Mar 2021 Publicación Trimestral
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Recital Homenatge a Montserrat Caballé
JULIOL - AGOST 2019 ©Pavel Antonov SONDRA RADVANOVSKY RECITAL HOMENATGE A MONTSERRAT CABALLÉ www.festivalperalada.com EL FESTIVAL ÉS POSSIBLE GRÀCIES A: ESGLÉSIA DEL SONDRA CARME Moltes gràcies per ajudar-nos a fer-ho possible! 17 D’AGOST Presentat per: Patrocinador Principal: RADVANOVSKY RECITAL HOMENATGE A MONTSERRAT CABALLÉ Amb el copatrocini de: Sondra RADVANOVSKY, soprano Anthony MANOLI, piano Amb la col·laboració de: ® I II Giulio CACCINI (1551-1618) Gioacchino ROSSINI (1792-1868) Amarilli, mia bella La regata veneziana: 1) Anzoleta avanti la regata Amb el suport de: pantone 378 c Alessandro SCARLATTI (1660-1725) 2) Anzoleta co passa la regata Sento nel core 3) Anzoleta dopo la regata CCI FRANCE ESPAGNE CÁMARA DE COMERCIO FRANCESA Christoph Willibald GLUCK (1714-1787) Giacomo PUCCINI (1858-1924) desde 1883 O del mio dolce ardor Sole e amore Mitjans de comunicació oficials: Mitjans de comunicació col·laboradors: E l’uccellino Francesco DURANTE (1684-1755) Danza, danza, fanciulla gentile “Sola, perduta, abbandonata”, de Manon Lescaut Vincenzo BELLINI (1801-1835) Productes oficials: Per pieta, bell’idol mio Giuseppe VERDI La Ricordanza “Una macchia, è qui tuttora!”, Ma rendi pur contento de Macbeth Giuseppe VERDI (1813-1901) Festival Castell Peralada és membre de: El Festival dóna suport a: “Non so le tetre immagini”, d’Il Corsaro Agraïments: Gaetano Donizetti (1797-1848) “L’amor suo mi fe’ beata”, de Roberto Devereux ETERNA MONTSERRAT CABALLÉ arlar de Peralada és parlar de Montserrat Caballé. El fidel públic del Festival sap perfectament del què parlem, amb moltes nits de records inesborrables, com posa de manifest l’exposició PCaballé per sempre que es pot veure aquest estiu als jardins del Castell. -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
SEVILLA a COMPAS ANTONIO CANALES & Carmen La Talegona
PRODUCE TRIBUTO A ANTONIO MACHADO SEVILLA A COMPAS ANTONIO CANALES & Carmen La Talegona DIRECCIÓN ARTÍSTICA · ANTONIO CANALES SINOPSIS Con un staff artístico y técnico de primerísima línea, queremos inculcó la cultura y la inspiración artística con visitas hacerle un sentido homenaje en este espectáculo, a la figura habituales al Museo de Bellas Artes de la ciudad. Vivió clave de la literatura española Antonio Machado, en este 2019 también en la Calle Mateo Alemán (por aquel entonces en la que se conmemoran los 80 años de la muerte del poeta, calle Navas) evocando Sevilla en muchos de sus poemas dramaturgo y narrador hispalense. casi fotográficamente: Yo Canales, con todos mis respectos, me meto en la piel de “Mi infancia son recuerdos de un patio de Sevilla Machado, y quiero plasmar en este espectáculo (dentro de un y un huerto claro donde madura el limonero; ser poco hablador y con su torpe aliño indumentario) su mundo mi juventud, veinte años de tierras de Castilla; interno rico en palabras y versos, apasionado de la música de mi historia, algunos casos que recordar no quiero”. Mozart, de la pintura de El Greco, Goya o Velázquez, y de su inmenso amor por París, entre sus tantas y otras pasiones. Por ello, queremos que su vida y su eterna poesía, sea el hilo conductor que borde los entresijos de nuestro baile Carmen La Talegona es Pilar de Valderrama, la “Guiomar” de con otro lenguaje universal: el flamenco, un idioma rico sus versos, segundo amor y musa de Machado después de en palabras y versos bailados con un sinfín de matices, Leonor Izquierdo, su primera esposa. -
Spain, Spanish Architecture Has Received Many Different Influences and Has Had Many Different Expressions
RCHI ATECTURE IN C EMA O C MIC A D NCE ITER LATURE U M SIC AI PNTING HOT POGRAPHY CU S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI ATECTURE IN Due to the temporal and geographic amplitude of the history of C EMA Spain, Spanish architecture has received many different influences and has had many different expressions. O C MIC The real development came with the Romans who left behind in A Hispania some of their most amazing monuments. The Muslim D NCE invasion in 711 meant a radical change during the eight ITER centuries that followed and produced great step forwards in the LATURE culture and the architecture. Córdoba, the capital of the U Umayyad dynasty and Granada, capital of the Nasrid dynasty, M SIC became cultural centers of great importance. AI Many Spanish architectural structures, even big parts of the NTING P cities, have been given the status of World Heritage Site given HOT their artistic relevance. Spain is the second country with more POGRAPHY places with the status of World Heritage Site granted by the CU UNESCO, the first one is Italy. S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI MEGALITHIC ARCHITECTURE IBERIAN AND CELTIC ARCHITECTURE TECTURE During the Stone Age the Castro de Baroña The Castro culture, A Galicia most widespread megalith that arose in the north and in the IN Cueva de Menga in the Iberian Peninsula was C EMA Antequera the dolmen. The plans of center of the these funerary chambers used to be pseudocircles or Peninsula and that O trapezoids, formed by huge stones stuck on the ground was directly or indirectly related to C MIC and with others above them as a roof. -
Ballet, Culture and Elite in the Soviet Union on Agrippina Vaganova’S Ideas, Teaching Methods, and Legacy
Ballet, culture and elite in the Soviet Union On Agrippina Vaganova’s Ideas, Teaching Methods, and Legacy Magdalena L. Midtgaard Magdalena Midtgaard VT 2016 Examensarbete, 15 hp Master program, Idéhistoria 120 hp Balett, kultur och elit i Sovjetunionen Om Agrippina Vaganovas idéer, undervisningsmetoder och arv Magdalena Midtgaard vt. 2016 Abstract. Balettutbildning har varit auktoritär och elitistisk i århundraden. Med utgångspunkt i Agrippina Vaganova och hennes metodiska systematisering av balettundervisning diskuteras frågor om elit, lärande och tradition inom balettundervisning. Vaganova var en länk mellan tsartidens Ryssland och det nya Sovjet och bidrog aktivt till att balett som konstform, trots sin aristokratiska bakgrund, fördes vidare och blev en viktig kulturpolitiskt aktivitet i Sovjet. Med underlag i texter av Bourdieu och Said diskuteras elit, kulturellt kapital och elitutbildning för att förklara några av de politiska och samhällsmässiga mekanismer som bidragit till balettens unika position i Sovjet. För att placera Vaganova som pedagog i förhållande till balettundervisning och balett genom tiden, presenteras korta informativa kapitel om baletthistoria, och utveckling och spridning av Vaganovas metod, både i Sovjet/Ryssland och i andra länder. Key words: Classical ballet, Vaganova, ballet education, elite education, cultural politics in the Soviet Union My sincere thanks to Sharon Clark Chang for proof reading and correcting my English, and to Louise Midtgaard and Sofia Linnea Berglund for valuable thoughts on Vaganova and ballet pedagogy and education in general. 2 Contents 1. Introduction p. 5 1.1 Sources and method p. 6 1.2 Theoretical perspectives on elite culture p. 7 2. Background p. 8 2.1 A short history of ballet p. -
Too Hot to Handel Cincinnati Ballet's the Nutcracker Les Ballets
Too Hot to Handel November 29, 30 2003 Cincinnati Ballet's The Nutcracker December 5-14 2003 Les Ballets Africains February 27 2003 Dance Theatre of Harlem March 4-7, 2003 DETROIT Home of Michigan Opera Theatre David DiChiera, General Director DAIMLERCHRYSLER DaimlerChrysler Corporation Fund Copyright 2010,2003-04 Michigan Dance Series Opera Theatre No one can guarantee success. But knowing how to rehearse for it certainly helps. With over 250 relationship managers dedicated to one-on -one service, a full array of the latest financial products, and an emphasis on helping local businesses succeed, the Standard Federal Commercial Banking team makes sure your needs are always front and center. For more information, call 1-248-822-5402 or visit standardfede ralbank.c om . True Possibility. Standard Federal Bank ABN AMRO standardfederalbank.com ©2003 Standard Federal BankNA Copyright 2010, Michigan Opera Theatre Sur ender to Love DETROIT OPERA HOUSE . HOME OF MICHIGAN OPERA THEATRE ]B~VO 2003-2004 The Official Magazine of the Detroit Opera House BRAVO IS A MICHIGAN OPERA THEATRE PUBLICATION Winer CONTRIBUTORS Dr. David DiChiera, General Director Matthew S. Birman, Editor Laura Wyss cason Michigan Opera Theatre Staff PUBLISHER ON STAGE Live Publishing Company TOO HOT TO HANDEL. .4 Frank Cucciarre, Design and Art Direction Program ............ .5 Blink Concept &: Design, Inc. Production Artist Profiles .................. ... ...... .6 Chuck Rosenberg, Copy Editor Toby Faber, Director of Advertising Sales Rackham Symphony Choir ..... .. .............. .7 Marygrove College Chorale and Soulful Expressions Ensemble 7 Physicians' service provided by Henry Ford Medical Center. Too Hot to Handel Orchestra ... .... .... ........ 7 THE NUTCRACKER .9 Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House. -
Dedicated to Maya Plisetskaya RUSSIA's BALLET STARS
Dedicated to Maya Plisetskaya RUSSIA’S BALLET STARS DANCING IN CARMEN SUITE Carmen Suite, world-renowned ballet chef d’oeuvres, pieces from Maya Plisetskaya’s repertoire The Open Art production agency presents the first night of the legendary one-act ballet Carmen Suite involving stars of the Mariinsky Theatre, Saint Petersburg. By some happy coincidence of circumstances talents meet and do wonders. It was Maya Plisetskaya’s long-cherished dream that brought together and received support of composer Rodion Shchedrin, ballet master Alberto Alonso and conductor Gennady Rozhdestvensky. In 1967 they produced one of the most inspired ballets of the XX century – Carmen Suite. Facing considerable opposition, the talented work could have perished but for the uncompromising tenacity of Maya Plisetskaya and… time. Time is known to be the best art critic. Today Saint Petersburg’s brightest ballet stars pay tribute to the memory of the great ballerina by taking part in this performance. They are Sofia Gumerova, soloist of the Mariinsky Ballet, Merited Artist of Russia, and her partner Igor Kolb, principal dancer of the Mariinsky Ballet, Merited Artist of Russia. Once under the spell of Maya Plisetskaya’s repertoire, the artists decided to go beyond their triumph in the Northern Capital. So we can appreciate the unbelievable luck of being able to remember legendary Plisetskaya and at the same time to enjoy the supreme art of modern ballet dancers. The performance involves soloists of the Mikhailovsky Theatre, Saint Petersburg. Programme: Act I World-renowned ballet chef d’oeuvres Pieces from Maya Plisetskaya’s repertoire Act II Bizet- Shchedrin. -
25320 Cmp.Pdf
GRAN TEATRE DEL LICEU Temporada 1989- 1990 , " CONSORCI DEL GRAN TEATRE DEL LICEU Generalitat de Catalunya Ajuntament de Barcelona Ministerio de Cultura Diputació de Barcelona Societat del Gran Teatre del Liceu ® Ballet del Teatro Lírico Nacional La Zarzuela 2, 3 i 4 de setembre Hoja de Álbum Ray Barra / Felix Mendelssohn Diana y Acteón (Pas a dos) Agrippina Vaganova / Riccardo Drigo Sinfonía India Nacho Duato / Carlos Chávez María Estuardo José Granero / Emilio de Diego i Víctor M. Martín Rubio 5 i 6 de setembre Theme and Variations (Tema y Variaciones) George Balanchine / Piotr I. Txaikovski Nocturno Ray Barra / Antonín Dvorak Diana y Acteón (Pas a dos) Agrippina Vaganova / Riccardo Drigo TRADICiÓ DE QUALITAT María Estuardo AMB EL DISSENY D'AVUI José Granero / Emilio de Diego i Víctor M. Martín Rubio ORQUESTRA SIMFÒNICA DEL GRAN TEATRE DEL LICEU TOMAS COLOMER,s.A. Direcció musical JOIERS DISSENYADORS DES DE 1870 Roa Successors de Mostany i Llopart S. en C. Miguel CONSELL DE CENT, 351 . XAMFRÀ PASSEIG DE GRÀCIA 08007 BARCELONA· TEL. 216 00 53 ® Ballet del Teatro Lírico Nacional La Zarzuela Directora Artística Maya Plisetskaya Ballarins principals Arantxa Argüelles Elena Figueroba Carmen Molina Ricardo Franco Raúl Tino Hans Tino Artista invitat: Julio Bocea Solistes Marta Álvarez Mabel Cabrera M� Luisa Ramos Rosanna Burgos Montserrat García Sofía Sancho Carmen París Daniel Alonso Manuel Armas José Antonio Quiroga Javier Serrano Artistes del Ballet Verónica Altes M� Europa Guzmán Blanca M � Reche Anabel Alvero África Guzmán Adriana Salgado Katy Arteaga Olivia Jorba Esther Oliva M� del Mar Baudesson Eva M� López Rocío Pelaez Mireia Bombardo Mar Llorente Eva M� Pérez Marta Charfole Muriel Maria Susana Ruiz M� Luisa Delgado M� Teresa Martín Yoko Taira Marina Donderis Beatriz Martín M� Jesús Tarrat Gema Gallardo Belén Moreno José A. -
A Modern-Day Carmen Fantasy
SEASON 2020-2021 A Modern-Day Carmen Fantasy March 4, 2021 Jessica GriffinJessica SEASON 2020-2021 The Philadelphia Orchestra Thursday, March 4, at 8:00 On the Digital Stage Yannick Nézet-Séguin Conductor Brian Sanders’ JUNK: Kelly Trevlyn Carmen Joe Rivera Himself/José Navarro Teddy Fatscher A Picador Named Lucas Avi Wolf Borouchoff Garcia the One-Eyed Shchedrin Carmen Suite (after Bizet) a. Introduction b. Dance c. First Intermezzo d. Changing of the Guard e. Carmen’s Entrance and Habanera f. Scene g. Second Intermezzo h. Bolero i. Torero j. Torero and Carmen k. Adagio l. Fortune-Telling m. Finale Additional cast: Jess Adams Julia Higdon Laura Jenkins Desirée Navall This program runs approximately 1 hour and will be performed without an intermission. Conceived and Directed by Brian Sanders Assistant Direction by Nick Schwasman Costume Design and Masks by JoAnne Jacobs Assistant to the Artistic Director Sara Harris Brown This concert is sponsored by Tobey and Mark Dichter and the Salkind Family Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. Our World Lead support for the Digital Stage is provided by: Claudia and Richard Balderston Elaine W. Camarda and A. Morris Williams, Jr. The CHG Charitable Trust The Horace W. Goldsmith Foundation Innisfree Foundation Gretchen and M. Roy Jackson Neal W. Krouse John H. McFadden and Lisa D. Kabnick The Andrew W. Mellon Foundation Leslie A. Miller and Richard B. -
Dancing the Cold War an International Symposium
Dancing the Cold War An International Symposium Sponsored by the Barnard College Dance Department and the Harriman Institute, Columbia University Organized by Lynn Garafola February 16-18, 2017 tContents Lynn Garafola Introduction 4 Naima Prevots Dance as an Ideological Weapon 10 Eva Shan Chou Soviet Ballet in Chinese Cultural Policy, 1950s 12 Stacey Prickett “Taking America’s Story to the World” Ballets: U.S.A. during the Cold War 23 Stephanie Gonçalves Dien-Bien-Phu, Ballet, and Politics: The First Sovviet Ballet Tour in Paris, May 1954 24 Harlow Robinson Hurok and Gosconcert 25 Janice Ross Outcast as Patriot: Leonid Yakobson’s Spartacus and the Bolshoi’s 1962 American Tour 37 Tim Scholl Traces: What Cultural Exchange Left Behind 45 Julia Foulkes West and East Side Stories: A Musical in the Cold War 48 Victoria Phillips Cold War Modernist Missionary: Martha Graham Takes Joan of Arc and Catherine of Siena “Behind the Iron Curtain” 65 Joanna Dee Das Dance and Decolonization: African-American Choreographers in Africa during the Cold War 65 Elizabeth Schwall Azari Plisetski and the Spectacle of Cuban-Soviet Exchanges, 1963-73 72 Sergei Zhuk The Disco Effect in Cold-War Ukraine 78 Video Coverage of Sessions on Saturday, February 18 Lynn Garafola’s Introduction Dancers’ Roundatble 1-2 The End of the Cold War and Historical Memory 1-2 Alexei Ratmansky on his Recreations of Soviet-Era Works can be accessed by following this link. Introduction Lynn Garafola Thank you, Kim, for that wonderfully concise In the Cold War struggle for hearts and minds, – and incisive – overview, the perfect start to a people outside the corridors of power played a symposium that seeks to explore the role of dance huge part. -
VAI 2005 Fall Catalog.Pmd
2005 FALL CATALOGUE THE LEADER IN RECORDINGS OF HISTORIC PERFORMANCES AND RARE REPERTOIRE A-18 GEN TWO NEW DVDS IN ALICIA ALONSO ON VVVAI’sss BROADWAAAY SERIES Listing on page 2 Listings on page 3 New Compact Disc Releases on Page 22 These and other recent VAI DVD releases pp. 2-8! New Hardy & Kicco Classics DVDs on Page 21 A Tribute to the “Voice of an Angel” Listing on page 3 Listing on page 3 February 1, 1922 ••• December 20, 2004 Details of this 2-DVD retrospective on page 3 Listing on page 7 Listing on page 6 From the President of VAI Recently Released Dance & Orchestral DVDs from VAI Dear Friends, Our current listings feature some of HARDY CLASSICS DVD Broadway’s brightest stars. Most of this material derives from the rich archives of the Bell Telephone Hour which has provided us with performances by some of the greatest artists from the worlds of opera, dance and the concert stage. The Broadway offerings were no less luminous with star turns from such legendary greats as Ethel Merman, Barbara Cook, Robert Goulet, Alfred Drake, Carol Lawrence, Larry Kert, Dolores Gray John Raitt, Howard Keel and Gretchen Wyler. Highlighting our new releases are TWO NEW DANCE DVDS FROM VAI DVDs devoted to the art of Barbara Cook and Carol Lawrence. Both ladies ALICIA ALONSO – PRIMA BALLERINA ASSOLUTA This GISELLE are still very much in the public eye. compilation from 1958 to 1985 includes extracts from many of Alicia Miss Cook, a cabaret favorite, is about NUREYEV • FRACCI Alonso’s most celebrated roles.