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Structural Assessment of a Roman Aqueduct “Pont Del Diable” in Tarragona by F.E.M
Structural assessment of a roman aqueduct “Pont del Diable” in Tarragona by F.E.M. Jaume FABREGAT1, Anna ROYO1, Agustí COSTA 2, Gerard FORTUNY3, Josep LLUÍS4. (1)Architecture Student, ETSAR, University Rovira i Virgili, Reus, Spain. [email protected], [email protected]. (2) Pd.D., Student, ETSAR, University Rovira i Virgili, Reus, Spain. (3) Pd.D., Informatics Engineering and Mathematics Department, ETSAR, University Rovira i Virgili, Reus, Spain. (4) Pd.D., Construction Department, ETSAR, University Rovira i Virgili, Reus, Spain. Abstract The object of study is a roman aqueduct which construction was ordered by Emperor Augustus the first century b.C. in Tarraco, a city in the north of Spain, today known as Tarragona. The city was declared Heritage of Humanity by UNESCO in 2000, some restoration works were planed since then and those concerned the aqueduct as well. The restoration work consisted of a landscape performance and a physical and mechanical review of the aqueduct state in order to reinforce it if it was required. The landscape performance had the responsibility to rehabilitate a green area. Its direct relation with the River Francolí makes it a performance of great interest for the city, since it is its most important green corridor. The study analyzes the entire structure of the bridge considering several load cases. The purpose is to obtain data about the structure physical and mechanical behavior. With this information we will reach several conclusions concerning deformation and stress parameters. Hypothesis of load cases will take into account weathering effects since these would have changed stone properties through the years. -
Bcnguide in ENGLISH
OFFICIAL FREE BCN GUIDE! FREE ISSUE_NOV 2014_N. 28 ISSUE_NOV 2014_N. FREE BcnGuide IN ENGLISH WE FOLLOW THE STEPS OF 20TH-CENTURY ART GENIUSES IN BARCELONA DOWNLOAD FREE TIME OUT BARCELONA APP! THE BEST OF BARCELONA ON YOUR Contents IPHONE! November 2014 08 Artists The great artists who have left their mark on the city of Barcelona. 08 Feature 20 Food & Drink The Barcelona of Picasso, Crum is nothing short of Dalí, Miró and Tàpies a temple to the humble potato 16 Around town An underground tour of the 22 Shopping city’s metro system Mood’s and Le Fortune: interesting men and lucky 18 Arts women The Voll-Damm International Jazz Festival is back 27 Listings TIME OUT BARCELONA TIME OUT BCN GUIDE ([email protected]), Via Laietana, 20 [email protected] Mercè Llubera 932955400 www.barcelonaturisme.com ([email protected]), Pere www.timeout.cat Editor Andreu Gomila Ribalta ([email protected]) Design Irisnegro Edited by 80 MES 4 Publicacions Publisher Eduard Voltas Producer Jan Fleischer & Turisme de Barcelona Finance Manager Judit Sans Designer Eduard Forroll Printed by Gràfica Impuls 45 Editor-in-chief Andreu Gomila Writers Josep Lambies, DL B.21656-2012 Art director Diego Ricard Martín, Marta Salicrú, ISSN 2014-7546 Piccininno Eugènia Sendra Supported by Features and web editor Translations Nick Chapman Maria José Gómez Advertising Ex. Nuria Gómez November 2014 Time Out BCN Guide 3 Get out your diaries! We Monthly present just a handful of the cultural highlights of planner the month ahead. Saturday 01 Friday 03 Thursday 13 EUROPA 25: THE LADY GAGA CAT POWER FALL OF THE WALL The outrageous pop The American Looking back at the diva presents singer-songwriter events that led to a artRAVE: the performs as part of change of regime in ARTPOP Ball Tour, at the Millennium Hungary. -
Recent Archaeological Research at Asturica Augusta
Proceedings of the British Academy, 86, 371-394 Recent Archaeological Research at Asturica Augusta VICTORINO GARCfA MARCOS & JULIO M. VIDAL ENCINAS Iunguntur iis Asturum XXII populi divisi in Augustanos et Transmontanos, Asturica urbe magnifica (..) (Pliny NH 3.28). OVERTHE LAST 10 YEARS, as the result of the delegation of the management of cultural affairs to the Autonomous Community of Castilla y Le6n, uninterrupted rescue excavations have taken place in the town of Astorga, Roman Asturica Augusta (Vidal 1986a and 1986b; Garcia and Vidal1990; Vidal et al. 1990, 259-63; Garcla and Vidal 1993; Tab. Imp. Rom. 1991, 27-9; Vidal 1993, 309-12; Fernhndez 1993, 227-31; Garcia 1994). At the same time, rescue excavations have also taken place at Le6n, although on a smaller scale, the camp of the Legio VI1 Gemina (Vidal 1986c; Miguel and Garcia 1993). A total of more than 50 building sites have been subject to archaeological investigation, ranging from simple watching briefs to more-frequent open-area excavations. In some cases the excavated remains have been preserved beneath newly constructed buildings and incorpor- ated into public spaces' (Figure 1). From all of this somewhat frenetic activity an enormous body of histori- cal information has been derived, which has still to be studied in depth? Nevertheless it allows a new picture to be presented of one of the least well-known of the towns of Roman Spain? Literary sources Asturica Augusta is mentioned in classical literature on a number of occasions. The earliest reference, cited at the beginning of this paper, is by Pliny the Elder (AD 23-79), procurator of the province of Hispania Citerior Tarraconensis at around AD 73, during the reign of the Emperor Vespasian. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
2012 Barcelona Christmas Agenda Ang
CHRISTMAS NEW YEAR’S EVE IN BARCELONA We celebrate New Year with food and parties as 2012 / 2013 we wait for the city clocks to strike midnight. Then everyone eats twelve lucky grapes, one by FESTIVALS AND TRADITIONS one, and drinks a toast with cava while they wish each other a Happy New Year. “PESSEBRE” THE THREE KINGS OF THE ORIENT The crib is displayed in the home and features This is the big day for children during the festive figures from the Nativity arranged in a specific season. On the evening of 5th January, the Three order. In recent years, living nativity scenes have Kings arrive in Barcelona and travel in a grown in popularity in Catalonia. They feature procession around the city in their royal carriages real people who re-enact different episodes from throwing sweets to the people in the crowd. After the Christmas story and are usually held in the children have welcomed the Kings, it’s time beautiful settings in towns and villages around the for them to go to bed. Before they do, they leave region. their slippers and something to eat for the Kings, their camels and pages, by the window or the “CAGANER” balcony. On the morning of the 6th January the The caganer , the curious crouching figure, is one children find the presents left by the Kings. of the most popular features of Catalan Nativity Children that have been naughty receive a lump of scenes. It is believed to date back to the 17th or coal. 18th centuries. For further information: www.bcn.cat/nadal “TIÓ” An old log which people used to place by the fire CHRISTMAS FAIRS AND MARKETS on Christmas Eve as a token of abundance. -
Crèdits De Les Imatges Del Vídeo “Josep Puig I Cadafalch. Arquitecte De Catalunya”
Generalitat de Catalunya Departament de Cultura CRÈDITS DE LES IMATGES DEL VÍDEO “JOSEP PUIG I CADAFALCH. ARQUITECTE DE CATALUNYA” IMATGE Tall TÍTOL, AUTOR I DESCRIPCIÓ FONT i DRETS D’AUTOR 00:00 Logotip de l’Any Puig i Cadafalch. Departament de Cultura. Film 0:13 “Gent i paisatge de Catalunya”, 1926. Filmoteca de Catalunya. El modest benestar. Els orígens 00:20 Despatx de Josep Puig i Cadafalch al seu Arxiu Fotogràfic Ramon Manent. Tots els drets reservats. domicili de Barcelona. 00:26 Dibuix de Josep Puig i Cadafalch el 1942. Arxiu Nacional de Catalunya. Fons Josep Puig i Cadafalch. Autor: Joaquim Mascaró 1 Generalitat de Catalunya Departament de Cultura 00:33 Vista de la platja de Mataró. Autor: Fergui. Arxiu Municipal de Mataró. Fons Carreras. Tots els drets AMM. Col·lecció de postals. reservats. 00:36 Mataró. Arrabal de l’Estació. Autor: Mauri. Arxiu Municipal de Mataró. Fons Carreras. Tots els drets AMM. Col·lecció de postals. reservats. 00:42 Mataró. Estació de Ferrocarril. Autor: Arxiu Municipal de Mataró. Fons Carreras. Tots els drets Mauri. AMM. Col·lecció de postals. reservats. 00:51 Mataró. Final de la Rambla. Autor: Mauri. Arxiu Municipal de Mataró. Fons Carreras. Tots els drets AMM. Col·lecció de postals. reservats. 2 Generalitat de Catalunya Departament de Cultura 00:57 Mataró. Monument i Pl. Sta. Anna. Autor: Arxiu Municipal de Mataró. Fons Carreras. Tots els drets Schoenfeld. AMM. Col·lecció de postals. reservats. 01:05 Mataró. Rambla Castelar. Autor: Thomas. Arxiu Municipal de Mataró. Fons Carreras. Tots els drets AMM. Col·lecció de postals. reservats. 01:10 Mataró. -
Catalonia Accessible Tourism Guide
accessible tourism good practice guide, catalonia 19 destinations selected so that everyone can experience them. A great range of accessible leisure, cultural and sports activities. A land that we can all enjoy, Catalonia. © Turisme de Catalunya 2008 © Generalitat de Catalunya 2008 Val d’Aran Andorra Pirineus Costa Brava Girona Lleida Catalunya Central Terres de Lleida Costa de Barcelona Maresme Costa Barcelona del Garraf Tarragona Terres Costa de l’Ebre Daurada Mediterranean sea Catalunya Index. Introduction 4 The best destinations 6 Vall de Boí 8 Val d’Aran 10 Pallars Sobirà 12 La Seu d’Urgell 14 La Molina - La Cerdanya 16 Camprodon – Rural Tourism in the Pyrenees 18 La Garrotxa 20 The Dalí route 22 Costa Brava - Alt Empordà 24 Vic - Osona 26 Costa Brava - Baix Empordà 28 Montserrat 30 Maresme 32 The Cister route 34 Garraf - Sitges 36 Barcelona 38 Costa Daurada 40 Delta de l’Ebre 42 Lleida 44 Accessible transport in Catalonia 46 www.turismeperatothom.com/en/, the accessible web 48 Directory of companies and activities 49 Since the end of the 1990’s, the European Union has promoted a series of initiatives to contribute to the development of accessible tourism. The Catalan tourism sector has boosted the accessibility of its services, making a reality the principle that a respectful and diverse society should recognise the equality of conditions for people with disabilities. This principle is enshrined in the “Barcelona declaration: the city and people with disabilities” that to date has been signed by 400 European cities. There are many Catalan companies and destinations that have adapted their products and services accordingly. -
Socio-Ecological Complexity and Ecosystem Services. an Analysis Of
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en Socio-ecological complexity and ecosystem Services An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism PhD Thesis Liliana Solé Figueras Socio-ecological complexity and ecosystem services An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism PhD thesis developed by Liliana Solé Figueras Supervised by Dr.Eduard Ariza Solé PhD program in Geography Department of Geography Universitat Autònoma de Barcelona (UAB) September 2019 Supervisor statement I STATE that the present study, entitled ‘Socio-ecological complexity and ecosystem services. An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism’, presented by Liliana Solé Figueras for the award of the degree of Doctor, has been carried out under my supervision at the Department of Geography of this university. Bellaterra, 17th Setember 2019. Doctoral thesis supervisor PhD student Director de la tesis doctoral Doctoranda Eduard Ariza Solé Liliana Solé Figueras i Summary Coastal landscapes are highly dynamic and complex socio-ecological systems resulting from the interface of land and sea. -
Marian Shrines of France, Spain, and Portugal
Tekton Ministries “Serving God’s people on their journey of faith” Pilgrimage to the Marian Shrines of France, Spain, and Portugal with Fr. John McCaslin and Fr. Jim Farrell April 4th - 16th, 2016 e Pilgrimage Itinerary e Fatima Santiago de Compostela e Day 1 - April 4: Depart U.S.A. Your pilgrimage begins today as you depart on your e Day 4 - April 7: Fatima / Santiago de Compostela flight to Portugal. Depart Fatima this morning and drive north to Porto where we will visit the soaring Cathedral and admire e Day 2 - April 5: Arrive Lisbon / Fatima the richly decorated Church of Sao Francisco. Then After a morning arrival in Lisbon, you will meet your proceed to Braga which contains over 300 churches knowledgeable local escort, who in addition to the and is the religious center of Portugal. Our sightseeing priests accompanying your pilgrimage, will be with here will include visits to Braga’s Sé Cathedral which you throughout your stay. Drive north to Fatima, one is the oldest in Portugal and the Bom Jesus do Monte of the world’s most important Marian Shrines and an which is an important pilgrimage shrine. Then important center for pilgrimages. Time permitting we continue on to Santiago de Compostela. Tradition will make a stop in Santarem for Mass at the Church tells us that St. James the Apostle journeyed to Spain of St. Stephen, famous for its venerated relic, “the in 40 A.D. to spread the Gospel as far as possible. He Bleeding Host” en route from Lisbon to Fatima. died a martyr’s death after returning to Jerusalem and his remains were eventually returned to Spain and e Day 3 - April 6: Fatima buried in this city. -
2019 Barcelona Intensive Course Abroad Itinerary Draft: Subject to Updating
2019 BARCELONA INTENSIVE COURSE ABROAD ITINERARY DRAFT: SUBJECT TO UPDATING Sunday Arrival in BarCelona Sept. 8 Morning Transport from El Prat Airport: Take the train* to Plaça de Sants; transfer to Metro* Line 1 (direction Fondo); take metro to Marina; walk to the residencia THS Campus Marina (address below).* A sinGle, 1 zone ticket costs 2 €, a Group can share a T-10 ticket (10 rides for 9.25 €). For more transit information, Go to: www.tmb.cat/en/el-teu- transport. NOTE: Prepare today for the week’s transit needs: ** purchase a 5- day travel card, to be initiated on the morning of Sunday, September 6th. ** Points of sale: www.tmb.cat/en/bitllets-i-tarifes/-/bitllet/52 - Metro automatic vendinG machines Intensive Course Abroad beGins in Barcelona at our accommodations: THS Campus Marina Carrer Sancho de Ávila, 22 08018 Barcelona, Spain Telephone: + 34 932178812 Web: www.melondistrict.com/en/location Metro: L1-Marina Afternoon Meet for an orientation; Walk to: 15:00 Museu del Disseny de BarCelona Architecture: MBM Studio (Martorell-BohiGas-Mackay), 2013 Plaça de les Glories Catalanes, 37 Dinner Group dinner (paid for by program), location to be determined 19:00 pm Monday Exploring great designs by Gaudi and DomèneCh; The Sept. 9 Contemporary City around the Plaça de las Glòries Catalanes, the Avinguda Diagonal, and DistriCt 22@bcn. Lobby 8:15 BrinG Metro Card and Articket. Early start! Morning BasiliCa de la Sagrada Familia 9:00-12:00 Architect: Antoni Gaudí, 1883-1926, onGoinG work by others Visit/SketChing Carrer de Mallorca, 401 1 Metro: L2+5 SaGrada Familia (open daily 9am-8pm / 13 or 14,30 € ) LunCh Many fast food options nearby 12:00-12:45 Afternoon Hospital de la Santa Creu i Sant Pau 13:00-14:00 Architect: Lluís Domènech i Montaner, 1901-1930 (under renovation as a museum and cultural center, access currently limited) Sant Pau Maria Claret, 167. -
THE VIVA GUIDE Barcelona Welcome To
THE VIVA GUIDE Barcelona Welcome to_ This guide was produced for you by the Viva Barcelona team. Graphic Design by Carmen Galán [carmengalan.com] BARCELONA Barcelona is the 10th most visited city in the world and the third most visited in Europe after London and Paris, with several million tourists every year. With its ‘Rambles’, Barcelona is ranked the most popular city to visit in Spain and it now attracts some 7.5 million tourists per year. Barcelona has a typical Mediterranean climate. The winter is relatively mild and the summer is hot and humid. The rainy seasons are the once in between autumn and spring. There are very few days of extreme temperature, heat or cold. Every 24th September, Barcelona celebrates it’s annual festival, La Mercè – corresponding to the day of its patron saint. It comprises of some 600 events, from concerts and all kinds of local, cultural attractions including the human tower building, els Castellers, erected by groups of women, men and children, representing values such as solidarity, effort and the act of achievement. Children are the real stars of this tradition, they climb to the very top of the human castell expressing strength over fragility. 4 5 Since 1987, the city has been Passeig de Gràcia being the most Districts divided into 10 administrative important avenue that connects the districts: Ciutat Vella, Eixample, central Plaça Catalunya to the old Sants- Montjuic, Les Corts, town of Gràcia, while Avinguda Sarriá-Sant Gervasi, Gràcia, Diagonal cuts across the grid Horta-Guinardò, Nou Barris, diagonally and Gran Via de les Corts Sant Andreu, Sant Martì. -
Modernist Movement
THE MODERNIST MOVEMENT MODERNIST ARCHITECTURE MODERNISMIN ARCHITECTURE AND THE INDUSTRIAL ARTS AND, CONSEQUENTLY, IN DESIGN, CAN BE CONSIDERED THE MOST IMPORTANT ARTISTIC MOVEMENT IN MODERN CATALAN CULTURE. THE MODERNIST MOVEMENT are not only important as architects but also for their extensive humanistic training. Although Gaudí had the same training, his circumstances were very dif- ferent from those of the others. Our study of this architectural movement must be seen as a debate with the central idea of Gaudí, of whom we spoke in the odernism in architecture and the first issue of this magazine, as a count- sought with faith and courage and industrial arts and, consequently, erpoint to the other two architects, without renouncing the past. Oin design, can be considered the without taking this to mean that he was With this purely theoretical outlook, most important artistic movement in situated between Domknech and Puig i Domenech started his professional ca- modem Catalan culture. The movement Cadafalch. reer. He finished his training in 1873 gained such importance and strength that The controversy between Lluís Dome- and 8 years later work started on his first it cannot really be studied in the same nech i Montaner and Gaudí centred on project, the Editorial Montaner i Simón, light as its contemporary European the aspect of space, that between Puig i 255, Aragó street, Barcelona, completed movements such as Art Nouveau, Cadafalch and Gaudí on ornamentation. in 1884. Jugendstil, Sezession, Liberty o Floreale, In 1878, the same year Gaudí finished his This building, along with Gaudí's Casa to name just the best-known.