DOCSLIB.ORG

DECEMBER 2014 Editorial

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DECEMBER 2014 Editorial NEWSLETTER DECEMBER 2014 Editorial IMZ INTERNAL NEWS SCHEDULE Avant Première Music + Media Market Berlin 2015 IMZ Directory 2015 Avant Première Staff Changes Music + Media Market Berlin 2015 IMZ At International Film Festival At The Curitiba Biennial – FICBIC 10 – 13 February 2015 Berlin, Germany IMZ MEMBERS NEWS New Members paladino media Stockholm Concert Hall & Royal Stockholm Philharmonic Orchestra Testklang New Productions ACCENTUS Music Claudio Abbado & Alexander Liebreich Arthaus Musik Messa Da Requiem, Gala Mariinsky II, Orpheus Bel Air Media Beyong Black, Don Giovanni & Nutcracker Clasart Classic Met Live In HD C Major Entertainment Baloise Session And The Advent Season EuroArts Bruno Monsaingeon Edition Vol. 2 Yehudi Menuhin Fountain 3 Films The Music Is Moving gebrueder beetz filmproduktion Mali Blues, Tchaikovsky On The Edge & Austrian Festival Premiere Of Before The Last Curtain Falls MODemay Entertainment Blur/Oasis: The Britpop Years Telmondis International Piano Festival Windrose A Queen Of Heart & Idomeneo Laurels, Prizes and Praises ACCENTUS Music 9 Productions Nominated At ICMA François Roussillon et Associés Ciboulette & Hippolyte Et Aricie Peter Rosen Productions Touching the Sound RELATED INDUSTRY NEWS ICMA Nomination List 2015 International Emmy® Awards 2014 The Winners Musicora 2015 The International Emmy® Almanac Creative Europe Open Calls For Producers & Distributors EDITORS’ SELECTION ... picked from the IMC Music World News Bulletin: Music news from around the world – brought to you by the International Music Council IMPRINT IMZ International Music + Media Centre Stiftgasse 29 1070 Vienna, Austria www.imz.at Plan your entries for the next edition of the IMZ newsletter: Submission deadline is Friday 18 December 2014 IMZ INTERNAL NEWS | 3 EDITORIAL Dear Members and Friends, The year 2014 was a very important, exciting and successful one for the IMZ International Music + Media Centre: After 30 years we have moved the Avant Première Screenings from midem in Cannes to Berlin and founded our own and internationally unique trade-fair for performing arts films, the Avant Première Music + Media Market in Berlin. Thanks to all dedicated IMZ members and friends who have contributed to this event it was a huge success, already in its first edition! We had the opportunity to welcome more than 320 participants from all over the world, started a cooperation with EFM/Berlinale and thereby strengthened the position of both performing arts films in the international film industry and the IMZ itself! For successfully implementing joint projects, initiatives and events such as the video li- brary & special lecture at Classical:NEXT, the International Emmy® Awards Semi-Final Judging, a special IMZ session at the IAMA Media Day, the Film Festival at Wiener Rathausplatz, open air made-to-measure music film festivals for the general public in Brno, Yekaterinburg and Curitiba, industry film screenings and the 2nd edition of the IMZ Academy at ITF Golden Prague Festival, the IMZ World Music Film Screenings at WOMEX, a lively exchange with Opera Europa at their Autumn Conference in Brno and many more – it takes trustworthy and valuable cooperation partners, to whom we owe a debt of gratitude, our sincere thanks for having once again made an important contribution to promoting and fostering the cause of the IMZ. If not for their support as well as the support of all our IMZ members, the IMZ could not look back on such a successful year that has led us into a new era. Therefore, on be- half of the IMZ board members and our creative and hard-working IMZ team in Vienna: Thank you for another wonderful year! As for now, we are preparing and heading for the 2nd and even larger edition of Avant Première Music + Media Market Berlin 2015, with an extended programme from Avant Première Screenings presenting the latest 550 programmes of 70 companies worldwide to panel discussions tackling industry relevant topics or a special presenta- tion by Fraunhofer Heinrich Hertz Institut presenting TIME Lab to the public. Last but not least we are proud to welcome big names of the scene to Avant Première’s Special Screenings: tenor Placido Domingo, conductor Daniel Barenboim and stage director Phillipp Stölzl as well as the 2Cellos Luka Šulić and Stjepan Hauser will be presenting their latest films in person. Therefore we are already looking forward to seeing you at Avant Première Music + Media Market Berlin 2015 and at one or the other interesting IMZ event in the upcoming year! Best wishes, Arild Erikstad IMZ President EDITORIAL 4 | IMZ INTERNAL NEWS OPEN HOUSE / SPONSORSHIP / ONLINE TOOLS: 2015 MAKES YOUR NETWORKING MORE DIRECT, MOBILE AND JUST Einstein on the Beach An Opera in four acts by Philip Glass and Robert Wilson Théâtre Musical de Paris-Châtelet - January 2014 HANDY! Production and Distribution: Telmondis www.telmondis.fr © Lesley Leslie-Spinks AVANT PREMIÈRE MUSIC + MEDIA MARKET BERLIN 10 – 13 February 2015 | Berlin, Germany The Open House: get in touch with the industry, get in for free! OPEN HOUSE PROGRAMME Welcome everyone! Avant Première opens its doors for all 16:00 Doors open visitors upon free admission on Monday 10 February 2015 17:00 TIME Lab Official Presentation by Fraun- from 16:00 at Hotel Scandic Potsdamer Platz. Filmmakers, hofer HHI producers, artists and all creative industries who wish to The leading technicians and developers of get in touch with the performing arts film business, join us! the TIME Lab will give an exclusive introduc- Enjoy access to all trade fair areas and approach represent- tion into this visionary technology for immer- atives of major cultural institutions and influential compa- sive media- and cultural applications. nies or entrepreneurs in the business along with a special 17:30 Première of the film Playing the Space on programme: the TIME Lab 18:30 Introduction: Avant Première and the IMZ – Advice for First Timers Learn from IMZ members how you can profit from the IMZ as a global network and how to best use Avant Première for your business outlook. 19:30 Special Screening (ends 21:00, details to be announced) IMZ INTERNAL NEWS IMZ INTERNAL NEWS | 5 The Virtual Market: all contacts in your palm IMZ DIRECTORY 2015 In its 2015 edition Avant Première introduces a new tool to make networking even easier: Browse over 400 Avant Printed Version Available Soon! Première participants by company, individuals and branch- es or get to know who are the accredited buyers. Get the most out of your visit! The Virtual Market is there to help you As every year, the IMZ Directory 2015 providing exclusive arrange business meetings or presentations even before contact details of our members being key players of the the event providing direct contact details of each individual industry, is about to be finished and will be distributed participant. Here you can also approach new partners and amongst IMZ members around mid February 2015. find common strategic directions or acquire coproduction We would be grateful if you could let us know at your partners. The Virtual Market will be available from mid of earliest convenience, if you prefer to receive the printed December 2014 on www.avantpremiere.at. release at a prize of EUR 17,- by informing Angela Bede- kovic at [email protected]. Mobile Avant Première: Be on the go and in the know In any case the electronic version of the Directory will be Know what’s happening at Avant Première wherever you at your disposal at the members’ area of the IMZ home- are! Never again depend on printed programme folders page around the same date! or schedules, since with mobile Avant Première the full Furthermore we certainly hope to meet you in Berlin, at event or day schedule lies in your hand. Access it with your Avant Première Music + Media Market Berlin during 10 - smartphone, tablet or notebook and at the same time see 13 February 2015 from where you can take the Directory all participant’s profiles inlcuding individual contact details. home directly! Mobile Avant Première features schedules and the Virtual Please contact Angela Bedekovic at [email protected]. Market. Mobile Avant Première can be downloaded from February 2015 on www.avantpremiere.at. A solo for your brand: Become a sponsor of Avant Première STAFF CHANGES It is the annual event for the international film business ded- The IMZ family is growing yet icated to the performing arts. A specialised market attract- ing major market players in the sector. If you wish to posi- again! tion your brand in the market for top class-products and performance and approach potential business partners IMZ Director Ruth Pfletschinger will again be temporarily in the cultural film business, then this is your stage! Avant leaving the IMZ (12 December 2014) as she is expecting Première provides customised sponsorship for enterprises her second child in Feburary 2015! in broadcasting, distribution, film production or technology Ruth is planning to return and connect with the IMZ family among others. Profit from valuable exposition at the film again in 2016 and is sending her warm and best wishes to location Berlin – and worldwide. Find full sponsoring infor- all IMZ members, friends and partners! mation here: www.avantpremiere.at or contact us: info@ avantpremiere.at Welcome, Johannes Pokorny! Johannes graduated in musicology in Vienna and, prior to that, studied trumpet at Mozarteum Salzburg. Along the way he was working with different organizations in the classical music business. He was able to get a broad knowledge of specific work flows when he was engaged for the Vienna Symphony Orchestra or for agencies like Müller & Pavlik Artistic Management in Basel and Robert Gilder & Company in London. Furthermore, he was curator of the City Festi- val Vienna in the first district, Register for Avant Première here / Book your hotel here Manager for the Mozart Boys Choir Vienna, co-founder of the promoter ANNA – junge Klaenge and gained addition- www.avantpremiere.at al experience working for the IAMA conference in Vienna 2013.
Load more

Recommended publications
  • Recital Homenatge a Montserrat Caballé
    JULIOL - AGOST 2019 ©Pavel Antonov SONDRA RADVANOVSKY RECITAL HOMENATGE A MONTSERRAT CABALLÉ www.festivalperalada.com EL FESTIVAL ÉS POSSIBLE GRÀCIES A: ESGLÉSIA DEL SONDRA CARME Moltes gràcies per ajudar-nos a fer-ho possible! 17 D’AGOST Presentat per: Patrocinador Principal: RADVANOVSKY RECITAL HOMENATGE A MONTSERRAT CABALLÉ Amb el copatrocini de: Sondra RADVANOVSKY, soprano Anthony MANOLI, piano Amb la col·laboració de: ® I II Giulio CACCINI (1551-1618) Gioacchino ROSSINI (1792-1868) Amarilli, mia bella La regata veneziana: 1) Anzoleta avanti la regata Amb el suport de: pantone 378 c Alessandro SCARLATTI (1660-1725) 2) Anzoleta co passa la regata Sento nel core 3) Anzoleta dopo la regata CCI FRANCE ESPAGNE CÁMARA DE COMERCIO FRANCESA Christoph Willibald GLUCK (1714-1787) Giacomo PUCCINI (1858-1924) desde 1883 O del mio dolce ardor Sole e amore Mitjans de comunicació oficials: Mitjans de comunicació col·laboradors: E l’uccellino Francesco DURANTE (1684-1755) Danza, danza, fanciulla gentile “Sola, perduta, abbandonata”, de Manon Lescaut Vincenzo BELLINI (1801-1835) Productes oficials: Per pieta, bell’idol mio Giuseppe VERDI La Ricordanza “Una macchia, è qui tuttora!”, Ma rendi pur contento de Macbeth Giuseppe VERDI (1813-1901) Festival Castell Peralada és membre de: El Festival dóna suport a: “Non so le tetre immagini”, d’Il Corsaro Agraïments: Gaetano Donizetti (1797-1848) “L’amor suo mi fe’ beata”, de Roberto Devereux ETERNA MONTSERRAT CABALLÉ arlar de Peralada és parlar de Montserrat Caballé. El fidel públic del Festival sap perfectament del què parlem, amb moltes nits de records inesborrables, com posa de manifest l’exposició PCaballé per sempre que es pot veure aquest estiu als jardins del Castell.
    [Show full text]
  • Navigating, Coping & Cashing In
    The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.
    [Show full text]
  • Give Me Excess of Hampson
    Play On: Give Me Excess of Hampson By Janos Gereben—October 2, 2008 Humans, in general, mellow with age. Thomas Hampson doesn't. Au contraire, he is more intense, dramatic, overwhelming, multitasking, brilliant than ever. Beyond the simple excellence of his other master classes, such as the one in Wigmore or in the old S.F. Conservatory of Music, his six hours over Thursday and tonight went beyond all expectations. Here he was, in the new Conservatory building, at the first "LIEDER ALIVE!" master workshop, singing duets of traditionally "single-voice" lieder, massaging skulls (his own and those of others), discussing music, literature, psychology, anatomy, the transporter beaming process in "Star Trek" (more about that later), and other subjects too numerous to list. The two evenings were reminiscent of what was going on in the nearby War Memorial: the amaZing excess, surfeit, daZZle of "Die Tote Stadt." Another similarity: above all, both events are about music, other factors - however numerous - be damned. And yet, sometimes it was difficult to remember that main theme, watching Katherine Tier surrounded by Hampson phantoms - one pressing in on the meZZo's cheekbones, the other singing "Kindertotenlieder" with her, the third in throes of the grief and resolution she should convey, and the fourth thundering an interpretation of the text speaking of the eyes of dead children becoming stars of future nights: "It happens. Your children will not stay with you. And guess what: you will die too. It's OK." And suddenly, instead of crumbling under that manifold "attack," Tier sang "Nun seh'ich, wohl, warum so dunkle Flammen" beautifully, with an understanding of its subtle catharsis, rather than sentimentally.
    [Show full text]
  • Mar 2021 Publicación Trimestral
    ARTESCÉNICAS La Revista de la Academia #20 / mar 2021 Publicación trimestral. 5€ TOMÁS MARCO música y otras bellas artes 3 FERNÁN GÓMEZ - CLOSAS ◆ LA CLAque ◆ RUZ CON DE LUZ ◆ fiesta BARROCa TEMPORADA DE PRIMAVERA 20/21 #SoclaPrimaveradelLliure Soy lo inminente. Soy lo que quieres vivir y lo que no. Soy la primavera del Lliure. Descárgate el programa o entra en www.teatrelliure.com Entidad concertada con Con la colaboración de Medios colaboradores Medios patrocinadores 4 contenidos Teatros 5| Editorial 10 50| El Corral de la Paca de 6| Medallas de oro de la Jimena Academia y distinciones Por Marcus von Wachtel de honor 54| Entrevista con Curt Allen y 10| Entrevista con Tomás Leticia Gañan Marco Por Javier Ortiz Por Joan Cerveró y Liz Perales Compañías 16| Cara y cruz 58| Hojarasca, aniversario ¿La autoficción está desplazando de 20 la escena a la ficción? de plata Por Cristina de Lucas Por Paloma Pedrero y Borja Ortíz de Gondra 62| Marías Guerreras, 20 años 20| Centenario de Alberto Por Valle Hidalgo Closas y Fernando Fernán- Gómez Por Alberto Closas Martínez y 63| Danza española en Miguel Rellán una app Por Antonio Najarro 26| Apuntes sobre fotografía 46 de la escena 64| Retos de la distribución y Por Fernando Marcos la programación en 44 tiempos del covid 30| Suma y sigue en la Por Robert Muro Compañía Nacional de Danza 70| Noticias de la Academia Por Raúl Losánez 72| Libros 36| Aplaudir por obligación Por Antonio Castro 74| Butaca de estreno Reflexión Por Carlos Mayoral 42| Talento y oportunidad 58 Por Fernando López Rodríguez 44| La ciudad portátil como metáfora del mundo Por Eduardo Blázquez y Liuba Cid 5 oct 2021 RESERVA LA FECHA OCTUBRE 2021 LU MA MI JU VI SÁ DO 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 GALA XXIV PREMIOS MAX DE LAS ARTES ESCÉNICAS Con la colaboración de ARTESCÉNICAS Editor Academia de las Artes Escénicas de España (AAEE) Directora Liz Perales Subdirector Antonio Castro Consejo editorial Mercedes L.
    [Show full text]
  • Roméo Et Juliette
    Charles Gounod Roméo et Juliette CONDUCTOR Opera in five acts Plácido Domingo Libretto by Jules Barbier and Michel Carré PRODUCTION Guy Joosten Saturday, December 15, 2007, 1:00–4:20pm SET DESIGNER Johannes Leiacker COSTUME DESIGNER Jorge Jara LIGHTING DESIGNER David Cunningham The production of Roméo et Juliette is made possible by generous gifts from the CHOREOGRAPHER Gramma Fisher Foundation, Marshalltown, Iowa, Sean Curran and The Annenberg Foundation. Additional funding for this production was provided by Mr. and Mrs. Sid R. Bass, Hermione Foundation, Karen and Kevin Kennedy, Mr. and Mrs. William R. Miller, Bill Rollnick and Nancy Ellison Rollnick, and Mr. and Mrs. Ezra K. Zilkha. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2007-08 Season The 319th Metropolitan Opera performance of Charles Gounod’s This performance is broadcast live over The Toll Brothers– Roméo et Metropolitan Opera International Radio Network, Juliette sponsored by Toll Brothers, America’s luxury home builder®, Conductor with generous long- Plácido Domingo term support from The Annenberg IN ORDER OF VOCAL APPEARANCE Foundation and the Tybalt Friar Laurence Vincent A. Stabile Marc Heller Robert Lloyd Endowment Fund for Paris Stéphano Broadcast Media, Louis Otey Isabel Leonard and through contributions from Capulet Benvolio listeners worldwide. Charles Taylor Tony Stevenson Juliette The Duke of Verona This afternoon’s Anna Netrebko Dean Peterson performance is also being transmitted Mercutio live in high definition Nathan Gunn to movie theaters in the
    [Show full text]
  • MU 270/Voice
    California State Polytechnic University, Pomona COURSE SYLLABUS MU 270 - Performance Seminar/VOICE –Spring 2014 Time and Location: T 1-1:50 Bldg. 24-191 Instructor/ office: Lynne Nagle; Bldg. 24 – 155 and 133 Office Hours: M 9:30-10:30; T11:00-12:00; T 4:00-5:00; others TBA Phone: (909) 869-3558 e-mail: [email protected] Textbook and Supplies: No textbook is needed; notebook required. Course Objectives: To provide a laboratory recital situation wherein students may perform for each other, as well as for the instructor, for critical review. They will share song literature, musical ideas, production techniques, stylistic approaches, etc., in order to learn from each other as well as from the instructor. Assignments and Examinations:!In-class performances: You will be expected to perform a minimum of 3 times (5 for upper division) during each quarter, each performance taking place on a different day. Songs may be repeated for performance credit, but lower division students must perform at least 3 different songs and upper division at least 4 different songs. Please provide a spoken translation when performing in a foreign language. A brief synopsis of an opera, musical or scene is also appropriate if time allows. ALL PERFORMANCES IN SEMINAR ARE TO BE MEMORIZED except for traditional use of the score for oratorio literature. You are also expected to contribute to the subsequent discussion. Concert Reports: TWO (2) typed reports on choral/vocal concerts, recitals or shows must be submitted by week 10 seminar or sooner. You may use any concert you have attended since the end of the previous quarter.
    [Show full text]
  • OMOM=Üop=Jlqq^D^Ob=^S=Mli^O=Jrpf`=Mofwb=
    mobppobib^pb=NN=cb_or^of=OMOM OMOM=üop=jlqq^d^ob=^s=mli^o=jrpf`=mofwb= ^kk^=kbqob_hl= Polar Music Prize 2020 går till den ryska operasopranen Anna Netrebko. Uttrycket "star quality" har en djupare innebörd i operavärlden. Att vara en virtuos sångare är inte nog. Som konstform handlar opera också om att fånga publikens uppmärksamhet. Ingen under modern tid gör detta bättre än operadivan Anna Netrebko. Som en recensent uttryckte det så personifierar hon ordet ”extra”. Med sin fantastiska röst och självlysande karisma är hon en större-än-livet-sångare som håller klassikerna vid liv, säljer slut varje föreställning och fångar uppmärksamheten även hos en publik som är ovan vid opera. Anna Netrebko öppnar dörrar. Hon var den första klassiska musikern som togs upp i Time Magazines lista över ”Top 100 Most Influential People”. När Anna Netrebko uppträder är det omöjligt att vända bort blicken. af^kb=t^oobk= Polar Music Prize 2020 tilldelas den amerikanska låtskrivaren Diane Warren, en mästare på att skriva för den mänskliga rösten. Hennes poplåtar förkroppsligar den ovanliga kombinationen att vara lättlyssnade och samtidigt tillräckligt komplexa för att höras hundratals gånger och fortfarande säga något till lyssnaren. Diane Warren är den regerande drottningen över amerikansk populärmu- sik. Genom att skriva för artister som Céline Dion, Cher, Aerosmith, Whitney Houston, Beyoncé och Lady Gaga samt få elva Oscarsnomineringar för sina låtar till Hollywood-filmer, har hon full- bordat konsten att göra powerballader. Diane Warren äger själv alla sina låtar och driver sitt eget musikförlag, Realsongs, som blivit ett av de mest framgångsrika i världen. Att som sångare få en Diane Warren-sång är en gåva.
    [Show full text]
  • The Ultimate On-Demand Music Library
    2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P.
    [Show full text]
  • The Blake Collection in Memory of Nancy M
    The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma.
    [Show full text]
  • Final 2 Encores
    WNET Contact: Harry Forbes 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS Memorable Arias and Duets from Today’s Operatic Superstars Topline Encores! Great Performances at the Met Airing in December on PBS From Natalie Dessay and Anna Netrebko to Juan Diego Flórez and Jonas Kaufmann, show-stopping excerpts from “Carmen,” “Rigoletto,” “La Bohème,” and more, hosted by Deborah Voigt Encores! Great Performances at the Met – featuring 19 unforgettable arias and duets selected from the past eight seasons of broadcasts, performed by today's greatest opera stars and talents – will air on Great Performances in December. (In New York, THIRTEEN will air the program on Thursday, December 11 at 8:30 p.m.) Hosted by soprano Deborah Voigt , from the Grand Staircase of the Met, the special covers a wide range of operatic ground, from heartbreak to hilarity, delivered by such artists as Natalie Dessay , Plácido Domingo , Renée Fleming , Juan Diego Flórez , Jonas Kaufmann , and Anna Netrebko , along with Voigt herself. These extraordinary moments, 2 selected from more than 75 productions, were initially seen as part of the Met’s global Live in HD movie-theater transmissions, and later shared with PBS audiences as presentations of Great Performances at the Met . These broadcast performances are the “high pressure performances that separate the divas from the girls,” says Voigt with a twinkle in her eye. The musical excerpts are interspersed with commentary by Voigt and some backstage interviews with the singers.
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • Digital Concert Hall
    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
    [Show full text]