciences no. 63251. 10. Dr.V.Jayashree City in Jaina Literature Ayutha ezhuthu - 2019 Special Volume p. 45-46 ISSN No. (Tamil) International Tamil 2278-7550 , Journal UGC Journal No. 42330. 11. Mrs.V.Ezhilarasi Portrayal of Transgender in International 2019 Vol No 06/issue no 95-101 2349 – 5138 Tamil cinema – A Journal of Research 02 comparative study. and Analytical 2348 - 1269 Review 12. Dr.V.Jayashree Studying the impact of Social The International 2020 Volume 8, Issue 2 p. 165-169 ISSN 2348- Media and Mediatisation and Journal of Indian 5396 (Online) | Cyber- Psychology of Psychology ISSN: 2349- Youngsters 3429 (Print) Papers Published as Conference Proceedings S.No Author(s) Title of Name of the Year of Publishers Page ISBN Paper/Chapter Book/Proceedings Publication Nos 1. Dr. E.Indira, An analysis of the International 2017 Department of Food Pgs 978-93- Dr. P.E. social factors Conference on 3rd &4th Science and Nutrition and 61-69 856040- Thomas contributing to the Advances in Nutrition August 2017 Department of Visual 3-4 Dr. M. SriHari usage of mobile and Health Communication, phones for health Communication Avinashilingam Institute purposes among the for Home Science and pregnant women in Higher Education for Coimbatore women, Coimbatore 2. Dr. E.Indira, Text Messages for Fourth International 2017 Mudra Institute of 269- 978-93- Dr. P.E. Maternal healthcare Communication 10th to 12th Communication and 287 5267- Thomas – An assessment of Management January, Advertising, Ahmedabad 935-5 Dr. M. SriHari the Attitude of conference 2017 Indian Women 3. Dr.V.Jayashree Samana Ilakkiyathil Proceedings of 2017 Avinashilingam Institute p.132- ISBN Vazhviyal International for Home Science and 135 No. 978- Kurippugal : Conference titled, Higher Education for 93- Samanarin Kalvi Aspects of Prosperous Women University, 85267- Kodaigal (Notes on Life in Tamil Literature Coimbatore 12-3 lifestyles in Jain literature: Jaina contributions for education) 4. Dr.V.Jayashree Ilakkiyangal Volume titled 2017 Madurai Kamaraj p.45- ISBN Avanangalaguma? Aivuchinthanaigal - University 46 No. 978- (Can literature be Proceedings in 93- approbated as National seminar 80312- records?) conducted by 06-4 Ainthamil Mandram and Department of Christian Studies Madurai Kamaraj University. 5. Dr.V.Jayashree Folk art as day today Proceedings of 2017 Avinashilingam Institute p.120- ISBN Aesthetics in Tamil International for Home Science and 123 No. 978- Nadu. Conference titled, Higher Education for 93- Aspects of Prosperous Women, Coimbatore 85267- Life in Folklore 12-3 6. Dr. E.Indira, Transformative National Conference 2019 Department of Food Dr. P.E. Technology – An on "Technology in 27th Service Management and Thomas analysis of the Telehealth Care and September Dietetics, Avinashilingam Dr. M. SriHari attitude of the Dietetics" 2019 Institute for Home Science expectant mothers in and Higher Education for using mobile phones women, Coimbatore for maternal healthcare Published as Book Chapters S.No Author Title of Paper/Chapter Name of the Book/Proceedings Year of Publishers Page ISBN Publication Nos. Book Chapters: 1. Dr. V. Jayashree Placing Kannagi Urban Visualities 2015 Sponsored by ICHR p.80 - 87 (ISBN not on the Beach side : (Edited by Roos Gariston and and Dakshina Chitra obtained) An inquiry in to Stephen Inglis) Foundation, Chennai Iconic Valances and Published by Sudharsan Graphic Publishers, Chennai 2. Dr.V.Jayashree From Vicissitude to Land, Society and Art in 2017 book brought out by ISBN - Visibility: The Tamilnadu: With Special Madurai Kamaraj 978-93- Curious case of Jain Reference to Vaigai and University and 83221-16-5 remains around Tamiraparani Basins, ed by A. ICHR published by Madurai Temples of Mahalingam Sharada Vaigai and Tamira Publications, New Parani Region. Delhi 3. Mrs.V.Ezhilarasi Technological Shifting Grounds 2017 Prdag Print, 978-93- intrusion on Gender,Community,Culture and Coimbatore, 85267-40-6 Indigenous Tribal Development people of Nilgiris District. 4. Dr. V. Jayashree Sociological narratives Multi facets of Religious 2020 Shanlacs Publication p.45-47 ISBN No: in Tamil Jaina Literature 978-93- Literature: Civaka 89658-83-5 Chintamani .
Recommended publications
  • A Study on How the North Madras Films Are Portrayed in Tamil Cinema and Its Impact on Common Audience
    International Journal of Research in Engineering, Science and Management 500 Volume-2, Issue-10, October-2019 www.ijresm.com | ISSN (Online): 2581-5792 A Study on how the North Madras Films are Portrayed in Tamil Cinema and its Impact on Common Audience J. John Felix Student, Department of Visual Communication, Loyola College, Chennai, India Abstract: The original home town of labours where they are settled in north madras (royaburam) during the Chennai floods accommodated the most. in the late 70s and 80s most of the places (2015) royaburam is one of the places in north madras which in north madras are slums. then government announced the slum was not affected by Chennai floods, there was no water logging clearance board act at the year 1971. After many years unemployment became a very rare condition because 9 out of 10 or stagnation, because of the well-constructed and executed people were employed and the education level has been drastically infrastructure of the area and also there was uninterrupted improved in the past 20 years. in Tamil cinema north madras and electricity, water & milk facility. this area is also home to one north madras peoples are portrayed in darker way like gangster, of the cities oldest railway stations. as the Chennai city uneducated, drug dealer. thus the film ends up to the audience that continues to expand its boundaries north madras continues to and makes them believe and assume that north madras it is the the place where the city began. same way shown in the film. the researcher in this study aims to find what is the audience impact on the films.
    [Show full text]
  • Spectacle Spaces: Production of Caste in Recent Tamil Films
    South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012.
    [Show full text]
  • 1 in the High Court of Judicature at Madras Dated
    1 IN THE HIGH COURT OF JUDICATURE AT MADRAS DATED: 22.02.2018 CORAM THE HON'BLE MS.INDIRA BANERJEE, CHIEF JUSTICE and THE HON'BLE MR. JUSTICE ABDUL QUDDHOSE O.S.A.No.63 of 2018 and CMP.Nos.3492 & 3493 of 2018 M/s.Lyca Productions, rep. by its Producer Mr.Subash Karan, No.55, Block – B, 4th Floor, Vijayaraghava Road, T.Nagar (Near Vani Mahal) Chennai – 600 017. .. Appellant vs 1.J.Manimaran, Proprietor of M/s.J.S.Screens, Having office at Nok.12, Angalaparameswari 4th street, M.G.R. Nagar, Chennai – 600 078. 2.M/s.Tamil Film Producer Council, rep. by its Secretary, No.14/26, Yogambal Street, T.Nagar, Chennai – 600 017. 3.M/s.Film & Television Producers Guild of South India, rep. by its Secretary, No.19, Jagadeeswaran Street, T.Nagar, Chennai – 600 017. 4.Censor Board of Film Certification, Shastri Bhavan, No.35, Haddows Road, Chennai – 600 006. http://www.judis.nic.in 2 5.M/s.UFO Digital Cinema, No.53, Arunachalam Street, Police Quarters, Triplicane, Chennai – 600 004. 6.M/s.PXD, Prasad Extreme Digital Cinema Network Private Limited, No.28, Arunachalam Road, Saligramam, Chennai – 600 093. 7.M/s.QUBE, No.42, Dr.Ranga Road, Mylapore, Chennai – 600 004. .. Respondents Appeal filed under Order XXXVI, Rule 9 of Original Side Rules read with Clause 15 of Letters Patent against the order dated 19.2.2018 passed in O.A.No.72 of 2018 in C.S.No.65 of 2018 on the file of this Court. For Appellants .
    [Show full text]
  • Police Matters: the Everyday State and Caste Politics in South India, 19001975 by Radha Kumar
    PolICe atter P olice M a tte rs T he v eryday tate and aste Politics in South India, 1900–1975 • R a dha Kumar Cornell unIerIt Pre IthaCa an lonon Copyright 2021 by Cornell University The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https:creativecommons.orglicensesby-nc-nd4.0. To use this book, or parts of this book, in any way not covered by the license, please contact Cornell University Press, Sage House, 512 East State Street, Ithaca, New ork 14850. Visit our website at cornellpress.cornell.edu. First published 2021 by Cornell University Press Library of Congress Cataloging-in-Publication Data Names: Kumar, Radha, 1981 author. Title: Police matters: the everyday state and caste politics in south India, 19001975 by Radha Kumar. Description: Ithaca New ork: Cornell University Press, 2021 Includes bibliographical references and index. Identifiers: LCCN 2021005664 (print) LCCN 2021005665 (ebook) ISBN 9781501761065 (paperback) ISBN 9781501760860 (pdf) ISBN 9781501760877 (epub) Subjects: LCSH: Police—India—Tamil Nadu—History—20th century. Law enforcement—India—Tamil Nadu—History—20th century. Caste— Political aspects—India—Tamil Nadu—History. Police-community relations—India—Tamil Nadu—History—20th century. Caste-based discrimination—India—Tamil Nadu—History—20th century. Classification: LCC HV8249.T3 K86 2021 (print) LCC HV8249.T3 (ebook) DDC 363.20954820904—dc23 LC record available at https:lccn.loc.gov2021005664 LC ebook record available at https:lccn.loc.gov2021005665 Cover image: The Car en Route, Srivilliputtur, c. 1935. The British Library Board, Carleston Collection: Album of Snapshot Views in South India, Photo 6281 (40).
    [Show full text]
  • Dr.T.Prabhu 2016
    Curriculum Vitae Dr.T.Prabhu 2016 Assistant Professor, Department of English, Dr.Ambedkar Govt. Arts College Vyasarpadi Chennai 600 039 Email- [email protected] Mobile-09994219296 Dr.T.Prabhu Assistant Professor, Department of English, Dr.Ambedkar Govt. Arts College Vyasarpadi Chennai 600 039 Email- [email protected] Mobile-09994219296 Years of Experience : 5 years DOB: 22/01/1984 Additional Responsibilities held Nodal Officer - AISHE at SS Govt. Arts College, Tiruttani : Coordinator - RUSA Coordinator - College Website Member - College NAAC Committee Research Experience Area of Research : Indigenous Studies Course Title of the Research Works Research Guide Ph.D „Memory‟, „History‟ and „Identity‟: Restoration of Native (2009-13) Sensibility in the Indigenous Epistemology Dr.S.Armstrong Prof. and Head M.Phil Restoration of Indigenous Identity in the Late 19th and Early Dept. of English (2007-08) 20th Century Tamilakam Univ. of Madras Chennai M.A Louis Dumont‟s Dichotomy between Purity and Pollution in Dr.G.M.James (2005-07) Select Dalit Novels Head, Dept. of English Loyola College Chennai Research Projects S.No Title of the Project Funding Agency Period Amount Sanctioned 1. Bhārathakathai as Oral History: Mahābāratha UGC 2014-16 Rs.2,75,000 Performances in Tiruvallur District of Tamil (Minor Research Nadu Project) 2. Elements of Oral History in the Mahabaratha TANSCHE 2014-15 Rs.1,00,000 Therukoothu: Folk Performances during the (Minor Research Draupathi Amman Festival in Tiruttani Project) Publications 1. “Proxemics: Some Challenges and Strategies in Non-verbal Communication”. IUP Journal of Soft skills Vol. IV No. 3, September 2010. ISSN 0973-8479.
    [Show full text]
  • Tamil Cinema
    Centre for the Study of Communication and Culture Volume 28 (2009) No. 4 IN THIS ISSUE Tamil Cinema Perianayagam Jesudoss Salesian Pontifical University, Rome AQUARTERLY REVIEW OF COMMUNICATION RESEARCH ISSN: 0144-4646 Communication Research Trends Table of Contents Volume 28 (2009) Number 4 http://cscc.scu.edu Editor’s Introduction . 3 Published four times a year by the Centre for the Study of Tamil Cinema . 4 Communication and Culture (CSCC), sponsored by the 1. Introduction . 4 California Province of the Society of Jesus. A. Cinema as an aesthetic art . 4 Copyright 2009. ISSN 0144-4646 B. Indian cinema . 5 C. Cinema in Tamil Nadu . 5 Editor: William E. Biernatzki, S.J. 2. Origins of Tamil Cinema . 6 Managing Editor: Paul A. Soukup, S.J. A. Language . 6 B. Drama . 7 C. Music in Tamil drama . 7 Subscription: D. Loud voice culture in Tamil cinema . 8 Annual subscription (Vol. 28) US$50 3. History of Tamil Cinema . 8 A. Extent of Tamil cinema . 8 Payment by check, MasterCard, Visa or US$ preferred. B. A brief history of Tamil cinema . 9 For payments by MasterCard or Visa, send full account C. Technology and industry . 10 number, expiration date, name on account, and signature. D. Kollywood: Center of the Tamil cinema industry . 11 Checks and/or International Money Orders (drawn on 4. Film Distribution . 12 USA banks; for non-USA banks, add $10 for handling) 5. Cinema Production as Cultural Commodity should be made payable to Communication Research in Tamil Nadu . 13 Trends and sent to the managing editor 6. Consumption . 14 Paul A.
    [Show full text]
  • Spoofs and the Politics of the Film Image's Ontology in Tamil Cinema
    Spoofs and the Politics of the Film Image’s Ontology in Tamil Cinema * Constantine V. Nakassis All Film Spoofs, No Spoof Films Commercial Tamil cinema has long been a travesty of itself, its textuality woven from so many citational allusions, homages, and self-parodies; and yet, until recently there was no such recognized genre of the spoof film, only “comedy tracks” trailing in the shadows of the grandiose hero and his more serious narrative, parodying his potent image here and there, most often through scenes of comically inverted or failed heroism (Nakassis 2010:209–221). In 2010, this was seen to have changed, with the release of a surfeit of spoof films—Venkat Prabhu’s Goa, Simbudevan’s Irumbu Kottai Mirattu Singam, and, most importantly for this paper, C. S. Amudhan’s aptly titled Thamizh Padam, or ‘Tamil Movie.’1 And then of course, there was that unwitting spoof hero, the self-proclaimed “Power Star,” Dr. S. Srinivasan, who entered the scene in 2011 with his unbel- ievably absurd, yet ambiguously self-serious, film (Lathika) and public persona (figure 1).2 Industry insiders and film enthusiasts often explain this seeming par- adox that Tamil cinema is all spoof with no spoofs by pointing to the self- seriousness of the industry—that is, that it can’t take a joke; or alter- natively by pointing to its cultural and historical particularity—that is, that “spoofs” are a foreign genre. But what is so notable is that the ind- ustry has long made jokes at its own expense. Think, for example, of Nagesh’s memorable comedy track from Sridhar’s classic 1964 romantic comedy Kadhalikka Neeramillai (‘No Time for Love’), which turns on Nagesh’s nascent film production: a parody of the film producer, Nagesh * Constantine V.
    [Show full text]
  • XYZ Informant and Tamil Film Producers
    COMPETITION COMMISSION OF INDIA Case No. 07 of 2018 In Re: XYZ Informant And Tamil Film Producers Council Address: 606, Anna Salai, Film Chamber Compound, Thousand Lights West, Thousand Lights Chennai, Tamil Nadu - 600006 Opposite Party No. 1 Office Bearers of TFPC Address: 606, Anna Salai, Film Chamber Compound, Thousand Lights West, Thousand Lights Chennai, Tamil Nadu – 600006 Opposite Party No. 2 Executive Committee of TFPC Address: 606, Anna Salai, Film Chamber Compound, Thousand Lights West, Thousand Lights Chennai, Tamil Nadu - 600006 Opposite Party No. 3 Telugu Film Chamber of Commerce Address: Dr. D. Ramanaidu Building, Film Nagar, Jubilee Hills Hyderabad - 500096 Opposite Party No. 4 Office Bearers of TFCC Address: Dr. D. Ramanaidu Building, Film Nagar, Jubilee Hills Opposite Party No. 5 Hyderabad - 500096 Case No. 07 of 2018 1 Executive Committee of TFCC Address: Dr. D. Ramanaidu Building, Film Nagar, Jubilee Hills Hyderabad - 500096 Opposite Party No. 6 CORAM Mr. Ashok Kumar Gupta Chairperson Ms. Sangeeta Verma Member Mr. Bhagwant Singh Bishnoi Member Appearances: For the Informant Ms. Aishwarya Gopalakrishnan and Ms. Gayatri Pradhan, Advocates For the Opposite Party No. 1 Mr. Aaditya Vijaykumar and Mr. Aneesh Sadhwani, Advocates For the Opposite Party No. 4 Mr. Vaibhav R Venkatesh, Advocate along with Mr. K L Damodar Prasad, Secretary of TFCC Order under Section 27 of the Competition Act, 2002 1. The present Information has been filed against Tamil Film Producers Council (TFPC) (‘OP-1), its office bearers (OP-2) and Executive Committee (OP-3), and Telugu Film Chambers of Commerce (TFCC) (OP-4), its office bearers (OP-5), and Executive Committee (OP-6), alleging inter alia contravention Case No.
    [Show full text]
  • Movie Promotional Strategies in Tamil Film Industry-The Contemporary Access
    International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-8, Issue-11S, September 2019 Movie Promotional Strategies in Tamil Film Industry-the Contemporary Access Mahesh.V.J, Gigi.G.S, P.Uma Rani ABSTRAC-; Movie Industry of India had many ups and screened in London in 1914 and this movie was made in downs since 19th century. Some movies succeed with high box Marthi language. The number of production companies office collection records, while some were not. Some movies takes increased in early 1920s and mythological and historical attention with high promotions while some movies not even films from epic Mahabharata and Ramayana were noticed by the viewers. Movie viewers have variety of choices on types of movie like realistic, imaginary, fiction and commercial dominated and welcomed by Indian audience. Hollywood movies. Taking all of them to movie theatre need well planned had an entry during early 1920s and could highly satisfy strategies. As we know like every other service, movies also need audience of Indian movies by offering them action oriented Marketing. Movie making houses need to understand the films. marketing strategies need to be framed and reframed in respect to the nature of movies. II. SOUTH INDIAN MOVIE INDUSTRY The present research, ‘Movie promotional strategies in Tamil film industry-the contemporary approach’, deals with Cinema of South India is combined of five different film promotional aspects of the Tamil Film Industry in recent times. industries of South India; Kannada, Malayalam, Tamil, The present study reveals that promotional strategies being Telugu and Tulu and they are based on Bengaluru, Kochi, followed in Tamil movies creating great impact on movie Chennai, Hyderabad and Mangalore respectively.
    [Show full text]
  • The Religions and Peoples of India
    THE RELIGIONS AND PEOPLES OF INDIA T4787 Program Direction and Academic Content to be provided by: Dr. Mladen Turk and Dr. Sondra Simpson Visit the links provided to the items in blue for additional information. Sunday TWIN CITIES Departure. Meet (9:00 a.m.) your UMAIE representative at the United Airlines ticket January 1 counter, Minneapolis-St. Paul International Airport, Terminal 1-Lindbergh, for departure to Chennai with connecting service to Lufthansa German Airlines in Chicago and Frankfurt. Check baggage through to Chennai. See complete group flight details under the Flight Schedule section. CHICAGO Departure. Assemble (2:15 p.m.) at the Lufthansa German Airlines ticket counter, Chicago O’Hare International Airport, Terminal 1, for departure to Chennai with connecting service in Frankfurt. Check baggage through to Chennai. See complete group flight details under the Flight Schedule section. Monday FRANKFURT Arrival. Upon arrival at Frankfurt International Airport proceed to connecting gate for January 2 departure to Chennai. See complete group flight details under the Flight Schedule section. Tuesday CHENNAI Arrival. Arrive (12:05 a.m.) at Chennai International Airport, Anna International Terminal, January 3 and transfer by private motorcoach, with local assistant, to the HOTEL LE REPOSE* for check-in. Breakfast (9:00 a.m.) at hotel followed by visit (10:00 a.m.) to local Tambaram markets. Lunch (1:00 p.m.) at hotel. Transfer (3:15 p.m.) to MADRAS CHRISTIAN COLLEGE (MCC) for orientation and lecture on the History of MCC led by Principal, Dr. R.W. Alexander Jesudasan, followed by walking tour of the campus and dinner at MCC Campus.
    [Show full text]
  • TAMIL CINEMA Tamil Cinema
    TAMIL CINEMA Tamil cinema (also known as Cinema of Tamil Nadu, the Tamil film industry or the Chennai film industry) is the film industry based in Chennai, Tamil Nadu, India, dedicated to the production of films in the Tamil language. It is based in Chennai's Kodambakkam district, where several South Indian film production companies are headquartered. Tamil cinema is known for being India's second largest film industry in terms of films produced, revenue and worldwide distribution,[1] with audiences mainly including people from the four southern Indian states of Tamil Nadu, Kerala, Andra Pradesh, and Karnataka. Silent films were produced in Chennai since 1917 and the era of talkies dawned in 1931 with the film Kalidas.[2] By the end of the 1930s, the legislature of the State of Madras passed the Entertainment Tax Act of 1939.[3] Tamil cinema later had a profound effect on other filmmaking industries of India, establishing Chennai as a secondary hub for Telugu cinema, Malayalam cinema, Kannada cinema, and Hindi cinema. The industry also inspired filmmaking in Tamil diaspora populations in other countries, such as Sri Lankan Tamil cinema and Canadian Tamil cinema.[6] Film studios in Chennai are bound by legislation, such as the Cinematography Film Rules of 1948,[7] the Cinematography Act of 1952,[8] and the Copyright Act of 1957.[9] Influences Tamil cinema has been impacted by many factors, due to which it has become the second largest film industry of India. The main impacts of the early cinema were the cultural influences of the country. The Tamil language, ancient than the Sanskrit, was the medium in which many plays and stories were written since the ages as early as the Cholas.
    [Show full text]
  • Poetics of Praise and Cinematic Encompassment
    Poetics of Praise and Cinematic Encompassment * Constantine V. Nakassis -- For John Bernard Bate (1960–2016) -- 1 Pure Tamil, Mass Hero The nineteenth century saw a transformation of politics and its ethnolin- guistic imaginary in the Madras Presidency. Colonial philological research into the relatedness of what became known as the Dravidian language family (Ellis 1816 [1849]; Caldwell 1856; Trautmann 1997, 2006; Mitchell 2009) proved that the south Indian languages—Tamil, Telugu, Kannada, Malayalam, as well as other, so-called tribal languages (Badaga, Toda, etc.)—came from a different genetic stock from the north Indian languages (viz. Indo-Aryan/European)—namely, Sanskrit and its congeners and da- ughter languages—and that its speakers, as later scholars in particular opined, were of a different ethno-racial and culture-historical population. Toward the final decades of the nineteenth century, Indian scholars such as U. Ve. Swaminatha Iyer (1855–1942) and C. W. Thamotharampillai (1832–1901) collected and anthologized (“discovered”), and thus made publicly available, the poems, epics, and grammars of Tamil antiquity— the so-called Sangam literature (~300 CE) (Shulman 2016:299ff.). Alongside this renaissance, as Sumathi Ramaswamy (1997) has detailed, was a resur- gence of Saivism—figured as distinct from north Indian, Aryan, Brahmin- ical Hinduism—as well as, at the beginning of the twentieth century, the non-Brahmin movement, a consortium of elite, upper-caste non-Brahmin Tamils who protested the Brahmin monopoly on colonial positions of power (Pandian 2007). Into the twentieth century, these different threads came to be art- iculated and transformed through the so-called Dravidian movement, a * Constantine V.
    [Show full text]