A Political Companion to John Steinbeck
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Horace Bristol Papers
http://oac.cdlib.org/findaid/ark:/13030/c8t72jfk No online items Guide to the Horace Bristol papers MS.329MS.329 Finding aid prepared by Finding aid prepared by Mary deVries University of California, Santa Cruz 1156 High Street Santa Cruz, CA, 95064 (831) 459-2547 [email protected] Guide to the Horace Bristol MS.329 1 papers MS.329MS.329 Title: Horace Bristol papers, Identifier/Call Number: MS.329 Contributing Institution: University of California, Santa Cruz Language of Material: English Physical Description: 3.0 Linear feet Date (inclusive): 1935-1997 Abstract: This is a small collection of correspondence, biographical materials, and 5 photographs taken by Horace Bristol in California in the 1930s. Location: Special Collections and Archives General Physical Description note: 2 boxes, 1 framed photograph. Creator: Bristol, Horace Access Collection open for research Publication Rights Property rights reside with the University of California. Literary rights are retained by the creators of the records and their heirs. For permission to publish or to reproduce the material, please contact the Head of Special Collections and Archives. Preferred Citation Horace Bristol Papers. MS 329. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Horace Bristol, 1992-1997 Biography Photographer Horace Bristol is best known for his images of Depression era migrant families that inspired Steinbeck's The Grapes of Wrath, compelling battle scenes of World War II, and portraits of post-war Japan and Southeast Asia. Bristol was born in 1908. He was raised in Whittier, California, attended the Art Center of Los Angeles, and began to teach himself photography while studying architecture in Munich and travelling through Europe with his wife, Virginia. -
San José Studies, November 1975
San Jose State University SJSU ScholarWorks San José Studies, 1970s San José Studies 11-1-1975 San José Studies, November 1975 San José State University Foundation Follow this and additional works at: https://scholarworks.sjsu.edu/sanjosestudies_70s Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation San José State University Foundation, "San José Studies, November 1975" (1975). San José Studies, 1970s. 3. https://scholarworks.sjsu.edu/sanjosestudies_70s/3 This Journal is brought to you for free and open access by the San José Studies at SJSU ScholarWorks. It has been accepted for inclusion in San José Studies, 1970s by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Portrait by Uarnaby Conrad (Courtesy of Steinbeck Research Center) John Steinbeck SAN JOSE STUDIES Volume I, Number 3 November 1975 ARTICLES Warren French 9 The "California Quality" of Steinbeck's Best Fiction Peter Lisca 21 Connery Row and the Too Teh Ching Roy S. Simmonds 29 John Steinbeck, Robert Louis Stevenson, and Edith McGillcuddy Martha Heasley Cox 41 In Search of John Steinbeck: His People and His Land Richard Astro 61 John Steinbeck and the Tragic Miracle of Consciousness Martha Heasley Cox 73 The Conclusion of The Gropes of Wroth: Steinbeck's Conception and Execution Jaclyn Caselli 83 John Steinbeck and the American Patchwork Quilt John Ditsky . 89 The Wayward Bus: Love and Time in America Robert E. Work 103 Steinbeck and the Spartan Doily INTERVIEWS Webster F. Street 109 Remembering John Steinbeck Adrian H. Goldstone 129 Book Collecting and Steinbeck BOOK REVIEWS Robert DeMott 136 Nelson Valjean. -
By Gwyn Conger Steinbeck the Story
For Immediate Release Lawson Publishing LTD. Discovered--GWYN CONGER STEINBECK. New book relates love and adventures of the "forgotten wife," muse to the Nobel Prizewinning author of American classics MY LIFE WITH JOHN STEINBECK: by Gwyn Conger Steinbeck The Story of John Steinbeck's Forgotten Wife Who was Gwyn Conger Steinbeck? Unlike Steinbeck's first and third wives, she's unmentioned in standard editions of classics, such as The Grapes of Wrath and Of Mice and Men. But that's about to change with the publication of MY LIFE WITH JOHN STEINBECK: by Gwyn Conger Steinbeck, The story of John Steibeck's Forgotten Wife. (Lawson Publishing Ltd. Sept. 6th.). The ms, lost since 1972, was recently discovered in Wales. The book includes her introduction, that of journalist Douglas G. Brown and the acclaimed John Steinbeck biographer, Jay Parini. The book reveals the missing voice of Gwyn, "the forgotten wife," mother of his two sons, during a 6-year marriage that included the tumult of World War 2.. When she met Steinbeck in 1939, Gwyn was a professional singer, working for RKO radio and CBS in L.A. She was an independent young woman, lively and radiant in her love for the great man wooing her--14 years her senior. He was impressed by her beauty and magnetic presence. For women of her era, many of whom had to leave jobs after the war, marriage was considered a woman's true career-- love was life. This journal is her story of that adventure, often "on the road" with a restless Steinbeck, criss-crossing continents and making homes. -
The George Washington University Presidential Invitational Tournament February 6, 1994 Semifinal Round the Toss-Ups
The George Washington University Presidential Invitational Tournament February 6, 1994 Semifinal Round The Toss-Ups 1) His first head coaching experience before the NFL was at a high school in Reno, Nevada, a few years after graduating from Stanford. After winning just nine games in three years, he went back to Stanford, where he became a top-notch assistant coach. He moved to the NFL soon afterward as a running-backs coach. He turned down a slot at the GW Law School to become a head coach for the New York Giants, going 14-18 in his two-year stint. FIP, name this man, whom Dan Reeves replaced. Ray Handley 2) Born in 1934, this author served in the Strategic Air Command for four years before studying German and philosophy at Columbia. His first collection of poems, Preface to a Twenty Volume Suicide Note, reflected the romanticism of the Greenwich Village crowd of his time, but he soon afterward rejected this view for militant Afro-Americanism, as seen in his later plays such as Dutchman and The Slave. FTP, identify this author, who in 1965 chose for himself the name Amiri Baraka. Leroi~ 3) Graham Vivian was an English painter known for his landscapes with arbitrary colors who did famous portraits of Somerset Maugham and Winston Churchill. George was a conservative Supreme Court Justice nominated in 1922 by Warren Harding. Donald is an actor whose credits include M*A*S*H, Animal House, The Firm, and Invasion of the Body Snatchers. FrP, what last name do these three people share? Sutherland 4) Shirts bearing his likeness on front and a line from Apocalypse Now, "Charlie Don't Surf," on back, are now very popular. -
Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966. -
Dijkstra Agency Hot List
DIJKSTRA AGENCY HOT LIST Fall 2017 – Spring 2018 Sandra Dijkstra Elise Capron * Jill Marr * Thao Le Andrea Cavallaro * Roz Foster Jessica Watterson * Suzy Evans Jennifer Kim www.dijkstraagency.com NEW MEMOIR FROM BESTSELLING AUTHOR AMY TAN WHERE THE PAST BEGINS: A Writer’s Memoir Amy Tan (Ecco, October 2017) An exploration of memory, emotion, and the workings of the imagination in the mind of the writer, from the inimitable Amy Tan. Where the Past Begins: A Writer’s Memoir presents Amy Tan, a master of storytelling, offering unparalleled access into her writing process, her fascination with the neurology of creativity, and her exploration of the family histories that led to the creation of indelible characters in beloved works such as The Joy Luck Club and The Valley of Amazement. In these pages, we find hints of trauma in Tan’s past, relationships she has never discussed publicly, and a family mystery that was only solved accidentally, by stumbling on a box of old documents. In evocative descriptions and characteristic humor, this memoir offers us a vivid picture of the author’s childhood in Northern California, the world of her mother and grandmother in China, and her recent forays into plein air sketching. Amy explores how memories, the inspiration of music, and the beauty of the natural world mingle with enigmatic characteristics of the writer’s brain and imaginative capacities to create the magic of a story. Other non-fiction by Amy Tan: THE OPPOSITE OF FATE: Memories of a Writing Life (Putnam, 2003) New York Times bestseller, New York Times notable book “Sharp and invigorating…fertile reading.”— The New York Times Book Review “Wickedly funny and honest.”— O Magazine “A melodramatic, tragic and comedic tale…Tan is refreshingly candid.”— Baltimore Sun Amy Tan is the internationally bestselling author of The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter’s Daughter, The Valley of Amazement, The Opposite of Fate: Memories of a Writing Life, and two children’s books. -
A Student Companion To
A Student Companion To With the generous support of Jane Pauley and Garry Trudeau The Raymond Foundation Contents section 1: The Book and Its Context page 2 Who Was John Steinbeck? | Ellen MacKay page 3What Was the Dust Bowl? | Ellen MacKay page 6 Primary Sources Steinbeck Investigates the Migrant Laborer Camps Ellen MacKay: Dorothea Lange’s “Migrant Mother” and the Look of the Dust Bowl The Novel’s Reception The Wider Impact of The Grapes of Wrath page 10 What Makes The Grapes of Wrath Endure? Jonathan Elmer: Steinbeck’s Mythic Novel George Hutchinson: Hearing The Grapes of Wrath Christoph Irmscher: Teaching The Grapes of Wrath section 2: Sustainability, Bloomington, and the World of The Grapes of Wrath page 14 What Does Literature Have to Do with Sustainability? | Ellen MacKay page 15 Nature Writing Now: An Interview with Scott Russell Sanders An Excerpt from A Conservationist Manifesto | Scott Russell Sanders page 18 What Can Be Done?: Sustainablilty Then and Now Michael Hamburger Sara Pryor Matthew Auer Tom Evans page 22 Primary Access: The 1930s in Our Midst Ellen MacKay: Thomas Hart Benton, the Indiana Murals, and The Grapes of Wrath Nan Brewer: The Farm Security Administration Photographs: A Treasure of the IU Art Museum Christoph Irmscher: “The Toto Picture”: Writers on Sustainability at the Lilly Library section 3: The Theatrical Event of The Grapes of Wrath page 26 How Did The Grapes of Wrath Become a Play? | Ellen MacKay page 27 The Sound of The Grapes of Wrath: Ed Comentale: Woody Guthrie, Dust Bowl Ballads, and the Art and Science of Migratin’ Guthrie Tells Steinbeck’s Story: The Ballad of “The Joads” page 31 Another Look at the Joads’ Odyssey: Guthrie’s Illustrations. -
James Thurber and the Midwest
James Thurber and the Midwest Stephen L. Tanner Because of his large role in shaping the tone and character of The New Yorker, a magazine synonymous with urban sophistication, James Thurber is sometimes viewed as an Eastern cosmopolite. This impression is misleading, for although he lived half his life in the East and New York City was the site of his literary success, he remained a partially unreconstructed Midwesterner. His journey from Columbus, Ohio, to New York City was one more example of the familiar pattern of the young man from the provinces who finds the metropolis a catalyst for his genius. But unlike the usual provincial once-removed, he was unashamed of his Midwestern roots and trailed Ohio with him. Among his New York friends he often told stories about his eccentric relatives and acquaintances in Columbus, impersonating the various characters. And of course some of his finest writing treats this same subject. In a 1953 speech accepting a special Ohio Sesquicenten- nial Career medal, he said, "It is a great moment for an Ohio writer living far from home when he realizes that he has not been forgotten by the state he can't forget," and added that his books "prove that I am never very far away from Ohio in my thoughts, and that the clocks that strike in my dreams are often the clocks of Columbus."1 In 1959, when Columbus was named an "All-American City," he wrote to the mayor, "I have always waved banners and blown horns for Good Old Columbus Town, in America as well as abroad, and such readers as I have collected through the years are all aware of where I was born and brought up, and they know that half of my books could not have been written if it had not been for the city of my birth."2 But if it is a mistake to view Thurber as an Eastern sophisticate, it is equally a mistake to infer from these glowing statements about Columbus that he 0O26-3O79/92/33O2-O61$1.5O/0 61 &^*4fc Jp*9 James Thurber, Courtesy of The Ohio State University Library. -
12500 See Cardinal Spellman Ordain Refugee
THE VOICE «301 Biseayne Blvd., Miami 38, Flo. Return Requested VOICE Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida VOL. IV NO. 25 Price $5 a year * . * 15 cents a copy SEPTEMBER 7, 1962 12,500 See Cardinal Spellman Ordain Refugee A Prince of the Church who is the dean of the American fatherland last year and finished his theological studies at the Sisters, Catholic and non-Catholic laymen. Americans, Cubans hierarchy came to Miami last Sunday to ordain to the Holy Montezuma Seminary in New Mexico. and natives of the Latin American nations united to assist at Priesthood the first Cuban refugee priest who recently completed Eight other members of the hierarchy participated in the the Low Mass celebrated before a large and beautiful altar ceremonies witnessed by more than 12,500, including priests and especially constructed in the Miami Beach Convention Hall. his studies in exile in the United States for the diocesan priest- In the words of Archbishop Paul J. Hallinan, Metropolitan of hood in Cuba. the Province of Atlanta, who spoke during a banquet honoring His Eminence, Francis Cardinal Spellman, who was making A special ordination supplement and tribute Cardinal Spellman, the ordination of Father Sanchez was a his first official visit to the Diocese of Miami, conferred the to Cardinal Spellman appears on Pages 13 to 20, symbol of the cooperation which exists between the Americans as Sacrament of Holy Orders on 27-year-old Father Daniel Sanchez, inclusive, in this issue of The Voice. "a priestly young man from Cuba was ordained by the Cardinal a native of the Diocese of Pinar del Rio in Cuba, who left his Archbishop of New York." (Voice Photos By Bill Sander* CAUTIONS AGAINST LOOKING FOR 'SENSATIONAL FORMULAS' Expect No New Doctrines From Council, Pope Says VATICAN CITY (NO — chitects, the first audience design a church "to meditate urgy before drafting your hand with the spirit of inti- the Church strives to do with Pope John XXIII said here granted here since Pope John on the Holy Scriptures and plans. -
READING JOHN STEINBECK ^ Jboctor of $Iitldfi
DECONSTRUCTING AMERICA: READING JOHN STEINBECK ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ^ JBoctor of $IitlDfi;opI)p IN ENGLISH \ BY MANISH SINGH UNDER THE SUPERVISION OF DR. MADIHUR REHMAN DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2013 Abstract The first chapter of the thesis, "The Path to Doom: America from Idea to Reality;'" takes the journey of America from its conception as an idea to its reality. The country that came into existence as a colony of Great Britain and became a refuge of the exploited and the persecuted on one hand and of the outlaws on other hand, soon transformed into a giant machine of exploitation, persecution and lawlessness, it is surprising to see how the noble ideas of equality, liberty and democracy and pursuit of happiness degenerated into callous profiteering. Individuals insensitive to the needs and happiness of others and arrogance based on a sense of racial superiority even before they take root in the virgin soil of the Newfoundland. The effects cf this degenerate ideology are felt not only by the Non-White races within America and the less privileged countries of the third world, but even by the Whites within America. The concepts of equality, freedom, democracy and pursuit of happiness were manufactured and have been exploited by the American ruling class.The first one to experience the crawling effects of the Great American Dream were original inhabitants of America, the Red Indians and later Blacks who were uprooted from their home and hearth and taken to America as slaves. -
Omc Special Offer Modified
The OMC Gallery - NEW website - Special offers for a limited time only Pierre Alechinsky (1927 Belgium) One of the founders of the CoBrA group, whose dedication to primitive form and often violent strokes of color paralleled the American abstract expressionist movement. The group was formed as a reaction to the formal, refined art popular in other European cities immediately after World War II. The artist's style, anguished during the CoBrA period, softened perceptibly as acceptance for his art grew, but it remains strongly expressionistic. He is particularly adept at achieving subtleties and intensities of color in the lithographic process. The recipient of the Andrew Mellon Prize in 1977, Alechinsky is represented in the collections of sixty-five of the world's leading museums, incl. Fine Arts Museums of San Francisco and the Museo Reina Sofía in Madrid. He has also been honored with a permanent room in the Louisiana Museumin Denmark. The winner of the first Andrew W. Mellon Prize for Painting (1977) and the French Grand Prix National for painting in 1984, Alechinsky has been recognized in recent years as one of the most significant living artists. (The art market has also noticed his stature: one of his paintings sold at auction several years ago for over $2,000,000.) Alechinsky was just barely out of his teens when he burst onto the art scene as one of the original members of the COBRA group, and over the years he has emerged as one of the most imaginative and witty artists of our times. Alechinsky fans are everywhere. -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.