1 in the High Court of Judicature at Madras Dated
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A Study on How the North Madras Films Are Portrayed in Tamil Cinema and Its Impact on Common Audience
International Journal of Research in Engineering, Science and Management 500 Volume-2, Issue-10, October-2019 www.ijresm.com | ISSN (Online): 2581-5792 A Study on how the North Madras Films are Portrayed in Tamil Cinema and its Impact on Common Audience J. John Felix Student, Department of Visual Communication, Loyola College, Chennai, India Abstract: The original home town of labours where they are settled in north madras (royaburam) during the Chennai floods accommodated the most. in the late 70s and 80s most of the places (2015) royaburam is one of the places in north madras which in north madras are slums. then government announced the slum was not affected by Chennai floods, there was no water logging clearance board act at the year 1971. After many years unemployment became a very rare condition because 9 out of 10 or stagnation, because of the well-constructed and executed people were employed and the education level has been drastically infrastructure of the area and also there was uninterrupted improved in the past 20 years. in Tamil cinema north madras and electricity, water & milk facility. this area is also home to one north madras peoples are portrayed in darker way like gangster, of the cities oldest railway stations. as the Chennai city uneducated, drug dealer. thus the film ends up to the audience that continues to expand its boundaries north madras continues to and makes them believe and assume that north madras it is the the place where the city began. same way shown in the film. the researcher in this study aims to find what is the audience impact on the films. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -