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Angriff Der Melancholie Malen, Anti-Kriegs-Demos, Fußball: Für Musik Haben Die Einst So Coolen Futuristen Von Massive Attack Nur Noch Wenig Zeit
Angriff der Melancholie Malen, Anti-Kriegs-Demos, Fußball: Für Musik haben die einst so coolen Futuristen von Massive Attack nur noch wenig Zeit. VON CHRISTOPH DALLACH Dummerweise hat das neue Album jede nur mögliche Werbung nötig. Denn so hoch die Erwartungen an das einstige Pop-Avantgarde-Genie wa- rfolg im Pop ist auch immer eine Frage des ren, so bitter werden sie nun enttäuscht: neun Moll-Electro-Hop-Balladen, Timings. Und was das betrifft, hat das pa- die grau und bedeutungsschwanger ohne jeden Pep dahinwummern. Auch Ezifistische britische Musiker-Kollektiv, das die üblichen Gastsänger wie Reggae-Veteran Horace Andy und die kurz- sich ganz martialisch Massive Attack nennt, kei- haarige Heulsuse Sinéad O’Connor helfen da nichts mehr. ne glückliche Hand. Als Anfang der neunziger Der Aussetzer der Bristoler Elektro-Stars zeigt, wie schwierig es ist, im Mu- Jahre die erste Single seines Debüt-Albums ãBlue sikgeschäft über mehrere Jahre innovativ zu bleiben. Das ist umso trauri- Lines“ erschien, verscheuchten die Amerikaner ger, als es der ganzen Branche derzeit an Innovationen mangelt. Dabei gerade Saddam Hussein aus Kuweit. Die Musiker waren Massive Attack mal eine Institution, die Ma§stäbe für die moderne beschlossen, zeitweilig die Attacke aus ihrem Na- Popmusik gesetzt hat. Ende der achtziger Jahre, hervorgegangen aus der men zu streichen. HipHop-DJ-Künstler-Gang Wild Bunch in der britischen Hafenstadt Bristol, In diesem Monat erscheint mit ã100th Window“ hatten Massive Attack prägenden Anteil an der Entstehung des so genann- (Virgin) das vierte Werk von Massive Attack, wie- ten TripHop. Einem Sound, der von gebremsten HipHop-Beats und ge- der gibt’s Krach zwischen dem Chef der Iraker pflegter Melancholie bestimmt wurde und bis heute in Cafés, Clubs und und den Vereinigten Staaten von Amerika, und Boutiquen nachhallt. -
Noble Rot Meets Ecstatic Synth- Poppers Hot Chip Words by Dan Keeling Photographs by Benjamin Mcmahon
Words by Dan Keeling Noble Rot Photographs by meets ecstatic synth- SHOOT FROM THE CHIP SHOOT Benjamin McMahon poppers Hot Chip “Gordon Ramsay used to cook here a long time ago,” says Hot Chip’s Joe Goddard, reading the menu at Chez Bruce in Wandsworth. “When I last ate here, a friend from uni was working in the kitchen and I absolutely loved it.” To Joe’s left, fellow band member Al Doyle is enjoying his first drink of the evening – Vouette & Sorbée ‘Saignée de Sorbée’ Champagne – after a day rehearsing in a nearby studio for the band’s imminent support headline slot at Hackney’s All Points East festival. With their new album heralding a high point in their long career (it’s their seventh), the aptly titled A Bath Full of Ecstasy has a blend Dan Keeling: Do you cook at home? Joe Goddard: I cook all the time. I’ve got a Green of synth melodies, bouncing house basslines Egg barbecue and cook a lot of seafood, as well as buying a lot of nice wines from Bottle Apostle to try and soulful vocals that makes it one of our to pair with it. I’m interested in the weirder side of wine. This Vouette & Sorbée reminds me of a records of the year at Rotter Towers. Imagine delicious sparkling red from near Barcelona that I’ve been drinking recently called La Rosita by Pamela Geddes. It’s dry and fruity: it tastes like sparkling Erasure jamming with Daft Punk, Laid Back and Ribena to me, and I’m into that! Frankie Knuckles in a lift, and you might be Al Doyle: It’s delicious and quite unusual – it almost tastes like Pét-Nat rather than Champagne. -
1- Frontpage.Indd
14 The award-winning student newspaper of Imperial College . 05 “Keep The Cat Free” . Issue 1,461 10 ffelixelix felixonline.co.uk This week... Funding review protest A promising future lies ahead for graduates DDanan WanWan Editor-in-Chief mperial College Union took part in a protest that saw students from the 20 leading English uni- Iversities demand that “disingen- uous” tactics by their institutions stop. Ashley Brown, Imperial College Union President, entered the Russell Group offices alongside other student representatives from across the coun- News, Page 3 try this past Monday. They handed over a strong letter of protest insisting that the Russell Group publish their reports submitted to Lord Browne’s Labour in government: The review on higher education fees. The Russell Group is a collective of good, bad and the ugly 20 leading universities, including Im- perial College. The Aldwych Group is a the student union counterpart, describing themselves as the Russell Group’s “watchdog”. The Russell Group had reportedly refused to publicly divulge the content of reports that were to be submitted to the Indepedent Review of Higher Education Funding and Student Fi- nance. The review is led by ex-BP Chief Executive, Lord Browne. How- ever, a spokesperson for the Russell Politics, Page 8 Group told felix that they had “always intended to make the reports publicly available.” Lord Browne had asked all relevant A beautiful linger: Scents parties from across the country to sub- mit a first round of written arguments of the past and present and viewpoints for a review that on completion, will influence the Govern- ment’s decision on increasing univer- sity tuition fees. -
THE TUFTS DAILY Est
Where You Read It First Snow 36/26 THE TUFTS DAILY Est. 1980 VOLUME LIX, NUMBER 12 TUESDAY, FEBRUARY 16, 2010 TUFTSDAILY.COM Dartmouth policies Universities’ endowments saw tackle rise in drinking major losses last year, report shows BY MICHAEL DEL MORO BY SAUMYA VAISHAMPAYAN about underage drinking. Daily Editorial Board Daily Editorial Board “The town shares with the College the goal of reducing This article is the first in a Tufts students are no lon- the risks to student health and two-part series examining college ger alone in facing harsher safety posed by excessive alco- endowments. Today’s installment measures targeting alcohol hol consumption,” Giaccone focuses on the findings of a report abuse, as Dartmouth College’s said in the Feb. 10 press release. detailing major endowment losses. local police department has “From the statements made in The second article, to appear in unveiled a new enforcement recent days, it is clear that tomorrow’s Daily, will look at the strategy to combat a per- the Greek Leadership Council possible reasons for these losses. ceived rise in underage drink- and other involved student University endowments ing on campus. groups also share this goal across the country, includ- In a Feb. 4 meeting with and are committed to working ing that of Tufts, suffered huge Dartmouth’s Greek life com- energetically to achieve harm losses in the past fiscal year, munity leaders in Hanover, reduction.” according to a Jan. 28 National New Hampshire, Hanover Zachary Gottlieb, president Association of College and Police Chief Nicholas of the Interfraternity Council University Business Officers Giaccone announced a new at Dartmouth, highlighted the (NACUBO)-Commonfund Study strategy of instating compli- proactive approach taken by of Endowments (NCSE) report. -
Paranoid Spirit’That Thanks Tosandyn.We Are Happy Topublish METAL MELT-DOWN ‘Paranoid Spirit’ METAL GRINDER
Welcome Melody Maniacs to your Sunday loaded with music mayhem dished out by yours truly. The gig scene looks a bit stagnant these days but we sure hope the trend changes very soon for I hear Empyre will make it big with a gig. We hope more gigs wi ll take place in Kandy with the onset of many bands there and we hope that more follow suit. Music COMPILED BY Please email comments to [email protected] NILMA DOLE METAL MELT-DOWN SONG BAND 1. RISE ABOVE THIS SEETHER S 2. PSYCHO PUDDLE OF MUDD More talk from those t 3. FALLING DOWN ATREYU Empyre critters have i 4. SALUTE UR SOLUTION THE RANCONTEURS g related that Daniel 5. IT’S NOT MY TIME THREE DOORS DOWN Arlington will be in Sri 6. BELIEVE THE BRAVERY S Lanka on June 4. Plans 7. HANDLEBARS FLOBOTS have been made and i 8. GIVEN UP LINKIN PARK l Empyre will be spon- e 9. INSIDE THE FIRE DISTURBED soring 90 percent of it 10. PUSH YOUR HEAD THE EDITORS n all. Says Head Dude of Empyre Rogger Ken- 10 ObserverTop International c neth, “I have to person- e Empyre Rocks! ally thank all the bands Empyre Rocks! SONG BAND/ARTIST ? that are interested in playing and we’re hoping to make this 1. IN BLACK & WHITE PARANOID EARTHLING gig as long as possible.” He said that the profits generated 2. EYE OF THE CROWN DINELLI AND LOA will be distributed equally amongst the performing bands. 3. NO POTENTIAL KARMIC SULPHUR We were wondering what happened to Stigmata “Once again I really wanna take the time to mention that we 4. -
Pp.147-160 Jøn Contemporary Soldier Stories
Australian Folklore 26, 2011 147 Contemporary Soldier Stories and the Game of Propaganda: The War on Terror, and some Folkloric Reflections on the War in Iraq A. Asbjørn Jøn ABSTRACT: This paper explores the world of confusion of identity, purpose and hurt associated with the various ‘western’ forces involved in this Allied campaign against ‘Terror’, with special reference to the war in Iraq. The treatment is associated with propaganda, song, trauma, Australian perceptions of, and attitudes to, all of this conflict. Song, WikiLeaks, etc. are explored, and the whole is linked to the earlier Australian culture of the folk-rock track, ’I was Only Nineteen’. ‘A hero of war Is that what they see Just medals and scars So damn proud of me And I brought home that flag Now it gathers dust But it’s the flag that I love It’s the only flag I trust.’1 The America-led War on Terror haunts a great number of men and women across the globe—from those who have been the subjects of enquiries and detention, to the whanau (the bereft women) of those who have been lost in conflict, and so, too, to the very soldiers themselves who have participated in it. Coupled with the popular culture accounts, we have seen countless news reports, and narrative ‘true story’ books, about the tales of individual soldiers who served within the conflict.2 One overwhelming similarity runs through most of these accounts—a deep pain and sorrow about the events of the ‘War on Terror’ and the emotional and physical scars that it has left on not only individuals, but on proximate and other societies as a whole—as shown in Andrew 1 Rise Against, ‘Hero of War’, on Appeal to Reason (DGC/Interscope, 2008: Audio CD), Track 10. -
Sandbox SEPTEMBER 18 2019 MUSIC MARKETING for the DIGITAL ERA ISSUE 236
BROUGHT TO YOU COURTESY OF 06-07 Tools CompanionLabs 08-09 Campaigns Björk, X Ambassadors, Mabel 10–15 Behind The Campaign- Hot Chip IN ASSOCIATION WITH sandbox SEPTEMBER 18 2019 MUSIC MARKETING FOR THE DIGITAL ERA ISSUE 236 THE NEXT STEP FOR PLAYLISTS BEHIND THE CAMPAIGN HOT CHIP BEHIND THE CAMPAIGNHOT CHIP A Bath Full Of Ecstasy is Hot Chip’s seventh album and was released in June – their first new album since Why Make Sense? in 2015. COREY ZALOOM (senior manager, digital marketing) and BROOKE SALISBURY (head of marketing) of Domino Recording Company explain how they set up the album by getting their catalogue streaming in order after the label acquired three of their previous albums from EMI/Parlophone, where live was used to reawaken interest in the band, how the video for ‘Hungry Child’ reached far beyond their core audience and why both Instagram and TikTok were key new platforms in the band’s marketing arsenal. Getting the band’s catalogue streaming Domino acquired the band’s EMI/ CZ: We had a few goals going into the change in three or four years, so in order before the new album Parlophone catalogue in early 2018 album in spring 2019 and one was things like Instagram were a new BS: This is only our third album with [covering three albums between 2006 and to reactivate their catalogue. Some priority for the band. We were the band [after 2012’s In Our Heads and 2010] and that was a key part of the set up of that included re-uploading high- looking at how to integrate things 2015’s Why Make Sense?]. -
Lemmy Kilmister: Dogged Insolence in the Face of Mounting Opposition to the Contrary
Lemmy Kilmister: Dogged Insolence in the Face of Mounting Opposition to the Contrary www.slickstermagazine.com /lemmy-kilmister-dogged-insolence-face-mounting-opposition-contrary/ Joe Mitchell In 2013, at the age of 67, rock icon Lemmy Kilmister, best known for his work as the leader of thrash metal progenitors, Motörhead, had a cardioverter defibrillator implanted in his chest. Though his notorious drug usage had been restricted since the early 90s when he began suffering from diabetes and hypertension, he refused to completely give up drinking and smoking after the procedure. It did make him reduce his alcohol intake. He finally gave up his “daily bottle of Jack Daniel’s” habit that he’d had since the mid-70s. Still, he readily admitted he had could not completely give up alcohol and cigarettes . He called this refusal, “Dogged insolence in the face of mounting opposition to the contrary.” That phrase may well distill not only Kilmister’s life, but the entire philosophy of Rock ‘n’ Roll as well. More than two years later, just days after being diagnosed with an aggressive form of cancer, Kilmister died at about 4:00 p.m. Pacific Time in his two- bedroom apartment not far from his favorite hang-out, the Rainbow Bar & Grill, on Sunset Boulevard, where he was often enthralled in the playing of a particular video game. When Kilmister became too ill to leave his apartment, the owners of the Rainbow had the game moved to his home so he could continue to play it. It is said that Kilmister died sitting upright in a stool in front of the machine. -
THE RISE of LIFESTYLE ACTIVISM from New Left to Occupy
THE RISE OF LIFESTYLE ACTIVISM From New Left to Occupy NIKOS SOTIRAKOPOULOS The Rise of Lifestyle Activism Nikos Sotirakopoulos The Rise of Lifestyle Activism From New Left to Occupy Nikos Sotirakopoulos Loughborough University United Kingdom ISBN 978-1-137-55102-3 ISBN 978-1-137-55103-0 (eBook) DOI 10.1057/978-1-137-55103-0 Library of Congress Control Number: 2016947743 © Th e Editor(s) (if applicable) and Th e Author(s) 2016 Th e author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. Th is work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and trans- mission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Th e use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. Th e publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Label ARTIST Piece Tracks/Notes Format Quantity
Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes -
Rise Against
VENERDì 11 LUGLIO 2014 Sarà disponibile nei negozi e in digitale da martedì 15 luglio "The Black Market", il nuovo album dei Rise Against. L'album, il settimo della carriera, raccoglie 12 tracce ed è stato anticipato dal singolo "I Don't Rise Against: il nuovo album "The Want To Be Here Anymore". Black Market" Da martedì 15 luglio Di "The Black Market" il cantante e chitarrista Tim McIlrath dice: "I Rise Against sono sempre stati una band politica, ma anche una band personale. Abbiamo sempre scritto canzoni che tengono un piede in LA REDAZIONE entrambi i mondi. Questo album è molto più introspettivo del solito." L'intensità melodica del primo singolo "I Don't Want To Be Here Anymore" è un esempio lampante di quello che afferma il gruppo: è un brano che poggia su un ritornello potente e parla di temi universali come [email protected] il sentirsi in trappola e il desiderio di fuga. SPETTACOLINEWS.IT Tim McIlrath, il bassista Joe Principe, il chitarrista Zach Blair e il batterista Brandon Barnes hanno registrato questo disco tra gennaio e marzo di quest'anno ai Blasting Room Studios a Fort Collins, Colorado con i produttori Bill Stevenson e Jason Livermore. "Ho sottostimato cosa le canzoni dei Rise Against possono essere, cosa sono I testi e come possono a volte portarti nel lato oscuro" - racconta Tim - "ero abituato ad entrare e uscire dalle canzoni indenne ma mentre eravamo in studio per scrivere questo album ho fatto molta fatica ad allontanarmene. Sguazzavo nella tristezza e nell'angoscia delle canzoni". Questa la tracklist del disco: "The Great Die-off", "I Don't want to be here Anymore", "Tragedy + Time", "The Black Market", "The Eco-Terrorist in me", "Sudden Life", "A Beautiful Indifference", "Methadone", "Zero Visibility", "Awake too long", "People Live Here", "Bridges". -
PDF) ISBN 978-0-9931996-4-6 (Epub)
POST-CINEMA: THEORIZING 21ST-CENTURY FILM, edited by Shane Denson and Julia Leyda, is published online and in e-book formats by REFRAME Books (a REFRAME imprint): http://reframe.sussex.ac.uk/post- cinema. ISBN 978-0-9931996-2-2 (online) ISBN 978-0-9931996-3-9 (PDF) ISBN 978-0-9931996-4-6 (ePUB) Copyright chapters © 2016 Individual Authors and/or Original Publishers. Copyright collection © 2016 The Editors. Copyright e-formats, layouts & graphic design © 2016 REFRAME Books. The book is shared under a Creative Commons license: Attribution / Noncommercial / No Derivatives, International 4.0 (http://creativecommons.org/licenses/by-nc-nd/4.0/). Suggested citation: Shane Denson & Julia Leyda (eds), Post-Cinema: Theorizing 21st-Century Film (Falmer: REFRAME Books, 2016). REFRAME Books Credits: Managing Editor, editorial work and online book design/production: Catherine Grant Book cover, book design, website header and publicity banner design: Tanya Kant (based on original artwork by Karin and Shane Denson) CONTACT: [email protected] REFRAME is an open access academic digital platform for the online practice, publication and curation of internationally produced research and scholarship. It is supported by the School of Media, Film and Music, University of Sussex, UK. Table of Contents Acknowledgements.......................................................................................vi Notes On Contributors.................................................................................xi Artwork…....................................................................................................xxii